Dolby CP650 Installation Manual PDF
Dolby CP650 Installation Manual PDF
Dolby CP650 Installation Manual PDF
Corporate Headquarters
Dolby Laboratories, Inc.
100 Potrero Avenue
San Francisco, CA 94103-4813
Telephone 415-558-0200
Facsimile 415-863-1373
www.dolby.com
European Headquarters
Dolby Laboratories, Inc.
Wootton Bassett
Wiltshire, SN4 8QJ, England
Telephone (44) 1793-842100
Facsimile (44) 1793-842101
LIMITATION OF LIABILITY: It is understood and agreed that Dolby Laboratories' liability whether in contract,
in tort, under any warranty, in negligence or otherwise shall not exceed the cost of repair or replacement of the
defective components and under no circumstances shall Dolby Laboratories be liable for incidental, special, direct,
indirect or consequential damages (including but not limited to damage to software or recorded audio or visual
material), or loss of use, revenue or profit even if Dolby Laboratories or its agents have been advised, orally or in
writing, of the possibility of such damages.
Dolby, EQ Assist, Surround EX, and the double-D symbol are trademarks of Dolby Laboratories. All other trademarks remain
the property of their respective owners.
ii
CP650 Installation Manual
Table of Contents
List of Figures............................................................................................................... vi
List of Tables ................................................................................................................vii
Operating System Software History...........................................................................viii
Chapter 1 Introduction
1.1 About the Dolby CP650 Cinema Processor .............................................1-1
1.2 Hardware Configurations Available.........................................................1-2
1.3 Accessories ...............................................................................................1-3
1.4 List of Catalog Numbers Used .................................................................1-3
1.5 Specifications............................................................................................1-3
1.6 About Dolby Digital Surround EX...........................................................1-5
1.7 List of Formats Available .........................................................................1-6
1.8 How to Identify Types of Soundtracks.....................................................1-8
1.9 Regulatory Notices ...................................................................................1-9
Chapter 2 Installation
2.1 Replacing an Existing Sound System.......................................................2-1
2.1.1 Before playing the film: ..............................................................2-1
2.1.2 While playing the film: ...............................................................2-1
2.1.3 Disconnect the old system...........................................................2-2
2.2 Check Fuse and Bypass Mains Voltage Selector .....................................2-2
2.3 Mount the CP650......................................................................................2-3
2.4 Connect the CP650 ...................................................................................2-4
2.4.1 Motor Start Relays ......................................................................2-4
2.4.2 Remote Controls .........................................................................2-4
2.4.3 Solar Cell Reader Boards ............................................................2-5
2.4.4 Analog Nonsync Sources ............................................................2-7
2.4.5 Digital Audio Sources .................................................................2-8
2.5 Exploded View and Board Locations.....................................................2-11
Wiring Diagram- Input and Control ...................................................................2-12
Wiring Diagram- Audio Ouputs .........................................................................2-13
System Signal Flow Chart ..................................................................................2-14
Chapter 3 Front Panel and Alignment Overview
3.1 The CP650 Front Panel.............................................................................3-1
3.2 The Setup Control Panel...........................................................................3-5
3.3 Power Supply Voltage Test Points ...........................................................3-6
3.4 Aligning the B-Chain and A-Chain ..........................................................3-7
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CP650 Installation Manual
iv
CP650 Installation Manual
v
CP650 Installation Manual
List of Figures
Figure 1–1 Surround Speaker/Amplifier Switching for 5.1 and Surround EX Modes ................1-6
Figure 1–2 Photograph of Film Soundtracks................................................................................1-8
Figure 1–3 Film Soundtrack Identification ..................................................................................1-8
Figure 2–1 Main Fuse Assembly..................................................................................................2-2
Figure 2–2 Star Washers and Rack Mounting Screws .................................................................2-3
Figure 2–3 Cell Preamp Wiring Using Two 3-Conductor Shielded (screened) Cables...............2-6
Figure 2–4 Cell Preamp Wiring Using One 5- or 6-Conductor Shielded (screened) Cable ........2-6
Figure 2–5 Cell Preamp Wiring Using Two 2-Conductor Shielded (screened) Cable ................2-7
Figure 2–6 Cell Preamp Wiring Using One 4-Conductor Shielded (screened) Cable .................2-7
Figure 2–7 Cat. No. 794 AES/EBU and S/PDIF Jumper Selections............................................2-8
Figure 2–8 Model CP650 Exploded View .................................................................................2-11
Figure 3–1 Front Panel Controls ..................................................................................................3-1
Figure 3–2 Front Panel Display....................................................................................................3-2
Figure 3–3 Fader Characteristic ...................................................................................................3-3
Figure 3–4 CP650 Operation and Setup Menu Control Buttons ..................................................3-4
Figure 3–5 Setup Control Panel....................................................................................................3-5
Figure 3–6 Power Supply Voltage Test Points.............................................................................3-6
Figure 4–1 EQ Microphone Placement ........................................................................................4-2
Figure 4–2 EQ Assist Operating Range .....................................................................................4-10
Figure 6–1 Digital Soundhead Adjustments.................................................................................6-1
Figure 6–2 Digital Video Oscilloscope Image – Focus Adjustment. ...........................................6-3
Figure 6–3 Cat. No. 701 LED Brightness Adjustment.................................................................6-3
Figure 8–1 Cat. No. 779 Remote Control Functions....................................................................8-2
Figure 8–2 Location to Drill Wiring Hole on Remote Control ....................................................8-3
Figure 8–3 Remote Control Circuit Board Connector..................................................................8-3
Figure 8–4 Remote Control SW1 Address Switch Location........................................................8-4
Figure 8–5 Connection of Remotes to the CP650 ........................................................................8-5
Figure 9–1 Digital/Analog Track Wear........................................................................................9-1
Figure 9–2 Cat. No. 701 LED Assembly Mounting Screws ........................................................9-2
Figure 9–3 Cat. No. 701 LED Assembly Wiring .........................................................................9-2
Figure 9–4 Cat. No. 701 LED Assembly Initial Gap Setting.......................................................9-2
Figure 9–5 Scope Display of CP650 Video Test Point Signal .....................................................9-4
Figure 9–6 Adjust Cat. No. 701 LED Assembly for Optimum Video Signal..............................9-4
Figure 9–7 Cat. No. 701 LED Drive Current Setting...................................................................9-4
Figure 9–8 Cat. No. 700 Digital Soundhead Exciter Lamp Replacement....................................9-5
Figure 9–9 Power Supply Voltage Test Points.............................................................................9-6
Figure 9–10 Model CP650 Exploded View .................................................................................9-7
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CP650 Installation Manual
List of Tables
Table 1–1 Formats Supported by the CP650................................................................................1-6
Table 2–1 Solar Cell Preamp Board Connectors..........................................................................2-5
Table 2–2 Examples of AES/EBU ↔ S/PDIF Adapters Available ...........................................2-10
Table 7–1 Surround Delays Based on Theatre Dimensions in Feet .............................................7-3
Table 7–2 Surround Delays Based on Theatre Dimensions in Meters.........................................7-4
Table 7–3 Typical Delay Settings for Dolby Digital Readers......................................................7-5
Table 7–4 Typical Delay Settings for Built-in Digital Readers ...................................................7-5
Table 9–1 Main Power Supply Voltage Ranges...........................................................................9-6
Table 9–2 Bypass Power Supply Voltage Ranges........................................................................9-6
Table B–1 Main Audio Output Connector Pinout....................................................................... B-1
Table B–2 Option Card I/O Connector with Cat. No. 794 Installed ........................................... B-2
Table B–3 Dolby Digital Reader Input Connector Pinout .......................................................... B-3
Table B–4 Motor Start Connector Pinout.................................................................................... B-4
Table B–5 Optical Input Connector Pinout ................................................................................. B-4
Table B–6 MIC Input Connector Pinout ..................................................................................... B-4
Table B–7 Mic Mux Connector................................................................................................... B-5
Table B–8 Remote Unit and Remote Fader Connector Pinout ................................................... B-5
Table B–9 Six-Channel Analog Input Connector Pinout ............................................................B-6
Table B–10 Automation I/O Connector Pinout...........................................................................B-7
Table B–11 Automation I/O Connector Pins Used for Noise Gating ......................................... B-8
Table B–12 Serial Data (RS-232) Connector Pinout................................................................... B-8
Table D–1 Channel Definitions...................................................................................................D-1
Table D–1 Format Characteristics Chart .....................................................................................D-8
vii
CP650 Installation Manual
V1.0.4.4
• First product shipments.
• Covered in installation manual issue 1.
V1.1.3.0
• Added support for Cat. No. 794 card: Dolby Digital Surround EX decoder and
AES/EBU input for stereo PCM or Dolby Digital bitstreams from consumer
products.
• Covered in installation manual addendum, part number 91743.
V1.1.5.0
• Added support for Cat. No. 779 remote control unit and Cat. No. 771 remote
fader unit. Covered in remotes installation manual, part number 91733.
V1.1.7.0
• Added support for formats 92 and 93: Dolby SR input selections. Covered in
format definitions document on CD-ROM.
viii
CP650 Installation Manual
Chapter 1
Introduction
The CP650 provides inputs for two projector soundheads (both analog and digital), an
external six-channel processor, two nonsync sources, and a PA microphone. Its audio
outputs are balanced, with a multipin connector configured to the THX standard. The
CP650 is the first cinema processor to incorporate an Ethernet connection, enabling
theatre personnel to monitor the unit’s functions remotely from a PC.
For decoding analog soundtracks, the CP650’s state-of-the art design incorporates the
only digital implementations of Dolby A-type and Dolby SR decoding to meet Dolby
Laboratories’ own rigorous standards. Reductions in the cost of powerful DSP
circuitry have made it possible for the first time to replace the analog circuitry
previously necessary for the accurate reproduction of A-type and SR soundtracks.
An easy-to-read LCD screen, plus simple front-panel format selection and control
buttons make it easy to install, operate, and maintain the CP650. Installation is further
simplified by built-in test instrumentation that includes a real-time analyzer. Third-
octave equalization, plus bass and treble trim controls, are provided for up to seven
channels (Left, Center, Right, Left Surround, Right Surround, Back Surround Left,
and Back Surround Right). A digital parametric equalizer is provided for subwoofer
equalization.
Calibration settings for a given theatre can be stored on a PC, and, if necessary,
transferred directly to another CP650, or other modules, minimizing the need for
additional calibration after repairs. As improvements to the CP650 digital control and
processing software are developed, the latest revisions will be downloadable from a
PC to the CP650. Updates to the digital processing used for Dolby Digital
soundtracks are included from time to time on Dolby Digital release prints, and
download automatically into the CP650 the first time such a print is played in the
cinema.
1-1
CP650 Installation Manual Introduction
The standard Model CP650 includes a Cat. No. 794 plug-in module featuring Dolby
Digital Surround EX decoding capability plus an AES/EBU digital input
accommodating stereo PCM audio and Dolby Digital (consumer) bitstreams.
Options available for the CP650 include a remote fader (Cat. No. 771), and a remote
unit duplicating many of the CP650 front panel controls (Cat. No. 779).
Model CP650
• Dolby Digital soundtrack decoding capability
• Dolby A-type and SR analog soundtrack decoding capability
• Dolby Digital Surround EX decoding and AES/EBU digital input
• Six-channel analog input
Model CP650D
• Dolby Digital soundtrack decoding capability
• Dolby A-type and SR analog soundtrack decoding capability
• Six-channel analog input
• Upgradable to Dolby Digital Surround EX decoding and AES/EBU digital
input by installing upgrade kit UEX/650, which includes a Cat. No. 794 plug-
in circuit board.
Model CP650SR
• Dolby A-type and SR analog soundtrack decoding capability
• Six-channel analog input
• Upgradable to Dolby Digital soundtrack decoding by adding upgrade kit
UD/650, which includes a Cat. No. 773 plug-in circuit board.
• Upgradable to Dolby Digital Surround EX decoding and AES/EBU digital
input by adding upgrade kits UD/650 and UEX/650, which includes a
Cat. No. 794 plug-in circuit board.
1-2
CP650 Installation Manual Introduction
1.3 Accessories
• Cat. No. 771 Remote Fader
• Cat. No. 779 Remote Control Unit
• Upgrade kit UD/650, which includes the Cat. No. 773 circuit board
• Upgrade kit UEX/650, which includes the Cat. No. 794 circuit board
1.5 Specifications
Signal Inputs
Optical: Balanced inputs for two projectors with stereo solar cells or analog LED
readers. Digitally controlled gain and digital slit loss EQ. Power available for external
cell preamp circuits. 9-pin D-connectors.
Digital film reader: Inputs for two Dolby digital soundheads. 25-pin D-connectors.
Nonsync: Two stereo inputs, 21 kΩ, sensitivity: 0.2–4V (NS 1),
0.06–1.5V (NS 2). RCA-type phono connectors.
Six-channel analog input: For external digital processor,10 kΩ (L, R),
27 kΩ (C, Ls, Rs, SW), 300 mV operating level. 25-pin D-connector.
Microphone: Balanced input for PA mic or B-chain alignment mic
(or multiplexer), 15 V phantom power switchable via front-panel DIP switch.
Rear-panel XLR and front-panel 9-pin D-connector.
AES/EBU digital input: Accommodates stereo PCM audio at 48, 44.1, or 32 ksps.
Also accepts Dolby Digital or Dolby E bitstreams. Input via 25-pin D-connector,
110Ω ±20 %, balanced.
1-3
CP650 Installation Manual Introduction
Other Connections
Cat. No. 779 remote control unit and Cat. No. 771 remote fader connector (terminals
for stripped wires).
Connectors (front and rear) for external PC control and setup, RS-232C
(9-pin D-connector).
Hearing impaired output: center-weighted sum of L, R, and C, output
impedance 100Ω, output level 200 mV fixed, unbalanced (RCA-type phono
connector).
Automation connector for controlling and indicating format, fader select, and mute.
Interface similar to Model CP65.
Connector for Ethernet link (future use, RJ-45 connector).
