t h e d e nv e r c e n t e r f o r t h e p e r f o r m in g a r t s

Volume XXIV n NUMber 8

May – July 2013
The Company of the New 25th Anniversary of Les Misérables. Photo: Deen van Meer

LES MISérables
ALSO PLAYING…
mary poppins • ballroom with a twist
 W
LES MISÉRABLES

Once more,
with feeling
The musical of Les Misérables,
based on Victor Hugo’s epic saga,
retains all of its sheen in 33 years
of undimmed popularity—and
counting.
b y S y lv i e D r a k e

28 APPLAUSE d e n v e r c enter. or g
W

LES MISÉRABLES
With the release of the film made of
the musical based on Victor Hugo’s Les
One cannot discount the this: “The book which the reader has before
him at this moment is, from one end to the
Misérables, and considering that musical’s
33-year record run on stage, one has to ask:
contributions of the team other, in its entirety and details...a progress
from evil to good, from injustice to justice,
Why? Why does this show never seem to
lose its luster? Is it the pathos? The action
that created the musical, from falsehood to truth, from night to day,
from appetite to conscience, from corrup-
drama? The deep well of sentiment (as op-
posed to sentimentality) on which it draws?
from bookwriter Alain tion to life, from bestiality to duty, from
hell to heaven, from nothingness to God…”
The pervasive heroics and genuine heroism
of the piece?
Boublil’s ability to con- So much for the lofty ambitions of the
book. But one cannot discount the contri-
The answer is all of the above, as well
as producers—chiefly Cameron Mackin-
dense and adapt such a butions of the team that created the musi-
cal, from bookwriter Alain Boublil’s ability
tosh—who are good at keeping the produc-
tion strong and fresh.
massive epic for the stage, to condense and adapt such a massive epic
for the stage, to Herbert Kretzmer’s super-
But hang on to that word heroism.
In this second decade of the 21st century
to Herbert Kretzmer’s lative English translation of the original
French, to the stirring anthems by Claude-
there is a hunger within for genuine heroes
or, as Maya Angelou so wisely put it, she-
superlative English Michel Schönberg who created a score that
seems drawn from the novel’s rib.
translation of the original
M
roes. Les Miz has more than one of each, ore than 150 years after the
whereas our modern world is pretty much novel’s publication, we still
devoid of larger-than-life characters. It is
a world where the late Joseph Campbell
French, to the stirring thrill to this account of an
escaped convict’s struggle for a chance
found “every last vestige of the ancient hu-
man heritage of ritual, morality and art…
anthems by Claude-Michel at redemption because its sensibility is
true to any age. Hugo’s gift for evoking
in full decay.”
Strong condemnation, but it is true that
Schönberg who created a an ambience of mystery, his operatic
characters, the quest for justice where none
we have lost our dragon-slayers. We re-
invent them in comic strips, on You Tube,
score that seems drawn exists, the depiction of a people in revolt,
all contribute to this modern attraction.
film and television—or substitute a cult
of celebrity in their stead. Thin gruel by
from the novel’s rib. Jean Valjean may have all the earmarks
of a hero but he goes them one better: he
comparison. is a flawed, deeply injured and profoundly
The English language classifies hero as moral man who, in his vulnerability and
masculine, but Angelou was more than sonore or “loud echo” of his day. Although compassion, becomes the idealized model
half-right. The word is in fact derived from he ostensibly belonged to no church, a of a person with whom we all want to
a woman’s name: Hero, the legendary Aph- religious thread frequently ran through his identify.
rodite who threw herself into the sea when work. He claimed Les Miz as “religious.” French playwright Paul Claudel called
her lover Leander drowned swimming the But it is an eloquent compassion, wedded to Hugo’s vision his “panic contemplation”
Hellespont just to be with her. Granted, that innate wisdom and a sense of balance that of the universe. Writer Léon Fargue called
was more of an emotional than a moral re- are at the core of the grandeur of his prose. him “un poéte d’avenir” or a poet of the
sponse, and not all of Webster’s definitions Les Misérables was a very long book, future. That future is now and Hugo’s
of heroism are particularly exalted. The full of plots and subplots, and took years masterwork remains as fresh, provocative
one that comes closest to paydirt is this: to complete, but it was only following the and rousing as ever. n
“Bravery, nobility, fearlessness, valor.” accidental death by drowning of his grown

A
pply these words to Les Miz and daughter Léopoldine—a terrible blow—
you feel the richness—in Jean that he immersed himself in earnest into
Valjean’s innate nobility and valor; the writing of it. Memories of his daughter
in that half-pint Gavroche’s fearlessness; probably informed the character of Cosette,
in Fantine’s bravery in the face of just as memories of his own student days
overwhelming odds or Eponine’s readiness informed that of Marius. Aside from his
to take a bullet if it can save Marius for phenomenal agility with language, Hugo’s
The Company of the New 25th Anniversary of Les Misérables. photo by deen van meer

whom she has an unrequited love—and genius was a transcending talent for getting
even in the final act of Inspector Javert to the universal through the particular,
who can no longer bear to live with what weaving the smaller human tales into the
he has become. sociopolitical fabric of his day.
In the end, it is the totality of Hugo’s Les Misérables was published in 1862 May 22 – 26 • Buell Theatre
massive canvas that works—the contradic- and took France and all Europe by storm. Sponsored by Faction Media
tions of its operatic scope and its intimate It was immediately translated into several
Signed, Open Captioned & Audio Described • May 25, 2pm
humanity in a marriage of social, political languages. The author was astounded by
and emotional upheaval with intensely per- the novel’s success. Even if people rarely
sonal stories of private pain and struggle. plough through its almost 2,000 pages any Tickets: 303.893.4100
And what stories they are. Not content to more, it remains his best-known work, Toll-free: 800.641.1222 • TTY: 303.893.9582
spin strictly subjective tales, Hugo wanted largely because its popularity has been re-
Groups (10+): 303.446.4829 • denvercenter.org
his entire world to reverberate through his ignited by the musical’s charismatic appeal.
writing. He said he wanted to be the écho Toward the end of the novel, Hugo writes

303.893.4100 A P P L A US E 29
 and Season Sponsors
Denver Center Attractions

les Misérables
and
The Broadway division of The Denver Center for the Performing Arts

CAMERON MACKINTOSH’S
NEW 25 ANNIVERSARY PRODUCTION OF
TH

BOUBLIL & SCHÖNBERG’S

A musical based on the novel by VICTOR HUGO

Music by CLAUDE-MICHEL SCHÖNBERG
Lyrics by HERBERT KRETZMER
Original French text by ALAIN BOUBLIL and JEAN-MARC NATEL

Additional material by JAMES FENTON

Original Production adapted and directed by
TREVOR NUNN and JOHN CAIRD

Original Orchestrations by JOHN CAMERON

New Orchestrations by CHRISTOPHER JAHNKE
Additional Orchestrations by
STEPHEN METCALFE and STEPHEN BROOKER

Musical Supervisor Associate Director Music Director

DAVID CADDICK ANTHONY LYN LAWRENCE
GOLDBERG

Musical Staging by MICHAEL ASHCROFT

Projections realized by FIFTY-NINE PRODUCTIONS
Additional Costumes by CHRISTINE ROWLAND
Sound by MICK POTTER

Lighting by PAULE CONSTABLE

Costume Design by ANDREANE NEOFITOU
Set Design by MATT KINLEY inspired by
the paintings of VICTOR HUGO

