GERMAN FILM

FESTIVAL 2016

WELLINGTON / 21–24 SEPT

CHRISTCHURCH / 28 SEPT & 1 OCT
DUNEDIN / 1–2 OCT
NEW PLYMOUTH / 4–9 OCT
AUCKLAND / 10–16 OCT

www.goethe.de/nz Sprache. Kultur. Deutschland.

WILLKOMMEN ZUM DEUTSCHEN FILMFESTIVAL 2016

Look out for new work from leading directors As the new German Ambassador to
and actors, and discover some of cinema’s New Zealand it is my distinct pleasure to
emerging and most exciting talents. welcome you to the 8th nationwide German
Film Festival. Once again you will be able to
This year’s German Film Festival includes sample a bouquet of German films at a growing
a suspenseful dramatisation of Germany’s number of venues. This year’s festival also
postwar history, a haunting exploration of travels to Christchurch.
human survival in Fukushima, a refreshing
new adaptation of a children’s classic – and Germany and New Zealand are enjoying an
much more. ever closer relationship with an unprecedented
level of cooperation in many fields – politics,
We look forward to watching and discussing trade, science and culture. The German Film
the films with you in Auckland, Christchurch, Festival is another great opportunity for our
Dunedin, New Plymouth and Wellington. people to understand each other even better.
The generosity of our sponsors and partners
has enabled us to make the festival happen: we I hope many visitors will enjoy the Film
would like to thank them all for their ongoing Festival and the various German cinema
support. highlights. Let us look forward to ever more
appealing common projects.
Admission is free – just turn up early at the
venue to secure your seats. Tickets will be
available from the box office before the start
of each screening: unfortunately, we cannot Gerhard Thiedemann
accept advance bookings, so arrive in plenty of Ambassador of the Federal Republic of Germany
time and take the opportunity to talk to us and
other cinemagoers.
Our team at the Goethe-Institut has enjoyed
choosing and debating the line-up of films
from Germany, Austria and Switzerland. As a
newcomer to New Zealand I look forward to
meeting enthusiasts and lovers of German film
all over the country.

Christian Kahnt
Director Goethe-Institut New Zealand
 German Film Festival 2016

4 KINGS 24 WEEKS
(4 KÖNIGE) (24 WOCHEN)
GERMANY 2015 (DRAMA) GERMANY 2016 (DRAMA)

Festivals (selection): Production: Festivals (selection): With:

Rome 2015, Miami 2015 Benjamin Seikel, Berlin 2016 (Competition), Julia Jentsch,
Awards (selection): Florian Schmidt- Edinburgh 2016, Bjarne Mädel,
Best Film Prange Jeonju 2016, Johanna Gastdorf,
(Alice nella città, Rome 2015) Duration: Istanbul 2016, Emilia Pieske
Director: 100 mins Valetta 2016 Production:
Theresa von Eltz Language: Director: Thomas Kufus,
Screenplay: German Anne Zohra Berrached Melanie Berke,
Esther Bernstorff (with English subtitles) Screenplay: Tobias Büchner
Cinematography: Rating: Carl Gerber, Duration:
Kristian Leschner M – violence, offensive Anne Zohra Berrached 102 mins
Editor: language and nudity Cinematography: Language:
Anja Siemens Friede Clausz German
Music: Editor: (with English subtitles)
André Feldhaus Denys Darahan Rating:
With: Music: M - sex scenes, offensive
Jella Haase, Paula Beer, Jasmin Reuter language, nudity &
Rather than spend Christmas with her Jannis Niewöhner, A couple’s joy at expecting their second child content that may disturb
Moritz Leu,
unstable mother and angry father, sixteen- Clemens Schick,
turns to anguish in this hard-hitting drama.
year-old Alex takes a rash decision that Anneke Kim Sarnau We first meet Astrid on the set of her stand-
lands her in a psychiatric unit with three up comedy show where she is announcing
other emotionally troubled teenagers. her pregnancy to the studio audience.
Free to leave but with nowhere to go, she She and her partner Kurt are confident that “A brave, important, emotionally
must learn to live with the others and with “…neither obnoxiously comic nor they can handle anything, but their next charged drama from Germany.
the unorthodox therapy techniques of their ostentatiously profound, it has a appointment at the antenatal clinic reveals a A Berlinale highlight featuring a
psychiatrist Dr Wolff. This coming-of-age fine sense for the inherent humour ninety-eight-percent chance that their child stand-out performance by home-
drama stands out for its sharp script and of serious issues. A stroke of has Down syndrome. Later they learn that grown actress Julia Jentsch.”
confident handling of serious issues, giving cinematic luck.” the baby will also require multiple surgeries – Paul Heath, The Hollywood News
us scenes of warm humour alongside anger – Axel Timo Purr, Artechock for a heart condition. At six months pregnant,
and pain. As the teenagers discover common Astrid must choose whether to go ahead or
ground, 4 Kings offers hope without false have a late-term abortion. This film looks
optimism or sentimentality. unflinchingly at her moral dilemma, offering
SCREENING TIMES a powerful portrait of a woman confronted
with a terrible decision.
Wellington
Friday, 23 September, 7:00pm
SCREENING TIMES
Dunedin
Sunday, 2 October, 3:00pm Wellington
Saturday, 24 September, 2:15pm
New Plymouth
Sunday, 9 October, 6:30pm New Plymouth
Thursday, 6 October, 6:30pm
Auckland
Thursday, 13 October, 8:30pm Auckland
Sunday, 16 October, 6:15pm Saturday, 15 October, 6:15pm
Image © Kristian Leschner, PortAuPrincePictures Image © Friede Clausz, zero one film
 German Film Festival 2016

