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String Bass Part

1) The document contains musical notation for string bass arrangements of selections from the musical Les Miserables. 2) The selections include "At the End of the Day", "I Dreamed a Dream", "Master of the House", "On My Own", and "Do You Hear the People Sing?". 3) The musical notation provides instructions for tempo, technique, and expression over multiple pages of staff notation.

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Ryan Grijalva
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154 views

String Bass Part

1) The document contains musical notation for string bass arrangements of selections from the musical Les Miserables. 2) The selections include "At the End of the Day", "I Dreamed a Dream", "Master of the House", "On My Own", and "Do You Hear the People Sing?". 3) The musical notation provides instructions for tempo, technique, and expression over multiple pages of staff notation.

Uploaded by

Ryan Grijalva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Selections From LES MISERABLES

At The End Of The Day - I Dreamed A Dream - Master Of The House - On My Own - Do You Hear The People Sing?
Arranged by Warren Barker
String Bass

  Allegro
 4Pizz.
  con brio
                 
4
 cresc.
5 Arco.
   
              
3
3
 3  
 
9

    12
         8
 cresc. 
13
13
Pizz.      
 12
8                                      
     

16

                                                     
             
20

                                     86       12
8
          

24 26
5
 12                                     
8             
  
33

                        86       12
8            
          
 
37 37

                                                      
           

41

                                    
     
     
44 Adagio 54
rit. molto rall. 3
              6        4             
 
  8   4  

55 63
Pizz. 3 Arco.
                     
   
 
71 71 Poco piu mosso
rall. poco a poco ritard
   
                
    
   cresc. 
81
81
Tempo I Pizz.
                                  
        
     

95 Moderato
88 pizz.
 2 Ritard.
 2    
             43 44       42  
 
 
100
4 
                               
           

117
113
            
      

      
              
         
 
  
121
 1.
                                       
               

131
 1.    2.      2

                      44
      
 

2
141 142 Andante 2. Pizz. 154
2 5 1. Arco.
 4   24  43  44     4    
4       
  4         

  

155 rall.
 Arco. 
     
      
                                        
   

163 163 A Tempo


3
     42  43   44                    
      
   

173 Arco. Meno Mosso rall.


    2 
                      42   43    4  
         4


183 184 Slow March 192


 4                   
     
               
  

193

                                           
          
198 198

                                           
            
 


203 206
Arco.
                                      
          
 


211 ritard.
     
            

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