Summary of Part 1
Summary of Part 1
Summary of Part 1
SUBMITTED BY:
1ST REPORTER- Elysse Aubrey B. Amlog
2nd REPORTER- Theresa Mae S.M Baluyot
3rd REPORTER- Devie Mae Sario
4th REPORTER- John Paul Bigcas
5th REPORTER- Jennifer Mendes Bornia
6th REPORTER- Curtney Jane Balagulan
7th REPORTER- Jenny Rose Argam
SUMMARIZATION OF PART 1
The setting
The Philippine is located within the Pacific seismic belt which consequently experienced severe earthquake
over the years that destroyed many lives, structures, and caused of money loss. Its coastline is contoured
irregularly has numerous of fine harbours and landlocked traits.
Philippine is well known for its rich natural resource. The product was exported and produced for local
consumption from the fertile plains and rich valleys diverse crops. Despite of having rich natural resources
the Philippines was still primitive in area of agriculture which was one of causes of failure to produce
enough exports especially rice.
However, there are still products have risen for exports abroad such as lumbers, minerals, metals.
Meanwhile in Mining which is a basic industry, produces worth of large amount of peso of minerals.
The people
The Philippines was greatly influenced and commercially contacted with the countries of Asia and was
dominated by the westerns which made the Filipino mixed with races, basically called as Malays. These
races mostly came from Spaniards, Americans, Japanese and Chinese.
The Filipinos are known for being hospitable. Also, their ties with their family in Filipinos are very
important. The father and the mother are ruler and governor respectively in the family. Meanwhile, the
grandparents’ opinions and decisions are the most sought in all matters. The “tyranny” of the elders has
remained the same in spite of the inroads of modern civilizations.
Respect for the elders is one of the Filipino traits. The parent exercises almost absolute powers over the
children. A Filipino can’t start an important thing without consulting their parents. Parents do not condone
their children to talk back or disrespect the people who are older than them. They practice their children to
use the words of respect like using the particle ‘po’ and ‘opo’ and kissing or touching their forehead with
elders hands, which Filipino called ‘bless’, as a sign of respect. Moreover, the elders believe and demand
that they have to be obeyed whether it is right or wrong. Aside the elders, the older brother and sisters have
to be respected as well. They are responsible to perform the duties of their parents to the younger member
of their family.
One of the characteristics of Filipino family is being collective. It follows that the better of members has to
take care not only his immediate family but also the other relatives.
The Filipino is naturally fatalistic. They believe that whatever happens to him is a work of Fate. This
fatalism is the best symbolized in the phrase “Bahala na”, a phrase that defies translation but which may
rendered loosely as “come what may”. This is a sense of resignation. It is thus he faces disaster or tragedy
with resignation.
Loyalty to a friend or to a benefactor is one trait that is very strong in the Filipino. For the Filipino,
friendship is sacred and implies mutual help under any circumstances. For the Filipino to betray his friend,
he becomes a marked man and experience ostracism.
Filipinos are sensitive. They would not tolerate anyone berating his countryman even on the small things.
The Anglo-Saxon frankness is something the Filipino seldom appreciates.
Another trait of the Filipino is ‘the tendency to be indolent’. Rizal explained this tendency as the result of
the tropical climate which makes even the westerner indolent in these parts of paradise. But aside for this
explanation, there is a fact which makes the Filipino exert less effort in the belief that he does not have to
work hard to make both ends meet. Because of the close family and personal ties.
Side by side with indolence is lack of initiative. This trait is explained by a natural fear of competition, for
Filipino society is cooperative, not competitive. This doesn’t just apply on the student who don’t persuade
to get higher grades but also to the businessmen who craves a huge profit out of a small investment but
would not think of think putting in more capital to expand his business. This person is called segurista in
Spanish parlance which means a man who wants to be sure that he does not lose. For this reason Filipino
trader o businessman is almost always an underdog in relation to his alien competitors.
Lack of Initiative
• Natural fear of competition.
• Why exerted so much effort and spend so much time when one can pass through college with a
grade of “3”?
• More capital to expands the investments.
• Filipino is a “segurista”.
Regional traits
Ilocano or Samtoy
• Spilled in provinces of Abra, Cagayan, Nueva Vizcaya, northen Nueva Ecija, Pangasinan,
Zambales, and a part of Tarlac.
• Opportunities are limited.
• Environment produce adventurous, industrious, hardy, patient, and frugal people.
• Economic prsssure force them to migrate to some greener valleys either in Mindanao or in
Hawaii and continental United States.
Developed poetry
• Biag ni Lam-ang (life of Lang)
Famous Samtoys
• Salvador P. Lopez
• Leopoldo Y. Yabes
• Manuel E. Arguilla
• Concorcio Borje
Up to earl y1970s, it had been assumed that the Philippines was a part of Mainland China.