A DECENT MAN
(NICHTS PASSIERT)
SWITZERLAND 2015 (THRILLER)

Festivals (selection): Production:

Palm Springs 2016, Zurich HC Vogel
2015, Sao Paulo 2015 Duration:
Awards (selection): 92 mins
Best Screenplay (Lünen Languages:
2015) German
Director: (with English subtitles)
Micha Lewinsky Rating:
Screenplay: M – violence, sexual
Micha Lewinsky references and offensive
Cinematography: language
Pierre Mennel
Editor:
Gion-Reto Killias
Music:
Marcel Blatti
With:
Thomas is an ordinary guy who prefers Devid Striesow,
Maren Eggert,
not to face up to his problems. Rather than Annina Walt, Lotte Becker,
acknowledge the steady breakdown of his Max Hubacher, Beat Marti,
marriage and the downward slide of his Oriana Schrage,
career, he sets off happily on a ski holiday Therese Affolter,
Stéphane Maeder
with his wife, teenage daughter and his
boss’s daughter. When one of the girls
entrusts him with a terrible secret, Thomas
has the choice of facing up to the situation
or pretending everything is fine. How far will
he go to preserve the illusion of harmony?
In this compelling drama, a man commits
perjury and worse in an effort to avoid
the truth.

“Micha Lewinsky’s third feature

film casts a spotlight on the SCREENING TIMES
brilliant Devid Striesow, whose
character slowly drifts from Wellington
normalcy to madness.” Thursday, 22 September, 4:30pm
– Cineuropa
New Plymouth
Friday, 7 October, 4:00pm

Auckland
Tuesday, 11 October, 8:30pm
Image © Plan B Film
 German Film Festival 2016

FUKUSHIMA, MON AMOUR HEIDI

(GRÜSSE AUS FUKUSHIMA)
GERMANY 2016 (TRAGICOMEDY) SWITZERLAND/GERMANY 2015 (FAMILY)

Festivals (selection): Production: Awards (selection): Production:

Berlin 2016, Sydney 2016 Harry Kügler, German Film Award 2016 Ulrike Putz,
Awards (selection): Molly von Fürstenberg (Best Children’s Feature) Jakob Claussen,
Panorama Audience Duration: Director: Reto Schärli,
Award (2nd place; Berlin 104 mins Alain Gsponer Jens Oberwetter,
2016), Bavarian Film Prize Languages: Screenplay: Lukas Hobi
2016 (Best Actress) German/Japanese Petra Biondina Volpe, Duration:
Director: (with English subtitles) based on the novel by 110 mins
Doris Dörrie Rating: Johanna Spyri Languages:
Screenplay: M - offensive language & Cinematography: Swiss German/German
Doris Dörrie suicide Matthias Fleischer (with English subtitles)
Cinematography: Editor: Rating:
Hanno Lentz Michael Schaerer PG
Editor: Music:
Frank Müller Niki Reiser
Music: With:
Ulrike Haage Bruno Ganz, Anuk Steffen,
Hoping to distract herself from heartbreak at With: A huge hit with audiences and critics, this Katharina Schüttler,
Rosalie Thomass, Jella Haase,
home, young German woman Marie travels Kaori Momoi,
new adaptation puts the mud back into the Peter Lohmeyer,
to Fukushima in the aftermath of the nuclear Nami Kamata, Alpine pastures of Johanna Spyri’s classic Hannelore Hoger,
disaster and joins a charity circus group. Moshe Cohen novel. Our heroine Heidi is sent to live Quirin Agrippi
Still immersed in her own problems and now with her curmudgeonly grandfather in the
panicked by the wreckage around her, she is mountains of Switzerland after the death Screened in partnership with
not up to the job of distracting others from of her parents. Her world is turned upside-
their grief. Just as she is on the point of down again when her aunt dispatches her
leaving, she meets elderly geisha Satomi who to Frankfurt to become a paid companion
is rebuilding her home in the radioactive to Klara who uses a wheelchair. Of course
zone. The two women form a tentative everything works out splendidly in the end,
friendship as Marie is drawn out of her self- but director Alain Gsponer allows us to see
absorption by the ghosts of Satomi’s past. the hardships of nineteenth-century life as SCREENING TIMES
Beautifully shot in black-and-white, Doris well as the magically invigorating properties
SCREENING TIMES Wellington
Dörrie’s acclaimed new film moves fluently of mountains and fresh air.
Thursday, 22 September, 12:30pm
between human drama and catastrophe, with
Wellington
superbly judged performances from the two
Thursday, 22 September, 7:00pm Christchurch
leads.
Saturday, 1 October, 12:00pm
Christchurch “...a brilliant new version by
“Fukushima, Mon Amour offers a Wednesday, 28 September, 6:00pm director Alain Gsponer which Dunedin
refreshingly quirky perspective does more than just confirm the Sunday, 2 October, 12:30pm
on a heavy subject suggesting New Plymouth fact that the Heidi story is still
that sometimes audiences, and Tuesday, 4 October, 6:15pm universally captivating in the New Plymouth
perhaps even victims, need a Wednesday, 5 October, 4:00pm 21st century.” Sunday, 9 October, 4:OOpm
– Becky Tan, Kino Critics
vacation from misery and pity.”
– Maggie Lee, Variety Auckland Auckland
Monday, 10 October, 8:30pm Wednesday, 12 October, 12:30pm
Friday, 14 October, 6:15pm Sunday, 16 October, 3:30pm
Image © Hanno Lentz, Majestic Image © Studiocanal
ME AND KAMINSKI
(ICH UND KAMINSKI)
GERMANY 2015 (COMEDY)

Festivals (selection):
Belgrade 2016,
Istanbul 2016,
Production:
Uwe Schott,
Wolfgang Becker
Giesen Wines
New York 2016
Director:
Wolfgang Becker
Duration:
120 mins
Language:
are proud to
support the
Screenplay: German
Thomas Wendrich, (with English subtitles)
Wolfgang Becker, Rating:

German Film
based on the novel by M - violence, offensive
Daniel Kehlmann language, sex scenes
Cinematography: & nudity

Festival
Jürgen Jürges
Editor:
Peter R. Adam
Music:
Lorenz Dangel
Unscrupulous journalist Sebastian Zöllner With:
Daniel Brühl,
is planning the next big step in his career: a Jesper Christensen,
biography of the once-famous ‘blind artist’ Amira Casar,
Manuel Kaminski. He has no qualms about Denis Lavant,
intruding into the ageing painter’s home, life Jördis Triebel,
Geraldine Chaplin
and past, unceremoniously taking him on a
journey to reunite him with a lost lover – the
anticipated highlight of the book. But is the
young biographer or his subject really in
charge of the plot? A hugely entertaining trip
through life and art starring Daniel Brühl (Good
Bye, Lenin) as the egocentric journalist and
Jesper Christensen (007 – Quantum of Solace)
as the elusive Kaminski.

This is Olivia and Verena.

