PV®14AT • PV®14BT

Compact Mixer

1/4”-Hi-Z CH.8 Only

MAIN
USB A L
OUTPUTS
3.5mm STEREO FS

L 9 L 13 L
AUX SEND R
DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT STEREO IN
PAIRING
R 10 R 14 R
1 2 3 4 5 6 7 8
Operating
9/10 11/12 13/14

PV 14AT 14 INPUT STEREO MIXER

WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH

Manual

AT AT AT AT Auto-TUNE ELECTRIC GUITAR PRE-SHAPE

POWER
HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS L R 13/14
PHANTOM POWER
48V
USB B

PV 14
USB A Bluetooth
min max min max min max min max min max min max min max min max min max CONTROL ROOM L R
comp GAIN comp GAIN comp GAIN comp GAIN GAIN GAIN GAIN GAIN STEREO IN LEVEL SOLO/MAIN
A/B SELECT A

B/REC
B/
min
COMP
max min
COMP
max min
COMP
max min
COMP
max min
GAIN
max min
GAIN
max min
LEVEL A/B
max min max
REC LEVEL
REC
0 0 0 0 0 0 0 0 0 0

min - + max min - + max min - + max min - + max min - + max min - + max min - + max min - + max min - + max min - + max min max min max
USB
HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH HIGH RECORD LEVEL TO CONTROL ROOM
0 0 0 0 0 0 0 0 0 0

Press to
EFFECts Press to
Select
Select
- -
or edit
low - + high low - + high low - + high low - + high low - + high low - + high low - + high low - + high min
+ max min
+ max
media
MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID MID
0 0 0 0 0 0 0 0 0 0 MEDIA SELECT EFX SELECT

Auto-
min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max min -LOW + max USB MEDIA PLAYBACK
TUNE

EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS EQ BYPASS DIGITAL EFFECT/MEDIA PLAYBACK

SOLO

min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
MASTER
max
AUX min
HIGH
max

EFX
SOLO MUTE
ANALOG DIGITAL
min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max
MEDIA CHANNEL MEDIA CHANNEL min
RETURN TO MAIN
max min max
RETURN TO AUX EFX min
LOW
max

c c c c c c c c c c

ENABLE

left
L R right left
L R right left
L R right left
L R right left
L R right left
L R right left
L R right left
L R right left
L R right left
L R right
PAN PAN PAN PAN PAN PAN PAN PAN BAL BAL KOSMOS-C
CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE

SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL

1 2 3 4 5 6 7 8 9/10 11/12 MIC MUTE

L R

STEREO MONO
(SUM)

HEADPHONE/
L R SOLO/MAIN

min max

SOLO LEVEL
SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO

1 2 3 4 5 6 7 8 9/10 11/12 MAIN L+R SOLO/MAIN

www.peavey.com
 FCC/ICES Compliancy Statement
This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation
is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device
must accept any interference received, that may cause undesired operation.
Le présent appareil est conforme aux CNR d’lndustrie Canada applicables aux appareils radio exempts de licence.
L’exploitation est autorisée aux deux conditions suivantes: (1) I’appareil ne doit pas produire de brouillage, et (2)
I’utilisateur de I’appareil doit accepter tout brouillage radioélectrique subi, même si le brouillage est susceptible
d’en compromettre le fonctionnement.

Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the user’s
authority to use the equipment.

Note – This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference
in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference to radio communications.
However, there is no guarantee that interference will not occur in a particular installation. If this equipment does
cause harmful interference to radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try and correct the interference by one or more of the following measures.

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is con-
nected.

• Consult the dealer or an experienced radio/TV technician for help.

Caution
The equipment complies with FCC radiation exposure limits set forth for an uncontrolled envi-
ronment.

Features and specifications are subject to change without notice.

Peavey Electronics Corporation • 711 A Street • Meridian, MS 39301

(601) 483-5365 • FAX (601) 486-1278 • www.peavey.com

© 2015 EX000030
 ENGLISH
PV®14AT and PV®14BT
Compact Mixers

Congratulations on purchasing the Peavey PV®14AT or PV®14BT Compact Mixer. The PV®14AT and PV®14BT are studio-quality mixing con-
soles designed to meet diverse needs while occupying a small space. These are the perfect consoles for small venue performances or home record-
ing environments. PV series mixers feature built-in DSP effects that are useful in real-world recording and sound reinforcement, while parameter
controls allow you to tailor each effect to meet your needs.

The PV 14BT includes 8 channels of reference-quality mic preamps, 8 direct outputs for recording, a stereo channel, media channel with Blue-
tooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos
audio enhancement, 48 volt phantom power, dual selectable control room outputs, 4 channels of compression, one channel of on board selectable
guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge.
This amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless
connection to almost any "smart" device. 8 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 14 BT can
stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to
select and playback music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and
the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 4 Channels of compression keep signals
with difficult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every
channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or
power amplifier. The all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reli-
ability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it.
In addition to all of these features, the PV14AT features 4 channels of Antares® world-famous Autotune®, which can be set to subtly tighten up
vocal harmonies, or it can be set for robotic vocal effects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to
auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set.
Please read this guide carefully to ensure your personal safety as well as the safety of your equipment.

FEATURES:
• 8 Combination 1/4" and XLR low noise mic preamps • 4 channels of built-in compression
• Stereo 1/4", RCA or 3.5mm input channel • Stereo pan control per channel
• Bluetooth wireless connectivity • On-board USB-A MP3 playback
• 3-band EQ on all channels • 8 Channels of direct out
• 8 Channels of Peavey's Exclusive Mid-Morph • Kosmos -C bass and treble enhancement
• 150 Hz low-cut switch on all mic inputs • Channel 9/10 stereo return/input
• LED clip and signal present indication • Individual Solo function
• Individual channel mutes • Stereo USB-B streaming audio in and out
• EQ Bypass per mic channel • High quality master LED meter bridge
• On board studio quality digital effects with individual channel control • Master mic mute
• Effects and playback LCD display • Studio quality headphone output
• One pre-fader AUX send • Peavey's exclusive on-board 1 Meg guitar input
• Precision 60 mm faders on master • Antares Auto-Tune with Peavey's exclusive Custom Key
feature
• Dual selectable control room outputs / Record out with independent level
• Global 48V phantom power
• Main stereo outputs with balanced 1/4" and XLR connectors
• Rugged console design
Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
 DIRECT OUT
OUT DIRECT
DIRECTOUT
OUT DIRECT
DIRECTOUT
OUT

PV14AT/PV14BT Front Panel (channels 1 - 8)

1 22 3
1 MIC/LINE INPUT (CH.1-8)
This combination input jack accepts a ¼” or XLR balanced plug. The XLR balanced input is optimized
PV 14A
10A 1

for a microphone or other low impedance source. The ¼” input is a TRS balanced type, and also accepts
ordinary TS guitar cables. DIRECT OUT DIRECT OUT DIRECT OUT