Theorized during Pleistocene or Ice Age, the waters surrounding what is now the
Philippines fell about 156 feet below the present levels.
February 1976, this theory of the “Land Bridges” to Asia was disputed by Dr. Fritjof Voss
– a German Geologists who studied the geology of the Philippines.
According to him, Philippines was never a part of the mainland of Asia but that it rose from
the bottom of the sea and continues to rise as the thin pacific crust moves below it.
Filipino Anthropologists, F. Landa Jocano of the University of the Philippines, dispute the
assumption of Prof. H. Otley that the Malays migrated to the Philippines and now constitute
the largest portion of the population.
BEYER – who theorized that the present Filipinos had a Malayan culture.
JOCANO – believes that fossil evidences of ancient men show that they came not only in
the Philippines but to New Guinea, Java, Borneo and Australia.
1962 – Discovery in a Tabon Cave in Palawan of a skullcap and a portion of a jaw,
presumed to be those of a human being.
INTRODUCTION OF ISLAM
The spread of Islam to old Malaysia was brought about by the activities of the Arab
Traders, missionaries, and teachers who introduced their religious beliefs among Malays.
MUDUM – Arabian Scholar, the foundation of Islam that was laid in Malaysia in 14th
Century.
He succeeded in establishing in Malacca a Rathor Tencious Foothold for Islam
1380 – he preceded to Sulu and preached the doctrine of Mohammed
1390 – RAJA BAGINDA, one of the petty rulers of Menang Kabaw, Sumatra, arrived in
Sulu and promptly converted some of the natives to Islam.
In Mindanao, SERIF KABUNGSUAN, immediately began laying foundations of Islam.
He converted any tribes to his religion and having married into an influential family, made
himself the first Sultan of Mindanao.
CODE OF KALANTIYAW
ARTICLE IV
Ye shall not kill; neither shall ye steal; neither shall ye do hurt to the aged; less ye incur the danger
of death. All those drowned with stones in the river, in boiling water.
ARTICLE IV
You shall obey. Let all your debts with the headman be met punctually. He who does not obey shall
receive for the first time one hundred lashes. If the debt is large, he shall be condemned to thrust his
hand in boiling water thrice. For the second time, he shall be beaten to death.
ARTICLE IV
Obey you: let no one have women that are very young nor more than he can support; nor be given to
excessive lust. He who does not comply with, obey, and observe this order shall be condemned to
swim for three hours for the first time and for the second time, to be beaten to death with sharp
thorns.
ARTICLE IV
Observe and obey; let no one disturb the quiet of the graves. When passing by the caves and trees
where they are, give respect to them. He who does not observe this shall be killed by ants, or beaten
to death with thorns.
ARTICLE V
You shall obey; he who exchanges for food, let it be always done in accordance with his word. He
who does not comply, shall be beaten for one hour, he who repeats the offense shall be exposed for
one day among ants.
ARTICLE VI
You shall be obliged to revere sights that are held in respect, such as those of trees of recognized
worth and other sights. He who fails to comply shall pay with one month's work in gold or in honey.
ARTICLE VII
These shall be put to death; he who kills trees of venerable appearance; who shoot arrows at night at
old men and women; he who enters the houses of the headmen without permission; he who kills a
shark or a streaked cayman.
ARTICLE VIII
Slavery for a doam (a certain period of time) shall be suffered by those who steal away the women of
the headmen; by him who keep ill-tempered dogs that bite the headmen; by him who burns the fields
of another.
ARTICLE IX
All these shall be beaten for two days: who sing while traveling by night; kill the Manaul; tear the
documents belonging to the headmen; are malicious liars; or who mock the dead.
ARTICLE X
It is decreed an obligation; that every mother teach secretly to her daughters matters pertaining to lust
and prepare them for womanhood; let not men be cruel nor punish their women when they catch
them in the act of adultery. Whoever shall disobey shall be killed by being cut to pieces and thrown
to the caymans.
ARTICLE XI
These shall be burned: who by their strength or cunning have mocked at and escaped punishment or
who have killed young boys; or try to steal away the women of the elders.
ARTICLE XII
These shall be drowned: all who interfere with their superiors, or their owners or masters; all those
who abuse themselves through their lust; those who destroy their anitos (idols) by breaking them or
throwing them down.
ARTICLE XIII
All these shall be exposed to ants for half a day: who kill black cats during a new moon; or steal
anything from the chiefs or agorangs, however small the object may be.
ARTICLE XIV
These shall be made slave for life: who have beautiful daughters and deny them to the sons of chiefs,
and with bad faith hide them away.
ARTICLE XV
Concerning beliefs and superstitions; these shall be beaten: who eat the diseased flesh of beasts which
they hold in respect, or the herb which they consider good, who wound or kill the young of the
Manaul, or the white monkey.
