Man Whom The Trees Loved
Man Whom The Trees Loved
The Man Whom The Trees had kept alive a sense of beauty that hardly
Loved belonged to his type, and was unusual for its vital-
ity. Trees, in particular, nourished it. He, also,
understood trees, felt a subtle sense of communion
by Algernon Blackwood
with them, born perhaps of those years he had lived
in caring for them, guarding, protecting, nursing,
I years of solitude among their great shadowy pres-
He painted trees as by some special divining ences. He kept it largely to himself, of course,
instinct of their essential qualities. He understood because he knew the world he lived in. He also kept
them. He knew why in an oak forest, for instance, it from his wife—to some extent. He knew it came
each individual was utterly distinct from its fellows, between them, knew that she feared it, was
and why no two beeches in the whole world were opposed. But what he did not know, or realize at
alike. People asked him down to paint a favorite any rate, was the extent to which she grasped the
lime or silver birch, for he caught the individuality power which they wielded over his life. Her fear, he
of a tree as some catch the individuality of a horse. judged, was simply due to those years in India,
How he managed it was something of a puzzle, for when for weeks at a time his calling took him away
he never had painting lessons, his drawing was from her into the jungle forests, while she remained
often wildly inaccurate, and, while his perception of at home dreading all manner of evils that might
a Tree Personality was true and vivid, his rendering befall him. This, of course, explained her instinctive
of it might almost approach the ludicrous. Yet the opposition to the passion for woods that still influ-
character and personality of that particular tree enced and clung to him. It was a natural survival of
stood there alive beneath his brush—shining, those anxious days of waiting in solitude for his safe
frowning, dreaming, as the case might be, friendly return.
or hostile, good or evil. It emerged. For Mrs. Bittacy, daughter of an evangelical
There was nothing else in the wide world that clergy-man, was a self-sacrificing woman, who in
he could paint; flowers and landscapes he only most things found a happy duty in sharing her hus-
muddled away into a smudge; with people he was band’s joys and sorrows to the point of self-oblitera-
helpless and hopeless; also with animals. Skies he tion. Only in this matter of the trees she was less
could sometimes manage, or effects of wind in successful than in others. It remained a problem
foliage, but as a rule he left these all severely alone. difficult of compromise.
He kept to trees, wisely following an instinct that He knew, for instance, that what she objected to
was guided by love. It was quite arresting, this way in this portrait of the cedar on their lawn was really
he had of making a tree look almost like a being— not the price he had given for it, but the unpleasant
alive. It approached the uncanny. way in which the transaction emphasized this
“Yes, Sanderson knows what he’s doing when he breach between their common interests—the only
paints a tree!” thought old David Bittacy, C.B., late one they had, but deep.
of the Woods and Forests. “Why, you can almost Sanderson, the artist, earned little enough
hear it rustle. You can smell the thing. You can hear money by his strange talent; such checks were few
the rain drip through its leaves. You can almost see and far between. The owners of fine or interesting
the branches move. It grows.” For in this way some- trees who cared to have them painted singly were
what he expressed his satisfaction, half to persuade rare indeed, and the “studies” that he made for his
himself that the twenty guineas were well spent own delight he also kept for his own delight. Even
(since his wife thought otherwise), and half to were there buyers, he would not sell them. Only a
explain this uncanny reality of life that lay in the few, and these peculiarly intimate friends, might
fine old cedar framed above his study table. even see them, for he disliked to hear the undis-
Yet in the general view the mind of Mr. Bittacy cerning criticisms of those who did not understand.
was held to be austere, not to say morose. Few Not that he minded laughter at his craftsmanship—
divined in him the secretly tenacious love of nature he admitted it with scorn—but that remarks about
that had been fostered by years spent in the forests the personality of the tree itself could easily wound
and jungles of the eastern world. It was odd for an or anger him. He resented slighting observations
Englishman, due possibly to that Eurasian ancestor. concerning them, as though insults offered to per-
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November 12, 2015