Dolby Decoding
5.1 channels, Dolby Digital, and Dolby Digital Surround EX
Four channels, Dolby A-type
Two channels, Dolby SR
Dolby Pro Logic
Loudspeaker Equalization
L, C, R, Ls, Rs, Bsl, Bsr: 27-band digital 1/3-octave, plus bass and treble control.
SW: digital parametric with 12 dB cut capability.
Distortion
Typically 0.005% in Dolby SR mode (output –10 dBu, input 10 dB over Dolby level).
Dynamic Range
Typically 99 dB with fader set to 7.
Power Requirements
Main supply: 100–120 and 200–240 VAC, 50–60 Hz, 100 W max.
Built-in bypass power supply.
Unit designed to operate from a centrally switched power source.
1-4
CP650 Installation Manual Introduction
Dolby Digital Surround EX is fully compatible with all current 5.1 digital sound
formats and theatre systems. Prints that use it play normally with current systems, and
provide the extra surround channel when played using a CP650 cinema processor
equipped with the Cat. No. 794 board, or earlier Dolby cinema processors equipped
with the Dolby model SA10 adapter.
It has long been known that a center screen channel is necessary to ensure the precise
localization of front sounds for all viewers, including those seated to the sides of the
theatre. Dolby Digital Surround EX brings similar benefits to the surround
soundfield. With Surround EX, a back surround channel is reproduced by the speaker
array at the back of the theatre, while left and right surround is reproduced by the side
arrays. This means that sounds can now be positioned behind the audience, opening
the door to exciting new effects, such as true 360° pans.
The back surround channel also makes front-to-back and back-to-front transitions
more realistic. Flyovers really seem to pass overhead, rather than down the sides of
the theatre. Even ambient sound reproduction is improved, being less affected by the
width of the theatre. Equally important, the new back surround channel assures that
even viewers seated close to the left or right of the theatre experience the total
surround ambience intended by the filmmaker.
The UEX/650 kit upgrades the CP650D 5.1-channel digital cinema sound processor
to three surround channels that can play digital prints prepared with the Dolby Digital
Surround EX process. The installation requires wiring the surround speakers into left,
back (split into two groups), and right. Two power amplifier channels are required
for powering the two groups of back surround channel speakers. The figures on the
next page show the surround signal distribution for conventional 5.1-channel
surround and for Dolby Digital Surround EX format.
Auto Surround EX
On Dolby Digital soundtracks that contain a data bit signifying Surround EX
encoding, the CP650 will automatically switch to Dolby Digital Surround EX
decoding (operating software version 1.2 and above).
1-5
CP650 Installation Manual Introduction
Ri
d
10
un
gh
Surround
rro
ts
Dolby CP650 amplifiers
ur
su
ro
Ls
ft
un
Le
d
Bsl
Bsr Back surround left Back surround right
Rs
Ls Ls
Bsl
Bsr
Rs Rs
Dolby Digital
5.1 mode
Ri
d
U1
un
gh
Surround
rro
ts
Dolby CP650 amplifiers
ur
su
ro
Ls
ft
un
Le
d
Bsl
Bsr Back surround left Back surround right
Rs
Ls Ls
Bsl
Bs
Bsr
Rs Rs
Dolby Digital
Surround EX mode
Figure 1–1 Surround Speaker/Amplifier Switching for 5.1 and Surround EX Modes
Format Description
Academy Mono Optical
01
Short name: Mono
Dolby A-type Optical
04
Short name: Dolby A-type
Dolby SR Optical
05
Short name: Dolby SR
Dolby Digital Film
10
Short name: Dolby Digital
11 External 6-Channel
1-6
CP650 Installation Manual Introduction
Format Description
13 Dolby Digital Surround EX Film
Short name: Surround EX
20 35 mm Magnetic, L, C, R 3-Channel
Short name: 3-Channel Mag
22 35 mm Magnetic, 4-Channel
Short name: 4-Channel Mag
70 mm Dolby A-type Mag. Mono
42 surround
Short name: 70 mm Dolby A-type
60 Nonsync 1
61 Nonsync 2
70 Video PA Nonsync 1
Short name: Video PA (NS1)
1-7
CP650 Installation Manual
1.8
a SR) track.
a
How to Identify Types of Soundtracks
1-8
Picture area
A Dolby Digital, Dolby Digital Surround EX, stereo optical (Dolby A-type or SR), or
mono optical print should be identified as such on both the film can and the leader.
However, with handling, the identification may be lost. If neither is available, close
inspection of the film itself will help distinguish the various types. Digital data blocks
are printed between the perforations on the side of the film next to the analog (Dolby
1.9.2 Canada
This Class A digital apparatus complies with Canadian ICES-003.
1.9.3 UL
Exposed portions of the power supply assembly are electrically “hot.” In order to
reduce the risk of electrical shock, the power cord MUST be disconnected when the
power supply assembly is removed.
1.9.4 UK
As the colours of the cores in the mains lead may not correspond with the coloured
markings identifying the terminals in your plug, proceed as follows:
• The core that is coloured green and yellow must be connected to the terminal in the plug identified
by the letter E or by the earth symbol or coloured green or green and yellow.
• The core that is coloured blue must be connected to the terminal that is marked with the letter N or
coloured black.
• The core that is coloured brown must be connected to the terminal that is marked with the letter L
or coloured red.
This apparatus must be earthed.
1-9
CP650 Installation Manual Introduction
1-10
CP650 Installation Manual
Chapter 2
Installation
Do not connect the CP650 to mains power until all connections have been made.
If air-conditioning noise is audible in the theatre, arrange for lubrication of the motor,
fan bearings, adjustment of belts and drives, and cleaning of filters to reduce the
ambient noise to a minimum. If the air-conditioning cannot be repaired switch it off
while the CP650 is being aligned.
2-1
CP650 Installation Manual Installation
The CP650 uses a universal switching power supply that can accommodate nominal
mains voltages from 100 to 120, and 200 to 240 VAC, at frequencies from 50 to
60 Hz.
Remove the fuse carrier and check that the fuse in the active (left position) is of the
correct rating. The fuse carrier must be inserted into the compartment with the fuse
oriented to the left. Do not force the carrier into the compartment. Damage will
result. The polarizing clip must be attached on the right side of the carrier at the rear.
Snap the fuse compartment door closed.
Caution: Be sure to check this setting. If the bypass voltage selector is set to 120 V and the
unit is connected to 220 V mains voltage, the bypass power supply fuse will blow.
2-2
CP650 Installation Manual Installation
Internal Fuse
The switching DC power supply contains a separate internal fuse, not accessible to
the installation engineer or user. Do not remove the power supply cover. The CP650
main fuse will protect most fault conditions. If this fuse blows, the power supply has
certainly failed.
Proper shielding and termination of cables and cable assemblies are also very
important. Follow the methods shown in the wiring diagrams.
If you are installing a Dolby Cat. No. 701 Digital Soundtrack Reader, refer to its
installation manual for mounting and alignment.
2-3
CP650 Installation Manual Installation
Shields must be connected as shown in the fold-out pages to avoid radio frequency
interference.
Note: Follow all local codes and regulations covering electrical wiring. It is
recommended that conduit be used for wiring runs.
Connector shells have been included in your installation kit for use in countries that
are governed by the EMC directives. The shells must be used as noted on the fold-out
pages.
Signal levels:
Motor Start: Less than 1 Vdc with respect to signal ground.
Motor Off: Greater than 3.5 Vdc, less than 18 Vdc.
If the CP650 is to be used in a platter operation (single projector), a jumper must be
installed. A pre-wired connector is installed at the factory for this purpose.
The Cat. No. 771 Remote Fader duplicates the front-panel main fader knob and
level display of the CP650.
A customer-supplied 100k linear pot, wired as a variable resistor, can also be used.
Minimum pot resistance corresponds to a front panel fader setting of maximum (10).
Details on how to connect any of these remote controls to the CP650 are shown in
Chapter 8 and in the Installation Wiring Input and Control drawing located at the
end of this chapter.
2-4
CP650 Installation Manual Installation
The 0 V point (audio ground) must be connected from the inboard reader board to the
CP650 by a separate wire (or wires) along with the audio signal wires. The cable
shield (screen) must be kept separate from the audio ground connections. It must be
connected only to the chassis or enclosure of the equipment at each end.
The following diagrams show two connectors on the Cat. No. 655 circuit board. The
three-pin connector, J1, is used for the power connections. The signal output
connector, J2, provides six output pins: two each for the balance left and right
outputs, and two 0 V audio ground connections.
Note: The physical orientation of the board mounting in the projector and the orientation of the connector body
mounting on the board affect which channel appears on which pin of the connector. Be aware that pin
allocations for the channels will vary depending on mounting arrangements of the board and connector.
The J2 connector pin solder hole with a square outline is pin 1.
There must be a connection between the ground pins at the Cat. No. 655 solar cell
circuit board and the audio common in the CP650. This connection must not use the
shield of the optical input cable, since doing so may impose RF energy on the CP650
ground system.
Pin numbers 6 and 9 of each nine-pin D connector (“Projector”) on the CP650 allow
these connections to be made. The wire that connects either of these pins to the
Cat. No. 655 audio ground should pass inside the same shield as the optical input
cables and not connect with the shield at any point.
2-5
CP650 Installation Manual Installation
– CP650
1
Out 1+ Optical In
+
3 Shield
Out 1– 1
Gnd 9
2* 2
8
– Gnd 3
4 Out 2+
7
4
+ 6
6 Out 2–
5
Gnd Shield
5*
Cat.No.655 Wiring Diagram Gnd
Ground wire on pin 5, OPTIONAL
* Ground wire on pin 2, REQUIRED
1
+Vdd Shield
2
Gnd – Vdd 3
Figure 2–3 Cell Preamp Wiring Using Two 3-Conductor Shielded (screened) Cables
J2
– CP650
1
Out 1+ Optical In
+
3
Out 1– 1
Gnd 9
2* 2
8
– Gnd 3
4 Out 2+
7
4
+ 6
6 Out 2–
5
Gnd Shield
5*
Cat.No.655 Wiring Diagram Gnd
Ground wire on pin 5, OPTIONAL
* Ground wire on pin 2, REQUIRED
J1
1
+Vdd Shield
2
Gnd – Vdd 3
Figure 2–4 Cell Preamp Wiring Using One 5- or 6-Conductor Shielded (screened) Cable
2-6
CP650 Installation Manual Installation
Gnd Shield
5*
Cat.No.655 Wiring Diagram Gnd
Ground wire on pin 5, OPTIONAL
* Ground wire on pin 2, REQUIRED J1
1
+Vdd Shield
2
– Vdd
3
Gnd
Figure 2–5 Cell Preamp Wiring Using Two 2-Conductor Shielded (screened) Cable
J2
– CP650
1
Out 1+ Optical In
+ Belden 8723
3 or equivalent
Out 1– 1
Gnd 9
2
8
– 3
4 Out 2+
7
4
+ 6
6 Out 2–
5
Gnd Shield
5
Gnd
J1
1
+Vdd Shield
2
Gnd – Vdd 3
Figure 2–6 Cell Preamp Wiring Using One 4-Conductor Shielded (screened) Cable
2-7
CP650 Installation Manual Installation
The choice of digital interface standard you wish to use (AES/EBU or S/PDIF) must
be set via four jumpers on the Cat. No. 794 board. The default factory setting is
AES/EBU. If your digital audio source uses the S/PDIF standard (i.e., your unit has
RCA or BNC output connectors), then the Cat. No. 794 board must be removed and
the jumpers moved as shown.
MADE IN U.S.A/U.K.
2 1
Digital Output Source
AES/EBU 15
black
red
S/PDIF 2
1
3
2 1
S/PDIF
Digital Output Source
J4
AES/EBU
OR
S/PDIF
Figure 2–7 Cat. No. 794 AES/EBU and S/PDIF Jumper Selections
2-8
CP650 Installation Manual Installation
The AES/EBU standard has been developed and adopted by professional audio
equipment manufacturers. The standard defines a balanced input (two conductors plus
shield) with a characteristic input impedance of 110Ω. Equipment incorporating
AES/EBU digital outputs uses conventional-looking XLR connectors carrying digital
bitstreams instead of analog audio signals. Most professional audio equipment utilizes
this format because balanced operation yields superior noise immunity, just like
analog audio. Even in digital audio, noise-free signals are still very important. XLR
connectors have been standard on analog audio equipment, and this is another reason
for their adoption by the professional audio industry. The cable, however, is
specifically designed for digital audio use even though it appears to be the same as
that used for analog signals. Any professional audio equipment or broadcast supply
company can provide 110Ω cable with connectors (or without, if you wish to
terminate them yourself). Use of cables not designed for 110Ω digital transmission
will compromise the integrity of the bitstream and may create an unreliable link
between pieces of equipment, particularly with long cable runs.
Professional video equipment uses a variation of this interface, where the peak-to-
peak digital audio signal is 1 V. The decoding circuit handles both levels
automatically. BNC (“push and twist”) connectors are used for the digital audio
signal on professional video equipment. Like the use of XLR connectors on pro audio
equipment, the adoption of BNC connectors for pro video stems from their existing
use for the video signal. Again, you can use high-quality 75Ω video cables with BNC
connectors. Alternatively, you can use high-quality RCA (phono plug) video cables
with BNC adapters since the cable and impedance are the same.
2-9
CP650 Installation Manual Installation
With one digital audio input on the CP650, it may seem difficult to switch between
multiple units that use different digital output standards. It is actually easy to convert
from one interface to the other. A simple and economical method is to use inline
transformers. These devices perform the necessary impedance and connector
conversion between AES/EBU and S/PDIF signals. With the digital outputs of all
units converted to the same interface standard, a patchbay or a router/switcher can be
used for selecting which output is connected to the single digital input of the CP650.
The table below shows some examples of AES/EBU ↔ S/PDIF adapters. The
S/PDIF connector in these examples is a BNC. BNC-to-RCA adapters can be added
to connect to consumer S/PDIF outputs. The units listed below are of the “passive”
type.