Directed by
LAURENCE CONNOR
and
JAMES POWELL

A CAMERON MACKINTOSH and NETWORKS Presentation

American Premiere Paper Mill Playhouse, Millburn, New Jersey,
19 November 2010

Sponsored in Denver by:

les misérables
CAST
In order of Appearance

Jean Valjean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PETER LOCKYER

Javert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDREW VARELA
Farmer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Laborer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL
Innkeeper’s Wife . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NATALIE BECK
Innkeeper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
The Bishop of Digne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI
Constables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT MCMAHAN, ALAN SHAW
Factory Foreman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS
Fantine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GENEVIEVE LECLERC
Factory Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JESSICA KEENAN WYNN
Old Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . KATIE BEETHAM
Wigmaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . CORNELIA LUNA
Bamatabois . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Fauchelevent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ERIC VAN TIELEN
Champmathieu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Little Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA
Madame Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . SHAWNA M . HAMIC
Young Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ERIN CEARLOCK, AVA DELLA PIETRA
Thénardier . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . TIMOTHY GULAN
Young Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRITTNEY JOHNSON
Crazy Whore . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANDRÉANE BOULADIER
Gavroche . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GATEN MATARAZZO, JULIAN SILVA
Éponine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BRIANA CARLSON-GOODMAN
Cosette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . LAUREN WILEY
Thénardier’s Gang
Montparnasse . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MATT ROSELL
Babet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JAMES ZANNELLI
Brujon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Claquesous . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOHN RAPSON
Students
Enjolras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JASON FORBACH
Marius . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .DEVIN ILAW
Combeferre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ERIC VAN TIELEN
Feuilly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . WESTON WELLS OLSON
Courfeyrac . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .JOHN BRINK
Joly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .ALAN SHAW
Grantaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
Lesgles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . RICHARD TODD ADAMS
Jean Prouvaire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .MATT MCMAHAN
Loud Hailer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . AARON WALPOLE
Major Domo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JOSEPH SPIELDENNER
Ensemble . . . . . . . . . . . . . . . NATALIE BECK, KATIE BEETHAM, ANDRÉANE BOULADIER,
ERIN CLEMONS, MIA SINCLAIR JENNESS, BRITTNEY JOHNSON,
CORNELIA LUNA, ALEXANDRA MELROSE, JESSICA KEENAN WYNN
Swings . . . . . . . . . . . . . . . . . . . .RICHARD BARTH, BEN GUNDERSON, JASON OSTROWSKI,
RACHEL RINCIONE, NATALIE WEISS
Dance Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BEN GUNDERSON
Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .BEN GUNDERSON
Assistant Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . HEATHER CHOCKLEY

