Mam Amal Project
Mam Amal Project
Mam Amal Project
Submitted to:-
Submitted by:-
Anam Nawaz
Naila Akram
Sehla Nawaz
Sehrish Shaheen
Sanam Afsar
Anila Mumtaaz
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Date August 17, 2010
In literary theory, Post colonialism deals with the reading and writing of literature written
the way in which literature by the colonizing culture distorts the experience and
Bapsi Sidhwa is one of the popular post-colonial writers. In her writings, she has dealt
with the experiences and realities of the colonized people. She is widely recognized as one of the
most prominent Pakistani-Anglophone novelist writing today. Critics regard Sidhwa as a feminist
post colonial Asian author whose novels including The Crow Eater (1978), The Bride (1981),
and Ice-Candy Man provide a unique perspective on Indian and Pakistani history, politics, and
culture.
Her recurring themes include human relationship and betrayals, the coming of age
and its attendant, disillusionment, immigration, and cultural hybridity, as well as social and
political upheavals. Sidhwa skillfully links gender to community, nationality, religion and class,
demonstrating the ways in which these various aspects of cultural identity and social structure do
not merely effect or reflect one another, but instead are inextricably intertwined. Sidhwa has also
been highly regarded as a feminist postcolonial author who effectively addresses issues of
cultural difference and place of women in Indian and Pakistan society. An American Brat is a 1
good example of Bapsi Sidhwa s post-colonial novel in which most of the above mentioned
United States, is the story of a young Parsee girl s Americanization. Sidhwa interweaves a
commentary on Pakistani politics, an exposition of Parsee society and religious rights, with the
immigrant theme. In addition, as in all her writings, she is concerned with the marginalization
An American Brat tells the story of Feroza Ginwalla. The time is the late 70s; Zulfikhar
Ali Bhuto is in jail, and Islamic fundamentalism is growing in Pakistan. Disturbed by the affect
that fundamentalism is having on her daughter; Zareen Ginwalla packs Feroza off to the United
States where Feroza s uncle Manek is to take care of her. Feroza s first experience of the United
States is her encounter with the emigration official who badgers her, Feroza is so upset that she
ends up in tears, shouting that she will go back to her own country. Another aspect of the United
States that Feroza finds surprising is the amount of crimes in this affluent society. Visitors to the
United States are often warned by well meaning women, friends and relatives about how they
should conduct themselves on streets and parking lots if they do not wish to be rape or robbed.
After a horrifying experience in YMCA buildings, Feroza finds herself in a very different world
from the bright shopping centers where Manek had taken her. Though repelled by some
experiences, Feroza is attracted to America s charms and decides to stay on as a student. She
enrolls in a small college in Twin Falls. Feroza learns about the American lifestyle from her
friend Jo, who is her roommate. Further the novel traces Feroza s falling in love with a Jewish
guy David, Feroza s mother s journey to America with a purpose to change her daughters mind
about David .Feroza s relation with David ends in a break up but she decides not to leave
America. 2
As for as the stylistic analysis of the novel is concerned, a thorough reading of the
novel helps the reader to extract the specific elements of language used by Bapsi Sidhwa. She
has used irony, Parody and slang to create humor. She has used the technique of appropriation as
used by the post-colonial writers to portray their native culture. Sidhwa has used un-translated
word; these are the words that a writer uses from his native language without giving their
meanings. By using the Un-translated words Sidhwa is actually promoting her native culture.
Throughout the novel we find ample of un-translated words taken from either Urdu or Gujrati.
“kaka”, “paisa”, “pani”, “pakorhas”, “haweili”, “jee”, “haye Allah”, “gora chittas”,
Glossing is another technique used by Bapsi Sidhwa, in this technique the writer uses
indigenous words along with their meanings in English language. By using this technique the
writer not only celebrates his/her culture but also provides the readers with an opportunity to
understand the native culture and language. In An American Brat, Bapsi Sidhwa has used this
“o baap rey! Oh my dear father!...”, “roti, kaprha, makaan—bread, clothes, shelter”, “bas kar
—stop it”, “boochamai…little girl”, “thana—police station”. “ulfat kee naee manzil ko
Ginwalla sends her daughter Feroza to USA so that she may become civilized as she says,
“I think Feroza must get away,….Travel will broaden her outlook, get this puritanical rubbish
But on the contrary she becomes more uncivilized as she uses slang language and makes
friendship with boys and forgets all about her moral values and traditions taught by her parents.
