Kendor Volume 34 Jazz Booklet PDF
Kendor Volume 34 Jazz Booklet PDF
Kendor Volume 34 Jazz Booklet PDF
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New Books From Kendor
Effective Etudes For Jazz 2
by Mike Carubia & Jeff Jarvis
This essential book for jazz ensemble auditions, recitals, festivals,
and lessons includes 20 etudes based on the changes to popular jazz
standards so players learn to improvise over the chord progressions
of songs that all jazz musicians should know. The downloadable MP3
tracks include two versions of each etude; one with a professional soloist
& rhythm section, and another with just the rhythm section.
Jazz Series
Art Dedrick Doug Beach
Legacy Editions Rhythm Studies
Vintage charts from the first-ever easy Very easy charts for 4 horns with rhythm
jazz ensemble series. Playable by 3 section that are expandable to full-size big
saxes, 1-3 brass & rhythm and expand- band.
able to full-size big band.
Download Rhythm
Download Legacy Studies MP3 Album
MP3 Album
Doug Beach
Kendor Jazz First Edition Series
Journey Series Easy charts for developing groups,
Medium charts for advancing groups. A playable by 12-17 players.
guitar chord chart is included.
Download First
Download Jazz Edition MP3 Album
Journey MP3 Album
Doug Beach
Kendor Jazz
Threshold Series
Summit Series Medium easy to medium charts for
Advanced charts for proficient big bands. advancing groups.
View Score Play MP3 Play SoloMate View Score Play MP3 Play SoloMate
3
ENCORE EDITION
Night Of The Mojito Freckle Face
by Andrew Neu by Sammy Nestico
Reminiscent of the music of Quincy Jones and Henry As recorded by the Count Basie Orchestra on their
Mancini in the 1960's, this catchy boogaloo is a fun- “Basie Big Band” album of 1975, this easy swing excur-
loving fusion of Brazilian, Afro-Cuban and American funk sion has all the ingredients you'd expect from a classic
influences. While tenor and trumpet are the designated Basie chart - -tasteful piano fills, lots of solid ensemble
soloists, chords are also cued for alto and trombone. work, and a written or ad lib trumpet solo.
#61529 .................................................................... $52 #2345 ...................................................................... $56
View Score Play MP3 Play SoloMate
View Score Play MP3 Play SoloMate
Rush Hour
Play SoloMate
View Score Play MP3 Play SoloMate View Score Play MP3 Play SoloMate
Kendor Jazz
Summit Series
Play SoloMate
Play SoloMate
ENCORE EDITION
Deck The Halls
arranged by Ted Blumenthal
Opening with full brass presentations of the familiar
Welsh air, this funk-style adaptation provides tenor sax
with ample stretching room as soloist.
#3229 ...................................................................... $56
4 View Score Play MP3
Doug Beach Jazz Doug Beach First
Foundations Series Edition Series
Latin Heat
The Five Note Blues by Doug Beach
by Doug Beach & George Shutack Supported by a driving Latin feel, this pleasing original
Serving as the perfect intro to the blues form with a with a flowing melody and open solo section (written
melody of just five notes, this swing original features an solos provided) is a great concert choice! Playable by
open solo section with written or ad lib solos for all. An 12-17 players, optional parts are included for flute,
abundance of full ensemble work rounds out this winning clarinet, horn in F, tuba and vibes.
package that's scored for 5 horns with rhythm section #42196 .................................................................... $45
and expandable to full big band. Optional flute, clarinet
and horn in F parts included. View Score Play MP3 Play SoloMate
#41843 .................................................................... $42
Monk Lives
View Score Play MP3 Play SoloMate
by Doug Beach & George Shutack
This tribute to Thelonious Monk captures the spirit and
Hip Monk Shuffle sounds of his iconic jazz music. Blues-based changes,
by Doug Beach & George Shutack sax and brass solis, and an open solo section (written
The Hip Monk is back to spread the good word about the solos provided) are highlights of this swing original.
essentials of being hip in the form of a catchy rock shuf- Scored for 12-17 players, optional parts for flute, clarinet,
fle with written or ad lib solos for all. Scored for 5 horns horn in F, tuba and vibes are included.
with rhythm section and expandable to full big band, #42234 .................................................................... $45
optional parts for flute, clarinet and horn in F are
included. View Score Play MP3 Play SoloMate
#41855 .................................................................... $42
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Doug Beach SOS
by George Shutack
Threshold Series A dramatic rhythmic fanfare sets the mood for this burn-
ing samba. As the title suggests, the rhythmic pattern
Counting The Days Till Christmas throughout mirrors the Morse code distress signal of 3
by Doug Beach & George Shutack shorts, 3 longs and 3 shorts. A strong groove, solid
Ring in the holidays with this swingin' medley of “O ensemble work, and an open solo section (written or ad
Christmas Tree”, “O Little Town of Bethlehem” and “O lib) combine to create a really exciting piece of music for
Come All Ye Faithful.” Solid voicings, Basie-style figures, any program.
and written or ad lib solos for all add up to a big winner #42839 .................................................................... $52
in anyone's book!