Higher-priced units incorporating active circuitry are also available. These offer
additional features like multiple inputs, inputs for Toslink (fiber optic) digital
connections, and multiple outputs.
2-10
CP650 Installation Manual Installation
Front Sub-Panel
Front Sub-Panel
Mounting Screws (7)
R
D
.C
02
5C
42
FB
Disassembly steps can be found in the troubleshooting section of this manual. See
Chapter 9, section 9.3.2.
2-11
CP650 Installation Manual Installation
MADE IN U.S.A/U.K.
15
Projector Changeover Relay black
Maintained Closed Contact
J4
red 2 3
Selects Projector 2 1
AES/EBU
S/PDIF
13 1
2 1 S/PDIF
For Dolby Digital Installations
25 Digital Output Source
+15V 100 mA MAX
Proj 1 Motor Start Relay
MADE IN U.S.A/U.K.
SHIELD
GROUND
J4
MUTE Projector Motor OR
U2 AES/EBU
To Automation NONSYNC
S/PDIF
(See Interface Requirements U1
11 5 1
in Appendix B)
10 Proj 2 Motor Start Relay
05 9 6
04 Reverse Scan / LED
01 Projector Motor For future Analog Reader Board
Automation use
1
1 2 3
J1
red
UL
AUTOMATION
O CP650 SERIAL DATA (RS-232) MIC. INPUT black
J2
1 OUT 1 +
1 2 3 4 5 6
C US Digital Cinema Processor OUT 1 -
OUT 2 +
LISTED San Francisco U.S. Wootton Bassett U.K. red
PROFESSIONAL AUDIO
EQUIPMENT 4J06 MUTE
ETHERNET OUT 2 -
13 1
U2
NONSYNC READER 1 black
U1
11
01
04 MOTOR START The physical board mounting in the projector and
05
10
REMOTES AND AUD. FADER 5 43 2 1 the connector orientation affect which channel
Dolby Digital appears on which pin of the connector. Be aware
READER 2 MS1 OPTION CARD I/O that pin allocations for the channels will vary
P1
P1/ P2 depending on mounting arrangements of the
+ NONSYNC IN 1 P2 9 8 7 6
board and connector. The J2 connector pin
REMOTE DATA MS2
- +
L
L+ WARNING solder hole with a square outline is pin 1.
FADER
IN
C
C+ L R Risk of electric shock.
N/C R Do not open.
R+
H/I OUTPUT Ls NONSYNC IN 2 No user serviceable parts OPTICAL IN 1 Projector 1
Ls + inside. Refer all service Solar Cell
Rs
Rs +
to qualified personnel.
OR:
~ 50 - 60 Hz 120 W
SW L R This equipment must be
R
100 - 240 Vac
1 13
SW + earthed/grounded.
R L Projector 2
R L
CAUTION This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions: (1) this
14 17 20 23 24 25 6-CH AUDIO INPUT
To reduce the risk of fire
MAIN AUDIO OUTPUT (External Digital Processor) OPTICAL IN 2 red
replace only with same device may not cause harmful interference, and (2) this
green
type and rating device must accept any interference received, including
interference that may cause undesired operation.
black
250V time-lag fuse.
FUSE T 6.3A L
black
This Class A digital apparatus complies with Canadian ICES003.
5 mm x 20 mm red
red
FB425A02.CDR
black
1 2 3 4 5 6
Auditorium Fader 5 4 3 2 1
L
(100K Linear Pot)
Cat. No 771
Terminals Front View
Remote Fader of Pot 9 8 7 6
Cat. No 771
Cat. No. 779
DATA
Notes: SHIELD
L
1. 4. 6-Channel Analog Input
Follow all local electrical and building codes. For three conductor with shield wiring, use Belden 8771 Rs
(all unlabeled pins are signal ground)
Ls
2. Use grounded (earthed) conduit wherever possible. Avoid 3-conductor shielded cable or equivalent: tinned copper, R (normal operating level = 300 mV)
routing signal wiring near electric motors, rectifiers, power twisted pair, 22 AWG stranded tinned copper drain wire, C
SW
wiring, dimmer wiring, or other sources of electrical noise. aluminum-polyester shield, 100% shield coverage,
conductor-to-conductor 75 pF per meter.
3. For two conductor with shield wiring, use Belden 8451
2-conductor shielded cable or equivalent: tinned copper, 5. All shields must be connected to the CHASSIS of the CP650.
twisted pair, 22 AWG stranded tinned copper drain wire, This achieves the required RF interference immunity. A metal
aluminum-polyester shield, 100% shield coverage, housing must be used for all D-connectors and the shields
conductor-to-conductor 111 pF per meter. must be connected to the housing. Chassis ground and circuit
(audio) ground are internally connected. CP650 INSTALLATION WIRING
INPUT AND CONTROL CONNECTIONS
2-12
CP650 Installation Manual Installation
C UL US
AUTOMATION
O CP650
Digital Cinema Processor
SERIAL DATA (RS-232) MIC. INPUT
LISTED San Francisco U.S. Wootton Bassett U.K.
PROFESSIONAL AUDIO
EQUIPMENT 4J06 MUTE
ETHERNET
U2 13 1
NONSYNC READER 1
U1
11
01
04 MOTOR START
10 05
REMOTES AND AUD. FADER
Dolby Digital
READER 2 MS1 OPTION CARD I/O
P1
P1/ P2
+ NONSYNC IN 1 P2
L+ WARNING
Impaired FADER
IN
C
C+ L R Risk of electric shock.
System red N/C R
R+
Do not open.
FB425B02.CDR
AES/EBU inputs
Front Speakers (see inputs diagram)
Signal black black 14
Gnd red
L red 2
Notes:
1. Follow all local electrical and building codes. 4. All shields must be connected to the CHASSIS of the CP650.
2. Use grounded (earthed) conduit wherever possible. Avoid This achieves the required RF interference immunity. A metal
routing signal wiring near electric motors, rectifiers, power housing must be used for all D-connectors and the shields
wiring, dimmer wiring, or other sources of electrical noise. must be connected to the housing. Chassis ground and circuit
(audio) ground are internally connected.
3. For two conductor with shield wiring, use Belden 8451
2-conductor shielded cable or equivalent: tinned copper,
twisted pair, 22 AWG stranded tinned copper drain wire,
aluminum-polyester shield, 100% shield coverage,
conductor-to-conductor 111pF per meter.
CP650 INSTALLATION WIRING
AUDIO OUTPUT CONNECTIONS
2-13
CP650 Installation Manual Installation
Bypass Bypass
Fader Output
(EEPOT) Level
Digital Card (Trimpot)
To 6-Ch
8 6-Ch
2-Ch Option 6-Ch EPOT Level Bypass Audio
6 Balanced
Non- Card DAC Control Relays Out
8 and Treble Outputs
Sync
2 Bulk EQ
2
2-Ch Input
2 6-Ch 6
Non- Multi-
Sync plexer ADC
6
6 Ch
Analog Card
DAC
for
Reader Self-Test
1
Dolby Digital
Front end ADC
2
Reader 6 IS for
2 to Self-Test
MUX ESSI
Convertor
6-Ch Bit, Word, and Frame Clocks
Sample 6 for all A/Ds, D/As and the Analog Card
Cat.No. 773 MUX
Rate
6 Sample Rate Converter
Converter Digital Card
Back
Panel Option
Boot Digital Processes
Connector
Dynamic To
Status
DSPs Analog Processes
Load Configuration
Controller and System Memory
From
B-Chain
EQ DSP
Option Card
Digital Card
20 char Front Panel
Remote Front Panel
by 4 line Shaft
Auditorium Parallel Control PC Serial Accessory Switches
LCD display Encoder
Fader Automation Port Interface Interface
Chapter 3
Front Panel and Alignment Overview
This chapter describes the features on the CP650 front panel, along with an overview
of the general principles involved in the alignment of Dolby cinema equipment. It is
useful to develop an understanding of why the CP650 is aligned as described in this
manual. If the installer is already familiar with the CP650 and these principles, or is
in a hurry to complete the installation, this chapter may be read later. Continue the
setup procedure beginning with the next chapter.
7.0
P1 P2
menu mute
Next Menu Button OK Button Main Fader Knob Power Supply Button
Steps through the Used to store the Controls sound level and is used for When this button is illuminated red, the unit is in
menu list. displayed setting in menu operations and data selection bypass mode, either because bypass mode has
the CP650 memory. during setup. The knob rotates been manually selected (by using the button) or
continuously with no end-stops. because a fault has been automatically detected.
In bypass mode, the unit is powered by the built-in
bypass power supply. While the main power
Select Button Mute Button supply is in use, this button is not illuminated, and
Selects a parameter to change. Fades down and fades up the signal the screen and other indicators operate normally.
The change is made by rotating to all channels without disturbing the
the main fader knob. current main fader setting. Flashes
red when activated to fade-down.
3-1
CP650 Installation Manual Front Panel and Alignment Overview
Front-Panel Display
Day-to-day operation of the CP650 is performed through interaction with this display.
The 20-character, four-line LCD provides a read-out of processor condition, operation
mode, and is used to perform local alignment of the CP650 by the service engineer, if
PC setup software is not used.
The examples above show normal displays when the CP650 is in use. The bottom left
area contains a bar graph display of signals present. Each bar will move as a film is
playing for confirmation that sound is being processed by the CP650. Reading from
left to right, the graph displays the Left, Center, Right, Left Surround, Right
Surround, and Subwoofer channels. If your CP650 contains a Cat. No. 794 Dolby
Digital Surround EX decoder card, then you will see the additional level displays
representing Back Surround Left and Back Surround Right channels as shown.
M1 indicates that the projector 1 motor contact is closed or jumpered (motor start
connector on the back panel). The motor running signals are used in the timing of
changeovers while running Dolby Digital films in a two-projector system.
The 0 shown on the bottom right is a display of Dolby Digital film error rate. The first
indication of satisfactory playback is by detecting a low error rate. The error rate is a
number between 0 and 8. With a correctly aligned digital reader, most films will play
at an error rate of 6 or lower. If the error rate is above 8, the CP650 will revert to
analog soundtrack playback and no error rate number will be displayed.
Level Display
The main fader level is displayed as a two-digit number. Starting from a display of
0.0, the level increases from –90 dB to –10 dB (display 4.0) as the fader knob is
turned clockwise. The level then increases in smaller steps from –10 dB to +10 dB
(display 10). As with previous generations of Dolby cinema processors, a fader
setting of 7.0 (0 dB) is the nominal correct operating level. This setting matches the
level used during production of the film.
3-2
CP650 Installation Manual Front Panel and Alignment Overview
When the fader knob is rotated between readings 0 and 4.0, the output level changes
in 20 dB steps between –90 dB and –10 dB. When the fader knob is rotated between
readings 4.0 and 10, the output level changes in 3 1/3 dB steps between –10 dB and
+10 dB.
10
3 1/3 db
0 per step
-10
-20
-30
Output
-40
Level (dB)
20 dB
-50 per step
-60
-70
-80
-90
0 1 2 3 4 5 6 7 8 9 10
Fader Level
3-3
CP650 Installation Manual Front Panel and Alignment Overview
Format Buttons
Select the desired format. Pressing a format button during menu operations will return
the display to the top level menu.
Mute Button
Pressing the mute button fades the audio output to all channels without disturbing the
current main fader setting. The speed of fade-in and fade-out is separately adjustable
from 0.2 to 5 sec using the front panel menu buttons or PC setup software. The mute
button flashes red when mute is activated.
The left-hand next menu button is used to step through the menu list. Pressing and
releasing the button once will change the display to the next menu item. Pressing and
holding the button while rotating the main fader knob will step the display through all
menu items.
The center adjust parameter button is used to select a parameter to adjust when
there are multiple items available on the display. Pressing and releasing the button
will select among them. The adjustment is then made by rotating the main fader knob.
The right-hand OK button is used to accept the setting displayed on the front panel
screen and store it in CP650 memory. Any changes to settings will occur
immediately, but will not be saved until this button is pressed. Leaving the current
menu before pressing the button will cause the change to be discarded.
Note: For convenience, pressing the illuminated format button once, or any other
format button twice, causes the CP650 to immediately return to the menu top-level
screen display. This feature is handy for making a quick change, then returning to
normal operation. This feature is not active in setup mode (described below).
3-4
CP650 Installation Manual Front Panel and Alignment Overview
Mic Bypass
MIC input level Test points used for Test points used for Channel signal output test points
control alignment of the digital connecting an
soundhead. oscilloscope to
BYPASS output level display CP650 RTA
control
3-5
CP650 Installation Manual Front Panel and Alignment Overview
Caution: The front- and rear-panel connectors are wired in parallel and should not
be used simultaneously. Do not plug anything into the rear-panel connector if the
front-panel connector is being used.
Test Points
These test points are provided to allow rapid access to the required signals used
during CP650 setup. Each test point is a 2-mm diameter female socket that accepts a
2-mm male test pin. Test point pins can be obtained in the USA from ITT Pomona®
Electronics. Type 3221 is a useful, stacking, pin-to-BNC female adapter.
--14VB +15V
MIC MUX
+5V
Rs Sw
+5VB +14VB
3-6
CP650 Installation Manual Front Panel and Alignment Overview
It is not practical for the entire cinema industry to standardize on a single make and
model of loudspeaker. And, the different acoustical characteristics of individual
theatres would, to some extent, negate the need for any such standardized speakers.
Electronic equalization of each loudspeaker system achieves consistent results in a
broad spectrum of environments, and with a broad range of speakers. Accurate
equalization requires the use of standardized acoustic measurement procedures.
A built-in pink noise generator provides a continuous random noise signal that covers
the total bandwidth. This signal is used to measure and adjust the response of the
loudspeakers. The use of random noise eliminates the problems inherent with the use
of test tones (standing wave patterns in the theatres) and enables the frequency
response of the entire system to be observed. Each channel can be measured and
adjusted independent of the other channels.
