IMSLP320259-PMLP518204-Sonatina For Trumpet and Piano Bflat Trumpet

for Mutsumi Shimamaru
Sonatina for Trumpet and Piano Gary Bachlund

I. Allegro giocoso

q. = 60
 
               
         
3

3
     

     
f
 
          

               

  
           

6
     

   

 f
         
     

          


   

 
  
         
                
   

   
              
           
11
     
 
 
 
                    

  

    
  
             

 
 

  
 
           
            
16
         
     
    

   
                 
           
3

3
     

    
  
               
        

   
Copyright © 2009 Gary Bachlund All international rights reserved. www.bachlund.org
2 Sonatina for Trumpet and Piano
             
21
         

        
                 
        

3
    
  
               

 
25
     
               
     

        
           
 
    
         
    

  
           
 
        
                  
29
   
   
        
            
           
     
    
 
 

            

 
 


               

                
33  
  
  
3
             
     
        
       
         
Sonatina for Trumpet and Piano 3

37
                 

3
 
                   
              




3 3 3
      
        
    
               
      
              
42
      

    
  
    
        
         
   


     
  

                          

       
        
46
    
     
                       
               


 
                              
 

50   
                      

  
        
             
               

        f
  
     
          

      
 

3  
 
                    
55
       
3
   
 
      
  
3
         3 

                
     
 

       
              
 
 

 
  




 

 
 
              
60

                  

     
              

     
 
  

  
  
          
                
                 
       
65
          
  
  
 
        
           

 

   
  
              
     
      
    
70
          
                  
  

3 
 

          
            
3



   
  

             


   
      
   
 

circa 2' 30"
II. Adagio lirico
 q = 60  
            
        
mp
             
  

  
  
mp
   
      
      
    
     
     
     
         
7

       
mp   
 
              

               
 
 
       

3 3
f
       
  
     
           

 

   

   
        
12
          

   mp

     
          
  
3   
mp p mp
       
3

     
    
    
 
    
 
  
  

    
       
19
          
   
   
p
  
                   
    

p    
     

       
3
           
 
     
      
     
circa 1' 45"
III. Contrappunto

h. = 70

          
mf
  
     
         

 
  
        
 
      



        
ff f mf f
     
               

   
   
  


     
8
             
       
       
  
            


    

   

  

     
 
16
                
      
    

 


 
       

 


 
 
      
    

     

   

 
23
          
 
   
 
  


                         

   
  
    
              
  
   
               
31

    
      
           
         
 


           
          
      
         
38
            

 
                   
       
              


  
              

   
       

   
45
    
       
 
  
          
  

             
      

   
           
                      
           
 
52

     
         
        
       
       
  
     

 
  
   
  
  
 
  

 

 

   

          
59

               
  
           
     
       
  
 
  

     
       
   
   
67
              
 
      
               
  
        

  
                

         

74
                
  
       
                
         

         
            

           
          

 
80
 
                 
         
               
   

       
                  
      
 
 
 
       
87
        
 
           
                 


  
     
           
  
    

     
       
95
      
  

         
                   
      



 
 

      
   

 
 
 
   

          
102
       
    

            
     




          
                 
       
  
108
  
    
  
       
  
              
      


 

 
 



 
 
mf

f
   

   

   
  
115
             
  
   
      
            
    

   
 
  

   

       


  
  
123
              
 
 
      
 
   
       
     
   
   
     

        
    
  
    
 
       
130
        

   

          
     


    
 

 
 
  
 



 
 




   
 








137
        
          

       
    
    

  


 

         ff
 

  
21 XII 2009
Berlin
circa 2' 05"
for Mutsumi Shimamaru
TRUMPET in B flat
Sonatina for Trumpet and Piano Gary Bachlund
I. Allegro giocoso

q. = 60    
 
  
        

  
  
 f
              
     
12
     
           
16
             
   
    


                 
21
  
            
  
          
26   
 
   

  
        
    
        
30
       
             


  


        
36
       

        
      

3 3
Copyright © 2009 Gary Bachlund All international rights reserved. www.bachlund.org

      
    
41
                     
            
47 
                 
 
           3    3    
       
53  
            

        
58
         
     
       
    
                    
63
    

       
        
68
  
     
  
 
71
   
       
            
circa 2' 30"
TRUMPET in B flat
II. Adagio lirico

q = 60
 
           
          
mp
 
8
           

        
mp     
   
              
14
    

mp
  
20
          
   
p
circa 1' 45"
4 TRUMPET in B flat Sonatina for Trumpet and Piano
III. Contrappunto

h. = 70
  
     
 
 



 

 
  

mf
     
11
                     

     
19
          
  
  

         

   
30
  
       
 
 
 

          
38
             

 
 
           
46


        
  
              
56
      
       
       
65
                 



73
              

           
 
                  
83
 


  
       
             
94


  
   
      
103
    

    
    
  
112
            
        
 
120
             
          
 
        
128
          
          
136
      

       
21 XII 2009
circa 2' 05" Berlin

IMSLP320259-PMLP518204-Sonatina For Trumpet and Piano Bflat Trumpet

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IMSLP320259-PMLP518204-Sonatina For Trumpet and Piano Bflat Trumpet

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What are the three movements of the sonatina?

What instruments is the sonatina written for?

for Mutsumi Shimamaru

Sonatina for Trumpet and Piano Gary Bachlund

          

   

                    

               

Copyright © 2009 Gary Bachlund All international rights reserved. www.bachlund.org

II. Adagio lirico

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