2 DIRECT OUT 2

This impedance-balanced TRS output signal is taken after the mic preamp, hi pass filter, and compressor, 1 2 3
PV 10A
but before the EQ stage.
AT 3 AT
AT AT
3 AUTO-TUNE ACTIVATION BUTTON AND LED (PV14AT only) Auto-TUN

Pressing this button activates the PV14AT's onboard AUTO-TUNE feature. The button illuminates when HI PASS
HI PASS HI
HIPASS
PASS 4 HIHIPASS
PASS
in AUTO-TUNE mode.
4 GAIN 5

The Input Gain control is used to establish proper gain structure in the channel. For best results, use the min max
min GAIN max
comp
min
comp
max
min GAIN max
min
compminGAIN
max
max
comp GAIN comp GAIN GAIN
Solo system (19) to monitor the channel while you set the gain. The goal is maximum gain without distor- 7
tion. Both the main LED meters (during Solo) and the channel’s Signal/Clip indicator (16,17) can be used AT 6AT Auto-TUNE
for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain.
HI min
PASSCOMP
max min
HI PASS COMP
max min
HI PASS COMP
max

5 150 Hz HI PASS FILTER min

COMP
0
max min
COMP
0
max
0
0 0 0
The hi pass filter has a corner frequency of 150 Hz. When engaged‚ it can improve clarity by removing 8
low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a - + - + - +
- - -
min max min max min maxmax
windy day or on a hollow-sounding‚ noisy stage. These kinds of ambient noises can rob your sound system
min max
HIGH max
min GAIN
comp + min max
HIGH max
compminGAIN + min
HIGH
GAIN
min
+ max
HIGH
0 HIGH
0 HIGH
0
of power. Engaging this switch will remove those frequencies from the system and restore power where 0 0 0
needed. 9

COMPRESSION CONTROL (Channels 1-4) low

min - +max
high low
min - +
maxhigh low - + high
6 COMP
-+
MID-MORPH
low 00 high
COMP
-
+
MID-MORPH
low 0 0 high - +
MID-MORPH
low0 0 hig
MID-MORPH MID-MORPH MID-MORPH
Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of 0 0 0

compression. The compressor ratio is in the 4:1 range, varying with signal levels and the amount of com- 10
pression. This is useful for controlling peak levels from live sources, and has been designed to subtly tame min
min
-- ++ max
max min
min
-- ++ max
max min
min
-- + max
+ max
HIGH
LOW HIGH
LOW HIGH
LOW
the levels of live vocals without noticeable artifacts. The compressor is after the gain control (5) and the hi -LOW+
EQ BYPASS
min 0 max -LOW+
EQ BYPASS
min 0 max -LOW+
EQ BYPASS
min0 max

pass filter (4), but before the direct out (2), so it can be patched to external equipment. *not featured on EQ BYPASS 11
EQ BYPASS EQ BYPASS
channels 5-8. low - + high low - + high low - + high
MID-MORPH 12
MID-MORPH MID-MORPH
7 Compressor LED min
0 max min
0 max min
0 max
AUX AUX AUX
This LED illuminates when the compressor is actively compressing a signal. *not featured on channels 5-8. min
AUX
max min
AUX
max min
AUX
max

-LOW+ -LOW+13 -LOW+

Hi EQ
min max min max min max
8
EQ BYPASS EQ BYPASS EQ BYPASS
min max min max min max
This active tone control (shelving type: ±15 dB) varies the level of the high frequency range. EFX
c
EFX
c
EFX
c
min max min max min max
EFX EFX EFX
9 MID-MORPH EQ (CH. 1-7) c c14 c

Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned
min max min max min max
left
LAUX R right L
left AUX
R right L
leftAUX
R right
PAN PAN PAN
counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, L MUTE
R right MUTE L MUTE
CLIPleft L R right R righ
it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can 16
CLIP
left
PAN PAN
15
CLIPleft
PAN
be achieved. SIGNAL
CLIPmin
MUTE
max SIGNAL
CLIP
min
MUTE
max SIGNAL
CLIP
min
MUTE
max
17 EFX
1 EFX
2 EFX
3
10 Low EQ SIGNAL
c
SIGNAL
c
SIGNAL
c

This active tone control (shelving type: ±15 dB) varies the level of the low frequency range. Caution: Ex- 1 2 3
L R right L R right L R right
cessive low frequency boost causes greater power consumption and increases the possibility of speaker left
PAN
left
PAN
left
PAN
damage. CLIP
MUTE CLIP
MUTE
18 CLIP
MUTE

11 EQ BYPASS SIGNAL SIGNAL SIGNAL

LEVEL 1 LEVEL2 3
min max min max min m
Engaging this button bypasses the equalization of the channel, allowing you to easily hear the effect of LEVEL
the EQ settings. SOLO SOLO SOLO

12 AUX SEND
1 2 3
This control adjusts the level of the channel signal sent to the Aux output. The signal is taken before the min
LEVEL
max min
LEVEL
max min
LEVEL
max

channel level (18) but after the channel EQ, meaning that changes to the EQ settings will affect the aux SOLO SOLO SOLO

mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors, 1 2 3
when used in a live performance, or to feed headphone amplifiers in a recording situation.
SOLO SOLO
19 SOLO

1 2 3
 PV14AT/PV14BT Front Panel (channels 1-7)

13 EFX SEND
This control adjusts the level of the channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to
the left (min) will turn off effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect. The
effects send signal is taken after the channel level (18) so that adjustments made to the fader will also affect the send level.
14 PAN CONTROL
This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise‚ the signal is present only on the left
channel; when rotated completely clockwise‚ only in the right channel. This control functions as a balance control to adjust the relative level of the
left and right signals on stereo channels 9/10 and 11/12. (Note 1/4" inputs on ch 9/10 and 13/14 are mono unless both are connected, then they
switch to stereo)
15 MUTE SWITCH
Pressing this switch will silence the channel signal going to the main mix, aux send, and effects. The mute switch will not affect the signal sent to
the solo system.
16 CLIP/MUTE LED
This LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. The clip indicator
circuit monitors the signal after the gain control, after the EQ, and after the main level; because clipping can be caused by high settings of any
of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e.
piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting
of input gain + EQ will result in this LED flashing briefly on the loudest peaks.
17 SIGNAL LED
The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as
a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source.
18 CHANNEL LEVEL FADER
This is the channel's output control, which sets the signal level sent to the left and right mix and the effects send control. The gain is 0 dB
(unity gain) when set to the center mark inside the rectangular graphic. 10 dB of boost is available at the max gain setting. Normal operation
is to start with this knob at the center mark, and set the input gain and EQ with the source playing such that normal levels are seen at the sig-
nal /clip LED's and the main meter array. As additional sources are added, it is normal to move this fader down slightly to prevent overdriving
the main mix bus.
1/4”-Hi-Z CH.4 Only
19 SOLO SWITCH AND LED
When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master sec- 3.5mm STEREO
tion, indicating that the Solo system is now active. The Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to
the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected
L 5
source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed
channel(s). DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT

PV14AT/PV14BT Front Panel (channel 8) R 6

1 2 3 4
1/4”-Hi-Z CH.8 Only
5/6

PV 10BT
US
20 MIC/LINE INPUT (CHANNEL 8 ONLY) 20
10 INPUT
3.5mm STEREOSTEREO

This input is the same as channels 1-7 unless Guitar Shape is pressed. When ELECTRIC GUITAR WITH DIGITAL EFFECT

PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 MegΩ), like a 12AX7 vacuum tube L 9
guitar amplifier input. DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT
21 Electric Guitar Pre-Shape PAIR
R 10
Engaging this button optimizes the on board equalization for electric guitar.
1 2 3 4 5 6 7 8 9/10

PV 14AT 14 INPUT STEREO MIXER 21

WITH DIGITAL EFFECTS,
ELECTRIC MEDIA
GUITAR PLAYBACK AND BLUETOOTH
PRE-SHAPE

HI PASS HI PASS HI PASS HI PASS L R

USB A
min max min max min max min max
comp GAIN comp GAIN GAIN GAIN

AT AT AT AT Auto-TUNE ELECTRIC GUITAR

L R
 L 9 L 13
AUX SEND
DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT STEREO IN
PAIRING
R 10 R 14
1
PV14AT Front Panel (channels 29, 10, 113and 12)4 5 6 7 8 9/10 11/12 13/14

22 3.5mm STEREO INPUT

PV 14AT 14 INPUT STEREO MIXER
22BLUETOOTH
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND
1/4”-Hi-Z CH.8 Only

3.5mm STEREO
USB A
FS 24
MAIN
OUTPUTS

L 9 L 13 L
The 3.5mm input to channel 9/10 accepts a stereo input from the output ofDIRECT
anOUT
MP3 AUX SEND
DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 23 DIRECT OUT STEREO IN
player, CD player, tape deck or other similar device. This input is optimized for portable R 10
PAIRING
R 25 14 R
handheld devices and therefore has very high sensitivity.
1 2 3 4 5 6 7 8 9/10 11/12 13/14

23 STEREO INPUTS AT AT
PV 14AT AT AT Auto-TUNE
14 INPUT STEREO MIXER
WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH
ELECTRIC GUITAR PRE-SHAPE

L R 13/14
Channels 9 and 10 also feature 1/4" inputs. If only one jack is used, it behaves as a mono
HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS
26 PHANTOM POWER

source with a pan control. When both jacks are connected, these connections serve as a USB B
48V

27
stereo source with a balance control; 9 is Left and 10 is Right. USB A Bluetooth
min max min max min max min max min max minAuto-TUNE
max min max min max min max CONTR
comp GAIN comp GAIN comp GAIN AT comp AT
GAIN ATGAIN AT GAIN GAIN GAIN ELECTRIC GUITAR PRE-SHAPE
STEREO IN LEVEL
HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS L R 13/14
24 USB MEDIA JACK USB B
PHANTOM POWER
48V

A-type USB connector that a removable

COMP COMP data storage
min
COMP device
max
can be connected to playback
COMP
min max min
min
GAIN
max
max min
min

GAIN 0
max
max
min
GAIN
max min max min max min max min max min max
min
GAIN
max min
GAIN
max
USB A Bluetooth
min
LEVEL A/Bmin
max
max
min
REC LEVEL
max
CONTROL ROOM
0comp GAIN 0GAIN GAIN 0 GAIN GAIN STEREO IN LEVEL
music
comp comp comp
0 0 0 0 0 0 SOLO/MAIN
A/B SELECT A

B
USB PLAYBACK: min - + max min - + max min - COMP+
min max
max
min
COMP
min - max + maxmin COMPmin
max
- + max
min
COMP
max
min - + max min - + max min - + max min - min +
GAINmax
max min
minGAIN - + max minLEVELmin
max
A/B
max min
max
REC LEVEL
max
min
B/REC
max
REC
HIGH HIGH HIGH
0 0 HIGH 0 HIGH 0 HIGH
0 HIGH
0 0 HIGH 0 HIGH0 HIGH
0 RECORD LEVEL TO CONTROL ROOM
0 0 0 0 0 0 0 0 0 0

First, slide the input selection switch (27) to the - + USB -A+position. - + The- bottom +
min - of+
the- LCD+
max min max min max min max min max min max min -
28
+ max min - + max min - + max min - + max min Press
max to min max
EFFECts
display will say “Insert USB - +drive”. -Insert
low + your
high- USB+
low
drive- +into the- USB
high low+ Media
- +Jack (24)
HIGH
0
- +at
high
HIGH
low
0
high
HIGH
0
low
HIGH
high
0
low
HIGH
0
high
HIGH
low
0
high
HIGH
0
low - + high0
HIGH
min -
HIGH
+
0
max min
HIGH
-
0 + max
Select TO CONTROL ROOM
RECORD LEVEL
media

the top of channel 11/12. The Media

MID-MORPH
0 Player MID-MORPH
MID-MORPH
will +now enter 0 "Folder
MID-MORPH
Navigation
MID-MORPH MID-MORPH
0 Mode". In
MID-MORPH
0 0 0 0
MID-MORPH
0
MID
0
MID
0
Press to
Select MEDIA SELECT
EFFECts

- - + - + - + - + - + - + high - + high - + max - + max

media

this mode, you can scroll through a list of all folders on the USB drive. Once you select
low high low high low high low high low high low high low low min min
MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID MID
0 0 0 0 0 0 0 0 0 0 MEDIA SELECT E

a folder, the Media Player-LOW will

+ enter
min "Song
-LOW + Navigation
max -LOW+min Mode"
- + whichmax -LOW+ allows-LOW
min you
+ to scroll
- +
max min max min max min max min max min -LOW+ max min -LOW+ max min -LOW+ max USB MEDIA P
- + - LOW - EQ+ BYPASS - LOW
are- noEQsongs- + -LOW - + -LOW+ -LOW+
+ + + +
through a list of all songs contained
EQ BYPASS in theEQselected
EQ BYPASS BYPASS folder.
EQ BYPASS If there
min

EQ BYPASS
BYPASS in the
LOW
max
EQ BYPASS
min

EQ BYPASS
LOW
max min

EQ BYPASS
LOW
max min

EQ BYPASS
LOW
max min

EQ BYPASS
LOW
max min

EQ BYPASS
LOW
max min

EQ BYPASS
max
EQ BYPASS LOW
min

EQ BYPASS
max min max min max USB MEDIA PLAYBACK

DIGITAL EFFECT/ME
DIGI
selected folder, the LCD will display "No Songs". To return to Folder Navigation Mode, scroll
to the very beginning of the list and select the <FOLDERS> option. SOLO SOLO