3-7
CP650 Installation Manual Front Panel and Alignment Overview
The amount of reverberation varies with frequency. As frequency rises, more audio is
absorbed rather than being reflected. A typical reverberation curve in a theatre rolls
off at about 3 dB per octave above 2 kHz. This characteristic is used to define the
standard steady-state response curve for all dubbing theatres in which films with
Dolby soundtracks are mixed and for all Dolby processor-equipped cinemas.
The size of the theatre affects the reverberation time, and therefore the measurement
of frequency response. After alignment to this standard curve, some slight adjustment
of high-frequency slope may be necessary for extremely large or small theatres. The
Bulk EQ Treble Adj. menu selection can be used to reduce the output by
approximately 1 dB at 8 kHz for very a large theatre; or to increase the output 1 dB at
8 kHz for a very small theatre. Any such adjustment should be based on an
evaluation, by ear, of actual known films rather than as a rule of thumb.
Some loudspeakers used in theatres are far from ideal and require boosting of the
low- and high-frequency extremes in order to produce an approximation of the
standard reference response curve. Bass and treble controls centered on the turnover
points of typical loudspeakers lift the ends of the spectrum without the need for large
amounts of narrow-band boost from the third-octave EQ circuitry.
The final factor is masking of the screen. The masking curtains must be drawn back
sufficiently to clear the left and right screen speakers before any adjustments or
measurements are made. The high-frequency horns should clear the screen frame and
be mounted as close as possible to the screen. Conventional black felt side-masking
can severely restrict high-frequency response. Consequently, there would be severe
losses if the left and right loudspeakers were equalized with the masking set for a
2.35:1 film, and then the masking were brought in for a 1.85:1 film, thus obscuring
the outer speakers. To avoid this problem, some theatres have installed acoustically
transparent masking cloth, and others leave the masking open whenever they are
showing a 1.85:1 film with a stereo soundtrack. Moving the speakers towards the
center of the screen to clear heavy masking is not a good solution, since the stereo
separation would be degraded.
Repainted screens cannot be used for quality sound playback, because the
perforations, which allow the high frequencies through the screen, can become
clogged with paint.
3-8
CP650 Installation Manual
Chapter 4
B-Chain Alignment
Speakers
• Loudspeaker cables – Check that they are in good condition and that they are the
correct gauge for the impedance of the speakers and the length of the run.
• Speaker wiring – Check that the speakers are connected to the correct power amp
channel.
• Rattles – A leak in the low-frequency driver cabinet may sound like a rattle.
• Loose bolts or other hardware.
• Open drivers – In systems with pairs of drivers, one voice coil of the pair may be
open but the system will still function. Check the speakers with an ohm meter. If
one channel requires markedly more equalization than the other, or if one speaker
overloads at lower levels than the other speakers, an open driver circuit could be
the cause.
• Missing drivers or other components.
• Crossover settings matching the type of drivers in use and the acoustics of the
theatre – The high-frequency driver level control must be set for the best possible
frequency response before you attempt any equalization. This is especially true if
the system uses active crossovers with bi-amp equipment.
• Polarity switched between the low-frequency and high-frequency drivers, and
between the channels.
• Aiming of speakers – Ensure that the speakers are correctly aimed into the
auditorium, and that they are not obstructed by the screen frame, struts, or other
obstructions.
Amplifiers
• Distortion.
• Gross gain differences among amplifiers – If one amplifier differs in performance
from the others, it should be checked and repaired if necessary, before proceeding
further. Input gain controls should all be at the same setting.
• Blown fuses.
• Good cooling air movement through power amplifiers.
4-1
CP650 Installation Manual B-Chain Alignment
Air-conditioning
If air-conditioning noise is audible in the theatre, arrange for lubrication of the motor
and fan bearings, adjustment of belts and drives, and cleaning of filters to reduce the
ambient noise to a minimum.
1.5 meters
(5 feet)
Route the output cable to the CP650 and connect it to the microphone connector on
the rear panel or front setup panel (XLR on the rear panel or 9 pin D-connector “MIC
MUX” input on front setup panel). The mic input connectors are wired in parallel.
Phantom power is optionally provided to both mic connectors by moving DIP switch
3 to the up position.
4-2
CP650 Installation Manual B-Chain Alignment
POWER AMPS Set all the gain controls on all power amplifiers
to a known repeatable setting. The preferred
setting for most amplifier gain controls is
maximum.
Off
Caution: The following steps will cause the CP650 to output pink noise to the power amplifiers. The
CP650 output levels may be set too high. If you are unsure of the settings on your unit, turn off the
power amplifiers before selecting the “Calibrate SPL” menu item shown in Section 4.4 below. Then,
select and observe the present output level adjustment settings. (press left menu button two times while
the unit is in setup mode.)
Oscilloscope
12345678
MIC 1
4-3
CP650 Installation Manual B-Chain Alignment
Calibrate SPL “Calibrate SPL” appears on the screen and pink noise
Enter Room Reading:
> xx.x dB is sent to the center channel speaker.
Press OK to continue
80
70
50
60
Please Wait...
Note: The calibration is retained in CP650 memory and can be used
Calibrating.... in future alignments. However, it is advisable to recalibrate the
system when re-arranging microphones because the sound pressure
level will vary slightly with microphone placement.
Note: The spectrum analyzer, built into the CP650, has automatic
Mic Level Too Low level control covering a range of mic input levels. However, if you
or Too High
Proceeding
see an error message reporting mic level too low or too high:
Uncalibrated The microphone(s) may require phantom power. Move DIP switch 3
UP, press / hold the left menu button, and rotate the main fader
counterclockwise one step back to the Calibrate SPL Menu, and
repeat the above steps.
The CP650 is shipped from the OR
factory with the mic input level While watching the oscilloscope RTA display, adjust the “Mic” gain
control set to minimum. control to place the flat part of the signal in the approximate center of
the screen. The trimpot is accessible through an opening in the setup
panel. Then press / hold the left menu button, and rotate the main
fader counterclockwise one step back to the Calibrate SPL menu, and
repeat the above steps.
4-4
CP650 Installation Manual B-Chain Alignment
menu
OK Press the center menu button, moving the cursor
down one line to Level:
Output Levels Note: The Level: line on the display shows a relative number. The
Channel: Center number has no units.
>Level: xx
Room Level xx.x dB
Output Levels Press the center menu button once to move the cursor
>Channel: Center
Level: xx back up to the Channel: selection.
Room Level xx.x dB
menu
OK Press the center menu button, moving the cursor
down one line to Level:
4-5
CP650 Installation Manual B-Chain Alignment
Digital Subwoofer
>Level: xx Pink noise is now present on the subwoofer channel
Polarity: Normal only (100 Hz bandwidth).
Center Noise: Off
4-6
CP650 Installation Manual B-Chain Alignment
The RTA screen on the scope displays a standard (ISO 2969) response curve. The
ideal setting is reached when the room response readings fall on (or very close to) this
standard curve.
>Bulk EQ Ch.: Center The Bulk EQ menu appears with Center channel
Bass Adjust:±x.x dB
Treble Adj: ±x.x dB selected.
Corner Freq: x kHz
Pink noise will appear at the center channel speaker.
4-7
CP650 Installation Manual B-Chain Alignment
B-Chain EQ
Channel Select Press the left menu button once to move to the
>Center
Press OK to continue B-Chain EQ menu. The software enters this menu
with Center channel selected.
menu
Press the OK button to begin final EQ on this
OK
channel.
4-8
CP650 Installation Manual B-Chain Alignment
1.0kHz C ±x.x dB
-_ _---_
The 27-band RTA now displays on the oscilloscope.
--_- - - -__--_-- 1 kHz is the default start frequency band selected. A
small marker on the scope trace shows the frequency
band selected. Turn the front panel knob (with no
button pressed) to select the active band. The CP650
= screen cursor (line) blinks to indicate which band is
active.
When the front panel knob is rotated to select
frequencies at the far left (or right) side of the LCD
screen, the displayed bands will “scroll” left (or
right) to show the low or high frequency bands.
Press and hold the middle menu button while
moving the front panel knob to adjust the level of the
selected band. Perform fine adjustment of each band
+ = adjusting the response to be as close as possible to
the standard curve displayed on the scope.
All of the equalizer bands interact with each other.
You should not start at the low frequency end of the
response curve and merely work your way to the
high frequency end. As each band is adjusted, the
response of adjacent bands is affected. Start at the
center frequencies. The desired curve is a flat
frequency response up to 2 kHz, falling at 3 dB per
octave to 8 kHz (1 dB per third-octave band). If
modern woofer systems (vented-box direct radiator
enclosures) are installed in the theatre, moderate bass
equalization down to 40 Hz may be used. Once an
adjustment seems OK, work on the frequencies on
either side of it. You may find that a cut at one
frequency is followed by a slight boost at adjacent
frequencies.
Shortcuts:
Spin the front-panel knob counterclockwise
(more than 100 steps) to set the equalization to
flat (no boost, no cut).
= Flat
Spin the front-panel knob clockwise (more than
100 steps) to activate the EQ Assist feature. See
the description at the end of this section.
= EQ Assist®
4-9
CP650 Installation Manual B-Chain Alignment
OK Saving Changes..... When the desired response for this channel has been
...
achieved, press the right-hand OK button to save the
settings.
Press the left menu button once, then move the front
panel knob to select the next channel to be equalized.
L, R, and Ls, Rs Repeat the above procedure for the remaining full-
or range channels.
L, R, Ls, Bsl, Bsr, Rs
Activate EQ Assist by rotating the front-panel knob clockwise to move the blinking
cursor up to the 16 kHz band. Keep spinning the knob clockwise. When the cursor
stops blinking, EQ Assist is active and no further changes are allowed while it
operates. You will see the levels moving, and hear the audio in the auditorium
changing as the EQ Assist operates. When the cursor begins blinking again (after
approximately eight seconds) EQ Assist has finished.
It is important to note that the lowest three bands of the graphic equalizer (40, 50 and
63 Hz) and the uppermost two bands (12.5 kHz and 16 kHz) will not be adjusted.
This is to protect the speakers against undesirable level boosts in those bands. Set
these bands manually then verify that the overall equalization is satisfactory.
4-10
CP650 Installation Manual B-Chain Alignment
menu
Press the left menu button twice to move to the
OK
Subwoofer EQ screen.
menu
Press the center menu button, moving the cursor to
OK
Cut:, then rotate the front panel knob setting cut to
0.0 dB (minimum cut). This will disable the EQ so
that you can determine the low-frequency resonant
Cut = 0.0 dB
peak to be equalized. The factory setting is 0.0 dB.
Cut = 12.0 dB
4-11
CP650 Installation Manual B-Chain Alignment
menu
OK
Press the center menu button to move the cursor to
Frequency:, then rotate the front panel knob. A dip
in the frequency response will move along the
Frequency frequency axis of the scope RTA display.
menu
OK
Press the center menu button to move the cursor to
Q:
Q Adjust Q for the flattest possible frequency response.
menu
OK
When the desired response has been achieved, press
the right menu OK button to save the settings.
Saving Changes..... After saving the settings the display returns the
... Subwoofer EQ screen.
4-12
CP650 Installation Manual B-Chain Alignment
Main Channels
MIC 1
Digital Subwoofer Note: The RTA oscilloscope display is active on this menu. If the
>Level: xx reference line does not appear, the calibration step may have failed or
Polarity: Normal was not performed. Repeat the SPL steps in Section 4.4.
Center Noise: Off
Digital Subwoofer
>Level: xx Pink noise is now present on the subwoofer channel
Polarity: Normal only (100 Hz bandwidth).
Center Noise: Off
OK Saving Changes..... Press the right-hand OK button to save the final level
...
setting.
4-13
CP650 Installation Manual B-Chain Alignment
Optical Subwoofer
Bandwidth Press the left menu button once to move the display
> 50 Hz
one menu step to the Optical Subwoofer
Bandwidth.
Optical Subwoofer
>Level: xx
>Level Rotate the front panel knob to move the average level
Polarity: Normal of the displayed pink noise up or down to the meet
Center Noise: off
the reference line.
4-14
CP650 Installation Manual B-Chain Alignment
Optical Subwoofer Using the center menu button, move the cursor to
Level: xx
Polarity: Normal
Center Noise, then rotate the front panel knob to On.
>Center Noise: On
4-15
CP650 Installation Manual B-Chain Alignment
CAUTION
Pressing OK will play
pink noise in the
auditorium
OK
Press the right OK button to start the pink noise.
Rotating Noise
Pink noise is sent to each channel in turn, holding for
Press OK to five seconds at each channel. The channel currently
Start or Stop
Running L running pink noise is shown on the bottom right hand
side of the display.
Unlike the different levels used during alignment, the
rotating pink noise is set to 85 dB for all channels
during this test.
Pressing the right OK button stops the pink noise
OK from moving to the next channel. Pressing the OK
button again resumes pink noise rotation.
Go to the auditorium and sit two-thirds of the
distance from the front speakers to the rear, and at
the center from side-to-side. All channels should
sound equally loud and have similar frequency
response as the noise rotates. An SPL meter can be
used to confirm accurate and equal level settings.
Press the illuminated format button to return the
CP650 to normal operation.
4-16
CP650 Installation Manual
Chapter 5
A-Chain Alignment
5.1 Overview
The A-chain alignment involves adjustments made to the projector soundhead optics,
solar cell, and optical preamplifier board. It is the part of the sound system that covers
the film path, analog soundtrack solar cell, optical preamplifier, slit loss equalizer,
digital soundtrack reader, associated digital signal processing and decoding circuitry,
and Dolby processing circuits.
The A-Chain optical level is calibrated with the Cat. No. 69T Dolby Tone test film.
This film is used to establish the correct Dolby operating level within the CP650.
A Cat. No. 69P pink noise test film is used for A-chain frequency response and
soundhead alignment. Pink noise has a constant amount of energy per 1/3-octave
band, creating a flat response on a real-time analyzer display.
The optical slit is the key element in the A-chain because it imposes the initial
limitation on the high-frequency response of the system. Light from the exciter lamp
passes through the optical slit and is focused on the optical soundtracks on the film.
