My Notes

Download as docx, pdf, or txt
Download as docx, pdf, or txt
You are on page 1of 1

Background of composer:

Carl Orff: ( July 10, 1895 – March 29, 1982) was a German composer, best known for
his cantata Carmina Burana (1937). In addition to his career as a composer, Orff
developed an influential approach toward music education for children.
Carl Orff was born in Munich on 10 July 1895. His family was Bavarian and was active
in the Imperial German Army. His paternal grandfather was a Jew who converted to
Catholicism.
In 1911, at age 16, some of Orff's music was published.[6] Many of his youthful works
were songs, often settings of German poetry. They fell into the style of Richard
Strauss and other German composers of the day, but with hints of what would become
Orff's distinctive musical language.
In 1911/12, Orff wrote Zarathustra, Op. 14, an unfinished large work for baritone voice,
three male choruses and orchestra, based on a passage from Friedrich Nietzsche's
philosophical novel Also sprach Zarathustra. The following year, he composed an
opera, Gisei, das Opfer (Gisei, the Sacrifice). Influenced by the
French Impressionist composer Claude Debussy, he began to use colorful, unusual
combinations of instruments in his orchestration.

Background of Carmina Burana:


Carmina Burana is a cantata for orchestra, chorus, and vocal soloists by the German
composer Carl Orff that premiered in 1937 in Frankfurt am Main, Germany.
Orff drew his text from a 13th-century manuscript containing songs and plays written
in Latin and medieval German, which was discovered in 1803 at the Bavarian
monastery of Benediktbeuern. Dubbed the Carmina Burana (“Songs of Beuern”) by the
German philologist Johann Andreas Schmeller, the texts present a varied view of
medieval life, including religious verses, social satires, and bawdy drinking songs.
Although some of the verses were accompanied by archaic musical notation,
confirming that they were indeed meant to be sung, that notation remained largely
undeciphered, leaving Orff free to imagine his own musical settings. Orff selected 24
songs, which he arranged into a prologue, an epilogue, and three parts of roughly equal
length. The first part, “Primo Vere” (“In Early Spring”), presents youthful, energetic
dances; the second part, “In Taberna” (“In the Tavern”), evokes drunken feasting and
debauchery; and courtship and romantic love are the subject of the third part, “Cour
d’Amours” (“Court of Love”). Throughout, simple orchestration, melodies,
and harmonies combine with heavy rhythmic percussion to give the music a
primeval, visceral character.

You might also like