UNDERSTUDIES
For Jean Valjean–RICHARD TODD ADAMS, JOHN BRINK, AARON WALPOLE; for Javert–
RICHARD TODD ADAMS, JOSEPH SPIELDENNER; for Cosette–NATALIE BECK, ANDRÉANE
BOULADIER; for Fantine – CORNELIA LUNA, JESSICA KEENAN WYNN; for Thénardier–
JOHN RAPSON, JAMES ZANNELLI; for Madame Thénardier–KATIE BEETHAM, ALEXANDRA
MELROSE; for Éponine – ERIN CLEMONS, BRITTNEY JOHNSON; for Marius– MATT MCMAHAN,
MATT ROSELL; for Enjolras–JOHN BRINK, WESTON WELLS OLSON, ALAN SHAW; for Little
Cosette/Young Éponine–MIA SINCLAIR JENNESS; for the Bishop of Digne – JOHN RAPSON, JOSEPH
SPIELDENNER; for the Factory Foreman–JASON OSTROWSKI, JOSEPH SPIELDENNER; for the
Factory Girl – ALEXANDRA MELROSE, RACHEL RINCIONE; for Bamatabois–RICHARD BARTH,
JOSEPH SPIELDENNER; for Grantaire–BEN GUNDERSON, ERIC VAN TIELEN .
 les Misérables
MUSICAL NUMBERS
PROLOGUE: 1815, DIGNE
PROLOGUE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean
1823, MONTREUIL-SUR-MER
AT THE END OF THE DAY . . . . . . . . . . . . . . . . . . . Unemployed and Factory Workers
I DREAMED A DREAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine
LOVELY LADIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clients
WHO AM I? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean
FANTINE’S DEATH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fantine and Valjean
CASTLE ON A CLOUD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cosette
1823, MONTFERMEIL
MASTER OF THE HOUSE . . . . . . . . . . . . . . . . . . . Thénardier, his Wife and Customers
THE BARGAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M and Mme Thénardier and Valjean
1832, PARIS
PARIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gavroche and the Beggars
STARS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert
ABC CAFÉ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Enjolras, Marius and the Students
THE PEOPLE’S SONG . . . . . . . . . . . . . . . . . . . . . Enjolras, the Students and the Citizens
IN MY LIFE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Cosette, Valjean, Marius and Éponine
A HEART FULL OF LOVE . . . . . . . . . . . . . . . . . . . . . . . . . Cosette, Marius and Éponine
ONE DAY MORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
INTERMISSION
ON MY OWN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine
A LITTLE FALL OF RAIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Éponine and Marius
DRINK WITH ME TO DAYS GONE BY . . . . . . . . . . . . . . . . . . . . . . Feuilly, Grantaire,
Students and Women
BRING HIM HOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Valjean
DOG EATS DOG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Thénardier
SOLILOQUY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Javert
TURNING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Women
EMPTY CHAIRS AT EMPTY TABLES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marius
WEDDING CHORALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Guests
BEGGARS AT THE FEAST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . M and Mme Thénardier
FINALE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .The Company
The Orchestra
Music Director/Conductor – LAWRENCE GOLDBERG;
Associate Conductor/Keyboards – TOM WHIDDON;
Assistant Conductor/Viola – WILL CURRY;
Concertmaster – MICHELLE MARUYAMA;
Keyboards – ADAM LAIRD;
Cello – IRA GLANSBEEK; Bass – BRAD LOVELACE;
Flute / Piccolo / Alto Flute / Recorder – RYU CIPRIS;
Oboe / Cor Anglais – DAVID GARCIA;
Clarinet in Bb / Clarinet in Eb / Bass Clarinet / Recorder – HOLLY KASSEL;
Horn 1 – RYAN STEWART; Horn 2 – TIM RILEY;
Trumpet in Bb / Flugel Horn / Piccolo Trumpet – KEN MULLIN;
Bass Trombone / Tenor Trombone / Tuba – JIM GRAY;
Percussion – ERIC BORGHI;
Music Coordinator – MICHAEL KELLER .
The use of any recording device, either
Please turn off your cell phones and
audio or video, and the taking of
pagers prior to the beginning of the
photographs, either with or without flash,
performance .
is strictly prohibited .
les misérables
Synopsis
ACT ONE The Thénardiers’ daughter Éponine, who
is secretly in love with the student Marius,
PROLOGUE: 1815, DIGNE
reluctantly agrees to help him find Cosette, with
After 19 years on the chain gang, Jean Valjean
whom he has fallen in love.
finds that the ticket-of-leave he must display
News of General Lamarque’s death circulates
condemns him to be an outcast. Only the Bishop
in the city and a group of politically-minded
of Digne treats him kindly and Valjean, embittered
students stream out into the streets to whip up
by years of hardship, repays him by stealing some
support for a revolution.
silver. Valjean is caught and brought back by the
Cosette is consumed by thoughts of Marius,
police and is astonished when the Bishop lies to
with whom she has fallen in love. Éponine brings
the police to save him. Valjean decides to start
Marius to Cosette and then prevents an attempt by
his life anew.
her father’s gang to rob Valjean’s house. Valjean,
1823, MONTREUIL-SUR-MER convinced it was Javert lurking outside his house,
Eight years have passed and Valjean, having tells Cosette they must prepare to flee the country.
broken his parole and changed his name to
ACT TWO
Monsieur Madeleine, has become a factory owner
The students prepare to build the barricade.
and Mayor. One of his workers, Fantine, has a
Marius, noticing that Éponine has joined the
secret illegitimate child. When the other women
insurrection, sends her away with a letter to
discover this, they demand her dismissal.
Cosette, which is intercepted by Valjean. Éponine
Desperate for money to pay for medicines
decides to rejoin her love at the barricade.
for her daughter, Fantine sells her locket, her
The barricade is built and the revolutionaries
hair, and then joins the whores in selling herself.
defy an army warning to give up or die. Javert is
Utterly degraded, she gets into a fight with a
exposed as a police spy. In trying to return to the
prospective customer and is about to be taken to
barricade, Éponine is killed.
prison by Javert when the ‘Mayor’ arrives and
Valjean arrives at the barricade in search of
demands she be taken to the hospital instead.
Marius. He is given the chance to kill Javert but
The Mayor then rescues a man pinned beneath
instead lets him go. The students settle down for
a cart. Javert is reminded of the abnormal
a night on the barricade and, in the quiet of the
strength of convict 24601 Jean Valjean, who, he
night, Valjean prays to God to save Marius. The
says, has just been recaptured. Valjean, unable
next day the rebels are all killed.
to see an innocent man go to prison, confesses
Valjean escapes into the sewers with the
that he is prisoner 24601. At the hospital, Valjean
unconscious Marius. After meeting Thénardier,
promises the dying Fantine to find and look after
who is robbing the corpses of the rebels, he comes
her daughter Cosette. Javert arrives to arrest him,
across Javert once more. He pleads for time to
but Valjean escapes.
deliver the young man to the hospital. Javert
1823, MONTFERMEIL lets Valjean go and, his unbending principles of
Cosette has been lodged with the Thénardiers, justice having been shattered by Valjean’s own
who horribly abuse her while indulging their own mercy, he kills himself.
daughter, Éponine. Valjean pays the Thénardiers Unaware of the identity of his rescuer, Marius
to let him take her away to Paris. recovers in Cosette’s care. Valjean confesses the
truth of his past to Marius and insists he must go
1832, PARIS away.
Nine years later, there is unrest in the city because At Marius and Cosette’s wedding, the
of the likely demise of the popular leader General Thénardiers try to blackmail Marius. Thénardier
Lamarque, the only man left in the government says Cosette’s ‘father’ is a murderer and as proof
who shows any feeling for the poor. A street produces a ring which he stole from the corpse
gang led by Thénardier and his wife sets upon the night the barricade fell. It is Marius’s own
Jean Valjean and Cosette. They are rescued by ring and he realizes it was Valjean who rescued
Javert, who does not recognise Valjean until he him that night. He and Cosette go to Valjean
has gone. where Cosette learns for the first time of her own
history before the old man dies.
 les Misérables
Who’s Who
RICHARD TODD ADAMS (Factory ERIN CEARLOCK (Little Cosette/ Molly Maguires, Genesis, My Fair Lady,
Foreman, Lesgles, u/s Jean Valjean, Young Éponine at some performances) age Mame, Kismet, Once Upon…, H2$, Guys
u/s Javert). Broadway: The Woman in 9, is from Houston, TX. She is thrilled to and Dolls (in Macao, China). “A&A,
White, The Pirate Queen. National tour: be a part of Les Misérables. Her favorite F&AD, TMF!” ShawnaHamic.com
The Phantom of the Opera (Phantom). credit is White Christmas (Susan Waverly).
2008 Jeff Award winner for Javert in Les Thanks to HSMC, Destination Broadway, DEVIN ILAW (Marius) Favorites:
Misérables in Chicago. HMTA, and everyone else who made this Miss Saigon (Thuy, Toronto revival), M.
opportunity possible. Butterfly (Song Liling), Carousel (Billy
RICHARD BARTH (Swing, u/s Bigelow), The Rockae (Dionysus), Wanda’s
Bamatabois). Off-Broadway: Beowulf (title Erin Clemons (Ensemble, u/s World (Jake). Owner, DCI Vocal Studio in
role), Irish Repertory. National tour: Miss Éponine). National Tour Debut! Regional: NYC. Co-founder, GET U. IN, a college
Saigon. Regional: Goodspeed, Signature, Music Theatre of Wichita, OKC Rep. coaching company. BFA Carnegie Mellon.
Old Globe, Cincinnati Playhouse, St. Louis Special thanks to Harden-Curtis, Merri Love to Mom and Dad, TKO, and Les Mis
Rep & Arrow Rock Lyceum. Training: and the Les Mis team. Love to God, Dad, team. Life is awesome. Mabuhay!
Hartt School. Mom, Collin, James, family and friends!
For you Grandma! Mia Sinclair Jenness (Little Girl,
Natalie Beck (Innkeeper’s Wife, u/s  Little Cosette/Young Éponine) age 7,
Ensemble, u/s Cosette) is excited to be Ava Della Pietra (Little Cosette/ National Tour debut! A NJ first grader, cred-
making her professional debut in Les Young Éponine) age 7, from Long Island, its include And A Child Shall Lead (Jana),
Misérables. She recently received her NY.  Ava is delighted to be in Les Mis. Seussical (JoJo), and Gypsy (Balloon Girl).
BM in Music Theatre from Westminster She has previously been seen in commu- Thanks to Mallory & CESD, Adrienne
College of the Arts of Rider University nity productions. Special thanks to Nancy McKeown, Grandma & Papa Mike, Brady,
after studying Vocal Performance at Carson, Michael Livering and Kenneth & Mom! www.MiaSinclair.com
Lawrence University. Robersen. Love and thanks to her family,
friends and teachers.  Brittney Johnson (Young Whore,
KATIE BEETHAM (Old Woman, Ensemble, u/s Éponine) is thrilled to be
Ensemble, u/s Madame Thénardier) is JASON FORBACH (Enjolras) Previous part of this epic production! Regional:
over the moon to be joining the incredible credits:  The Phantom Of The Opera. (Raoul HAIR, Ragtime, South Pacific, Bye Bye
cast of Les Misérables! So much love to u/s) Off Broadway: The Music Teacher, Birdie. Cast Recording: Sympathy Jones.
friends and family who have supported A.W.O.L., As You Like It. Regional: SMC, BFA NYU Tisch School of the Arts.
and believed. Mom, Dad and BenZ, this NSMT, Paper Mill Playhouse, Kennedy Greatest thanks to God, Mom, Grandma,
is going to be an awfully big adventure! Center, Carnegie Hall. Albums: A New Craig, family, and friends!
www.katiebeetham.com Leading Man, Remembering to Dream
on iTunes. jasonforbach.com. Twitter: @ GENEVIEVE LECLERC (Fantine)
ANDRÉANE BOULADIER (Crazy jtforbach. Canada: Les Enfants de Donquichote,
Whore, Ensemble, u/s Cosette) is so Devant Les Maîtres, Bliss, Les Déesses, A
grateful to make her American debut with TIMOTHY GULAN (Thénardier). Chorus Line, Side Show, Guys & Dolls, Lies
Les Misérables! Credits: French premieres Tours/ B’Way: South Pacific, Dirty Rotten My Father Told Me (alongside Theodore
of Beauty and the Beast, Annie and Québec Scoundrels, Some Like It Hot, Picasso at Bikel and Patsy Gallant.) NYC: A Cycle
à la Carte, Johanna in Sweeney Todd, the Lapine Agile, Carousel, Les Misérables of Love Songs at the Laurie Beechman
RENT, Blood Brothers and Amadeus. (19 years ago!), Falsetto’s, The Lion King, Theatre. Special thanks to my family,
Merci à la vie! Blood Brothers, Passion, The Frogs. friends and Sandie Newton for believing
Premieres: For the Boys, Emma, Houdini, in me! genevieveleclerc.com
JOHN BRINK (Courfeyrac, u/s Jean Eliot Ness in Cleveland, the King Stag, Just
Valjean, u/s Enjolras) Minnesota native, So. Movies/TV: South Pacific (Carnegie PETER LOCKYER (Jean Valjean) is
Hartt School graduate, thrilled to join this Hall), LCT’s Passion, Salt, MacGruber, honored to be back in Les Mis! Broadway:
epic production. Credits: TSO; Music Man Ice Age, Boardwalk Empire, EL&IC, The South Pacific; The Phantom of the Opera;
(Ens.), West Side Story (Tony), Life On The Producers. timothygulan.com Baz Luhrmann’s La Bohème (Rodolfo);
Mississippi (Henry). Thanks: God, Bobbie Les Misérables (Marius, 10th Anniversary
Merritt (TEG), Hartt School, family and BEN GUNDERSON (Swing, Dance & Production and China Premiere); Miss
friends. Fight Captain, u/s Grantaire). Fiddler, Saigon (Chris); Cyrano The Musical.
Engeman; Cabaret, Hilton Head; West Side Barbra Streisand’s European Concert Tour
Briana Carlson—Goodman Story, Ravinia; Dream of the Burning Boy (Special Guest Star). TV: Gypsy starring
(Éponine): Broadway: Tony Award & House of Gold, O’Neill. BFA: UNCSA. Bette Midler. Symphony Concerts across
Winning Revival of HAIR (Sheila & the US including the Premiere of Boublil/
Crissy u/s). Off-Broadway: Wanda’s SHAWNA M. HAMIC (Madame Schönberg’s Do You Hear the People Sing!
World. Regional: Calvin Berger (Rosanna), Thénardier . NY Workshops: The Heartfelt thanks to the Creative Team. For
Fiddler on the Roof (Hodel), Company Toymaker, Screams of Kitty Genovese, Melanie. Twitter: @Peter_Lockyer.
(Marta). TV: Person of Interest. For Justin. Glen or Glenda. Regional: Twist (Directed
brianacarlsongoodman.com. Twitter: @ / Choreographed by Debbie Allen), Les CORNELIA LUNA (Wigmaker,
BCeeGee. Misérables, Ragtime, Hello Dolly, The Ensemble, u/s Fantine) is thrilled to be
les misérables
Who’s Who

Richard Todd Richard Natalie Katie

Adams Barth Beck Beetham

Andréane John Briana Erin

Bouladier Brink Carlson-Goodman Cearlock

Erin Ava Jason

Clemons Della Pietra Forbach

Timothy Ben Shawna M. Devin

Gulan Gunderson Hamic Ilaw

Mia Sinclair Brittney Genevieve Peter

Jenness Johnson Leclerc Lockyer
 les Misérables
Cornelia Gaten Matt Alexandra
Luna Matarazzo McMahan Melrose