Once a song is finished playing,min

AUX
the Media
AUX
Player
max
AUX
will automatically
min
AUX
max start playing
min
AUX
min

AUX
the nextAUX
AUX max
max min
AUX
min
max
max
min
AUX min
max min
AUX
max
max
min
min
AUX max
max min
AUX
min
max
max
min
AUXmin
max

AUX
min
AUX
max
max
min
min

AUX
AUXmax
max min
minAUX
AUX
max
max
min
MASTER
min
max

MASTER
max AUX

song. Once the Media Player reaches the last song, it will automatically loop back to the SOLO
EFX
MUTE

beginning of the list. min

EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max min
EFX
max
ANALOG
MEDIA CHANNEL
DIGITAL
MEDIA CHANNEL min
RETURN TO MAIN
max min
SOLORETURN max
TO AUX EFX
c c c c c c c c ANALOG c DIGITAL
c
min max min max min max min max min max min max min max min max min max min
EFX EFX EFX EFX EFX EFX EFX EFX MEDIA CHANNEL MEDIA CHANNEL RETURN TO MAIN RETURN T
c c c c c c c c c c
L R right L R right L R right L R right L R right L R right L R right L R right L R right L R right
29
left left left left left left left left left left

25 BLUETOOTH PAIRING BUTTON AND LED PAN

MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
PAN
MUTE
BAL
MUTE
BAL
MUTE
30
CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP

L R right L R right L R right L R right L R right L R right L R right L R right L R right L R right
The Bluetooth Pairing Button
left
is used
left
PAN to turn PAN
left
on/off
1 thePAN
left
Bluetooth.
left
3PANOnce4 turned
leftSIGNAL
5on, the
SIGNAL SIGNAL SIGNAL SIGNAL left
SIGNAL SIGNAL left SIGNAL left SIGNAL left
SIGNAL
PAN 2 PAN PAN6 7PAN 8 BAL 9/10 11/12
BAL MIC MUTE
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE L R
Bluetooth will automatically enter pairing mode. You can pair any Bluetooth-enabled
CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP CLIP

device with the mixer using the 1 PIN 7878.

SIGNAL

2 The blue 3 “Bluetooth

SIGNAL

4 Active5 LED” indicates

SIGNAL

6 the7 SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL

8
SIGNAL

9/10
SIGNAL

11/12 MIC MUTE

status of the Bluetooth connection. If the LED is off, the Bluetooth module is powered STEREO MONO
(SUM) L
off. If the LED is slowly flashing, the PV mixer is not paired with any device, but is avail-
L R
able for connection. When the LED is lit solid, the source device is properly paired to the
mixer and ready to play. STEREO MONO
(SUM)

To clear the paired device memory, make sure Bluetooth is on and press and hold the
Bluetooth Pairing Button for 5 seconds. The PV mixer will ask if you would like to clear SOLO L R
the Bluetooth memory. Select "Y" using the Media Select knob to clear the memory. The SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO

1 2 3 4 5 6 7 8 9/10 11/12 MAIN L+R

PV mixer will go through the process of clearing the memory, which should take ap-
proximately 15 seconds.

26 RCA MEDIA INPUTS SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO
SOLO

1 accept2a stereo source

The RCA inputs to channel 9/10 3 such4as an MP35 player, CD
6 player,7 8 9/10 11/12 M
tape deck or other similar device. This input is optimized for portable handheld devices
and therefore has very high sensitivity.

27 DIGITAL SOURCE SELECTOR

This switch selects between USB A (24), USB B (69), and the internal Bluetooth receiver.

28 MID CONTROL
Stereo channels' midrange is +/-20 dB @ 440Hz ; the HIGH (8) and LOW (10) controls are
described above.
 PV14AT/PV14BT Front Panel

32

1/4”-Hi-Z CH.8 Only

MAIN
USB A L
OUTPUTS
3.5mm STEREO FS

L 9 31 L 13 L
AUX SEND R
DIRECT OUT DIRECT OUT STEREO IN
PAIRING
R 10 R 14 R
7 8 9/10 11/12 13/14

LAYBACK AND BLUETOOTH

33 34 35

29 ANALOG BALANCE CONTROL

Controls the balance between the analog channels 9/10.

30 DIGITAL BALANCE CONTROL

Controls the balance between
ELECTRIC thePRE-SHAPE
GUITAR digital channels 11/12.
POWER
HI PASS HI PASS L R 13/14
31 AUX SEND XLR and 1/4" OUT PHANTOM POWER
48V
USB B
Ground compensated balanced output fed by the AUX SEND master level (52). The XLR is internally in parallel with the TRS. You will
get better hum and noise USB
rejection by using balanced interconnects (either XLR orPV
A Bluetooth TRS),14
but unbalanced Tip Sleeve (TS) cables will
min max min max min max CONTROL ROOM L R
GAIN also work.
GAIN STEREO IN LEVEL SOLO/MAIN
A A/B SELECT

32 FOOTSWITCH B/REC
B/
min
GAIN
max min
GAIN
max min
LEVEL A/B
max min
REC LEVEL
max REC
This TRS
0 0 jack is designed
0 for use0 with Peavey's 2 Button Special Use Momentary Footswitch, Item # 03014070. The tip of this TRS jack,
switch 1, remotely actuates the EFX Mute switch. The ring of the TRS jack, switch 2, remotely turns off the Auto-Tune on AT models.
min - - of+ maxAuto-Tune
- + max theminuse min -
+ max This
min makes inconspicuous;
+ max byminusingmaxthe footswitch, your between-songs spoken banter won't be Auto-Tuned.
HIGH HIGH
min max
HIGH HIGH USB
RECORD LEVEL TO CONTROL ROOM
0 0 0 0

33 1/4" STEREO INPUTS Press to

EFFECts Press to
Select
Select
- are a stereo
min -
or edit
low - + high low -
Channel + high
13 andmin14
+ max + max
media
pair of 1/4" jacks that can be used for an aux input, or effects return from an external processor.
MID-MORPH MID-MORPH MID MID
0
If only one jack is used, it behaves
0 0 0
as a mono source.
MEDIA SELECTOnce both jacks are connected, it behaves as a stereo source; 13 is Left and 14 is
EFX SELECT

Right. Auto-
min -LOW+ max min -LOW+ max min -LOW+ max min -LOW+ max USB MEDIA PLAYBACK
TUNE

Q BYPASS EQ BYPASS DIGITAL EFFECT/MEDIA PLAYBACK

34 1/4" STEREO OUTPUTS
Ground compensated balanced output fed by the master L and R Faders (60). The TRS jacks are internally in parallel with the XLR's.
SOLO
You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS)
min
AUX
max min
cablesAUX
max min
will also work.
AUX
max min
AUX
max min
MASTER
max
AUX min
HIGH
max