(Page 292)
Major irony lies in the fact that the colonizers consider themselves as more civilized and
developed nations and this is the justification of their colonial rule over the 3 rd world countries.
But when Feroza reaches America she finds totally different picture to the one she had made up
in her mind. In fact there is more corruption and immorality than in 3rd world countries.
(Page 162)
Another important aspect of irony lies in the fact that the purpose for which Feroza was
sent to USA i.e. to broaden her vision, is once achieved she remains no longer acceptable in her
own society.
“Feroza was disconcerted to discover that she was a misfit in a country in which she had once
Bapsi Sidhwa also uses slang language to criticize the language of the colonizers when
Feroza uses standard and mannered English; her language is not acceptable in that very society.
Then her friend Jo helps her to learn slang and informal expression. For example when Feroza
visits a satire and asks, “May I have this, please!” The saleswoman considers her to be asking
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for charity. At this point Jo helps Feroza to use a particular slang language in order to cope with
that society.
“ Y’ gotta learn! You don’t have to take shit from trash like her!” (Page 151
Some of the major post colonial themes Bapsi Sidhwa in her novel An American Brat,
has dealt with are religious fundamentalism, gender discrimination, cultural clash, cultural
In the very first chapter of the novel, we come across the theme of Religious
power. In order to secure his dictatorship he has imposed upon the people, the Islamic Shariah.
The story of the novel revolver around all the characters from Parsee community living in
Pakistan. As they are a minority, they have to follow what Govt. imposes upon them. Something
which is allowed in their religion is prohibited in Islam and something that is negated in their
religion is Halaal in Islam. That's why we can say that the minorities like Parsee people are still
under the colonization of Majority in their free homeland. They are the neo-colonized nation who
has to follow what is imposed upon them in growing Islamization. That thing creates an anxiety
"That their most trivial conversations often took a political turn was not surprising. In
Pakistan, politics, with it's special brew of martial law and religion influenced every aspect of
Every now and then they recall the time of Zulifqar Ali Bhutto's Government and
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"It's absurd how things have changed. I was really hopeful when Bhutto was elected. For the
first time I felt it did not matter that I was not a Muslim, or that I was a woman. You
remember when he told the women in Peshawar to sit with the men? That took guts!"
(page 11)
Islamic fundamentalism by Zia-ul Haq has not only affected women but also the men
belonging to minorities. Even those were not leading a satisfied life as Cyrus says,
As highlighted by the other post colonial writers Bapsi Sidhwa talks about theme of
Gender Discrimination. The post colonial Pakistani society is the patriarchal one, in which the
women belonging to the Minorities are double colonized. At first they are forced to follow the
rules imposed by the government and then by the male members of their society. For example
Zareen cannot freely wear what she wants and what is allowed in her society also because of the
"…women must not show their legs, women should not dress like this, and women should not
act like that…..if everything corrupts their pious little minds so easily, then the Mullas should
wear Burqas and stay within the four walls of their house" (page 10)
Though she belongs to elite class and is modern, yet she cannot take any decision solely
by herself. For example when she wants to send Feroza out of the country, she has to ask her
This thing also shows the cultural and religious clash between minorities and majorities
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in a post colonial society. Minorities are not allowed to follow their culture and tradition in a free
manner, their culture suffers a downfall because the culture of the majorities influences it. For
instance visits Feroza in her school, Feroza complains about her mother's dressing because her
friend's mothers, who are Muslims, do not dress like her mother.
"Mummy, please don’t come to school dressed like that. 'She objected to my sleeveless sari-
blouse….i told her: 'Look, we are Parsee, everybody knows we dress differently." (Page 12)
Even the men in this patriarchal society face a lot of cultural clash as Drinking is not
prohibited in their culture, still they cannot drink freely in bars because Islamic culture would not
allow it.
Thus these minorities have Hybrid Identities. They follow their culture along with the
culture of the country they are living in. They even do not have a pure language of their own.
"they spoke in Urdu, with the odd words or sentences in English tossed in so naturally it
blended with the rhythm and the consonants of Urdu" (page 48)
the Pakistani culture while she lives in Pakistan, for example she criticizes her mother for her
dressing and hesitates to pick up the phone as she has learnt from Muslim culture. But when she
goes to American, she is totally changed. She dresses in jeans and t-shirts, uses slang language,
hangs out with boys, thus does all those things she could not even think of doing in Pakistan.
