Practical Jazz Theory Black Sample
Practical Jazz Theory Black Sample
Practical Jazz Theory Black Sample
Theory for
Improvisation
Chords and scales
Craig Fraedrich
Practical Jazz
Theory for
Improvisation
Contents
Foundations
Introduction To Chords
Reference Appendices
x
x
x
x
x
b b
Foundations
Example 1–1
Example 1–2
Example 1–3
í í í
Example 1–4
Example 1–5
Example 1–6
Example 1–7
Example 1–8
Example 1–9
Example 1–10
Exercise 1–11
Exercise 1–12
Exercise 1–13 Chord Chart
b
b b b b b b
b
b b b b
b b b b
b b b
b b
b b b b
b b b b b b
b
b
x
b b
x b
x
b
x b
Exercise 2–1
Exercise 2–2
Exercise 2–3
Exercise 2–4
Exercise 2–5
Exercise 2–6
3
b b b © b b
b
b
x b
b
Exercise 3–1
Exercise 3–2
Exercise 3–3
Exercise 3–4
Exercise 3–5
Exercise 3–6
Exercise 3–7
Introduction
To Chords
4
Example 4–1
b b © ©
Example 4–2
#
Example 4–3
Example 4–4
Major
Minor b
Augmented ©
Diminished b b
x
Exercise 4–5
Exercise 4–6
Exercise 4–7
Exercise 4–8
Exercise 4–9
5 th Chords
b b ©
^ ^
b
x
#
Exercise 5–1
Exercise 5–2
Exercise 5–3
Exercise 5–4
6
^
© © © © ©
© © ©
b b © ©
b b b © ©
b b b © ©
b b b ©
x
x
Exercise 6–1
Exercise 6–2
Exercise 6–3
Exercise 6–4
Exercise 6–5
7 Seventh Chord
b b
b b Ab ©
b b b b ©
b b b b ©
b b b b
x
x
x
Exercise 7–1
Exercise 7–2
Exercise 7–3
Exercise 7–4
Exercise 7–5
Blues in C
Blues in F
Blues in Bb
Blues in Eb
Blues in Ab
Blues in Db
Blues in F©
Blues in B
Blues in E
Blues in A
Blues in D
Blues in G
8 Seventh Chord
b
b b b b
b
b
b b b b
b b b b b
b b b b b
b b b b b b
x
x
Exercise 8–1
Exercise 8–2
Exercise 8–3
Exercise 8–4
Exercise 8–5
9 7(b5) Chord
Diminished Seventh)
Ø
Ø
¨ ¨
í ¨
¨ b b b
b
b b b ¨ b
b (¨5) b
¨ b
© (¨5) © © ©
¨ b
© (¨5) © ©
¨ b
© (¨5) © b
x
x
Exercise 9–1
Exercise 9–2
Exercise 9–3
Exercise 9–4
Exercise 9–5
Major Key Chord
Function
10 th Chords of
Example 10–1
Example 10–2
Diatonic Numeral Chord Structure Quality
I
II
III
IV
V
VI
VII b
Chord Quality Function
F Major b
Scale
Degree
Chord
b
Quality
Chord
b b
Symbol
Example 10–3
x
(b5)
(b5)
Bb
Eb
Ab
Db
F©
G
Exercise 10–4
Exercise 10–5
11 Function
b
b
b
Example 11–1
© ©
x
x
x
b b b
b
x b b b
b
b
b
Example 11–2
Example 11–3
Example 11–4
x
Dominant Chord Parent Key Key Signature
C7 b
F7
Bb 7
Eb7
Ab7
Db 7
C©7
F©7
B7
E7
A7
D7
G7
Exercise 11–5
Exercise 11–6
Exercise 11–7
12 II–V– I
Example 12–1
Example 12–2
Example 12–3
Example 12–4
Example 12–5
Example 12–6
Example 12–7
x
C: F:
Bb: Eb:
Ab: Db:
C: Gb:
F©: B:
E: A:
D: G:
Exercise 12–8
Exercise 12–9
Exercise 12–10
Exercise 12–11
Exercise 12–12
Exercise 12–13
Exercise 12–14
Exercise 12–15
Exercise 12–16
Exercise 12–17
13
II
III
IV
VI
VII
Scale Degree Mode Mode in C Chord in C
I
II
III
IV
V
VI
VII b
Example 13–1
Example 13–2
x
b ¨
b b
b b b b
b b b b b
b b
Parent Parent
Pure
Scale Key Key Major Scale
Mode Minor