EFX
SOLO
35 XLR STEREO OUTPUTS
ANALOG DIGITAL
MUTE

min
EFX
max min
EFX
max
MEDIA CHANNEL MEDIA CHANNEL min max
RETURN TO MAIN
min max
RETURN TO AUX EFX min
LOW
max

c Groundc compensated c balancedc output fed by the master L and R Faders (60). The XLR jacks are internally in parallel with the TRS's.
You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS).
ENABLE

left
L R right left
L R right left
L R right left
L R right
PAN PAN BAL BAL KOSMOS-C
LIP
MUTE CLIP
MUTE CLIP
MUTE CLIP
MUTE

IGNAL SIGNAL SIGNAL SIGNAL

7 8 9/10 11/12 MIC MUTE

L R
 PV14AT/PV14BT Front Panel
36 37

ELECTRIC GUITAR PRE-SHAPE

POWER
HI PASS L R 13/14
PHANTOM POWER
48V
USB B

PV 14
USB A Bluetooth
max min max min max CONTROL ROOM L R
GAIN STEREO IN LEVEL SOLO/MAIN
A/B SELECT A 43

B/REC
B/
min
GAIN
max min
GAIN
max min
LEVEL A/B
max min
REC LEVEL
max REC
0 0 0

max min - + max min - + max min - + max min

39
max min
40
max
41 42 44
USB
HIGH HIGH HIGH RECORD LEVEL TO CONTROL ROOM
36 PHANTOM
0
POWER
0 0

This Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom
EFFECts Press to power.
Press to
If phantom power is used, do not connectSelect unbalanced dynamicmedia
microphones or other devices to the XLR
Select

- + max - Voltage.
or edit
low - inputs
+ high thatmin + max
high
H MID-MORPH
cannot
MID
handleminthis
MID
0 0 0 MEDIA SELECT EFX SELECT
37 STEREO IN LEVEL 13/14
Auto-
max min -
Controls
+ max the level+of
min - max
inputminjacks
-LOW+13maxand 14. If only one jack is connected, it is sent to both L and R. IfTUNE
both jacks are connected, 13 is L and 14
is R. The Aux LOW
LOW output could be fed to an external effects processor,USB
andMEDIA
thesePLAYBACK
jacks could be used as the effects return. Or a second mixer could
EQ BYPASS
be daisy-chained in here. DIGITAL EFFECT/MEDIA PLAYBACK

39 LEVEL A/B
SOLO

Controls the level of both min

A and Bmaxcontrol
minroommaxoutputs. The active output is selected with A/Bmin
SELECT switch (41), when B/REC switch (42)
max min
AUX
max min
AUX
max
AUX max
is up. When B/REC switch isAUX
down, only output
MASTER
A is controlled. HIGH

40 REC LEVEL SOLO

EFX
MUTE
ANALOG DIGITAL
max min When B/REC
EFX MEDIA switch
max
CHANNELis down, controls the
MEDIA CHANNEL level
RETURN TO MAIN
min Note:
at the B/REC outputs.RETURN
max When B/REC
TO AUX EFX switch
minis up, this
LOW
max control is inactive.
min max

c c c

41 A/B SELECT ENABLE

L R right L R right L R right

ght left When this left
switch is up, output
left A is on and output B is off. When this switch is down, output B is on and output A is off. Use this switch to
KOSMOS-C
PAN
UTE
evaluate a mixBAL
MUTE CLIP
2 different BAL
onMUTE pairs
MUTE
of monitors, such as near field and far field monitors. By setting the level controls on both monitoring sys-
CLIP
tems the same, a rapid A/B comparison can be made. Overall monitor level is controlled by LEVEL A/B. NOTE: When the B/REC switch (42)is
CLIP

SIGNAL
down, thisSIGNAL
switch is disabled
SIGNAL
, and the A output remains on at all times, fed by LEVEL A/B (39).
7 8 9/10 11/12 MIC MUTE

42 B/REC SWITCH L R

Determines the function of the B/REC output. When up, B/REC jack functions as monitor B output, selected by A/B select and controlled by
LEVEL A/B. When down, B/REC jack is an independent record output, with level controlled by REC LEVEL.
STEREO MONO
43 CONTROL ROOM MONITOR OUTPUT A (SUM)

Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal
when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix.HEADPHONE/
The USB "To Control Room" pot (47) feeds the
L R SOLO/MAIN
USB return signal to these Monitor Outputs for use in a DAW recording setup. When the Solo LED is lit (62), only the soloed source(s) will
be heard. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the LEVEL
A/B control.

min max

SOLO LEVEL
SOLO SOLO SOLO

7 8 9/10 11/12 MAIN L+R SOLO/MAIN

T Auto-TUNE ELECTRIC GUITAR PRE-SHAPE

HI PASS HI PASS L R
PHANTOM POWER
9/10
48V
USB B
PV14AT/PV14BT Front Panel PV 10
USB A Bluetooth
min max min max min max CONTROL ROOM L R
GAIN GAIN STEREO IN LEVEL SOLO/MAIN
46 47 48 A
A/B SELECT

B/REC
B/
min
GAIN
max min
GAIN
max min
LEVEL A/B
max min
REC LEVEL
max REC
0 0 0 0

min - + max min - + max min - + max min - + max min max min max
USB
HIGH HIGH HIGH HIGH RECORD LEVEL TO CONTROL ROOM
0 0 0 0

Press to
EFFECts Press to
45 Select
Select 50
- - - - media or edit
h low + high low + high min
+ max min
+ max
MID-MORPH MID-MORPH MID MID
0 0 0 0 MEDIA SELECT EFX SELECT

Auto- 51
TUNE
min -LOW+ max min -LOW+ max min -LOW+ max min -LOW+ max USB MEDIA PLAYBACK
EQ BYPASS EQ BYPASS DIGITAL EFFECT/MEDIA PLAYBACK

SOLO

x min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
MASTER
max 49 AUX min
HIGH
max

44 CONTROL ROOM MONITOR OUTPUT B / RECORD OUT EFX

SOLO MUTE

min
This
max
pairminof outputs
max
can either serve
ANALOG as your "B" Record
DIGITAL
min
Monitor Output; or,
max min
withmaxthe B/REC
EFX
switch
min
(42)max
down, as an independently controlled
EFX EFX MEDIA CHANNEL MEDIA CHANNEL
Record Output. NOTE: When the B/REC switch is down, the
RETURN TO MAIN
A/B SELECT switch becomes
RETURN TO AUX
disabled, and this
LOW
output is output is controlled by the
c c c c L R
B/REC control.
STEREO MONO ENABLE
45
L
USB
R
RECORD
L R
LEVEL KNOB
L R L R right
(SUM)
t left right left right left right left
PAN PAN BAL KOSMOS-C
E Controls the
MUTE level
MUTE ofCLIP
signal sent to theBAL
MUTE USB B connector
MUTE on the back of the mixer. The recommended setting is near 12:00, but a wide range is
MIC MUTE
CLIP CLIP CLIP HEADPHONE/
available to accommodate varying levels and sensitivites. SOLO/MAIN
SIGNAL SIGNAL SIGNAL SIGNAL