Weston Wells Jason John Rachel

Olson Ostrowski Rapson Rincione

Matt Alan Julian

Rosell Shaw Silva

Joseph Eric Van Andrew Aaron

Spieldenner Tielen Varela Walpole

Natalie Lauren Jessica James

Weiss Wiley Keenan Wynn Zannelli
les misérables
back in Les Misérables! Miss Saigon (Kim Univ, MM-Voice, Univ. of Denver. Student Prince.Follow me on Facebook
and Ellen); The King and I (Tuptim); Hey! Credits: NY Camelot (Nimue) WPPAC, and Twitter (@AndrewVarela525) and
Mr. Producer (Éponine and Christine); Suor Angelica (Cercatrice) Chelsea check out AndrewVarela.com. For Susan.
self-titled CD (BMG). Love to family and Opera, Regional: Camelot (Nimue u/s)
friends! Goodspeed Opera, Les Misérables (Mme. AARON WALPOLE (Champmathieu,
Thénardier u/s) MGR. Brujon, Loud Hailer, u/s Jean Valjean) is
Gaten Matarazzo (Gavroche) is happy to be joining Les Mis. Broadway:
playing his dream role! Credits include: MATT ROSELL (Laborer, Montparnasse, Jesus Christ Superstar (Annas). Mirvish:
Broadway- Priscilla Queen of the Desert, u/s Marius) is thrilled to join this amaz- Rock of Ages (Lonny). Stratford Festival:
Godspell cast of 2032. Tour-Radio City ing show for his national tour debut. Guys ‘N Dolls, Anything Goes, Camelot,
Christmas Spectacular. Thanks to Carson Regional: South Pacific, HAIR, Ragtime. Jesus Christ Superstar and many regional
Kolker, Parkside Talent, Mom, Dad, Recent Graduate of CAP21. Many thanks theatrical, film, television and recording
Sabrina, Carmen, family and friends. to the Les Mis team, Family, Friends, and artist credits.
Mallory! www.mattrosell.com
MATT MCMAHAN (Constable, Jean NATALIE WEISS (Swing). Broadway:
Prouvaire, u/s Marius) is grateful to be ALAN SHAW (Constable, Joly, u/s Everyday Rapture (u/s for Menonettes).
joining the Les Mis Company. Regional: Enjolras) is honored to be a part of the Les Tour: Wicked 2nd national (ensemble,
Lyric Theater Oklahoma, Arts Center Mis family. Graduate of Interlochen Arts u/s Elphaba). Regional: Pittsburgh
Coastal Carolina, and Disney Cruise Academy and Circle In The Square. Love CLO, North Shore Music Theatre. TV:
Lines. Graduate of Oklahoma City to Trinity and my amazing Family. “American Idol” season 4 semi-finalist.
University. Love to Mom and Pops, Jen natalieweiss.net.
Waldman, IB, and DGRW. JULIAN SILVA (Gavroche) makes his
National tour debut with Les Misérables. LAUREN WILEY (Cosette). NYC:
ALEXANDRA MELROSE (Ensemble, His credits include: Seussical (Jojo), Title role in Madame Bovary (Theatre
u/s Madame Thénardier, u/s Factory Aladdin (Aladdin), Mulan (Mushu), and 5), Villa Diodati (NYMF). Favorite
Girl). NYC: Songs for a New World, Alice in Wonderland (White Rabbit). Regional: Les Misérables at NSMT (Head
Escape from Pterodactyl Island, Radio Julian would like to thank God and his Whore) and Merry-Go-Round Playhouse
City Sinatra. Regional: Caraboo, Master parents for their love, support and encour- (Cosette), Mrs. Lyons in Blood Brothers
Class, Oliver, …Forum. Thanks to the agement. with Andrea McArdle (TheatreZone).
Les Mis team, Merri, the extended Jersey University of Alabama Grad. Heartfelt
Boys family, my family, and my wonderful JOSEPH SPIELDENNER (Innkeeper, thanks to the Les Mis team, and my dear
husband, Ron. Grantaire, Major Domo, u/s Bishop, u/s Clint. LaurenEWiley.com. Twitter: @
Bamatabois, u/s Factory Foreman, u/s LaureneWiley.
WESTON WELLS OLSON (Feuilly, u/s Javert) is from Maine. BFA-Florida State.
Enjolras). New York: Camelot (Lincoln Tour: South Pacific (Cable). Regional: JESSICA KEENAN WYNN (Ensemble,
Center), Where’s Charley? (ENCORES!). Miss Saigon (Chris), Seaside Music Factory Girl, u/s Fantine) is thrilled to
Regional: Sweeney Todd (Geva Theater), Theatre; Children of Eden (Adam/Noah), be making her National Tour debut in
Les Mis (North Shore). Readings: Tuck Astoria PAC. Dedicated to Grandma Les Mis! Regional: Hairspray at The
Everlasting. BM Chapman University, Margaret, Lauren, Gale, and, especially, Hollywood Bowl, Life Could Be a Dream
MM Boston Conservatory. Much love to Jason! Twitter: @joespiel. (Ovation-Nominated). BA from UCLA.
friends and family. Love to KSR, my family, and Luke.
ERIC VAN TIELEN (Combeferre,
JASON OSTROWSKI (Swing, u/s Fauchelevent, u/s Grantaire) is a Salt James Zannelli (Bishop of Digne,
Factory Foreman). Broadway: Company Lake City native. Broadway/Nat’l tours: Babet, u/s Thénardier) is thrilled to be
(Tony Award®-winner 2007 Best Revival). A Tale of Two Cities, Fiddler on the Roof on tour with Les Mis. Regional credits:
National tours: Whistle Down the Wind, (Fyedka) Regional: Utah Shakespeare Les Misérables (Thénardier), Chess
Forever Plaid. Regional: Les Misérables Festival, HMS Pinafore (Ralph), The (Molokov), Jesus Christ Superstar
(TOTS & TUTS), Hello Dolly, Oklahoma!, Matchmaker (Cornelius), Lend Me (Caiaphas), Jekyll & Hyde (Simon Stride),
An O.Henry Christmas. Love to my family a Tenor, the Musical (Rupp, World Tommy (Uncle Ernie), Peter Pan (Captain
and Elizabeth. Jasono.net Premiere), Indiana Repertory Theatre, Hook). MM from Arizona State. Dreams
The Fantasticks (Matt), Pioneer Theatre, DO come true!!!!
JOHN RAPSON (Farmer, Bamatabois, Syracuse Stage. MFA, Indiana University.
Claquesous, u/s Thénardier, u/s Bishop of ALAIN BOUBLIL (Author/Dramatist)
Digne) is thrilled to be back on the bar- ANDREW VARELA (Javert) was wrote librettos and original lyrics for
ricade! Tour: Disney On Classic (Tokyo last seen on Broadway in Sondheim’s La Révolution Française, Les Misérables,
Philharmonic). Regional: Sweeney Todd Sunday in the Park with George (Jules). Miss Saigon, Martin Guerre and The Pirate
(Barrington Stage), Brigadoon (Wagon Other Broadway/National tours: Little Queen, in collaboration with Claude-
Wheel Theatre). BFA-University of Women (Prof Bhaer), Les Misérables Michel Schönberg, and Marguerite with
Michigan. So much love to my incredible (Jean Valjean), The Phantom of the Opera Claude-Michel Schönberg and Michel
family and the remarkable Les Mis team! (Phantom), Cats (Gus/Growltiger), Evita, Legrand. He received two Tonys® (Best
Disney’s King David. Other roles: The Score, Best Book), two Grammys®, two
RACHEL RINCIONE (Swing, u/s Pirate King in Pirates!, Sky in Guys and Victoire de la Musique Awards, a Molière
Factory Girl). BFA-Acting, Chapman Dolls, Jud in Oklahoma!, The Prince in The Award (Les Misérables), an Evening
 les Misérables
Standard Award (Miss Saigon) and an was made the company’s youngest ever MATT KINLEY (Scenic and Image
Olivier Award (Martin Guerre). He is artistic director. Trevor was responsible Designer) worked as freelance costume
author/librettist of Abbacadabra with for running the RSC until he retired from and prop-maker for stage, film and
songs by Abba, the play The Diary of the post in 1986. From 1997 – 2003 Trevor video with Robert Allsopp Associates.
Adam and Eve, and prize-winning novel was director of the National Theatre. A graduate of the Motley Theatre design
Les Dessous de Soi. Trevor has worked extensively in theatre, course, he enjoyed a long relationship
opera and musical theatre. John Caird is with the National Theatre as designer,
CLAUDE-MICHEL SCHÖNBERG a freelance director and writer working design associate and draughtsman on over
(Book and Music). Born in 1944 of worldwide in theatre, opera and musical 40 productions, including Jerry Springer:
Hungarian parents, Claude-Michel theatre. He has worked at the National the Opera, The Coast of Utopia and My
Schönberg began his career in France as a Theatre and is an honourary associate Fair Lady. Most recently he worked as
singer, writer and producer of pop songs. director of the RSC where he has directed associate designer on shows including:
In collaboration with Alain Boublil he is over 20 plays. John has published several The Woman in White, My Fair Lady