The light that passes through the soundtracks falls on the stereo solar cell, which
generates an electrical signal proportional to the audio signal recorded on the optical
soundtracks. The slit introduces high frequency loss, which must be compensated by
circuitry in the CP650.
The slit image must be correctly focused on the film and must be set at precisely a
right angle to the direction of film movement in order to maintain the correct phase
relationships between the two optical tracks. Any azimuth error will show as a loss of
high frequency in the front channels and potentially excessive crosstalk in the
surround channels.
Each channel in the CP650 optical preamplifier is equipped with a slit loss equalizer
control. Adjustment of this control shifts a fixed amount of boost upward or
downward in frequency, but the shape of the curve remains constant. A flat response
to 16 kHz can be achieved.
5-1
CP650 Installation Manual A-Chain Alignment
5-2
CP650 Installation Manual A-Chain Alignment
Note: The solar cell associated with the right channel is closest
to the edge of the film.
5-3
CP650 Installation Manual A-Chain Alignment
12345678
Lt SIGNAL
Connect the oscilloscope to the Lt and Rt test
PRESENT
Rt points.
Video Clamp RTA1 RTA2 Lt Rt
Mic Bypass
12345678
Ch 1
Slide DIP switch 6 to the UP position. This
Ch 2 switches the CP650 into setup mode.
GND
Oscilloscope
Automatic
Optical Level Adjust Press the left menu button multiple times to move
Projector 1
Press OK When Ready. the display to Automatic Optical Level Adjust
Projector 1.
Proj 1
Listen to the tone on the booth monitor to identify
any problems with distortion or unwanted film
playing speed variations.
OK
5-4
CP650 Installation Manual A-Chain Alignment
OK
Press the OK button to save the level settings.
Saving Changes.....
...
Proj 2
menu
Press the left menu button moving the displayed
OK
menu to Manual Adjust for projector 2.
5-5
CP650 Installation Manual A-Chain Alignment
OK
Press the OK button to save the level settings for
Projector 2, left and right channels.
Saving Changes.....
...
12345678
Connect the oscilloscope to the Lt and Rt test
Lt SIGNAL
Rt PRESENT points.
Video Clamp RTA1 RTA2 Lt Rt
Mic Bypass
Ch 1
Ch 2
GND
Oscilloscope
Proj 1
5-6
CP650 Installation Manual A-Chain Alignment
L
✓ L
✓ The adjustment is correct when there is no signal
output while the film is running. It may not be
possible to adjust for a null with some older slits;
in such instances, adjust for a minimum and equal
R R signal on L and R.
OSCILLOSCOPE TRACES
Note: The right channel is the track toward the outside of the
projector. On some projectors, it may be necessary to stop the
film to adjust the position of the cell.
5-7
CP650 Installation Manual A-Chain Alignment
If the film path, optics, or LED / exciter lamp were adjusted, repeat the previous film
path alignment and cell alignment steps. The optimum setting is attained when no
further adjustments are required using the two test films.
✓ Correct
x x
x Incorrect azimuth
5-8
CP650 Installation Manual A-Chain Alignment
12345678
Lt SIGNAL
Reconnect the scope to RTA1 and RTA2 test
Rt PRESENT
points.
Video Clamp RTA1 RTA2 Lt Rt
Mic Bypass
Ch 1
Ch 2
GND
Oscilloscope
Projector 2
Repeat the focus adjustment for projector 2.
Left/Right
5-9
CP650 Installation Manual A-Chain Alignment
Projector 1:
Manual Slit-loss EQ
Projector 1
>Channel: Left
Value: xx
Left / Right
menu
OK
Adjust EQ
5-10
CP650 Installation Manual A-Chain Alignment
9
Rotate the front panel knob for the most extended
high frequency response without “peaking.”
X
problem may be a degraded slit or lens damage.
X
menu
OK
When the desired response has been achieved,
press the right menu OK button to save the
settings.
Saving Changes..... After saving the settings the display returns the
...
Manual Slit-Loss EQ, Projector 1 menu.
menu
OK Press the left menu button to move to the Manual
Slit-Loss EQ, Projector 2 menu and repeat the
procedure above.
Projector 2:
Manual Slit-loss EQ
Projector 2
>Channel: Left
Value: xx
5-11
CP650 Installation Manual
Chapter 6
Digital Soundheads
1. Thread a length of film from a supply reel through the digital soundhead (refer to
the threading diagram located on the soundhead), and continue through the
projector as you would any film.
2. Apply tension to the film and inspect for equal tension on both edges of the film.
3. Check for uneven forces on the rollers, or twisting of the film.
4. When the path is aligned, tighten the soundhead mounting bolts and reel arm.
C
B
A
A
B
C
6-1
CP650 Installation Manual Digital Soundheads
Note: The Cat. No. 701 Digital Soundhead is optically aligned at the factory and
should not require adjustment unless the CCD Circuit Board has been disturbed.
The following test setup will enable adjustment of focus and confirmation or
adjustment of light level and optical alignment.
1. Make sure power to the digital soundhead is provided. Power to the CP650 should
also be on.
2. Open the CP650 front panel setup access door.
3. Connect a probe from Channel 1 of a 20 MHz or greater bandwidth oscilloscope
to the VIDEO Test Point with the ground lead attached to the ground test point.
4. Connect a second probe from the scope’s Channel 2 to the CLAMP signal test
point to trigger the scope. Connect the second probe’s ground wire to the ground
test point.
5. Set the trigger source on the scope to Channel 2.
6. Adjust the Channel 2 vertical trace position to move the trace off the screen. It is
not necessary to view this signal after triggering has been established.
7. Adjust the scope for one horizontal trace across the screen, and adequate vertical
gain (approximately 2 µ sec/div. horizontal, 1 V/div. vertical).
8. With digital film threaded and running in the projector, observe the video
waveform. (See figure 6-2 below).
6-2
CP650 Installation Manual Digital Soundheads
Output Adjust
(VR1)
6-3
CP650 Installation Manual
Chapter 7
Final Adjustments
12345678
7-1
CP650 Installation Manual Final Adjustments
1. Estimate the distance between a rear seat and the nearest surround loudspeaker, in
feet. If the metric system is used, convert the distance from meters to feet by
multiplying by three (3).
2. Estimate the distance from this seat to the front loudspeakers, in feet. If the metric
system is used, multiply the distance by three (3) to convert distance from meters
to feet.
3. Subtract the distance measured in step 1 above from the distance measured in step
2, then add 20. The result is the delay time, in milliseconds.
For example:
• The selected seat is 10 feet (3.3 meters) from the nearest surround speaker.
• The selected seat is 80 feet (26.7 meters) from the front speakers.
• The delay is set for (80-10) + 20 = 90 milliseconds.
menu
OK
OK
Rotate the front panel knob to show the desired delay
then push the OK button.
You can verify that the delay setting is acceptable by listening to a familiar Dolby
A-type film that ideally contains both center channel dialogue and some discernible
surround sound. The Dolby Cat. No. 251 SR/Digital “Jiffy” film serves very well for
this purpose. If a stereo film is not available, the delay time can be checked with a
mono film if the film is played in Format 04, Dolby A-type optical with surround. All
speakers should be ON for this test.
While the film is playing, walk around the theatre and listen carefully to the surround
speakers during center channel dialogue. The dialogue should appear to be coming
primarily from the screen, and not from the surround speakers.
If you hear discernible dialogue from the surround speakers, the delay time was
probably set too long.
If you hear an objectionable amount of dialogue from the surround speakers that
persists regardless of the delay time setting, there is probably a severe gain or azimuth
error in the system. Re-check both the Dolby level and the A-chain alignment of the
optical system.
In many films, the surround information is intended for subtle effects and may
provide only a low-level ambience. If the surround level and delay time have been
adjusted as previously described, the surround information will be at the level desired
by the film director. Do not be tempted to increase the surround level because the
effect desired by the film production team may be impaired or destroyed.
7-2
CP650 Installation Manual Final Adjustments
OK
Rotate the front panel knob to show the desired delay
then push the OK button.
Tables 7–3 and 7–4 show approximate delay values (in milliseconds) based on theatre
width and length. Setting of surround delay should be verified by listening at various
locations in the theatre.
90 50 50 40 40 40 40 40 40 40 40 40 40 40
100 60 50 50 50 50 50 50 50 50 50 50 50 50
110 70 60 60 50 50 50 50 50 50 50 50 50 50
120 70 70 60 60 50 50 50 50 50 50 50 50 50
130 80 80 70 70 60 60 60 60 60 60 60 60 60
140 90 80 80 70 70 60 60 60 60 60 60 60 60
150 90 90 80 80 80 70 70 70 70 70 70 70 70
160 100 100 90 90 80 80 70 70 70 70 70 70 70
170 110 100 100 90 90 80 80 80 80 80 80 80 80
180 110 110 100 100 100 90 90 80 80 80 80 80 80
190 120 120 110 110 100 100 90 90 90 90 90 90 90
200 130 120 120 110 110 100 100 100 90 90 90 90 90
7-3
CP650 Installation Manual Final Adjustments
30 50 50 50 50 50 50 50 50 50
35 60 60 50 50 50 50 50 50 50
40 80 70 60 60 60 60 60 60 60
45 90 80 70 70 70 70 70 70 70
50 100 90 80 80 80 80 80 80 80
55 110 100 90 90 80 80 80 80 80
60 120 110 110 100 90 90 90 90 90
65 130 120 120 110 100 100 100 100 100
70 140 140 130 120 110 110 110 110 110
75 150 150 140 130 120 120 110 110 110
Dolby Digital
Reader Delay Press the left menu button to move to the Digital
> xxx Perforations
Reader Delay setting menu.
OK
Rotate the front panel knob to show the number of
perforations obtained above, then push the OK
= xxx Perfs button.
3. Verify the accuracy of the setting by running a loop of Cat. No. 1010 test film and
observing that the flash on the screen coincides with a pip in the sound.
7-4
CP650 Installation Manual Final Adjustments
Dynamic
Proj 1
menu
OK Press the left menu button to move to the Dolby
Digital Reader Delay setting menu. Both optical and
digital audio are present while the CP650 is set to
Dolby Digital
this menu item.
Reader Delay
> xxx Perforations
The tables below show representative delay settings for a variety of common
projectors in use:
7-5
CP650 Installation Manual Final Adjustments
menu
Press the OK menu button to save the desired level
OK
setting.
7-6
CP650 Installation Manual Final Adjustments
menu
OK
7-7
CP650 Installation Manual Final Adjustments
7-8
CP650 Installation Manual Final Adjustments
User Format 1 Rotate the fader knob to select one of the many
>Format 13
Surround EX format choices available to you. This example shows
format 13, Dolby Digital Surround EX, selected.
OK Saving Changes...
Press the OK button to save the assignment to the
User 1 button.
User Format 2 Rotate the fader knob to select the desired format.
>Format 65
Public Address LsRs This example shows format 65, PA microphone sent
to left and right surround speakers.
7-9
CP650 Installation Manual Final Adjustments
menu
OK
Note: The mode will always be set to normal after switching the
power on.
OK
Press the OK menu button to save the setting.
menu
OK Press the left menu button to move to the
Auto Surround EX screen.
OK
Press the OK menu button to save the setting.
7-10
CP650 Installation Manual Final Adjustments
Noise Gating Active When this menu item is selected, connecting certain
automation port terminals to ground will cause pink
noise to be sent to individual or all channels.
>Hour:xx
Min: xx
OK Saving Changes...
Press the OK button to save the settings.
7-11
CP650 Installation Manual Final Adjustments
Date set
Press the left menu button to move to the Date Set
menu.
Date Set
>Day: xx
Month: xx
Year : xx
Year
OK Saving Changes...
Press the OK button to save the settings.
OK
Saving Changes...
Press the OK button to save the settings.
7-12
CP650 Installation Manual
Chapter 8
Accessories
8.1 Introduction
This Chapter covers installation of the Cat. No. 779 Remote Control and the
Cat. No. 771 Remote Fader. Before installing remote units, read these general
considerations:
• No more than three remote units (in any combination) may be used with a
CP650. A customer-supplied auditorium fader can be connected in addition to
the remotes, but it cannot be operated at the same time as any remote.
• The combined length of connecting cable to all the remote units should not
exceed 100 m (300 ft).
• When you connect one or more remote units to the CP650, all units are live
and communicate with each other. Any fader level adjustment changes the
display on all of the connected units.
Before installing any remote units, check the software version running in your
CP650:
Note: You can also press and hold the left menu button while
rotating the front-panel fader knob clockwise to step through the
menu items.
8-1
CP650 Installation Manual Accessories
Caution: Do not touch circuit board components. Static electricity can damage
components.
8-2
CP650 Installation Manual Accessories
The wire to the CP650 must run from the connection point on the circuit board
without touching any circuit board components.
Rear
19 mm
(.75”)
Caution: Do not drill holes in this area [top, sides and bottom].
Front
Center line
Caution: Do not drill in the front one-third of the housing (the shaded area in the
figure) on any side, or the circuit board will obstruct the opening.
V
DATA
GND
8-3
CP650 Installation Manual Accessories
Interface connector
J1
SW1
Use a small flatblade screwdriver to set switch SW1. Do not set the arrow to the
“0” position, because that setting generates an error message and disables the unit. It
is not important what address number any single unit is set to, but no two remote
units can be set to the same number, so record what number you assign for each unit.
If your installation has only one remote unit right now, it is still a good idea to record
the setting in case you add another remote later.
8-4
CP650 Installation Manual Accessories
Note: All remote units attach to the same terminals on the connector. Do not connect
wires from any Dolby remote unit to terminal 4, 5, or 6.
2. Plug the connector into the Remotes and Aud Fader input on the CP650 rear-
panel.
