11.social Criticism and Revolt in Romantic Poetry Social Criticism

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11.

Social criticism and revolt in Romantic poetry


Social criticism= refers to a mode of criticism that locates the reasons for malicious
conditions in a society considered to be in a flawed social structure. It may also refer to people
adhering to a social critic's aim at practical solutions by way of specific measures either for
consensual reform or powerful revolution.

Romantics revolted against the Enlightenment's emphasis on reason and rationality and
instead emphasized emotion. In revolt against the Industrial Revolution and its tendency towards
mass movements, urbanization, and sameness, Romanticism instead focused on the individual
and on individual experience. The movement was at its height from 1800 to 1850 and also
sought to provoke strong emotions such as horror and awe in its works of art. In reaction to the
industrializing forces in Europe and America, Romanticism also glorified nature and the ability
of nature to produce emotions and to cultivate a sense of wonder at the sublime. Romantics
sought refuge in nature as a place of contemplation and wonder away from the mass forces of the
Industrial Revolution.

The Romantics also revolted against Classicism, which had been popular during the
Enlightenment, and revived Medievalism, including the art and narratives of the Medieval Era.
For example, the illustrations of Blake are influenced by Medievalism, as are the novels of
Walter Scott such as Ivanhoe (1819), which takes place in the Middle Ages. Medievalism was
seen as provoking emotion and wonder, as opposed to the Classical emphasis on reason and
progress.

According to Simon Bainbridge, Wordsworth and Coleridge translated the Revolution’s


emphasis on man’s equality into the “language of the common man” and “low” subject matter
found in Lyrical Ballads. Wordsworth’s everyday language and subject choices look like a
literary revolution that mirrors the historical revolution by breaking down the boundaries that
separated poetry - with its elevated characters, plots, and diction - from ordinary representation.

2 Types of revolt

While first-generation Romantics saw their revolutionary fervor tempered by the gruesome turn
of the revolution , second-generation Romantics such as Lord Byron and Percy Shelley held to
the Revolution’s principles in a more idealistic, if somewhat cautious way. Shelley, for instance,
portrays rebellious events in poems such as “Prometheus Unbound.”

Example of revolt against Classical values in “EXPOSTULATION AND REPLY”, by William


Wordsworth:

“"Where are your books?--that light bequeathed


To Beings else forlorn and blind!

Up! up! and drink the spirit breathed

From dead men to their kind.”

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