the book co-writer and the composer of works as a librettist and lyricist. Together (UK/US tours), Chitty Chitty Bang Bang
La Révolution Française, Les Misérables, John and Trevor have directed Nicholas (UK tour), Les Misérables (Broadway
Miss Saigon, Martin Guerre and The Nickleby (winner of five Tony Awards®), & Holland), Equus (West End), Mary
Pirate Queen. In 2008 his new musical, JM Barrie’s Peter Pan and the original Poppins (UK/US/AUS/Holland tours), Les
Marguerite, in collaboration with Alain production of Les Misérables (winner of Misérables 25th Anniversary Concert (O2
Boublil, Herbert Kretzmer and Michel eight Tony Awards®). Arena).
Legrand opened at the Haymarket Theatre
in London. Claude-Michel has supervised LAURENCE CONNOR (Director) has ANDREANE NEOFITOU (Costume
overseas productions and co-produced worked as a resident and associate director Designer). Les Misérables (Tony®
several international cast albums of his on several shows in London including nomination) and Miss Saigon London,
shows. In 2001 he composed his first The King & I, Phantom of the Opera Broadway and worldwide. London credits:
ballet score, Wuthering Heights, which and Oliver! In 2005, Laurence directed a Grease, Gone With The Wind, The Far
was created by the Northern Ballet in new touring production of Miss Saigon, Pavilions, The Baker’s Wife, Timon Of
2002. His new ballet, Cleopatra, which which has been recreated in Korea and Athens, Peter Pan (National Theatre)
opened in early 2011, is his second Australia winning major awards including Carmen (Royal Albert Hall). Royal
collaboration with David Nixon and his The Manchester Evening News award for Shakespeare Company: The Changeling,
seventh complete score. Claude-Michel best touring musical and Green Room The Merchant Of Venice, Fair Maid Of
co-wrote the screenplay and reconceived award for best director, co-director of the The West, Hedda Gabler, (also Canada/
the music for the musical movie version 25th Anniversary tour of Les Misérables USA), Once In A Lifetime, Peter Pan and
of Les Misérables (release 2012). In on which this production is based and Nicholas Nickleby (Outer Critics Circle
2003 Claude-Michel married the English the 25th Anniversary concert of Les nomination Outstanding Achievement).
ballerina, Charlotte Talbot. He is the father Misérables at the O2. Laurence recently Additionally: Nabucco (Metropolitan
of one son and two daughters. directed The Phantom if the Opera at Opera), Miss Julie (Athens), Jane Eyre the
the Royal Albert Hall, Oliver! National musical (Broadway - nomination Outer
CAMERON MACKINTOSH UK tour, The Phantom of the Opera 25th Critics Circle), Cameron Mackintosh’s
(Producer) produces musicals. anniversary production and an Arena tour revised version of Martin Guerre (USA).
of Jesus Christ Superstar, which is due for Films: Rosencrantz And Guildenstern Are
HERBERT KRETZMER (Lyricist) a world tour later this year. Dead, Still Life.
was a London journalist when Cameron
Mackintosh invited him to write the JAMES POWELL (Director) was PAULE CONSTABLE (Lighting
English lyrics for Les Misérables epochal appearing in Les Misérables at London’s Designer) has designed extensively at the
West End production in 1985. A part- Palace Theatre when he was offered National Theatre (including Warhorse,
time songwriter, he contributed regular the position of resident director in Phaedre, St. Joan), the RSC, the Donmar
lyrics for the BBC’s famous satire series 1996. London: Singin’ in the Rain (staff Warehouse (Othello, Chalk Garden,
“That Was the Week That Was” and director). For Cameron Mackintosh: The Ivanov), the Royal Court (Clybourne Park,
had also written lyrics for the French Witches of Eastwick (resident director), The Weir) and in the West End (Evita, Don
singer Charles Aznavour (“Yesterday Les Misérables (associate director, also Carlos, Oliver, Love Never Dies). She is a
When I Was Young,” “She,” etc.). It was Scandinavia, Berlin), Mary Poppins three times Olivier Award winner. Opera
Kretzmer’s work with Aznavour which led (London, Broadway, UK tour, Holland, includes productions for: the Royal Opera
to Cameron’s invitation. Herbert Kretzmer Australia). For Jacobsen Entertainments: House, Glyndebourne, ENO, Opera North,
was born in South Africa to immigrant The Witches of Eastwick (Director; Salzburg Festival and in the major houses
parents from Lithuania. He now lives in Melbourne, Australia) and Dirty Dancing of Europe, North America, Australia and
London with his (American) wife Sybil. (Director; London’s West End, Toronto, New Zealand. Dance includes: the Royal
Utrecht, Chicago, US tour, Berlin) James Ballet, Ballet Boyz and New Adventures
TREVOR NUNN AND JOHN CAIRD is honored to work on Cameron’s new for Matthew Bourne. Paule is an associate
(Adaptors). Trevor Nunn started directing production of Les Misérables, and has of the National Theatre.
in 1962 when he won an ABC Director’s just recovered from directing the 25th
scholarship to become the resident director anniversary concert at London’s O2 arena. MICK POTTER (Sound Designer)
of the Belgrade Theatre, Coventry. In Saturday Night Fever (London, New York
1964 he joined the RSC and in 1968 and a further 10 productions worldwide),
les misérables
Starlight Express (Las Vegas, US/UK/ Sunset Blvd., Cats, Chess. Regional: The Orchestrator William David Brohn:
Scandinavian-Tour), Tell Me On a Sunday Music Man (Arena Stage); Next to Normal, Wicked, Ragtime, Sweet Smell of Success,
(London/UK-Tour), Scrooge The Musical My Fair Lady (Pioneer Theatre); My One The Three Musketeers, Mary Poppins.
(London, US/ UK-Tour), Jesus Christ and Only (St. Louis MUNY); Pal Joey
Superstar (UK Tour), Bombay Dreams (Prince Music Theatre), to name a few. STEPHEN METCALFE (Additional
(London, New York), The Woman in Arranger/vocal coach/pianist with Boston Orchestrations) is an arranger and
White (London, New York, 2005 Laurence Pops. Composer/lyricist of the shows Big orchestrator for film and theatre. For
Olivier Award for best Sound Design), Bad Wolf and the Endangered Forest and the past ten years he worked as Head
Hair (London), Whistle Down the Wind Grounded For Life, and the Pittsburgh TV of Musical Development at Cameron
(London), Revival of Evita (London), show “Let’s Read a Story”. Mackintosh Ltd., where he has developed,
The Sound of Music (London/Toronto/ edited and contributed orchestrations to
UK-Tour), Joseph ... Dreamcoat (London), DAVID CADDICK (Music Supervisor) the scores of all Cameron Mackintosh’s
Phantom – The Las Vegas Spectacular has been the Music Director for: Evita, productions in the UK and worldwide,
(Las Vegas, 2006 Parnelli Award best Cats, Song & Dance, Starlight Express, The most recently providing orchestrations for
Sound Design), Ich war noch niemals in Phantom of the Opera, Miss Saigon, Sunset the current UK tour of Les Misérables and
New York (Hamburg, Stuttgart), Der Schuh Boulevard and Mary Poppins. He was Music the 25th birthday celebrations at London’s
des Manitu (Berlin), Zorro (London/Paris/ Director for the world premiere of Stephen O2 Arena. Stephen has produced the 2008
Japan), Sister Act (London, Hamburg), Les Sondheim’s Bounce and Music Director for London cast album of Oliver!, the new UK
Misérables - 25th Anniversary production the film of Evita starring Madonna. He’s Tour cast album of Les Misérables and
(O2 Arena,UK/Spain/tour), Love Never won two Grammy Awards for producing the DVD release of the Les Misérables
Dies (London). the cast album recordings of Les Misérables concert at the O2.
and West Side Story and a further three
CHRISTINE ROWLAND (Additional Grammy nominations for producing the STEPHEN BROOKER (Additional
Costumes) has worked in both subsidized recordings of A Chorus Line, South Pacific Orchestrations). Theatre includes: Betty