CP650 rear panel
+
REMOTE DATA
FADER
IN
N/C
Six-way
Bare-wire 1 2 3 4 5 6
Connector
Customer-supplied
Cat. No. 771 Auditorium Fader
back (100K linear pot)
DATA
GND
V
Remote Fader V
Cat. No. 771 DATA
GND
7.0 V
DATA
GND
Remote Control
Cat. No. 779
V
7.0
DATA
GND
8-5
CP650 Installation Manual Accessories
The Cat. No. 771 Remote Fader can be mounted on a wall or in a console, or can
stand alone.
Caution: Do not touch circuit board components. Static electricity can damage
components.
2. Make a hole in the housing for the interface wire. We recommend you place the
hole on the bottom if the remote fader will be mounted, or on a side if the fader
will stand alone.
3. Use a two-conductor shielded cable (Belden 8451 or equivalent) to connect the
remote to the CP650. To prevent wear on the cable from the metal edge of the
hole you create, use a rubber or neoprene grommet on the cable. The diameter of
the hole you make should be the same as the diameter of the cable grommet or
conduit bushing.
4. Thread the interface wire and attach the +voltage, data, and ground wires to the
interface connector as shown in Figure 8-3.
5. Use a small flatblade screwdriver to set address switch SW2. Do not set the
arrow to the “0” position, because that setting generates an error message and
disables the unit. It is not important what number any single unit is set to, but no
two remote units can be set to the same number, so record what address you set
for each unit. If your installation includes only one remote unit right now, it is still
a good idea to record the setting in case you add another remote later.
6. Replace the housing, pulling the interface cable tight enough to keep it from
touching any components on the circuit board.
7. Secure the front panel to the housing with the screws you removed in Step 1.
8. Connect the interface cable to the CP650 as shown in figure 8-5.
8-6
CP650 Installation Manual
Chapter 9
Maintenance and Troubleshooting
The sound quality of the digital track has properties unlike those of an analog track with regard
to print wear. With any analog track, print wear will degrade quality in a more or less linear
fashion; the more wear, the lower the quality of the sound. With a digital soundtrack, wear will
have no audible effect until the picture quality is degraded beyond use. At this point, wear may
exceed the error correction capabilities of the Dolby Digital decoder, and the CP650 will
automatically switch to the analog Dolby SR track.
DIGITAL
ANALOG
(Sound & Picture)
Quality
Number of plays
9-1
CP650 Installation Manual Maintenance and Troubleshooting
9.2.1 Replacing the Cat. No. 701 Digital Soundhead LED Assembly
In normal operation, the LED assembly used in the Cat. No. 701 Digital Soundhead
will exhibit gradually reduced light output over its life. If it becomes necessary to
replace the LED, follow the procedure outlined below. The LED assembly is Dolby
part number 83308.
Installation
1. Turn off power to the Cat. No. 701 soundhead.
2. Remove the two screws that mount the LED assembly to the arm.
3. Carefully pull the LED assembly off the pivot pin.
Hex size 2.5 mm
Socket
Gap
9-2
CP650 Installation Manual Maintenance and Troubleshooting
Alignment
1. Connect an oscilloscope (20 MHz minimum bandwidth) to test points on the setup
control panel. Some digital oscilloscopes may not be usable for this procedure
even though they may have the required bandwidth.
a. Ensure that the probes are 1X. and connect scope Channel 1 to the “Video”
test point. Connect only this probe's ground to the ground test point.
b. Connect scope Channel 2 to the “Clamp” test point.
12345678
Lt SIGNAL
Rt PRESENT
Mic Bypass
Ch 1
Ch 2
GND
Oscilloscope
9-3
CP650 Installation Manual Maintenance and Troubleshooting
b. Loosen the 2.5 mm hex screws and carefully rotate the LED assembly while
watching the scope image. Adjust for maximum video signal voltage
(unobstructed light through the perf hole) on the upper trace. Also, the
waveform must be reasonably flat (fit within one scope major division). In
other words, adjust for peak voltage with minimum ripple.
4. Check / Set LED drive current
The optimum peak video signal voltage (unobstructed light through the perf hole)
is 4V, measured from the 0V reference baseline to the upper trace. If necessary,
adjust the Cat. No. 701 power supply output to achieve the correct video voltage.
See the figure below for adjustment location (VR1). The back cover of the digital
soundhead must be removed to gain access to the output adjustment.
Output Adjust
(VR1)
9-4
CP650 Installation Manual Maintenance and Troubleshooting
9.2.2 Replacing the Cat. No. 700 Digital Soundhead Exciter Lamp
To replace the exciter lamp, carefully remove the six screws holding the rear
cover/power supply of the digital soundhead. Allow the lamp to cool if necessary.
With the rear cover removed, the lamp will be visible but still attached to the rear
cover assembly by its two supply wires. Slide the lamp out of its base. Carefully
remove a new lamp from the protective box, and using gloves or a clean, lint-free
cloth, replace the lamp in the socket. Be careful not to touch the bulb or inner surface
of the reflector in the lamp. If either is accidentally touched, carefully clean the area
with isopropyl alcohol when the bulb is cool. Slide the lamp back into its base in the
soundhead, replace the rear cover assembly and tighten the six screws.
Replacement lamp:
Use only General Electric EPT
Reflector-type
42W
Dolby Part No. 34010
9-5
CP650 Installation Manual Maintenance and Troubleshooting
--14VB +15V
MIC MUX
+5V
Rs Sw
+5VB +14VB
9-6
CP650 Installation Manual Maintenance and Troubleshooting
Front Sub-Panel
Front Sub-Panel
Mounting Screws (7)
R
D
.C
02
5C
42
FB
Caution: Many components used on the circuit boards are sensitive to electrostatic damage.
It is essential to wear an earthing strap while handling or changing CP650 circuit boards.
9-7
CP650 Troubleshooting Chart Maintenance and Troubleshooting
Press main power button. If CP650 still does not come on, check fuse
behind plastic door in AC mains power inlet module located on the
rear of the unit.
No sound, and switching to Bypass Defective analog reader LED, exciter lamp, or Check that the LED or exciter lamp is on. If not, fade up background
doesn’t restore sound. LED/lamp power supply. music and transfer the reel to the alternative projector and continue the
show until the LED/lamp or its power supply can be replaced. Call
OR service engineer.
No sound, front panel dark, power Projector selection wire/switch is faulty. If the front panel indication (P1, P2) for the currently active projector
button is illuminated, and system is is not correct, check the projector selector switch wiring. In addition,
already in Bypass. check that the switch or relay is operating properly.
No signals coming from stereo solar cells. Check that the signal present LEDs inside the setup panel access door
are flashing while film is running. If not, there is no signal from the
solar cells, or the Cat. No. 772 analog board has failed.
Power amplifiers switched off. Check power feed to power amplifiers for blown circuit breaker or
fuse or accidental disconnection.
No sound, front panel normal. Check the causes listed above, plus wrong format Check same components as mentioned above. Then verify selected
selected, system muted, or fader turned down. format, mute status, and fader setting. If no formats produce sound,
there may be a CP650 internal problem. Call your local service
engineer.
9-8
CP650 Troubleshooting Chart Maintenance and Troubleshooting
9-9
CP650 Troubleshooting Chart Maintenance and Troubleshooting
9-10
CP650 Troubleshooting Chart Maintenance and Troubleshooting
Whistles in sound. Audio grounding scheme may need changing. Call service engineer.
Hum (power line frequency) in sound. Malfunctioning exciter lamp or lamp power supply. Cover the solar cells with a business card or other opaque
object. Do NOT touch the cells and do NOT disturb the
position of the cell bracket!
Stray light striking the stereo solar cells. • If hum persists, turn out all lights in the booth to check
if stray light is striking the cells. If the hum disappears,
turn on booth lights that are usually on during
projection, one at a time, until you detect hum again.
Redirect the light from the offending source or keep it
off during a showing.
If the hum still is present, the problem is either in the
grounding or wiring or in the CP650. Call your service
engineer.
9-11
CP650 Troubleshooting Chart Maintenance and Troubleshooting
TROUBLE IN ONE OR
MORE CHANNELS
One channel fails. Defective power amplifier, external crossover, or Place the CP650 in bypass. All three screen speakers should
wiring for that channel. become active. If not, there is a fault in the power amplifier,
external crossover, or wiring for the missing channel.
Check if the amplifier is on and check for blown fuses.
Power amplifier input level setting. Check that the power amplifier volume control setting has not
been changed.
Check that the wiring from the CP650 to the amplifier or the
loudspeaker wiring has not been broken or disconnected.
If the power amplifier and the wiring are satisfactory, the
Malfunctioning board in CP650. problem may be a malfunctioning circuit in the CP650. Switch to
bypass and call service engineer.
Defective power amplifier for that channel. Check that the amplifier is on and the fuses are OK.
The sound from one channel is distorted Defective speaker for that channel. (If the booth Check speaker.
and you can hear the distortion through the sound is OK but sound in the auditorium is bad).
booth monitor at normal listening level.
Malfunctioning Cat. No. 772 board in CP650. Call service engineer.
Wiring from the stereo solar cell to the CP650. Check that the wiring from the stereo solar cell to the CP650 has
not become damaged and that the solder connections to the
fanning strip are secure. Check that the D-connector for the solar
cell is firmly plugged into the CP650. Call service engineer if
wiring problems are found.
9-12
CP650 Troubleshooting Chart Maintenance and Troubleshooting
9-13
CP650 Troubleshooting Chart Maintenance and Troubleshooting
9-14
CP650 Troubleshooting Chart Maintenance and Troubleshooting
9-15
CP650 Troubleshooting Chart Maintenance and Troubleshooting
Malfunctioning Cat. No. 772 board. Call service engineer to correct the malfunction.
9-16
Power Supply Wiring Maintenance and Troubleshooting
TO CAT.NO.775 J14
BACKPLANE
POWER CONNECTOR
P2 P1
GRN
1 7 BYPASS_GND
MAINS INLET / FILTER MODULE
GRAY
2 9 -14VB
PINK
3 18 +5VB
100-240VAC 6
LT BLU
16 BYP_DC_GOOD
N D LAMBDA POWER SUPPLY +5V +/-15V 115W J2
50/60 Hz
WHT/VIO
120W 7 17 BYP_AC_OK
N/C 1
E E GRN/YEL
GRN
8
N/C 2
N/C 3 P3
DK BLU
AC GOOD RTN 4 4 AC_PWR_GOOD
AC GOOD 5 RED
VIO
-15VDC 6 3 -15VDC
BLU
YEL
+15VDC 7 12 +15VDC
BRN +S 8
GRN
COMMON 10 5 ANALOG_GND
BYPASS GRN
COMMON 11 14 DIGITAL_GND
CAT.NO.793 SNUBBER / TERMINAL BOARD BRN
GRN
COMMON 12 6 ANALOG_GND
BRN
ON
COMMON 13 GRN 15 DIGITAL_GND
BYPASS
L FUSE J1 RED
INTERNAL FUSE +5VDC 14 1 +5VDC
BRN
1
L RED
110 VAC: T 200MA L NOTE: +5VDC 15 10 +5VDC
EARLY CP650 UNITS USED 5A
220 VAC: T 100MA L
BLU A SINGLE T 315 MA L FUSE. 250VAC +5VDC 16 RED 11 +5VDC
3
N
VARISTOR N DC GOOD RTN 17 N/C 2
L
BLU
E GRN/YEL
GRN/YEL 5 DC GOOD 18 13 CHASSIS_GND
VARISTOR
N
DISCHARGE
TUBE
3500V FB425D02.CDR
E
TO CAT.NO.792 J1
BYPASS REGULATOR
BYPASS TRANSFORMER
P5
BLK
GRN/YEL BLU
1 20-24VAC
220V
VOLTAGE SELECTOR SWITCH WHT
ACCESSIBLE THROUGH TOP COVER HOLE YEL
(SHOWN IN 110V POSITION) BRN 2 0-VAC
110V
BLU
3 20-24VAC
ORG
9-17
Power Supply Wiring Maintenance and Troubleshooting
TO CAT.NO.775 J14
BACKPLANE
POWER CONNECTOR
P2 P1
GRN
1 7 BYPASS_GND
MAINS INLET / FILTER MODULE
GRAY
2 9 -14VB
PINK
3 18 +5VB
100-240VAC 6
LT BLU
16 BYP_DC_GOOD
N D
50/60 Hz
WHT/VIO
120W 7 17 BYP_AC_OK
E E GRN/YEL
GRN
8
N/C 3
BRN N/C 4
S1
BYPASS OUTPUT (-) 7
CAT.NO.793 SNUBBER / TERMINAL BOARD BRN
OUTPUT (-) GRN
8 15 DIGITAL_GND
BRN
ON
OUTPUT (-) 9 GRN 14 DIGITAL_GND
BYPASS
L FUSE
OUTPUT (+) RED
INTERNAL FUSE P1 10 1 +5VDC
BRN
1 L RED
110 VAC: T 200MA L NOTE: OUTPUT (+) 11 10 +5VDC
EARLY CP650 UNITS USED 3.5A
220 VAC: T 100MA L RED
BLU A SINGLE T 315 MA L FUSE. 250VAC OUTPUT (+) 12 11 +5VDC
3 N
VARISTOR N P3
L
BLU
POWER FAIL RTN 1 P4
GRN/YEL E
VARISTOR WHT/BLK
N POWER FAIL 2 4 AC_PWR_GOOD
DISCHARGE
TUBE REMOTE RTN 3 N/C 2
3500V
GRN/YEL
REMOTE 4 13 CHASSIS_GND
E
FB425E02.CDR
TO CAT.NO.792 J1
BYPASS REGULATOR
BYPASS TRANSFORMER
GRN/YEL
P5
BLK
BLU
1 20-24VAC
220V
VOLTAGE SELECTOR SWITCH WHT
ACCESSIBLE THROUGH TOP COVER HOLE YEL
(SHOWN IN 110V POSITION) BRN 2 0-VAC
110V
BLU
3 20-24VAC
ORG
9-18
Digital Reader Exploded View Maintenance and Troubleshooting
9-19
Digital Reader Exploded View Maintenance and Troubleshooting
DR
.C
02
SPRING ARM 42
5H
FB
DPN 67174 SCREW M3 X 6 BTN SKT BLK
SCREW M4 X 12 CAP SKT BLK
DPN 60180, 2-PL
SPRING K=1.6 LB/IN 1-3/8" LONG DPN 60229
DPN 65155 WASHER M3 FLAT 2-PL
DPN 61214, 2-PL
BRACKET CLAMP BRACKET DASHPOT
LIGHT PIPE EXTRUSION WASHER 1/4" FLAT DPN 67115
DPN 67189 DPN 67198
DPN 61206, 2-PL FS
DASHPOT 1.5" CYLINDER
FACTORY ADJUSTED
BRACKET HEAT GLASS CAT700 NON-USER REPLACEABLE
DPN 67172
CAT. NO. 700 ONLY
9-20
CP650 Installation Manual
Appendix A
Software Operations
Mic Bypass
If this occurs, you must reconnect the CP650 Setup Software and restart the
software update process. If the software update is not completed successfully
before the CP650 main power is turned off, the CP650 will become inoperable.