SCREENING TIMES They love to indulge in a
“Yes, this is a German comedy, Wellington glass of wine at Heritage
and a brilliant one at that.” Saturday, 24 September, 4:30pm before heading to a film.
– Eduardo Karas, Just Geeky Stuff
New Plymouth
Friday, 7 October, 6:30pm

Auckland
Friday, 14 October, 8:30pm
Image © Match Factory
Visit www.heritagehotels.co.nz for pre-show dinners and accommodation packages
or call us on 0800 368 888
 German Film Festival 2016

ORGANIZED SUPERWORLD
(VOM ORDNEN DER DINGE) (SUPERWELT)
GERMANY 2013 (DOCUMENTARY) AUSTRIA 2015 (DRAMA)

Festivals (selection): Production: Festivals (selection): Production:

Kassel Dok Fest 2014, Thomas Tielsch Berlin 2015, Graz 2015 Dieter Pochlatko
Munich Dok Fest 2014 Duration: Awards (selection): Duration:
Awards (selection): 80 mins Austrian Film Prize 2016, 118 mins
Grimme-Award 2016 Languages: Cineuropa Prize Languages:
Director: German (Sarajevo 2015) German
Jörg Haaßengier, (with English subtitles) Director: (with English subtitles)
Jürgen Brügger Rating: Karl Markovics Rating:
Screenplay: exempt Screenplay: M - sex scenes &
Thomas Heinemann Karl Markovics offensive language
Cinematography: Cinematography:
Sven O. Hill Michael Bindlechner
Editor: Editor:
Gesa Marten Alarich Lenz
Music: Music:
Pit Przygodda Herbert Tucmandl
With:
First things first. This is a documentary One day everything changes for supermarket Rainer Wöss,
Ulrike Beimpold,
about order and organisation – about finding cashier Gabi Kovanda. There is someone Sibylle Kos, Thomas Mraz,
patterns, principles and logic. The world new in her life: God. No one else notices Nikolai Gemel,
around us is full of information waiting to be his sudden appearance, but her life Angelika Strahser
catalogued and decoded. Landscapes need to is transformed. His voice intrudes on
be mapped, households categorised, parking her thoughts and forces her out of her “Superworld is a delightfully
habits investigated, and tortoise shells routine - much to her annoyance and the playful mix of dry humor, visual
demystified. From scientific researchers consternation of her husband. The comedy
splendor and everyday magic.”
to amateur statisticians, the people in this and wonder of the unwelcome encounter
– Stephen Dalton, The Hollywood Reporter
film are on a quest to make sense of their are captured through realistic narrative and
segment of reality. Is their search for order God’s-eye camera angles. Who will triumph:
admirable, dangerous or amusing? Gabi or God? A visually arresting and warm-
The filmmakers step back and allow the hearted feature from director Karl Markovics,
viewer to decide. who first came to attention as an actor SCREENING TIMES
(The Grand Budapest Hotel, The Counterfeiters).
Wellington
Wednesday, 21 September, 7:00pm

Screened in partnership with Christchurch

SCREENING TIMES Wednesday, 28 September, 2:00pm
“Jürgen Brügger and Jörg
Haaßengier have succeeded
Wellington Dunedin
in making a quiet yet almost
Friday, 23 September, 4:30pm Saturday, 1 October, 3:00pm
desperately funny film about one
of the big questions in life.”
– Jury Statement, Grimme Award
New Plymouth New Plymouth
Saturday, 8 October, 4:00pm Wednesday, 5 October, 6:30pm

Auckland Auckland
Thursday, 13 October, 6:15pm Wednesday, 12 October, 6:15pm
Image © Sven O. Hill Image © epo film
 German Film Festival 2016

THE PEOPLE VS. FRITZ BAUER YOU REMAIN THE FARMER

(DER STAAT GEGEN FRITZ BAUER) (DER BAUER BLEIBST DU)
GERMANY 2015 (DRAMA) GERMANY 2013 (DOCUMENTARY)

Festivals (selection): With: Festivals (selection): Production:

Locarno 2015 Burghart Klaußner, Zurich 2013 (competition), Benedikt Kuby
Awards (selection): Ronald Zehrfeld, Munich 2014 Duration:
Audience Award Sebastian Blomberg, Awards (selection): 104 mins
(Locarno 2015), Lilith Stangenberg, Lünen 2014 (Best Film, Languages:
Hessian Film Award 2015 Jörg Schüttauf Best Music) German
Director: Production: Director: (with English subtitles)
Lars Kraume Thomas Kufus Benedikt Kuby Rating:
Screenplay: Duration: Cinematography, Editor: exempt
Lars Kraume, Olivier Guez 105 mins Benedikt Kuby
Cinematography: Languages: Music:
Jens Harant German Norbert J. Schneider
Editor: (with English subtitles) With:
Barbara Gies Rating: Heinrich Wanner,
Music: M – sex scenes & suicide Johannes Gastl
Julian Maas, references
Christoph M. Kaiser
Twelve years after the end of the Second A young man returns to an ancient way
World War, lawyer Fritz Bauer receives a of life in this contemplative documentary
letter tipping him off about the whereabouts about a family farm high in the mountains of “Benedikt Kuby’s first
of Nazi criminal Adolf Eichmann. Apparently “Featuring deeply textured Austria. The Werners have been working the feature documentary film is an
Eichmann, who escaped capture in 1945, performances from Klaußner land for over four centuries. The last of their elegantly shot homage to this
has been spotted in Buenos Aires. Bauer is (The White Ribbon) and Ronald line is Heinz who has been running the farm Tyrolean legend and a sensitive
personally and professionally committed to Zehrfeld (Barbara, Phoenix), single-handedly for most of his adult life. reflection on the change of
tracking him down, but powerful members and propulsive direction by Now in his eighties, he is on the lookout for generations; the story of
of the new West German establishment are a successor and settles on Johannes Gastl.
Lars Kraume.” a transition.”
more interested in blocking his efforts. – Jane Schoettle, Toronto International Film Festival The twenty-two-year-old learns how to
– Zurich Film Festival
Who else will be incriminated if Eichmann is forge a scythe, reap the grain and mill his
put on trial? This legal thriller brings to life own flour, becoming heir to the farm and to
the political tensions of the postwar era and knowledge that has passed down through
pays tribute to the historical Fritz Bauer who SCREENING TIMES generations.
committed an act of treason in order to bring
Wellington
Eichmann to justice.
Saturday, 24 September, 7:00pm

Christchurch
Saturday, 1 October, 3:00pm
SCREENING TIMES
Dunedin Wellington
Saturday, 1 October, 12:30pm Wednesday, 21 September, 4:30pm

New Plymouth New Plymouth

Saturday, 8 October, 6:30pm Thursday, 6 October, 4:00pm

Auckland Auckland
Saturday, 15 October, 8:30pm Tuesday, 11 October, 6:15pm
Image © Martin Menke, zero one film Image © Benedikt Kuby
SCHEDULE German Film Festival 2016

WELLINGTON CHRISTCHURCH NEW PLYMOUTH AUCKLAND

NGĀ TAONGA SOUND & VISION / 21 – 24 SEPT CHRISTCHURCH ART GALLERY / 28 SEPT & 1 OCT GOVETT-BREWSTER ART GALLERY / LEN LYE ACADEMY CINEMAS / 10 – 16 OCT
CENTRE / 4 – 9 OCT

WEDNESDAY 21 SEPTEMBER WEDNEDAY 28 SEPTEMBER TUESDAY 4 OCTOBER MONDAY 10 OCTOBER

4:30pm You Remain the Farmer 2:00pm Superworld 6:15pm Fukushima, Mon Amour 8:30pm Fukushima, Mon Amour
7:00pm Superworld 6:00pm Fukushima, Mon Amour

WEDNESDAY 5 OCTOBER TUESDAY 11 OCTOBER

THURSDAY 22 SEPTEMBER SATURDAY 1 OCTOBER
4:00pm Fukushima, Mon Amour 6:15pm You Remain the Farmer
12:30pm Heidi 12:00pm Heidi 6:30pm Superworld 8:30pm A Decent Man
4:30pm A Decent Man 3:00pm The People vs. Fritz Bauer
7:00pm Fukushima, Mon Amour
THURSDAY 6 OCTOBER WEDNESDAY 12 OCTOBER