Degree Interval Interval Template
Template
Down Up
Ionian
Dorian b b
Phrygian b b b b b
Lydian #
Mixolydian b
Aeolian b b b
Locrian b b b b
b b
b
#
Example 13–3
Ionian
Dorian b b
Phrygian b b b b b b
Lydian © #
Mixolydian b b
Aeolian b b
Locrian b ¨ b b b ¨ b b
Modal Chord
Function Mode Chord Description
Symbol
II
III b b b
IV # ©
VI b
VII b b b
x
x b5
b ©
x
x
Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian
C # ¨
Bb
Eb
Ab
Db
F©
Exercise 13–4
Ionian Dorian Phrygian Lydian Mixolydian Aeolian Locrian
C b b b b
Bb
Eb
Ab
Db
F©
Exercise 13–5
Chord Extensions
and Alterations
14
Example 14–1
Example 14–2
b
b
Example 14–3
Example 14–4
Example 14–5
x
x
x
Example 14–6
Exercise 14–7
15
© b © b
© © b b
b ©
¨ b ©
© © © ¨ ¨
© b b
b
Example 1
©
¨
¨
©
© ¨
© © ¨
¨
© © ¨ ¨
Example 15–2
¨ © ¨ © © ¨
© ¨ ©
©
Example 15–3
b b
¨ b
Example 15–4
x
+ # + # # #
x
Exercise 15–5
Minor Scales and
Minor Key Chord
Function
16
b ª
Example 16–1
Example 16–2
Example 16–3
Exercise 16–4
Exercise 16–5
Exercise 16–6
Exercise 16–7
Exercise 16–8
17 II–V–I
Example 17–1
a b c d
¨ ¨
¨
Example 17–2
a b
Example 17–3
Example 17–4
Example 17–5
Example 17–6
Example 17–7
Example 17–8
Example 17–9
# # #
© b
b
Example 17–10
b
b
x
Exercise 17–11
Exercise 17–12
Exercise 17–13
Exercise 17–14
Exercise 17–15
Exercise 17–16
Exercise 17–17
18
Example 18–1
Example 18–3
b #
b # b
b b b
b # b b
#
Example 18–4
Example 18–5
b b
©
Example 18–6
b ©
b b b © b
b b © b ©
# # b b # b b #
Example 18–7
Example 18–8
Example 18–9
Example 18–10
x
Exercise 18–11
Exercise 18–12
Exercise 18–13
Exercise 18–14
19
Scale Degree Mode Chord Symbol
II b ¨
III #
IV # # #
V b ¨ ¨
VI © b
VII © ©
Example 19–1
Example 19–1
x ©
© ©
© ©
Mode Major Scale Template Pure Minor Template
Melodic Minor b ª ª
Dorian b2 b b b b ª
Lydian Augmented ©
Lydian Dominant © b
Mixolydian b6 b b
Locrian ©2 b b b b b
Super Locrian b b b b b b b b b
Super Locrian
Example 19–2
Lydian Dominant
Example 19–3
Locrian © 2
©
©
Example 19–4
Ebmaj7(©5)
Eb7(©11) b
Ebm9(¨5) © b
Eb7alt b
Abmaj7(©5)
Ab7(©11)
G©m9(¨5)
G©7alt
Dbmaj7(©5)
Chord Mode Parent Melodic Minor
Db7(©11)
C©m9(¨5)
C©7alt
Gbmaj7(©5)
C7alt
Fmaj7(©5)
F9(©11)
Gb7(©11)
F©m9(¨5)
F©7alt
Bmaj7(©5)
B7(©11)
Bm9(¨5)
B7(#9,#5)
Emaj7(©5)
E7(©11)
Em9(¨5)
E7(#9,#5)
Amaj7(©5)
A7(©11)
Fm9(¨5)
Chord Mode Parent Melodic Minor
F7alt
Bbmaj7(©5)
Am9(¨5)
A7(b9, b5)
Dmaj7(©5)
D7(©11)
Dm9(¨5)
D7(#9, b5)
Gmaj7(©5)
G7(©11)
Gm9(¨5)
G7(b9)#5
Cmaj7(©5)
C13(©11)
Cm9(¨5)
Bb9(©11)
Bbm9(¨5)
Bb7(#9,#5)
Exercise 19–5
Exercise 19–6
Exercise 19–7
Exercise 19–8
Exercise 19–9
Exercise 19–10
Exercise 19–11
Exercise 19–12
Exercise 19–13
20
Example 20–1
Example 20–2
Example 20–3
Example 20–4
© ¨
©
Example 20–5
©
©
Example 20–6
b
b
Example 20–7
b
b
b b
Example 20–8
Example 20–9
Example 20–10
Example 20–11
Example 20–12