2 46 CONTROL
3 ROOM
4 LEVEL 5/6 7/8
Controls the level of signal returning from the USB B connector on the back of the mixer. The signal is routed to the control room and head-
phone outputs, for multitrack recordings on a DAW. The recommended setting is near 12:00.
47 MEDIA AND EFFECTS LCD DISPLAY
max min max min max min max min max L R min max

LEVEL LEVEL
The top row LEVEL
of this LCD displays theLEVEL
currently selectedSOLO LEVELthe MP3 Player, which can be used for
Effect and the bottom row displays the statusof
SOLO navigating
SOLO the folders on the USBSOLO
SOLO drive or displaying the current song playing. The bottom line will also briefly display the Bluetooth status
2 3 power on,4 power off,
during 5/6
and memory7/8 MAIN L+R
clearing. SOLO/MAIN
48 MEDIA SELECT
Once a USB device is connected in channel 8, you can use the “Media Select” encoder to navigate through the folders/songs on the drive.
Once the desired file is displayed on the screen, press the Media Select knob to cue that file. Use the controls on the mixer for play, pause,
forward and reverse.
49 EFX SELECT KNOB
See detailed description on the following page.

50 MEDIA PLAYBACK CONTROLS

These controls allow you to play, pause and scroll though digital media via USB jack.

51 AUTO-TUNE MODE BUTTON (PV14AT ONLY)

Pressing this switch changes the top line of the LCD between Auto-Tune Edit Mode and EFX Edit Mode. This funtion is not available in
the PV14BT.
 EFX and Auto-Tune (PV14AT only)

EFX Select Knob:

EFX Mode:
In EFX Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the
EFX preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new effect. Once the ef-
fect has been selected, you can now edit the effect. To do this, press the EFX Select knob and the display will change to the current parameter
setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX
presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.

Auto-Tune Mode:
In Auto-Tune Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob
changes the Auto-Tune preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new
Auto-Tune preset.

Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. The display will change to the current Key setting.
Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. The Key setting deter-
mines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all
other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table below.

Note:
If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use
the EFX Select knob to select the Root (labeled "RT"). This will be the note off which the custom key is based. Then use the
Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have
finished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. The mixer is capable of storing 9 different
custom keys, one for each preset slot.

The scale degrees are numbered across the top, with half-steps indicated by a dash.
*RT= Root or Key

RT

* indicates the root or

key is C
"+" indicates the note will be allowed.
"-" indicates the note will not be allowed.

By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. There are only two of those, so you can have the
other one just by changing the root to C# or B.

*This screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root.

Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select
knob to change the Speed setting. The Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. The range
for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed param-
eter.
The display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. The Detune setting
determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to
the standard A440, or where the note A4 equals 440 Hz. The range of the Detune setting is -64 to 63 cents, a width of 128 cents. The distance
between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to fit any possible environment.

Note:
Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned
on-the-fly. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 stan
dard, simply change the Detune setting in the Auto-Tune setting. This is much easier and takes much less time than having some
one tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global param
eter. This means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change.

Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all Auto-
Tune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted.

Note:
Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Autotune, without having to
adjust any settings. The slower speed setting does not produce a robotic effect on the voice, and all twelve semitones are allowed.
Just remember to use footswitch #2 to bypass Autotune between songs, otherwise your speaking will be Autotuned!

Auto-Tune Key Table

Auto-Tune Key Table

Key Display Note Number (n)=

Key 0 1 2 3 4 5 6 7 8 9 10 11
Chrom C C# D D# E F F# G G# A A# B
C Maj C D E F G A B
C Mnr C D D# F G G# A#
C#Maj C C# D# F F# G# A#
C#Mnr C# D# E F# G# A B
D Maj C# D E F# G A B
D Mnr C D E F G A A#
D#Maj C D D# F G G# A#
D#Mnr C# D# F F# G# A# B
E Maj C# D# E F# G# A B
E Mnr C D E F# G A B
F Maj C D E F G A A#
F Mnr C C# D# F G G# A#
F#Maj C# D# F F# G# A# B
F#Mnr C# D E F# G# A B
G Maj C D E F# G A B
G Mnr C D D# F G A A#
G#Maj C C# D# F G G# A#
G#Mnr C# D# E F# G# A# B
A Maj C# D E F# G# A B
A Mnr C D E F G A B
A#Maj C D D# F G A A#
A#Mnr C C# D# F F# G# A#
B Maj C# D# E F# G# A# B
B Mnr C# D E F# G A B
ax min - + max min - + max min - + max min - + max min max min max
USB
HIGH HIGH HIGH HIGH RECORD LEVEL TO CONTROL ROOM
0 0 0 0

Press to
EFFECts Press to
Select

- PV14AT/PV14BT Front
- + Panel
Select
- - + media or edit
gh low + high low + high min max min max
H MID-MORPH MID-MORPH MID MID
0 0 0 0 MEDIA SELECT EFX SELECT
52 53 54 55

ax min -LOW+ max min -LOW+ max min -LOW+ max min -LOW+ max USB MEDIA PLAYBACK
EQ BYPASS EQ BYPASS DIGITAL EFFECT/MEDIA PLAYBACK

SOLO

ax min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
MASTER
max
AUX min
HIGH
max

56 EFX 57
SOLO MUTE
ANALOG DIGITAL
ax min
EFX
max min
EFX
max
MEDIA CHANNEL MEDIA CHANNEL min
RETURN TO MAIN
max min max
RETURN TO AUX EFX min
LOW
max

c c c c L R
58 STEREO MONO ENABLE
(SUM)
ht left
L R right left
L R right left
L R right left
L R right
PAN PAN BAL BAL KOSMOS-C
TE MUTE MUTE MUTE MUTE MIC MUTE HEADPHONE/
CLIP CLIP CLIP CLIP
59 60
SOLO/MAIN
SIGNAL SIGNAL SIGNAL SIGNAL

2 3 4 5/6 7/8
61

max min max min max min max min max L R min max

LEVEL LEVEL LEVEL LEVEL SOLO LEVEL

SOLO SOLO SOLO
62
SOLO

2 3 4 5/6 7/8 MAIN L+R SOLO/MAIN

52 AUX MASTER CONTROL KNOB

Controls the overall level of the signal coming out of the Aux Output (31). This Auxiliary output is typically fed to a power amplifier to drive
stage monitors so singers can hear themselves amidst amplified instruments, or to a headphone amplifier to give vocalists a monitor feed that
will not be picked up by microphones while recording.

53 AUX MASTER SOLO BUTTON AND LED

Allows you to listen to just the Auxiliary mix. The setting of the AUX MASTER knob determines the level you will hear when this button is
pressed.

54 EFX RETURN SOLO BUTTON AND LED

Allows you to listen to just the effects return. The setting of the Return to Main knob determines the level you will hear when this button is
pressed.

