Unit Exam-House On Mango Street
Unit Exam-House On Mango Street
Unit Exam-House On Mango Street
2. When a neighbor woman gives the girls some high heels to play with and they wear them
around the neighborhood, this is symbolic of
A Coming of age
B Stereotyping
C Allusion
D Figurative language
6. Why does Mamacita cry when her baby boy sings the Pepsi commercial in English?
A She prefers Coke
B She cannot sing along with him
C Her husband becomes angry
D She does not want him to speak English
12. “You don’t live far . . . You live across the boulevard. That’s only four blocks. Not
even.”
13. “You must remember to come back. For the ones who cannot leave as easily as you.”
16. "Yes, that's Mexico all right. That's what I was thinking exactly."
18. “Ah, yes, a home in the heart. I see a home in the heart.”
19. "Like it or not you are Mango Street, and one day you'll come back, too."
* * *
20. What scares the people who come into Esperanza's neighborhood?
A The stray dogs
B The people
C The four skinny trees
D The Monkey Garden
24. “I don’t remember when I first noticed him looking at me—Sire. . . I had to look back
hard, just once, like he was glass. And I did. I did once. But I looked too long when he
rode his bike past me . . . It made your blood freeze to have somebody look at you like
that.”
25. “When I am too sad and too skinny to keep keeping, when I am a tiny thing against so
many bricks, then it is I look at trees . . . Four who reach and do not forget to reach. Four
whose only reason is to be and be.”
27. Why doesn't Esperanza go out with her family on Sundays anymore?
A She is ashamed of looking at things they cannot have
B She is getting too old
C She is too stuck up
D She has too much homework
28. What happened while the girls were looking at the clouds?
A They all agreed to stay friends for life
B They all saw the same animal shapes
C They started naming the clouds then began insulting each other
D It began to rain and they all got wet
31. Who says she quit school because she did not have nice clothes?
A Ruthie
B Alicia
C Minerva
D Eperanza's mother
34. The idea that words convey symbolic ideas beyond their meaning is proven in
A “A House of My Own”
B “Black Men and Public Space”
C “What Great Writing Can Teach Us About Trayvon Martin”
D “The Power of Names”
35. When Brent Staples writes “My first victim was a woman—white, well dressed, probably
in her early twenties,” he is describing
A The first woman he ever robbed
B The first woman he noticed trying to distance herself from him
C The first woman whose heart he broke
D The first woman he ever fired
37. TRUE or FALSE: The election of Barack Obama disproves one of the theories
put forth in the essay “The Power of Names.”
38. The anecdote used in “What Great Writing Can Teach Us About Trayvon Martin”
demonstrates the author’s student relying on
A Allusion
B Inference
C Stereotyping
D Character foil
40. Brent Staples writes that whistling in the presence of white people “is my equivalent of
the cowbell that hikers wear when they know they are in bear country.” This is
A A simile
B A metaphor
C Personification
D Onomatopoeia
41. Sandra Cisneros describes Sally, Rafaela, and Ruthie as “women whose lives were white
crosses on the roadside.” This is
A A simile
B A metaphor
C Personification
D Onomatopoeia
42. “It’s like all of a sudden he let go a million moths all over the dusty furniture and swan-
neck shadows and in our bones” is
A Simile
B Hyperbole
C Alliteration
D All of the above
43. “Only a house quiet as snow, a space for myself to go, clean as paper before the poem.”
How many similes are in this line?
A One
B Two
C Three
D None. They are metaphors.
44. “It’s small and red with tight steps in front and windows so small you’d think they were
holding their breath” uses
A Simile
B Metaphor
C Personification
D Onomatopoeia