FRIDAY 23 SEPTEMBER DUNEDIN 4:00pm You Remain the Farmer 12:30pm Heidi
DUNEDIN PUBLIC ART GALLERY / 1 – 2 OCT 6:30pm 24 Weeks 6:15pm Superworld
4:30pm Organized
7:00pm 4 Kings FRIDAY 7 OCTOBER THURSDAY 13 OCTOBER
SATURDAY 1 OCTOBER
4:00pm A Decent Man 6:15pm Organized
SATURDAY 24 SEPTEMBER 12:30pm The People vs. Fritz Bauer 6:30pm Me and Kaminski 8:30pm 4 Kings
3:00pm Superworld
2:15pm 24 Weeks
4:30pm Me and Kaminski SATURDAY 8 OCTOBER FRIDAY 14 OCTOBER
7:00pm The People vs. Fritz Bauer SUNDAY 2 OCTOBER
4:00pm Organized 6:15pm Fukushima, Mon Amour
12:30pm Heidi 6:30pm The People vs. Fritz Bauer 8:30pm Me and Kaminski
3:00pm 4 Kings

SUNDAY 9 OCTOBER SATURDAY 15 OCTOBER

4:00pm Heidi 6:15pm 24 Weeks

6:30pm 4 Kings 8:30pm The People vs. Fritz Bauer

SUNDAY 16 OCTOBER

3:30pm Heidi
6:15pm 4 Kings

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VENUES AND TICKETS IMPRINT
WELLINGTON (21-24 SEPTEMBER 2016) Goethe-Institut New Zealand
Ngā Taonga Sound & Vision 150 Cuba Street
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84 Taranaki Street Wellington 6141, New Zealand
Wellington Phone: +64 4 3856924
Phone: 04 3847647 Email: [email protected]
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CHRISTCHURCH (28 SEPTEMBER & 1 OCTOBER 2016) The Goethe-Institut is the Federal Republic of Germany’s cultural institution; it operates 159 institutes
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Phone: 03 9417382
christchurchartgallery.org.nz Design: Darcy Woods Design

DUNEDIN (1-2 OCTOBER 2016) Film Texts: Sally-Ann Spencer

Dunedin Public Art Gallery
30 The Octagon Special Thanks to:
Dunedin Alex Giesen, Alison Franks, Amanda White, Andreas Mittrenga, Anne-Marie Schleich, Bettina Senff,
Phone: 03 4743240 Bill Gosden, Camilla Braun-Angott, Chris Hormann, Claudia Rudolph-Hartmann, Darcy Woods,
David Vogelsanger, Diane Pivac, Edel Everling, Elizabeth Ireland, Eva Lautenschlager,
dunedin.art.museum
Gerhard Thiedemann, Gillian Thomas, Haleigh Trower, Hans Kohl, HC Vogel, Helmut Böck,
NEW PLYMOUTH (4-9 OCTOBER 2016) Jane McKenzie, Jenny Harper, Jessica Nikora, Jochen Gutsch, Junelle Ward, Kai Schubert,
Govett-Brewster Art Gallery / Len Lye Centre Kamilla Pfeil-Gardiner, Kathrin Schmidt, Lana Coles, Larissa Schunter, Lisa Berndt, Lynda Cullen,
42 Queen Street Mark Sweeney, Markus Dahl, Martina Spreafico, Michael McDonnell, Mike Walsh, Mirjam Herzog,
New Plymouth Monique Surges, Nicholas McBryde, Nicola Denney, Oscar Halberg, Paul Brobbel, Ralph Schermbach,
Phone: 06 7596060 Robert Distelrath, Ronja Thum, Rose Miller, Sabine Ingartler, Sally-Ann Spencer, Sergi Steegmann,
Sharon Walling, Simon Rees, Sonia McEwen, Sue Footitt, Susan Gibson, Tamar Simons, Tamara Winkler,
govettbrewster.com
Theo Giesen, Thomas Henzschel, Warwick Foley, Wolfgang Rainer Hüsgen
AUCKLAND (10-16 OCTOBER 2016)
Programme Changes
Academy Cinemas We reluctantly reserve the right to change the schedule by amending dates and screening times or
44 Lorne Street replacing films. Any necessary changes will be advertised at the festival venue and on the
Auckland City Goethe-Institut New Zealand website.
Phone: 09 3732761
academycinemas.co.nz
ID will be required for all restricted films.

PLEASE NOTE: Films will be screened from DCP or BluRay/DVD.

Festival tickets are free and will be allocated on a first come/first served basis.
All cinemas are wheelchair accessible, however seating is limited so please contact the cinema to
arrange bookings for these seats.
Please contact us for school screenings of Heidi as they need to be pre-booked one week in advance:
[email protected]
04 3856924
GERMAN FILM FESTIVAL 2016
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