Gertrude and Paul's Relationship
Gertrude and Paul's Relationship
Gertrude and Paul's Relationship
D.H. Lawrence uses the Oedipus complex as its base for exploring
Paul's relationship with his mother. Paul is hopelessly devoted to his mother, and
that love often borders on romantic desire. He hates his father and dreams of
living exclusively with his mother. Paul has grave problems finding a satisfying
relationship with any woman other than his mother. The novel traces his
unsuccessful attempts to reconcile the spiritual love of Miriam, or the sexual
passion of Clara because of his filial devotion.
In the end, the only intimacy Paul is capable of is with his mother. She
has come between him and his own consciousness—and he has allowed her. As Mrs.
Morel loses her husband’s love, she slowly transfers her emotions to her children.
In her eyes, her sons are her lovers who take position of her husband. Her personal
abnormal emotion is the direct factor for Paul’s Oedipus complex.
Along with the Oedipus complex, there are evidences of the positive
aspects of Paul's relationship with his mother. She encourages his art, education,
and social advancement. At the end of the novel, Paul takes a major step in
releasing himself from his Oedipus complex. He intentionally overdoses his dying
mother with morphia, an act that reduces her suffering but also subverts his
oedipal fate.
Finally, when Lawrence says Mrs. Morel selects her sons ‘as lovers’, he
does not mean literally. He is not writing about incest, but about a powerful
emotional connection. And although Lawrence talks about ‘the drift towards death’
the novel ends with Paul’s affirmation of ‘life’ – which was Lawrence’s creed.