and commercial theatre. She was resident and Promises, Promises. He’s a member of Blue Eyes, Oliver! My Fair Lady, The
costume supervisor at the National Theatre the Tony Nominating Committee for the Woman In White, Les Misérables, The
for several years and was head of costume current Broadway season. Phantom Of The Opera, Miss Saigon,
at the Royal Shakespeare Company. South Pacific, The Secret Garden, Lautrec,
Work for Cameron Mackintosh includes: JOHN CAMERON (Original Cats, Saturday Night Fever, Grease,
Carousel (London, New York, Japan); Orchestrations) arranged the Orchestral Fame. Conductor includes: Atlanta
Oliver! (London, Toronto, Sydney); The Score for all the original productions of Symphony, West Australian Symphony,
Witches of Eastwick (London, Melbourne); Les Misérables, Paris, London, Broadway, Royal Philharmonic, London Mozart
My Fair Lady (London, USA tour) and the Symphonic recordings, the Concert, Players, Haifa Symphony, Hamburg
Mary Poppins (London, New York). Other 10th Anniversary and 2006 Queen’s Sinfonia, Royal Liverpool, Royal Scottish
musicals include: The Secret Garden (RSC, Theatre versions. As a composer his National. Corporate Composer: Coca
London); Chitty Chitty Bang Bang (London, extensive film and television film score Cola, BMW Cars, Ford Motors, British
New York) and Gypsy (New York). credits include the Academy Nominated A Airways, Toyota Cars and Walt Disney.
Touch of Class and the Emmy nominated Producer: Oliver! - Live starring Rowan
MICHAEL ASHCROFT (Musical Path to 9-11. John co-composed Zorro the Atkinson, Les Misérables 25th Anniversary
Staging). As a performer includes: DV8’s Musical, nominated for an Olivier Award Tour, Mary Poppins (Holland). Stephen
Enter Achilles, ManActs’s The Sweatlodge, for Best New Musical 2009, which is recently supervised the Les Misérables
Kosh’s Dinner and his own solo shows currently playing in Tokyo and Moscow 25th Anniversary Concert at the O2 Arena.
The Crooner, Ropeman, Le Baton. Credits followed by Amsterdam, Rio, Shanghai, stephenbrooker.co.uk
as movement director include: The Power Seoul & Berlin. Other arranging credits
of Yes (National Theatre), Life is a Dream include Joseph & the Amazing Technicolor JEAN-MARC NATEL (Original French
(Donmar Warehouse), Resurrection Dreamcoat. Text) was born in 1942. He studied art
Blues (The Old Vic), Cosi Fan Tutti at the Beaux Arts in Toulon before
(English National Opera), Romans in CHRISTOPHER JAHNKE (New turning to poetry and has published two
Britain, (Sheffield Crucible), The Lost Orchestrations). Orchestrations: volumes of his poems. In 1968 he moved
Child Project (David Glass Ensemble, Legally Blonde (Broadway), Grease to Paris where he met Alain Boublil, who
Cambodia). For the Royal Shakespeare (You’re the One That I Want - 2007 introduced him to songwriting with the
Company: Richard III, Measure For Broadway Revival), Cry Baby, A Man daunting task of co-writing the lyrics for
Measure, Othello, A Midsummer Night’s of No Importance, Dessa Rose, Tom Les Misérables. Since then, he has written
Dream, Julius Caesar, The Tempest, Jones (George Stiles/Paul Leigh), Just So songs for a variety of artists and, recently,
Antony and Cleopatra, Macbeth, Merry (George Stiles/Anthony Drewe), Chasing some of his poetry has been set to music
Wives of Windsor, A Comedy of Errors, Nicolette, Rufus Wainwright at Carnegie by Franck Pourcel.
Love’s Labours Lost and Hamlet. Hall and the new orchestrations for the
2006 Broadway revival of Les Misérables. JAMES FENTON (Additional Material)
LAWRENCE GOLDBERG (Musical As a Dance Music Arranger: The Witches was born in 1949. He was educated at
Director): Broadway: How to Succeed of Eastwick (London/West End). Music the Durham Choristers’ School, Repton
in Business…, The Drowsy Chaperone, Supervisor for Bon Jovi keyboardist David and Magdalen College, Oxford, where
Thoroughly Modern Millie, The Phantom Bryan: Memphis and The Toxic Avenger he won the Newdigate Prize for Poetry.
of the Opera, Carousel. Tours: South Musical. Conductor: Aida (Broadway). He has worked as a political and literary
Pacific, The Producers, Les Misérables, Assistant to Tony Award®-winning journalist, drama critic, book reviewer,
 les Misérables
war correspondent and columnist. James Michael O’Donnell (Resident SETH WENIG (Executive Producer) has
Fenton was made Fellow of the Royal Director) comes to Les Misérables after been with NETworks since its inception
Society of Literature in 1983 and he was restaging Sam Mendes and Rob Marshall’s in 1995. He spearheaded the international
Professor of Poetry at Oxford from 1994 Cabaret in Paris. Associate director of the tours of Fosse starring Ben Vereen/Ruthie
to 1999. James was awarded the Queen’s national tour of Monty Python’s Spamalot. Henshall as well as the U.K. regional
Medal for Poetry in 2007. Observing Director on Weeds and Brothers tour of Rodgers & Hammerstein’s The
and Sisters. Writer/Director of the feature King and I. Together with Cameron
ANTHONY LYN (Associate Director). comedy Moving Mike. Mr. O’Donnell has Mackintosh, Seth served as executive
From South Wales, trained at RWCMD also performed in six Broadway musicals producer of a 40 week UK regional tour
and University of London. London theatre: including Cabaret, Spamalot and Victor/ of the National Theatre’s My Fair Lady,
Anything Goes, Les Misérables, Joseph …, Victoria. which also ran in the United States. He is
Miss Saigon, Oklahoma!, Damn Yankees currently serving as Executive Producer
(with Jerry Lewis). TV: “Tony Awards,” TRINITY WHEELER (Production on The New Mel Brooks Musical Young
“The Tonight Show,” “Regis and Kelly,” Stage Manager) is thrilled to be part Frankenstein, Disney’s Beauty and the
“An American Celebration” (for the of this legendary musical. In addition Beast and Rodgers & Hammerstein’s
President and First Lady) and 5 Royal to Les Misérables, he is currently the South Pacific. He is most proud of his
Command performances in England. Production Supervisor for the first greatest productions, Marlo and Camden.
Taught at the Royal Academy. Founding Spanish-language production of Mary
member, West End Cares. Associate Poppins in Mexico City. Other credits NETworks PRESENTATIONS, LLC
Director: The Lion King (worldwide), include Rent - The Broadway Tour (Adam (Producer). Since 1995, NETworks
Mary Poppins (Broadway, directed Pascal and Anthony Rapp), Mel Brooks’ has produced and managed over 70
current US tour). Anthony is delighted to Young Frankenstein (Roger Bart), Trevor touring productions in the US, UK and
be Associate of this brand new production Nunn’s Oklahoma! and The Producers. internationally. Current productions include
of Les Misérables. For C.C. Love to Alan, Big Mac and Ricky. trinity- Disney’s Beauty and the Beast, Young
wheeleronline.com  Frankenstein, and the Lincoln Center’s
CHRISTOPHER KEY (UK Associate production of Rodgers and Hammerstein’s
Director) trained at Guildford School HEATHER CHOCKLEY (Stage South Pacific, Handel’s Messiah Rocks,
of Acting graduating with a first class Manager) is a proud member of AEA Spring Awakening, A Chorus Line, Blue
BA (Hons). He is currently Resident and IATSE. She has toured extensively, Man Group National tour and The New 25th
Director on the London production of Les nationally and internationally, with The Anniversary Production of Les Misérables
Misérables and Associate Director of the Sound of Music, Joseph… Dreamcoat, touring the U.S.
25th Anniversary Production in the UK Cats, Sweet Charity, The King and I and
and Spain. Christopher was also Resident Fiddler on the Roof to name a few. Thank ACTORS’ EQUITY ASSOCIATION
Director on Avenue Q, London. Acting you to her husband, family and friends. (AEA), founded in 1913, represents more
credits include Les Misérables, Chucky than 48,000 actors and stage managers