"How many did she know in Lahore---or anywhere---who could decide just like that, to move
out of their homes to spend a night in a motel? To Feroza it was an unimaginable feat
America. She equally criticizes both the cultures and does not show a biased attitude, for
instance when she compares the rate of corruption, poverty, and immorality, she concludes that
the developed countries are somewhat ahead in all this. On the other hand she also criticizes
Pakistan at certain places in the novel for example when Menak says,
"None of them had any idea how impossible it was to live on the income, the state bank of
Because of these hybrid identities, the characters in the play suffer from identity crises.
Manek is the major example who is the victim of identity crises. Though he is a Pakistani, yet he
negates the Pakistani traditions or even some of the tradition of his own Parsee community. He
spends only four years in America and considers him to be a part of that society. He criticizes
Pakistani politics, Pakistani culture and Pakistani people. Even being a Pakistani himself, he calls
them third world citizens. For example, during a telephonic conversation with Feroza, he says,
"Why do you Third World Pakis shout so much? Everybody is not deaf…"
"…and what do you mean, 'Paki'. What are you, some snow white English man?"
Manek also refers to the "Gora Complex" from which the people of third world
countries are suffering. Feroza, who is influenced by the Muslim culture negates the concept of
"…black, brown, white are all the same to me…we are all God's creatures" (page 26)
Manek also goes against the rules of Parsee community, when he says to her sister Zareen
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to allow Feroza to marry a Jewish boy, while it is strictly prohibited in Parsee religion for a girl
own traditions and customs, does not accept him. They still consider him to be a Third World
citizen.
They make fun of his accent, his lifestyle and his culture. For example when Feroza
arrives at the airport and Manek goes to receive her, he has to go through a long inspection by
the airport authorities in order to prove his identity and relation with Feroza. (Page 61 - 64)
Another issue that Bapsi Sidhwa has highlighted in her novel An American Brat is that of
mental colonization of the Pakistani people. They are still under influence of the colonizers in
some way or the other. They consider the English culture as superior and perfect.
Zareen, the mother of the protagonist wants to send her child Feroza to America in order
to civilize her. She has the strong belief that her daughter can be civilized only if she is sent to
America.
Not only this, when Zareen herself goes to America, she enjoys the liberty which United
"Zareen was as happy as a captive seal suddenly released into the ocean…her heart pulsed to
the seductive beat of the new world, and her ears, throbbing to the beat, stopped hearing the
Manek also suffers from mental colonization. A few years in America make him believe
that he is an American citizen, this all happens because of his state of being mentally colonized.
In his unconscious he has believed that America and Americans are superior. They are always 9
right. The land of America is full of opportunities for the people to start the lives. He says,
"America is a paradise"
Feroza also is very excited when she hears that she is being sent to America. Because
according to her also America is like a fantasy land providing liberty to the women, liberty she
"…she repeated to herself, ' I am going to America, I am going to America!'…to the land of
glossy magazines, of "Bewitched" and "star trek", of rock stars and jeans…"
While in Pakistan she appears to be a shy and naïve girl, under the influence of the
dominating culture. But her life in America is totally different from the one , she was living in
Pakistan. The impact of colonization is so great on her unconscious mind that she blindly accepts
and adopts the culture of USA. She mimics the American accent, culture and lifestyle.
In a nut shell we may say that, Bapsi Sidhwa has now become one of the best writers in
English language from Pakistan. "An American Brat" is just another one of her classics. Starting
in Lahore: One of the most historic and beautiful cities of South Asia the book moves to United
States. The story revolves around a Parsee religion girl and her life. The story highlights the
political instability in Pakistan and takes place in the time when Bhutto govt. was overthrown by
martial law that imposed Islam on every citizen. To avoid another religion's effects on the girl
The themes of identity crises and hybridity are highlighted through the characters of
Feroza and Manek. Because of the influence of the colonization on the major characters of the
play, the themes of cultural critique and cultural clashes are generated.
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Sidhwa uses a flowery language to bring some delicate issues to the surface. With an
unbiased attitude, Sidhwa gives a realistic picture of both the Third World country Pakistan and
With an effective use of appropriation, abrogation, and irony she has written a novel on the post
colonial grounds. She touches the delicate issues in a mocking style and a satire on the society is
“An American Brat is an exceptional novel . . . funny and memorable.”–Los Angeles Times
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