55 RETURN TO AUX CONTROL KNOB

This control determines the level of the internal digital effects processor being sent to the Aux output. One possible use is to put reverb in the
headphones of a vocalist, to give them a confidence boost for recording, without putting any reverb on the actual recorded track. Or in a live
situation, the same can be done by feeding a delay or reverb to the monitors.

56 EFX RETURN TO MAIN

This control determines the level of the internal digital effects processor being sent to the main L and R outputs.

57 EFX MUTE BUTTON AND LED/CLIP LED

When depressed, the output of the internal digital effects is shut off. Muting the effects is an easy way to determine what a particular effect is
doing to your mix. LED remains lit when EFX MUTE is engaged. When EFX MUTE is not engaged, this LED functions as a clip indicator for
the internal digital effects. If the digital effects are clipping, reduce the level of the EFX SEND pots.
 PV14AT/PV14BT Front Panel

58 STEREO/MONO MODE SWITCH

In the mono position, the left and right buses are summed together after the faders. In this position, the L fader controls the level of the L bus,
and the R fader controls the level of the R bus, allowing you to use the L and R buses as groups. For example, all vocals could be panned L and
all instruments panned R. Then the L fader becomes the vocal master level and the R becomes the instruments master level.

59 MIC MUTE BUTTON AND LED

Depressing this button mutes all of the mic inputs channels (1-4) and the effects return. The media input channels are still "live". This allows
you to play break music, while muting all of the microphone inputs.

60 MAIN LEVEL FADERS

The Master Faders control the levels sent to the Main Left/Right outputs (34, 35). Best results are obtained when these controls are set near the
midpoint of the enclosed rectangle.

61 MAIN L+R METER ARRAY

Displays the level of the L and R outputs, or, when solo is active, displays the soloed channel(s). The top green LED corresponds to an output
level of +4dBu. The red LED is a clip warning indicator. The range of the meter is from -29 dBu to +15 dbu.

62 MAIN SOLO LED

Lights when any solo button is pushed, to indicate that the solo system is active.
 Press to
EFFECts Press to
Select
Select
- - - - - - media or edit
low + high low + high low + high low + high min
+ max min
+ max
MID-MORPH MID-MORPH MID-MORPH MID-MORPH MID MID
0 0 0 0 0 0 MEDIA SELECT EFX SELECT
PV14AT/PV14BT Front Panel
min -LOW+ max min -LOW+ max -LOW+
min -LOW+ -LOW+
max min max min max min -LOW+ max USB MEDIA PLAYBACK
EQ BYPASS
63
EQ BYPASS
KOSMOS-C HIGH CONTROL EQ BYPASS EQ BYPASS DIGITAL EFFECT/MEDIA PLAYBACK

A very selective high frequency filter with a high Q. The effect varies with source material, so some experi-
mentation is required for optimum results. SOLO 63
min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
AUX
max min
MASTER
max
AUX min
HIGH
max

64 KOSMOS-C LOW CONTROL

64
This Kosmos-C Low enhancement works by creating harmonics of signals in the bottom SOLO ocave, where MUTE EFX

maxspeakers aremaxusually
min ineffective. The harmonics are more easily reproduced, resulting in a perception ofmax
ANALOG DIGITAL
min
EFX
min
EFX EFX
max min
EFX
max
MEDIA CHANNEL MEDIA CHANNEL min max
RETURN TO MAIN
min
RETURN TO AUX EFX min max

c strongercbass. The effect c is source dependent;

c obviously
c a source
c with little energy in the bottom L octave will R
LOW

not create booming bass.

STEREO MONO ENABLE 65
(SUM)
L R L R L R L R right L R right L R right
left 65rightKOSMOS-C
left right
ENABLE
left right left left left
PAN PAN PAN PAN BAL BAL KOSMOS-C
MUTE CLIP MUTE CLIP MUTE MUTE MUTE MUTE MIC MUTE HEADPHONE/
CLIP
Allows you to easily A/B the effects
CLIP
of yourCLIPKosmos Settings.
CLIP
SOLO/MAIN
SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL
66
1HEADPHONE
2 SOLO/MAIN
3 LEVEL4 5/6 7/8
Controls the level of the headphones. The headphone is normally fed by the main outs, unless the solo
system is active. Always start with the headphone level at "min" to avoid hearing damage. 66

min max min max min max min max min max min max L R min max

LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL SOLO LEVEL

SOLO SOLO SOLO SOLO SOLO SOLO

1 2 3 4 5/6 7/8 MAIN L+R SOLO/MAIN

 PV14AT/PV14BT Rear Panel

67 68 69

DIGITAL AUDIO
PORT
POWER

ON
COMPUTER

67 DC POWER INLET
Use to connect the included power supply. Be sure the power supply is connected to the PV®14 before connecting to a power source.
Use 15VDC, 1.6A adapter only. Replace only with Peavey part number 30908112.

68 POWER SWITCH
This is the main power switch.

69 USB PORT TYPE B

The USB port is used to connect the PV® Series USB mixer to a computer for recording or playing back digital audio to/from your computer.
The USB port sends the mixer’s main/tape stereo out to the computer. The USB port receives digital audio from the computer; it can then be
assigned through the selector switch (27) to the main left/right output, if the computer is being used for playback only. For recording, use the
USB TO CONTROL ROOM control (47), to avoid creating a loop. Compatible with Windows® Vista, Windows 7, & Windows 8, Mac OS X® 10.0
or later, and iOS devices.
 A B C D

AUX
EFX
SOLO

Left
Right

Left 1-8
Right 1-8
CLIP

+48V
CHANNEL 1 - 7 Left
ON/OFF Master 2 1
PHANTOM
ON/OFF 3
COMP EQ SIGNAL KOSMOS ENABLE LEFT
Ch 1-4 Only MIC
1 1
MIC PRE MID-MORPH LEVEL MUTE OUT
LO 4kHz HI EQ
Bypass Mute

2
XLR AUTO-TUNE
HI PASS KOSMOS - C

3
PAN
Mono
80Hz 400Hz 12kHz

1
CH 1-4 ONLY EFX
2 1
LINE Gain Threshold
Direct Output AUX 3
RIGHT
LOW HIGH OUT
Right
Master
Solo

CLIP
Headphone
Level
CHANNEL 8 Solo Headphone
PHANTOM
ON/OFF
COMP EQ SIGNAL
Ch 1-4 Only
MIC PRE MID-MORPH LEVEL
LO 4kHz HI EQ
Guitar Bypass Mute Control Rm
In A/B

2
Guitar AUTO-TUNE Level Select
XLR EQ
HI PASS

3
PAN
80Hz 400Hz 12kHz Control Rm A

1
2
CH 1-4 ONLY EFX 2

LINE Gain Threshold

Direct Output Record B/
AUX Level Record Out

Control Rm B/
Record Out
Solo

Record
Level
CHANNEL 9/10
To USB B Streaming Output
LEFT CLIP
OUT
RIGHT
SIGNAL 2 1