in Jerry Springer The Opera, Alice in Mitchell B. Hodges (Assistant in the United States. Equity seeks to
Wonderland for The Royal Shakespeare Stage Manager) Les Misérables 25th advance, promote and foster the art of
Company and The Beautiful Game. Anniversary Tour, West Side Story live theatre as an essential component
Concerts include Les Misérables 25th National tour, The Phantom of the Opera of our society. Equity negotiates wages
Anniversary at The O2, Sweeney Todd National tour, Music Theatre of Wichita, and working conditions, providing a wide
at The Royal Festival Hall and Sondheim Fort Worth Opera, Glimmerglass Opera range of benefits, including health and
Tonight at The Barbican. and Motor City Lyric Opera. Thanks pension plans. AEA is a member of the
to Nancy and his parents for their love AFL-CIO, and is affiliated with FIA, an
TARA RUBIN CASTING (Casting). and support! Go Blue! Proud member of international organization of performing
Broadway/tours: Promises, Promises; A Actors’ Equity. mbhodges.com arts unions. The Equity emblem is our
Little Night Music; Guys and Dolls; Billy mark of excellence. actorsequity.org
Elliot; Shrek; The Country Girl; Rock BROADWAY BOOKING OFFICE
‘n’ Roll (US casting); The Farnsworth NYC (Tour Booking, Engagement
Invention; Young Frankenstein; Little Management, Press & Marketing) is a
Mermaid; Mary Poppins; My Fair Lady; leading theatrical tour booking, marketing
Pirate Queen; Les Misérables; History and press company, representing
Boys (US casting); Spamalot; Jersey musicals, plays and theatrical productions. The buell theatre
Boys; …Spelling Bee; Producers; Mamma Currently: Jersey Boys, War Horse, The is part of the Denver Performing Arts Complex,
Mia!; The Phantom of the Opera; Good New 25th Anniversary Production of Les owned and operated by the City and
Vibrations; Bombay Dreams; Oklahoma!; Misérables, Mary Poppins, NETworks County of Denver, Arts and Venues.
Happiness; Flower Drum Song; Imaginary presents Disney’s Beauty and the Beast,
End of the Rainbow, Hair, Do You Hear City & County of Denver
Friends; Frogs; Contact; Metamorphoses; Michael Hancock, Mayor
Thou Shall Not; Man of No Importance. the People Sing, Potted Potter, Holland
Taylor in Ann, The Rat Pack is Back!, Arts and Venues
Joel T. Herbst (Company Manager) Backbeat, Scooby Doo Live! Musical Kent Rice, Director
is a proud NETworks company manager Mysteries, Magic Tree House® The
from Wisconsin. Go Goslings! Musical and Roger Rees in What You Will. For information call:
www.bbonyc.com 720.865.4220
les misérables STAFF FOR Les Misérables For NETworks Presentations 
EXECUTIVE PRODUCER Chief Executive Officer . . . . . . . . . . . . . . . . . . . Ken Gentry
Seth Wenig Chief Operating Officer . . . . . . . . . . . . . . Scott W. Jackson The Denver Center
GENERAL MANAGEMENT Director of Finance . . . . . . . . . . . . . . . . . . . . . . . John Kinna for the Performing Arts
Gentry & Associates, Inc. Executive Producers . . . . . . . . . . . . . . . . . . . . . Seth Wenig,
Scott W. Jackson, Gregory Vander Ploeg Kary M. Walker, Dani Davis
COMPANY MANAGER Associate Producer . . . . . . . . . . . . . . . . . . . . Angela Rowles Denver Center Attractions Staff
Joel T. Herbst Assistant Producers . . . . . . . . . . . . . . Charmaine McVicker,
D. Randall Weeks . . . . . . . . . . Executive Director/President
Tour Booking, Mary Witte
Engagement Management Assistant to the CEO . . . . . . . . . . . . . . . . . . . . . Curt Owens Jeff Hovorka . . . . . . . . . . . Director of Media and Marketing
Press and Marketing Senior General Manager . . . . . . . . . . Gregory Vander Ploeg John Ekeberg . . . . . . Director of Programming & Operations
Broadway Booking Office NYC General Managers . . . . . . . . . . . Dawn Kusinski, Kim Reiter Heidi Bosk . . . . . . . . . . . . . . . . . PR & Promotions Manager
Steven Schnepp, Temah Higgins Associate General Manager . . . . . . . . . . . . . . . Curt Owens Alicia Giersch . . . . . . . . . . . . . . . . . . . . . . Business Manager
Kent McIngvale, Jenny Bates, David Freeland Assistant General Managers . . . . . . . . . . . . Penelope Lopez, Emily Lozow . . . . . . . . . . . . . . . . . . . Marketing Coordinator
Judith Hoenig Adelson, Zach Stevenson Bobby Maglaughlin
Julia D’Angelo, Scott Praefke, Jim Lanahan Production Manager . . . . . . . . . . . . . . . . . . . . Jason Juenker
DCPA Marketing Staff
BBONYC.com Associate Production Managers . . . . . . . . . . Hector Guivas,
CASTING Ben Neafus Jennifer Nealson . . . . . . . . . . . . . . . Chief Marketing Officer
Tara Rubin Casting Assistant Production Manager . . . . . . . . . . . . Evan Rooney Jeff Hovorka . . . Director of Media, DCA Marketing and Sales
Tara Rubin, CSA, Merri Sugarman, CSA Warehouse Manager . . . . . . . . . . . . . . . . . . . . . . Brad Korff Suzanne Yoe . . . . . . . . . . . . . Director of Marketing Services
Eric Woodall, CSA, Laura Schutzel, CSA, Marketing/PR . . . . . . . . . . . . . . . . . . . . . . . . . Heather Hess Sylvie Drake . . . . . . . . . . . . . . . . . . Director of Publications
Paige Blansfield, Dale Brown, Kaitlin Shaw Music Coordinator . . . . . . . . . . . . . . . . . . . . . . John Mezzio Brianna Firestone . . . . . . . . . . . . . . . Director of Marketing,
US Assoc. Director . . . . . . . . . . . . Anthony Lyn Assistant Controller . . . . . . . . . . . . . . . . . . Jennifer Gifford Denver Center Theatre Company
UK ASSOC. DIRECTOR . . . . . . . . . CHRISTOPHER KEY Accounts Payables . . . . . . . . . . . . . . . . . . . . . . Laura Carey
Janet Flesch . . . . . . . . . . . . . . . . . . . . Director of Marketing,
Fight DIRECTOR . . . . . . . . . . . . . . . Rick Sordelet Accountant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lisa Blank
Resident Director . . . . . . . . . . . . . . . . . Michael O’Donnell Office Manager . . . . . . . . . . . . . . . . . . . . . . Buddy Piccolino Denver Center for the Performing Arts
Ass’t. to the Director . . . . . . . . . . . . . . . . . . . . Trey Gerrald Office Assistant . . . . . . . . . . . . . . . . . . . . . . . . . Carol Jewell
Production Stage Manager . . . . . . . . . . . . . Trinity Wheeler Credits Marketing Services
Stage Manager . . . . . . . . . . . . . . . . . . . . Heather Chockley Lighting Equipment supplied by Epic; Sound Equipment Nathan Brunetti . . . . . . . . . . . . . . . . . . . . . . . Email Designer
Ass’t. Stage Manager . . . . . . . . . . . . . . Mitchell B. Hodges supplied by Sound Associates; Set by F&D Scene Changes; Kim Conner . . . . . . . . . . . . . . . . . . . . . . . . Graphic Designer
Ass’t. Company Manager . . . . . . . . . . . . . . . Justin Sweeney Show control and scenic motion control featuring stage Anita Edwards . . . . . . . . . . . . . . . . . . Web Services Manager
Ass’t. to the General Manager . . . . . . . . . Kristin Netzband command systems® by PRG-Scenic Technologies, a
Brenda Elliott . . . . . . . . . . . . . . . . . Senior Graphic Designer
Dance Captain . . . . . . . . . . . . . . . . . . . . . . . Ben Gunderson division of Production Resource Group, L.L.C., New
Fight Captain . . . . . . . . . . . . . . . . . . . . . . . . Ben Gunderson Windsor, NY; Video Projection System Provided by Kyle Malone . . . . . . . . . . . . . . . . . . Senior Graphic Designer
Ass’t. Fight Captain . . . . . . . . . . . . . . . . Heather Chockley Scharff Weisberg, Inc.; Costumes constructed by Scafati, Ken Mostek . . . . . . . . . . . . . Videographer/Cinematographer
Assoc. Scenic Designer . . . . . . . . . . . . . . . Christine Peters John Schneeman Studio, Sara Timberlake Studio, Claire
U.S. Costume Assistant . . . . . . . . . . . . . . . . Jimm Halliday Johanson and Dale DiBernardo and Jennifer Love. Marketing and Sales