10. When the update has finished, the CP650 will automatically restart.
11. Next, the CP650 Setup Software will automatically reconnect, send the cinema
processor settings back, and remain connected.
The update process is now complete. The CP650 will contain updated software while
retaining the original alignment settings.
A-1
CP650 Installation Manual Software Operations
3. From the “Action” menu, choose “Connect” or click on the connect icon.
5. After the settings have been retrieved, from the “Action” menu choose
“Disconnect” or click on the disconnect icon.
6. From the “File” menu choose “Save” or click on the save icon.
7. Save the retrieved settings to disk. The file name should end with the “.dby”
extension.
8. Unplug the serial cable from the source CP650 and plug it into the destination
CP650.
Note: If you have closed the CP Setup program or opened another settings parameter
file (.dby), then before continuing you must select “Open” from the “File” menu and
open the file that was saved in step 6 above.
12. You must select “Disconnect” from the “Action” menu or click the disconnect
icon to allow the settings to be saved in the destination CP650.
A-2
CP650 Installation Manual
Appendix B
Back Panel Connectors
Pin Connection
1 Chassis
2 Left +
3 n.c.
4 Chassis
5 Center +
6 n.c.
7 Chassis
8 Right +
9 Chassis
10 Left Surround –* (Models CP650D and CP650SR)
11 Right Surround –* (Models CP650D and CP650SR)
12 Subwoofer -
13 Chassis
14 Left -
15 Chassis
16 n.c.
17 Center -
18 Chassis
19 n.c.
20 Right -
21 n.c.
22 Chassis
23 Left Surround +* (Models CP650D and CP650SR)
24 Right Surround +* (Models CP650D and CP650SR)
25 Subwoofer +
* See Option Card I/O connector table for surround outputs on Model CP650.
Model CP650 contains a Cat. No. 794 board.
B-1
CP650 Installation Manual Back Panel Connectors
In a standard CP650, the Cat. No. 794 Dolby Digital Surround EX Decoder / Digital
Aux Input board is shipped in this location. Output signals for the surround channels
appear on this connector. The AES/EBU digital input pins can be connected to a
device incorporating an AES/EBU digital output. Format 80 enables this input.
Table B–2 Option Card I/O Connector with Cat. No. 794 Installed
Pin Connection
1 AES/EBU Input –
2 AES/EBU Input +
3 Back Surround Left – Output
4 n.c.
5 n.c.
6 Back Surround Right – Output
7 n.c.
8 n.c.
9 Chassis
10 Left Surround – Output
11 Right Surround – Output
12 n.c.
13 n.c.
14 n.c.
15 Chassis
16 Back Surround Left + Output
17 n.c.
18 Chassis
19 Back Surround Right + Output
20 n.c.
21 n.c.
22 Chassis
23 Left Surround + Output
24 Right Surround + Output
25 n.c.
B-2
CP650 Installation Manual Back Panel Connectors
Pin Signal
Signal Description
Number Name
1 n.c.
2 n.c.
3 n.c.
4 TTCO Row Clock Return
5 TCOGND Row Clock Common
6 FTCO Row Clock Send
7 TSCO Pixel Clock Return
8 SCOGND Pixel Clock Common
9 FSCO Pixel Clock Send
10 n.c.
11 n.c.
12 n.c.
13 n.c.
14 VO Differential Video V0
15 VOGND V0 Common
16 +15VIDEO +15VDC
17 V1 Differential Video V1
18 V1GND V1 Common
19 -15VIDEO -15VDC
20 n.c.
21 n.c.
22 n.c.
23 n.c.
24 n.c.
25 n.c.
B-3
CP650 Installation Manual Back Panel Connectors
Pin Connection
1 Motor Start 1
2 P1 Changeover select (gnd)
3 P1 / P2 Changeover select (gnd for P2)
4 P2 Changeover select (gnd)
5 Chassis Gnd
9 Motor Start 2
Pin Connection
1 L+
2 L-
3 GND
4 R+
5 R-
6 GND
7 +14 V supply (through a 150 ohm resistor) 20 mA max
8 –14 V supply (through a 150 ohm resistor) 20 mA max
9 GND
Pin Connection
1 shield
2 + signal
3 – signal
B-4
CP650 Installation Manual Back Panel Connectors
Caution: It is essential that nothing be connected to the rear panel microphone input
connector if this front panel connector is used for performing equalization.
Pin Connection
1 + mic signal
2 – mic signal
3 n.c.
4 n.c.
5 Mic cable ground
6 n.c.
7 +15 V (through a PTC resistor) 100 mA max
8 Data ground
9 Digital control signals for multiplexer
B-5
CP650 Installation Manual Back Panel Connectors
Pin Connection
1 Signal Ground
2 EXT3 Right Surround Channel External Input
3 Signal Ground
4 Signal Ground
5 Signal Ground
6 Signal Ground
7 Signal Ground
8 Signal Ground
9 Signal Ground
10 Signal Ground
11 Signal Ground
12 Signal Ground
13 Signal Ground
14 EXT0 Left Channel External Input
15 EXT2 Left Surround Channel External Input
16 Signal Ground
17 EXT1 Right Channel External Input
18 Signal Ground
19 Signal Ground
20 EXT4 Center Channel External Input
21 Signal Ground
22 Signal Ground
23 Signal Ground
24 EXT5 Subwoofer Channel External Input
25 Signal Ground
B-6
CP650 Installation Manual Back Panel Connectors
Note: In order to maintain CP65 compatibility, the order of the select/indicator lines
does not correspond to the front panel button order.
B-7
CP650 Installation Manual Back Panel Connectors
Table B–11 Automation I/O Connector Pins Used for Noise Gating
Caution: Only one of the two RS-232 connectors can be used at any given time.
Pin Connection
2 Data Out
3 Data In
4 Connected to pin 6
5 Chassis
6 Connected to pin 4
7 Connected to pin 8
8 Connected to pin 7
Ethernet Connector
For future automation use.
B-8
CP650 Installation Manual
Appendix C
Optical Surround Level Trim
Use this procedure to subjectively balance front and surround loudspeaker levels
using the Cat. No. 151B test film. The film contains band-limited noise, restricted to
the range 500 Hz to 2 kHz. The noise is cycled between the front center speaker and
rear surround speakers. The surround level should have already been set using the
final output level calibration procedure in Section 4.7.
Optical Surround Note: If the optical surround delay has been set during a previous
Delay CP650 system setup then write down the current delay setting
> xxx mSec
displayed!
OK
menu
OK
Press and hold the left menu button while rotating the
front panel knob counterclockwise until the Optical
Surround Level Trim menu appears.
Optical Surround
Level Trim
>xxx dB
C-1
CP650 Installation Manual Optical Surround Level Trim
Optical Surround
Delay
> xxx mSec
OK
Saving Changes... Press the OK button to re-save the original setting.
C-2
CP650 Installation Manual
Appendix D
Format Descriptions
Each format supported by the CP650 is described below. More specifically, each
listing describes the audio processing applied by each format for any Dolby cinema
processor. The table describes the parameters for each format.
Note: In Dolby Digital 5.1 mode, Ls refers to the combination of Bsl and Ls speakers;
Rs refers to the combination of Bsr and Rs speakers. In Dolby Digital Surround EX
mode, Ls and Rs refer only to the left and right side speakers. See the output
switching figure 1-1.
D-1
CP650 Installation Manual Format Definitions
Format 01
Academy Mono Optical
Short name: Mono
Audio Description: Optical mono audio comes in on either projector’s optical input,
has no noise reduction (NR) applied, and is intended to produce audio on the center
channel only. This format takes Lt + Rt and puts the result on the center channel only.
There is no derived subwoofer. The mono EQ and mono level trim settings are
enabled.
In this format, processing is applied after the optical preamps, and after the slit-loss
filter to obtain the desired response curve.
Format 04
Dolby A-type Optical
Short name: Dolby A-type
Audio Description: Either projector’s optical input provides Lt/Rt inputs, and matrix
decoding produces four output channels (L, C, R, S). A-type NR is applied to Lt and
Rt.
The subwoofer signal is derived by summing L + C + R (after matrix decoding). This
audio is then filtered by applying a user-selectable 50 or 100 Hz subwoofer filter,
applying the downward expander, the parametric equalizer, and finally a separate
optical subtrim. The level is nominally set to match the passband level of the center
channel using an RTA.
Format 05
Dolby SR Optical
Short name: Dolby SR
Audio Description: Either projector’s optical inputs provides Lt/Rt inputs, and
matrix decoding produces four output channels (L, C, R, S). SR NR is applied to Lt
and Rt.
The subwoofer signal is derived in the same way as in Format 04.
Format 10
Dolby Digital Film (Cat. No. 773 required)
Short name: Dolby Digital
Audio Description: The input is from the Dolby Digital reader, which provides the
signal to the Dolby Digital decoder and creates six discrete channels (L, C, R, Ls, Rs,
SW). The optical soundtrack is processed as in Format 05 at all times, to enable rapid
reversions to analog film sound when needed.
D-2
CP650 Installation Manual Format Definitions
Format 11
External 6-Channel
Audio Description: This external audio format has six discrete channels (L, C, R, Ls,
Rs, SW), is input via the six-channel analog input D-connector, and can be used when
an external digital processor is utilized. The subwoofer channel level is +10 dB
referenced to the optical, with no downward expander.
Format 13
Dolby Digital Surround EX Film (Cat. Nos. 773 and 794 required)
Short name: Surround EX
Audio Description: This format is very similar to Format 10. Digital audio is
processed normally. The Cat. No. 794 applies the Surround EX matrix decoder to the
unequalized Ls and Rs channels, which yields the channels Ls, Bs (which are copied
into the Bsl and Bsr channels), and Rs. The out-of-phase information is discarded.
The audio for the screen channels and subwoofer is output via the CP650’s main
audio outputs, and the audio for the four surround channels is output via the “Option
card I/O” D-connector. Note that reversions occur exactly the same as in Format 10.
Format 20
35 mm Magnetic, L, C, R 3-Channel
Short name: 3-Channel Mag
Audio Description: This magnetic audio format has four discrete channels (L, C, R,
S, though S is unused) and is input through the six-channel analog input. The
magnetic preamplifier units (MPUs) are external, and the Academy mag filters (if
required) are also external to the CP650. There is no derived subwoofer.
D-3
CP650 Installation Manual Format Definitions
Format 22
35 mm Magnetic, 4-Channel
Short name: 4-Channel Mag
Audio Description: This format differs from Format 20 only because the mono
surround channel (S) is not muted in Format 22. This magnetic audio format has four
discrete channels (L, C, R, S) and is input through the six-channel analog input. The
MPUs are external, and the Academy mag filters (if required) are also external to the
CP650. There is no derived subwoofer.
Format 42
70 mm Dolby A-type Mag. Mono surround
Short name: 70 mm Dolby A-type
Audio Description: This magnetic audio format has six discrete input channels (L,
Le, C, Re, R, S) and is input through the six-channel analog input. The MPUs are
external. Four channels of A-type NR are applied to the L, C, R and S tracks (tracks
1, 3, 5, and 6). The CP650 generates the outputs L, C, R, Ls, Rs, and SW. The Ls and
Rs outputs are copies of the “S” mono surround input track. The subwoofer track is
created by lowpass filtering the Le and Re tracks at 180 Hz and summing them. The
subwoofer level is set to +10 dB (relative to the optical subwoofer level). The Le and
Re tracks are used only to generate SW output, and do not pass on any screen or
surround audio.
Format 60
Nonsync 1
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 1 input connectors. L and R are passed to the L and
R outputs of the CP650. The L and R channels are also passed to the Pro Logic
decoder with only the surround signal being utilized and sent to the surround outputs
of the CP650.
Format 61
Nonsync 2
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 2 input connectors. L and R are passed to the L and
R outputs of the CP650. The L and R channels are also passed to the Pro Logic
decoder with only the surround signal being utilized and sent to the surround outputs
of the CP650.
Format 64
Public Address Center Channel
Short name: Public Address, C
Audio Description: A single channel is input through the microphone input
connector. The audio output is sent to Center only.
D-4
CP650 Installation Manual Format Definitions
Format 65
Public Address Surround Channels
Short name: Public Address LsRs
Audio Description: A single channel is input through the microphone input
connector. The audio output is sent to Ls and Rs only.
Format 66
Test Tone 320 Hz
Audio Description: This internally generated audio format outputs a 320 Hz Dolby
level tone on all channels.
Format 70
Video PA Nonsync 1
Short name: Video PA (NS1)
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 1 input connectors. The L + R are summed to mono
with the resulting audio sent to the C, Ls, and Rs channels. There is no derived
subwoofer channel.
Format 71
Video mono Nonsync 1
Short name: Video Mono (NS1)
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 1 input connectors. The L + R are summed to mono
with the resulting audio sent to the C channel only. There is no derived subwoofer
channel.
Format 73
Video LCR Nonsync 1
Short name: Video LCR (NS1)
Audio Description: This external audio format has two discrete input channels (L,
R) and is input through the Nonsync 1 input connectors. The audio is processed
with Pro Logic decoding with the surround output muted, and is output on channels
L, C, and R (including the surround audio). There is no derived subwoofer channel.