ARTICLE XVI
The fingers shall be cut-off: of all those who break idols of wood and clay in their alangans and
temples; of those who destroy the daggers of the tagalons, or break the drinking jars of the latter.
ARTICLE XVII
These shall be killed: who profane sites where idols are kept, and sites where are buried the sacred
things of their diwatas and headmen. He who performs his necessities in those places shall be
burned.
ARTICLE XVIII
Those who do not cause these rules to be obeyed: if they are headmen, they shall be put to death by
being stoned and crushed; and if they are agorangs they shall be placed in rivers to be eaten by
sharks and caymans.
In recent study; Professor W. Henry Scott disputed the authenticity of the Kalantiyaw
Code.
CHINESE INFLUENCE – the long contacts of Filipinos with Chinese, beginning with the tenth
century of the Christian era.
INDIAN INFLUENCE was also present in ancient religious beliefs of Filipinos
(Among the Muslims)
Indra Batara - prominent mythological figure, Indian king of heaven
It is therefore probable that the ancient paganism of Filipino’s which amounted to demon and spirit worship
came from India through Old Malaysia.
Some of ancient customs which have the inroads of western imperialism find their counterparts in India.
• Waist loom worked by Igorot is identical with the looms, cloth, color schemes woven by woman
in the hill tribes of Assam and northern India.
• Filmy textiles of Iloilo resemble the silky gauze fabric woven in Benares, India
Check cottons and brocades of Mindanao resemble the handicrafts of Indonesia, Malaysia and Bengal
• The modern Philippine Barong Tagalog is the same cut and embroidery as the “kurta” of Lucknow,
India
• Cord and the Veil at the weddings which is the remains of ancient symbolism practiced in both
Hindu and Muslim weddings
ORNAMENTS
The early Filipino’s had a weakness for personal adornment for both men and woman. Burndened
themselves with such trappings as armlets called kalumbiga, pendants, bracelets, rings, earings etc. which
is made of gold
The adornment of early filipinos is not only by wearing jewels but also through tattooing even woman
tattooed themselves for their masked ball etc. tattooing is not only for the essence of beauty it is also to
exhibit a mans war record in short tattoo is a mans medal
Visayans is the most tattooed people which Spaniards called pintados and their island, islas del pintados.
HOUSES
Ancient house was made of wood, bamboo, and nipa palm
ANTONIO DE MORGA a Spanish jurist and chronicler described the average house
Among the descendants of the Indonesians such as the Ilonggo’s and Kalinga’s of Northern Luzon and
Mandayas and bagobos of Mindanao live on tree tops
Bajaos or sea Gypsies of sulu made their house in boats
SOCIAL CLASSES
Philippine society was divided into 3 classes
• The nobles – consisting of chiefs and their families in tagalog region they usually carried the title
Gat or lakan as in lakan dula or gat maitan
• The freemen – the maharlika who earned their freedom
• The dependents – known as alipin
Alipin acquired his low status in society by inheritance, captivity in war, depts, by purchase, or by
committing crime
*Aliping namamahay- has family and house and served his master
*Aliping sagigilid- no property on his own, lived with his master and could not marry without the
latter’s consent
In Visayas Dependents has three kinds
• Tumataban- worked for master when summoned
• Tumarampuk- worked one day for his master
• Ayuey- worked three days for his lord
POSITION OF WOMAN
Before Spaniards woman has equal rights with men for, they could inherit properties etc.
MARRIAGE CUSTOMS
Tatas- consisting of a blade to be given to the girl’s uncle
Lankad- consisting a of a special sum of money to be given to the girl’s parents
Lekat- consisting of an amount equivalent to ten or more pesos to be given to the girl’s attendant
In dowry is resolved in the satisfaction of the girl’s parents and relatives
The wedding festival is known as pegkawing
Hadji- judge
GOVERNMENT
The barangay was the unit of government and consisted of 30 to 100 families.
• Barangay- was derived from the malay “balangay”, a boat which transported them to these shores.
• Chieftain- the more powerful who ruled the barangay.
• buwis- paid tributes from the citizen of the barangay in the form of crops.
• sanduguan- a treaty of friendship and alliance by means of blood compact.
Laws
It was made by the chieftain and approved by the elders.
*umalohokan- public announcer who ordered to go arround the baranggay to announce the promulgation
of the new rules and regulation.
Two types of law:
• Written law- those that the chieftain and his elders promulgated from time to time as necessity
arose.
• Customary law- laws that handed down orally from generation to generation and constituted the
bulk of the laws of the barangay.
Judicial process
-conflicts arising between subjects of different barangays were resolved by arbitration in which a board
composed of elders from neutral baranggays acted as arbiter.