Costume Assistants . . . . . . . . . David Kaley, John Saunders Rehearsed at New 42nd Street Studios Heidi Bosk . . . . . . . . . . . PR & Promotions Manager, DCA
Assoc. Lighting Designer/Programmer . . . . . . Jane Dutton Special Thanks to Simone Gordon . . . . . . . . . . . . . . . . . Marketing Coordinator
Ass’t. Lighting Designer . . . . . . . . . . . . . . . . . . Karen Spahn Paper Mill Playhouse and Mark Hoebee
Alexandra Griesmer . . . PR & Promotions Manager, DCTC
Assoc. Sound Designer . . . . . . . . . . . . . . . . Paul Gatehouse Todd Schmidt, Mimi Intagliata, Rick Reiser.
Ass’t. Sound Designer . . . . . . . . . . . . . . . . . . . Garth Helm Carol Krueger . . . . . . . . . . . . . . . . Theatre Services Manager
Music Preparation . . . . . . . . . . David Hague, Dakota Music The producers wish to thank Fred Hanson for his contribu- Emily Lozow . . . . . . . . . . . . . . Marketing Coordinator, DCA
Emily Grishman tion to the development of this new 25th Jane McDonald . . . . . . . . . . . Marketing Coordinator, DCTC
Keyboard Programming . . . . . . . . . . . . . . . Stuart Andrews anniversary production. Mark Onderdonk . . . . . . . . . . . . . . . . . . . . Business Manager
Head Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . John Ward Tina Risch . . . . . . . . . . . . . . . Community Services Manager
Automation Carpenter . . . . . . . . . . . . . . . . . . . . . . Greg Pott Financial Services and banking arrangements by FloraJane DiRienzo . . . . . . . . . . . . . . . Group Sales Manager
Carpenter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Munz M&T Bank
Daniel Starzy . . . . . . . . . . . . . . . . . Senior Account Executive
Flyman . . . . . . . . . . . . . . . . . . . . . . . . Timothy P. Callahan Visit the Les Misérables website at
Production Electricians . . . . . . . . . Barb Bartel, Ian Moulds www.lesmis.com Lou Adducci . . . . . . . . . . . . . . . . . . . Group Sales Associate
Head Electrician . . . . . . . . . . . . . . . . . . . . Leslie Bindeman Own Les Misérables, the 25th Anniversary Concert, featur- Nick Brown . . . . . . . . . . . . . . . . . . . . Group Sales Associate
Ass’t. Electricians . . . . . . . . . . . . . . R. Warren Bishop, Mark Leslie ing Tony Award-winner Lea Salonga and Nick Jonas on
® Cleo Maez . . . Group Sales Assc./Student Matinee Manager
Head Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . Chris Walters Blu-ray and DVD! Jaejin Kim . . . . . . . . . . . . . . . . . . . . . . . . . . . Sales Associate
Ass’t. Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . Shelly Franz Jennifer Lopez . . Assoc. Director of Ticket Services/Operations
The Actors and Stage Managers employed in this production
Props Supervisor . . . . . . . . . . . . . . . . . . . . . . . Lisa Buckley Kirk Petersen . . . . . . . . . Assoc. Director of Ticket Services/
are members of Actors’ Equity Association, the union of
Head Props . . . . . . . . . . . . . . . . . . . . . . . Andrew Crawford professional actors and stage managers in the United States. Patron Relations
Ass’t Props . . . . . . . . . . . . . . . . . . . . . . . . . David Summey
Head Wardrobe . . . . . . . . . . . . . . . . . . . . . . . Sally M. Howe
All stage work performed by employees represented by IATSE. David Smith . . . . . Assoc. Director of Subscription Services
Ass’t. Wardrobe . . . . . . . . . . . . . . . . . . . . . . . Emily Staloch Brandon Beston . . . . . . . . Manager of Subscription Services
UNITED SCENIC ARTISTS represents the designers and
Hair Designer . . . . . . . . . . . . . . . . . . . . . . . . . . Bernie Ardia scenic painters for the American Theatre. Tristan Jungferman . . . . . . . . . . . . . . . . Box Office Manager
Head Wigs . . . . . . . . . . . . . . . . . . . . . . . . . . . Rudy Guerrero The Musicians employed in this production are members of Kirk LeValley . . . . . . . . . . . . . . . . . . . . Box Office Manager
Ass’t. Wigs . . . . . . . . . . . . . . . . . . . . . . . . Bryon McDonald the American Federation of Musicians of the United States and Adam Quinney . . . . . . . . . . . . . . . . . . . Box Office Manager
Dialect Coach . . . . . . . . . . . . . . . . . . . . . Shane-Ann Younts Canada. Katherine Clow, Christopher Robin Donaldson,
Tutor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leah Osborn The Director and Choreographer are members of the Stage Kevin Dykstra, Amy Hibbeln, Katherine
Print/Advertising Design . . . . . . . . . . . . . . . . . . . . . . . . aka Directors and Choreographers Society, an independent national
Radio and Television Spot Production . . . . . . . . . Steam UK labor union. Murphy, Anthoney Sandoval . . . . . . . . Counter/Show Leads
Website . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dewynters Trevor Curtis, Maria Ortiz,
The Press Agents, Company and House Managers employed in
Social Media . . . . . . . . . . . . . . . . . . . . . . Pit Bull Interactive this production are represented by the Association of Theatrical Sarah Padilla, Greg Swan . . . . . . . . . . . Subscription Agents
Production Photography . . . . . . . . . . . . . . . Deen Van Meer Press Agents & Managers. Chris Arneson, Michael Bisbee, Ashley Brown,
Merchandising . . . . . . . . . . . . . . Platypus Productions, LLC This production is produced by a member of Patye Gibbons, Rebecca Hibbert, Chase Huffman,
Accounting . . . . . . . . . . . . . NETworks Presentations, LLC The Broadway League in collaboration with our Noah Jungferman, Tony Klava, Steven LeValley,
Legal . . . . . . . . . . . . . . . . . . . . . . . . F. Richard Pappas, Esq. professional union-represented employees.
Scott Lix, Dane Madsen, Jacob Randall,
Payroll Services . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ADP
Insurance . . . . . . . . . . . . . . . . . . . . . . . . DeWitt Stern Group LC Tribit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Agents
Travel Agency . . . . . . . . . . . . . . . . . . . . . . Carlson Wagonlit Denver Center Attractions gratefully
Tax Consultant . . . . . . . Brent A. Turner, One Source PSG Information Services
IT Services . . . . . . . . George W. Wilson, One Source PSG
acknowledges the following support
Bruce Montgomery . . . . . . Director of Information Services
Trucking . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clark Transfer in its 2013/14 season Jim Hipp . . . . . Associate Director of Information Services
For Cameron Mackintosh LTD Bobby Jiminez . . . . . . . . . Senior Audience View Specialist
Directors . . . . . . . . . . . . . Cameron Mackintosh (Chairman)
Nicholas Allott (Chief Executive)
Richard Johnston Development Department
Deputy Managing Director . . . . . . . . . . . . . . . Robert Noble Dorothy Denny . . . . . . . . . . . . . . . Executive Vice President
Financial Controller . . . . . . . . . . . . . . . . . . . Richard Knibb Tiffany Grady . . . . . . . . . . . . . . . . . . . . . Associate Director
Executive Producer . . . . . . . . . . . . . . . . . . . . Trevor Jackson Linda Mitchell . . . . . . . . . . . . . . . . . . . . . Associate Director
Associate Producer . . . . . . . . . . . . . . . . Thomas Schönberg David Zupancic . . . . . . . . . . . . . . . . . . . . Associate Director
Production Manager . . . . . . . . . . . . . . . . . . Jerry Donaldson Jeremy P. Anderson . . . . . . . . . . . . . . . . Associate Director
Music Supervisor . . . . . . . . . . . . . . . . . . . . . David Caddick
Mary Mosher . . . Manager, Membership Groups/Major Gifts
Head of Marketing . . . . . . . . . . . . . . . . . . . . David Dolman
Ass’t. to Cameron Mackintosh . . . . . . . . . . . . . . Jane Austin Megan Fevurly . . . . . . . . . . . . . . . . . . . . . Business Manager
Ass’t. to Nicholas Allott . . . . . . . . . . . . . . . . . Claire Mistry Charlissa Mann . . . . . . . . . . . . . . . . . Development Assistant
Ass’t. to Robert Noble . . . . . . . . . . . . . . . . . . Rachel Atkins