EQ 3
LEFT EQ
Mute AUX

RIGHT
LO MID HI
BALANCE
LEVEL
3.5mm In EFX Solo

CLIP
AUX
3 3

MIC
Solo MUTE EFX In
EFFECTS FOOTSWITCH
CLIP EFX
MEDIA PLAYER DEFEAT T = EFX Mute
CHANNEL11/12 Solo EFX Out MUTE R = AutoTune Bypass (AT Models)
SIGNAL EFX Return MEDIA EFX
USB A EQ To Mains SELECTOR SELECTOR
EQ
Mute
Media Player
Input
LO MID HI
BALANCE
USB B LEVEL
Streaming EFX EFX Return
Input To AUX
Input
Block Diagram-PV®14

STATUS
Selector AUX
BLUETOOTH
INPUT
Solo

4 4

CHANNEL 13/14
LEFT
Peavey Electronics Corp.
5022 Hartley Peavey Drive
Meridian, MS 39305
RIGHT
Title: PV14_BLOCK
Sheet Title:

CONFIDENTIAL D Sheet 2 of 2 Date: 4-9-2015_11:35

A B C D
 PV®14 Specifications
Mic pre EIN = -126 dBu @ max gain with 150 ohm source
Inputs
Function Input Z Input Gain Input Levels Bal/ Connector
(ohms min) Setting Min** Nominal* Max Unbal
Microphone 2 kΩ Max Gain -71 dBu -51 dBu -39 dBu Bal XLR Pin 1 Gnd
(150 ohms) (59 dB) Pin 2 (+)
Pin 3 (-)
Min Gain -17 dBu +5 dBu +16 dBu
(4 dB)
Line 10 kΩ Max Gain -52 dBu -32 dBu -20 dBu Bal 1/4" TRS;
(10 k ohms) (40 dB) Tip (+)
Ring (-)
Line 4 TS, GTR 1 Meg Ω @ ≤ 200 Min Gain +2 dBu +23 dBu > +32 dBu Sleeve Ground
SHAPE ON Hz, like 12AX7 (-15 dB)
input.

Stereo Input 5/6 10 kΩ Max Gain (18 dB) -31 dBu -12 dBu +1 dBu Unbal 1/4" TS;
Tip (+)
Nominal -13 dBu +6 dBu +19 dBu Sleeve Ground

Stereo Input 9/10 6.8 kΩ Max Gain ( 18 dB) -23 dBu -13 dBu +3dBu

Nominal -15 dBu -5 dBu +12 dBu

3.5mm, RCA 2.8 kΩ Max Gain (18 dB) -43 dBu -23 dBV -10 dBu Unbal 3.5mm; Tip=L, Ring
= R,
Nominal -24 dBu -5 dBu +8 dBu Sleeve Ground
RCA: Tip (+),
Sleeve Ground

0 dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and
master faders set for maximum gain.
* Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment
pot which is as specified.

Outputs
Function Min Load Output Levels Connector
Bal/
Z Nominal Max Unbal
(ohms)
Main Left/Right 600 +4 dBu +20 dBu Bal XLR Pin Ground Tip
Pin 2 (+), Pin 3 (-)

1/4" TRS: Tip (+), Ring (-)

Sleeve Ground
Effects and 600 +4 dBu +20 dBu Bal 1/4" TRS: Tip (+), Ring (-)
Monitor Sends Sleeve Ground
Control Room 600 +4 dBu +20 dBu Unbal RCA: Tip (+),
Sleeve Ground
Headphone 8 +4 dBu (no load) +20 dBu Unbal 1/4" TRS; Tip Left, Ring Right
Sleeve Ground
0 dBu=0.775 V (RMS)
Gain
Mic Input Gain Adjustment Range: 4 dB to 59 dB
Mic Input to Left/Right Balance Output 79 dB (max gain)
Line Input Gain Adjustment Range: -16 dB to 40 dB
Line Input to Left/Right Balance Output 60 dB (max gain)
Stereo 5/6 1/4" Gain Adjustment Range: Off to +18 dB
Stereo 5/6 1/4"to Left/Right Output 42 dB (max gain)
Stereo 5/6 3.5mm / RCA Gain Adjustment Range: Off to +28 dB
Stereo 5/6 3.5mm / RCA to Left/Right Output: 47 dB (max gain)
Stereo 9/10 Gain Adjustment Range: Off to +18 dB
Stereo 9/10 to Left/Right Output 28 dB (max gain)

Frequency Response
Mic Input to Left/Right Output, Max Input Gain 14 Hz to 25 kHz +0 dB/-1 dB
Mic Input to Left/Right Output, input gain 12:00 9.5 Hz to 29 kHz +0 dB/-0.8 dB

Total Harmonic Distortion

<0.006% Typical, Mic to Left/Right Output (22 Hz to 22 kHz BW)

Hum and Noise

Output Residual Noise S/N Ratio (Ref: +4dBu) Test Conditions

Master Left/Right -97 dBu 101 dB Master Fader Down, Channel Levels Down
-90 dBu 94 dB Master Fader Nominal, Channel Levels Down
-83 dBu 87 dB Master Fade Nominal, Channel Faders Nominal,
Panned Odd Channels (left), Even Channels
(right)

Monitor Send -95 dBu 99 dB All controls off

-80 dBu 84 dB All channel sends nominal, masters nominal

(Hum and noise measurements: 22 Hz to 22 kHz BW)

Equivalent Input Noise

-128 dBu (input terminated with 150 ohms, bandwidth 20 kHz)

Crosstalk/Attenuation
Adjacent Input Channels (1 kHz) >90 dB Mute Button Attenuation (1 kHz) >90 dB

Left to Right Outputs (1 kHz) >70 dB Channel Fader Kill (1 kHz) >85 dB

Common Mode Rejection Ratio (Mic Input)

50 dB minimum (20 Hz to 20 kHz)

70 dB typical @ 1 kHz

Meters Signal/Overload Indicators

12 segment, peak reading (top green LED = +4 dBu) Red LED lights 5 dB below clipping

Dimensions

16.1875" wide x 17.3" deep x 2.1875" high

(41.12 cm wide x 43.94 cm deep x 5.56 cm high)

Weight Power Requirements

PV14BT: 12.12 lbs (5.50 kg) 100-240 VAC 50/60 Hz 24 Watts

PV14AT: 12.16 lbs (5.52 kg)

 www.peavey.com
Warranty registration and information for U.S. customers available online at
www.peavey.com/warranty
or use the QR tag below

Features and specifications subject to change without notice.

Peavey Electronics Corporation 5022 Hartley Peavey Drive Meridian, MS 39305 (601) 483-5365 FAX (601) 486-1278
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking of new waste and
is applied only to equipment manufactured after
13 August 2005