• To show honesty and sincerity, they took an oath
“may the crocodile devour me if i tell any falsehood”, “may the lighting strike me if i don’t
tell the truth and nothing but the truth”, “may i die here or now if i tell lie”, “may the sun and the
moon frown upon me”
Trial by ordeal
Ancient filipinos practiced it under certain circumstances to determine the guilt of a person. The trial by
ordeal was resorted to in order to show that god in his infinite wisdom always took the side of the innocent.
*bultong and alaw – the ordeal by combat that is common in the ifugaos of northern luzon
Religious beliefs
-the ancient filipinos beieved in the immortality of the soul and in life after death.
Bathala- the equivalent of spanish dios, was supposed to be the creator of the earth and man
therefore superior to all other deities.
• Other dieties:
Idiyanale- god of agriculture
Sidapa- god of death
Balangaw- god of rainbow
Mandarangan- god of war
Agni- god of fire
Magwayen- god of the other world
Lalahon- god of harvest
Siginarugan- god of hell
Diyan masalanta- god of love
Mangkukulam
-who could injure any man whose face he did not like by the expendient.
Manggagaway
-who had such power as to bring harm to anybody he wanted to destroy.
Tiyanak
-who took pleasure in sucking the blood of unborn babies.
Tikbalang
-could assume different form in order to mislead a traveler at night.
Gayuma
-made a man lovable to all the girls
TRADING
Many boats from Luzon sailed to the Visayas and Mindanao laden with goods to be bartered for those
necessities not found in the Luzon barangays.
There was foreign trade, too with China, Japan, Siam, Cambodia, Borneo, Sumatra, Java, and other
islands of the old Malaysia.
LANGUAGES:
8 MAJOR LANGUAGES:
1. Tagalog 4. Pampangan
2. Iloko 5. Sugbuhanon
3. Pangasinan 6. Hiligaynon
7. Samarnon or Samar-Leyte 8. Maguindanao
LITERATURE:
LITERATURE OF TAGALOG:
• Sabi (maxim) • Dupayinin and Hiliraw (war songs)
• Sawikain (saying) • Uyayi and Hele (lullabies)
• Bugtong (riddle) • Ihiman (bridal song)
• Suliranin and Indulanin (street songs) • Tagulaylay (mournal song)
• Talindaw (boat songs) • Tigpasin (rowing song)
• Diyuna (song of revelry) • Tingad (household song)
• Kumintang (war song which involved • Kutang-kutang (couplets usually
into a love song) chanted by the blind)
• Dalit and Umbay (dirge) • Kundiman
• Tagumpay
• Balikungkong
Literature- is a written or spoken works such as poems, plays, novels and songs that passes through saling
wika in Filipino and floating or oral literature in English term.
Kutang-kutang – is a literature that is humorous and shows the light-heartedness of the singer.
Play- ancient tagalog is also used in the drama. Settings are open spaces, houses of nobles and places of
worship or sambahan.
Karagatan – is a sort of debate in verse in which a problem is solved by men and women. It was develop
by Spaniards “duplo” which turn into “balagtasan” in 1924 by American Regime.
Maxims – a well-known phrase that expresses a general truth about life or a role about behavior
Maranaw Literature it has been largely floating and was deeply inspired by Islam.It was
consists of: tutul (folktale), tubad-tubad ( short love poems ) , panangro-on ( sayings and
proverbs) , sowa-sowa i ( drama ) , antoka ( riddle / puzzle ) , darangan ( epic poetry )
Ancient Literature of Ilocano
Ilocano War Song expresses vigor and joy of the warriors coming from the battle
Dal-ot popular among the peasants and was sung in baptismal part, wedding and feast
Pamulinawen – expresses a longing for a love one with whom serenador had cast his fate
Dung-aw the lyrics and the music shows the sadness that gripped the mother who had lost another child
Folk Epics
Ifugao “ Hudhud Alim ”
Ilocano ” Biag ni Lam-ang ”
Muslims “ Bantugan , Indarapatra and Sulayman , and Bidasari”
Arts
Pritive Inhabitants-tools and weapons
New Stone Age- beads, amulets, bracelet
Bronze Age – Bello, drums and gongs are made of bronze and body ornaments made of attractive stones
Early Iron Age- ornaments like tattoos, metals and glass came out to use, woven textiles of various designs
are worn and embroided garments, carving and pottery, handles of their weapons were
imbedded with artistic designs
Negritos are known by their Zigzag Design
Indonesian Influence are found in the apparel of the Kalingas of Luzon, Maranaws of Lanao and
Mangobos and Bagobos
Malayan Influence is traced in the wood carving found on utensils, boats and wooden shields in the people
of Sulu and Mt. Province
Islam Influence are seen in the decorative and ornament art of the Lanao Muslims , they are not into figures
because Koran prohibit them from making human representations.
Muslim Decorative arts are graceful and rhythmical.