Format 74
Video Pro Logic no SW Nonsync 1
Short name: Vid Pro Logic no SW
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 1 input connectors. The audio is processed with Pro
Logic decoding and output on channels L, C, R, with a mono signal to Ls and Rs.
There is no derived subwoofer.
D-5
CP650 Installation Manual Format Definitions
Format 75
Video Pro Logic with SW Nonsync 1
Short name: Vid Pro Logic +SW
Audio Description: This external audio format has two discrete input channels (L, R)
and is input through the Nonsync 1 input connectors. The audio is processed with Pro
Logic decoding and output on all channels. The subwoofer signal is derived by
summing L + C + R (after matrix decoding). This audio is then sent to the user-
selectable 50 or 100 Hz subwoofer filter and the output level is controlled by the
separate optical subtrim. As in optical formats, the level is nominally set to match the
passband level of the center channel using an RTA.
D-6
CP650 Installation Manual Format Definitions
Format 92
Dolby SR 2 track printmaster
Short name: Dolby SR (6-Ch In)
Audio Description: This format is the equivalent of Format 05, but takes the audio
from the six-channel analog input L/R pair instead of the optical Lt/Rt input.
Format 93
Dolby SR 2 track printmaster
Short name: Dolby SR (NS1)
Audio Description: This format is the equivalent of Format 05, but takes the audio
from the NS1 input instead of the optical Lt/Rt input.
D-7
CP650 Installation Manual Format Definitions
D-8
CP650 Installation Manual
Appendix E
External Control of CP650
The CP650 can be controlled by devices connected to the RS-232 serial data
connector, or to the remotes connector located on the rear of the CP650.
This appendix is for use by customers who are highly qualified to modify hardware
and write software. Dolby Laboratories cannot be held liable for incidental, special,
direct, indirect, or consequential damages; or loss of use, revenue, or profit by users
attempting to interface the CP650 with other systems.
The CP650 provides a SERIAL DATA port that supports standard 9-pin serial
connections to PC serial ports and other RS-232 devices. Although this port is
primarily used while running the Dolby CP650 Setup software from a PC, the
software interface described below allows the serial data port to be used with a simple
ASCII character interface to set and get information regarding the current CP650
processor status.
The raw serial interface parser accepts ASCII commands as described below. Each
command consists of a simple keyword, <key>, followed by an “=” sign and the
<value> for that key. A command is terminated by an end-of-line character
combination (“\r\n”). This is the typical “end of line” combination sent by PC
terminal programs.
Current CP650 settings may be queried by substituting a question mark “?” for the
“<value>” field. The complete set of known settings may be queried by using the
special “all=?” command. See the examples below.
E-1
CP650 Installation Manual External Control of CP650
Commands
Key Range of Values Notes
format_button 0 .. 7
indicating which button on the CP650 front panel
should be applied:
Data Button Applied
0 Format 01
1 Format 04
2 Format 05
3 Format 10
4 Format 11
5 User Format 1
6 User Format 2
7 Nonsync Format
Any Preset Fader Level associated with the indicated
button is also applied, and the LED for the selected
button is illuminated.
fader_level 0 .. 100 Querying fader_level while
corresponding to fader values 0.0 ... 10.0 the fader_setting is
“auditorium” returns the
level as determined by the
auditorium fader.
fader_setting “local” <see above>
“auditorium” If changed via this serial
If “auditorium” is selected, the main shaft fader is interface, this setting is lost
disabled as are any attached Remotes (Cat. No. 779, at the next CP650 restart.
Cat. No. 771).
mute 0 .. 2
indicating the desired mute setting:
Data Mute Operation
0 Unmute
1 Mute
2 Toggle
Any applicable “Fade In/Out Time” is applied just as if
the front panel MUTE button were used.
user_formats This key can only be
queried, not modified.
Querying this key returns on
one line a comma-separated
list indicating the user
formats:
<user 1>, <user 2>,
<nonsync>
projector 1 .. 2 This key can only be
queried, not modified.
preset_fader_level This key can only be
queried, not modified.
Querying this key returns on
one line a comma-separated
list indicating the current
value for all format buttons
separated by commas. The
buttons are listed in the
following order:
01, 04, 05, 10, 11, U1, U2,
NS
Each level can be 0 .. 100 or
-1. A setting of -1 indicates
no preset fader level for that
button.
E-2
CP650 Installation Manual External Control of CP650
Query
Querying an Individual Parameter
“all=?” results in a series of output lines representing every known key in the serial
control system.
Query Errors
If a query cannot be parsed or does not match a known parameter, “error” will be
output. External controllers must wait for the response to a query before proceeding.
Notes
1. The ASCII interface system operates at a baud rate of 9600 bps (8 data bits, 1 stop
bit, No Parity, No Flow Control) and cannot be invoked while the SERIAL
DATA port is in use by the CP650 Setup or Reader Alignment programs.
2. The interface operates in RAW serial mode. Characters are not echoed back to
the controller, and control characters are ignored.
3. Command parsing is not case sensitive.
4. Whitespace (<space>, <tab>, etc.) is ignored on input lines.
5. No error correction (CRC), sync bytes, or protocol is applied to this interface.
Customers must be aware of any stability or dropout issues with their own
hardware.
6. If a command is parsed successfully but the value is out of range (or the same as
the current setting), no error is issued and the command has no effect.
Examples
Operation Character Output from the CP650
String to Send
To set the CP650 fader fader = 65\r\n
level to 6.5
To ensure the CP650 is mute = 0\r\n
not muted
To apply the Format 10 format_button = 3\r\n
button
To query the status after query all\r\n fader = 65\r\n
the above three mute = 0\r\n
commands are sent format_button = 3\r\n
user_formats = 13, 64, 60\r\n
projector = 1\r\n
preset_fader_level = -1, -1, -1, 65, 68, -1, -1, 75\r\n
E-3
CP650 Installation Manual External Control of CP650
The remote port interface consists of three wires. One provides 15 volts at low current
to power the remote units. The other two lines of the remote port are ground (0 volts)
and data. The ground line should be connected to the reference ground voltage of the
serial port on the computer. This is usually found on pin 7 of a DB-25 serial
connector, or pin 5 of a DB-9 connector.
The single data line presents the single biggest challenge of interfacing another
computer to the CP650. All industry-standard RS-232 ports have two data lines; one
to transmit, and one to receive. The CP650 data line works by placing the single data
line in a “high impedance” state while listening for transmitted data, and driving
voltages onto this line when it needs to send information. In other words, the single
data line is a “receiving” line for all devices, except when they need to send data, at
which point it is a “transmitting” line.
Interfacing an external computer's serial port to the single data line can be tricky. The
actual requirement, as stated above, is for the serial port to “tri-state” its transmitter
when it is not sending.
If a one cannot engineer this type of circuit for the computer's serial port, an alternate
method can be tried, but it may damage the serial port. Pass the serial port's transmit
line through a series-connected resistor, and tie that line to both the serial port receive
line and the CP650's data line. If one is lucky, the serial port's transmitter (which does
not tri-state) can be overridden by the CP650's transmitter, and yet still function as a
transmitter when necessary (when the CP650 is in “listen” or high-impedance mode).
To do this, start with a high resistance (say, 100 kΩ), and reduce it until the
computer's serial port is able to both send and receive data. The exact value required
depends on the types of chips used in the serial port.
E-4
CP650 Installation Manual External Control of CP650
All messages between the CP650 and the remote accessories take place within the
context of the DDCMP protocol. An important reference document can be found via
the internet at the following URL:
http://gatekeeper.dec.com/pub/DEC/DECnet/PhaseIV/ddcmp.txt.
The network is a half-duplex multipoint network. The operating mode of the remote
accessories is that of a half-duplex tributary station, with the control station being the
CP650.
The CP650 has intentionally added one non-standard modification to the DDCMP
protocol. If the CP650 sends out the hex value “FF” twenty times in a row, all remote
accessories should recycle themselves to their power-on state. This includes resetting
themselves to the ISTRT state, and attempting to re-establish the link.
DDCMP Timers
A real timer must exist in both the ISTRT and ASTRT states, of approximately one
second, for sending STRT and STACK messages respectively.
E-5
CP650 Installation Manual External Control of CP650
If the remote has been given the select flag, and it intends to change the state of the
CP650, it will send the one-byte data message.
Note: All remotes must parse all messages. This requires looking at the length and
cannot be ignored.
To command the CP650 to toggle the mute setting, the data message must have a
value of zero. If the CP650 was unmuted before receiving this command, it will be in
the muted mode afterwards, and if muted before, it will be unmuted after.
The CP650 front panel buttons can be thought of as being numbered 1 through 8
(format 01, 04, 05, 10, 11, U1, U2, and NS, respectively). To command the CP650 to
assert a format change, the data byte should be a number between 1 to 8.
To change the fader level, the data byte should be a value between 10 and 110. This
corresponds to a fader setting between 0.0 and 10. (Subtract 10 from the value of the
data byte and then divide by 10 to obtain the resulting fader value.)
The least significant seven bits of the first byte in the data packet (received from the
CP650) contains the current fader level, between 0 and 100. Divide by ten to obtain
the correct fader level.
The most significant bit of the first byte in the data packet tells the remote accessory
whether or not to blank its fader display (0 = display on, 1 = display off).
The least significant three bits of the second byte in the data packet contain the
current format of the CP650. The value will be between 1 and 8, corresponding to the
front-panel buttons as described above.
The next most significant bit tells if the CP650 is muted (0 = not muted, 1 = muted).
The next most significant bit tells which projector is in use (0 = projector 1, 1 =
projector 2).
The next most significant bit tells if the current CP650 format is valid or not (0 =
normal, 1 = invalid format).
The next most significant bit tells if the auditorium fader is active (0 = not active, 1 =
active).
The most significant bit of the second data byte is not used.
E-6
CP650 Installation Manual
Appendix F
Setup and User Menus
12345678
The Bsl and Bsr channels shown in italics are available only with Cat. No. 794 installed.
B-Chain:
menu menu
OK OK
Notes
Select channel: OK
B-Chain EQ Adjust
L, C, R, Ls, Bsl, Bsr, Rs
Press OK to start.
Select frequency band:
40 Hz–16 kHz
5 menu
OK OK
+ = TO EXIT: Press OK to
save, then press the Left
Hold down middle button and turn the knob to adjust button to move back to the
level: ± 6 dB in the selected band. channel selection menu.
EQ center frequency: 25–125 Hz
6 Subwoofer EQ Adjust EQ filter width (“Q”): 0.5, 1, 2, 4
Level Cut: 0 to –12 dB
Channel: L, C, R, Ls, Bsl, Bsr, Rs Final level adjustment
7 Output Levels Adjust (final)
Level: 1–127 (0.3 dB steps) after EQ.
Digital Subwoofer Level
8 Adjust (final)
Level: 1–127 (0.3 dB steps)
Match SW to LF limit of
9 Optical Subwoofer Bandwidth 50 Hz / 100 Hz 50 Hz / 100 Hz
main screen speakers.
Perform final level
Level: 1–127 (0.3 dB steps) adjustment and polarity
10 Optical Subwoofer Level Polarity: Normal/Inverse check: Center noise LF
Center Noise: on/off output should decrease
when polarity is inverse.
F-1
CP650 Installation Manual Setup and User Menus
A-Chain:
menu menu
OK OK
Notes
21 Optical Surround Level Trim –3 to +6 dB Run Cat. No. 151B test film
22 Optical Surround Delay Adjust 20–150 ms
23 Digital Surround Delay Adjust 20–150 ms
24 Dolby Digital Reader delay 16–512 perfs.
25 Nonsync 1 Level Adjust 1–127
26 Nonsync 2 Level Adjust 1–127
27 Mono Level Trim 0 to –12 dB
28 Mono EQ adjust LF HF
Format: 1,4,5,10,11,U1,U2,NS
29 Preset Fader Levels
Fader level set: 0–10 or None
Select Format to assign
30 User Format 1 select
to the U1 button.
Select Format to assign
31 User Format 2 select
to the U2 button.
Select Format to assign
32 Nonsync Format select
to the NS button.
Recommended for test use
33 Reversion Mode Normal/No Reversion Normal/No Reversion only. Resets to Normal
after powering on.
Recommended for test use
34 Auto Surround EX Enabled/Disabled Enabled/Disabled only. Resets to Enabled
after powering on.
Special application. For
35 Noise Gating Active
use with RT-60.
Hour: Set
36 Clock Set
Minute: Set
Day: Set
37 Date Set Month: Set
Year: Set
F-2
CP650 Installation Manual Setup and User Menus
12345678
The options shown in bold are the default settings when the unit was shipped from the factory.
menu menu
OK OK
Notes
This is the top-level
Format and CP650 status display
menu display.
1 Fader Setting Local/Auditorium Local/Auditorium
Format: 1,4,5,10,11,U1,U2,NS
2 Preset Fader Levels
Fader level set: 0–10 or None
3 Auto Dolby Digital Enabled/Disabled Enabled/Disabled
Select Target Format: Format 13 must be one
4 Auto Digital Target
Format 10 or Format 13 of the user formats.
Rotating Pink Noise Press OK to start/stop
5 (See manual Section 4.8) movement.
Run Cat. No. 69T test film.
Automatic Optical Level Adjust Press OK to start.
6 Projector 1 Press OK to save.
Automatic Optical Level Adjust Press OK to start.
7 Projector 2 Press OK to save.
Manual Optical Level Adjust Press OK to start.
8 Projector 1
Set level
Press OK to save.
Manual Optical Level Adjust Press OK to start.
9 Projector 2
Set level
Press OK to save.
Select Format to assign
10 User Format 1 select
to the U1 button
Default is Format 13.
Select Format to assign
11 User Format 2 select
to the U2 button
Default is Format 65.
Select Format to assign
12 Nonsync Format select
to the NS button
Default is Format 60.
F-3