#42482 .................................................................... $52 View Score Play MP3 Play SoloMate
Play SoloMate
Ensemble Series
Hard Bargain
by Mike Tomaro
Terrific as a program opener or closer, this hard-charging Échale Todas Las Ganas
swinger features half-time shuffle funk interludes, great
ensemble writing throughout, and two open solo sec-
(Give It All You Got)
tions-- one for brass, one for saxes (written or ad lib). A by Mark Lathan
strong ensemble shout and fortissimo finish bring it to a Commissioned as part of a project to recognize the late
dramatic close. Bill Carroll and his contributions to music education, this
#42574 .................................................................... $52 burning Latin original will be a favorite of musicians and
audiences alike. With a strong melodic line, abundant
View Score Play MP3 Play SoloMate ensemble work and open solo space, this chart has it all!
#43163 .................................................................... $56
Play SoloMate
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Volum e 3 4 Wr ite r s
Doug Beach formed the publishing com- A trumpet and keyboard player, Mark
pany bearing his name in 1975. As Director Lathan is a native of the Chicago (IL) area.
of Jazz Studies for over 35 years, his Lathan holds a bachelor’s degree in Per-
Elmhurst College (IL) Jazz Band regularly formance from Northern Illinois University
appears with such greats as Clark Terry, and a Ph.D. from University of California,
Diane Schuur, Nicholas Payton, Pete Los Angeles (UCLA). He is presently assis-
Christlieb, Lee Konitz, Louie Bellson, and Bobby Shew. tant professor of Music and Humanities at Waubonsee
Community College in suburban Chicago.
Ted Blumenthal studied with Henry Smith
and Charles Gusikoff of the Philadelphia Sammy Nestico wrote for Count Basie for
(PA) Orchestra. After a stint in the U.S. 17 years, and directed the USAF Airmen of
Army Field Band, he went on the road play- Note and the Marine Band’s White House
ing lead with various bands including the Orchestra. He has also arranged and con-
Buddy Morrow Orchestra, the Glenn Miller ducted recording projects for Bing Crosby,
Orchestra, Woody Herman, Jimmy Dorsey, Billy May Sarah Vaughan, Frank Sinatra, Barbra
and others. Streisand, Natalie Cole, and others.
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George Shutack has been writing for Recording Credits
Doug Beach Music since 1978. In addition
to being a staff writer, he makes many Recorded live at Mighty Fine Productions, Denver (CO)
decisions regarding the company’s musical Engineers: Colin Bricker, Jeff Jenkins, Mario Casilio, and
direction. When he’s not writing music, he Xandy Whitesel
maintains Kendor’s website, works for an Mastering Engineer: Dave St. Onge, DMS Productions,
aeronautics company, and pursues his interest in archi- Ransomville (NY)
tecture. Contractor: Ron Bland
Conductors: Jeff Jarvis, Doug Beach
Mike Tomaro, formerly with the Army Assistant Conductor: Don Gorder
Blues Jazz Ensemble, is Director of Jazz
Studies at Duquesne University in Pitts- Saxophones: Rich Chiaraluce, Bob Rebholz, Eric
burg (PA). He has recorded four CDs Erhardt, Pete Lewis, Mark Harris
under his own name and has appeared on Trumpets: Chris Walters, Mark Raphael, Don Gorder,
many others as arranger and/or performer. Doug Kile, Jeff Jarvis
Trombones: Scott Crump, Nat Wickham, Wade Sanders,
Composer/arranger, bandleader, trombon- Pete Vriesenga
ist Brent Wallarab is currently Associate Piano: Dave Hanson
Professor of Music at the Indiana University Guitar: Randy Chavez
Jacobs School of Music. Before his post Bass: Ron Bland
at Indiana University, he wrote for or per- Drums: Mike Marlier
formed with The Lincoln Center Jazz Or-
chestra, Benny Carter, The Count Basie Orchestra,
Natalie Cole, and Bobby Short.
SoloMate recordings!
versity. He has written for Clark Terry,
David Sanborn, Dave Liebman, and the
USAF Airmen of Note, and has appeared
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SAMMY NESTICO MUSIC
DISTRIBUTED BY KENDOR MUSIC
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KENDOR ARCHIVE EDITIONS
CLASSIC CHARTS AVAILABLE ON A CUSTOM ORDER BASIS ($95 EACH)
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Kendor Vocalist with Big J a zz B ook s
Band Series
featuring male or female vocal soloist (solo part also pro-
vided for tenor saxophone)
Basie-Nestico Lead Books
Lead parts for 9 charts from the “Basie-
Straight Ahead” album. Good for develop-
ing phrasing, endurance and stylistic
All Of Me - arr. Niehaus • grade: MA • style: uptempo
playing skills.
swing • key: Ab • $45, #20
Lead Sax Book: $8.00, #20950
For Once In My Life - arr. Niehaus • grade: M • style:
Lead Trumpet Book: $7.00, #21060
swing • key: Ab • $45, #70
Handbook
by Matt Harris & Jeff Jarvis
All Of Me - arr. Lieb • grade: M • style: swing • $20, This handy reference helps aspiring
#5100 pianists when they’re faced with parts that
offer chord symbols and slashes only. Just
Desafinado - arr. Harris • grade: M • style: bossa nova • like looking up words in a dictionary, players can find two
$20, #5160 voicings for every chord. $20.00, #21115
Intermediate Jazz
Conception
by Jim Snidero
Features 15 tunes with familiar chord
changes in a great play-along format for
developing instrumentalists who want to
strengthen their jazz phrasing, interpretation and im-
provisation skills.
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