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Our Director

1. The document contains sheet music for "Our Director" arranged for first and second horn parts. 2. The music is divided into labeled sections and contains musical notation staffs with notes, rhythms, dynamics, and other markings. 3. It includes instructions at the top for the title of the piece, instrumentation, composer/arranger, and publishing information.

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2K views34 pages

Our Director

1. The document contains sheet music for "Our Director" arranged for first and second horn parts. 2. The music is divided into labeled sections and contains musical notation staffs with notes, rhythms, dynamics, and other markings. 3. It includes instructions at the top for the title of the piece, instrumentation, composer/arranger, and publishing information.

Uploaded by

Al
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Our Director

Piccolo/Flute I in C March
F.E. Bigelow
Arr. by R.E. Hildreth

                          

           

  
 
          
 
                            1.  

         

   
            

13 2.




        
 
          
        
 
     
 
23

  
       1.  
  

      
TRIO

     


2.

           
35


 

                          
   
  
50

   
         
           
    
 
   
 
60

 
           

                
  
71 1. 2.

 
Walter Jacobs, Boston
Transposition prepared by: Gary Bricault
Our Director
1st & 2nd F Horns March
F.E. Bigelow
Arr. by R.E. Hildreth


                                             
  


                                                               
12 1. 2.

           

                                                
23

 

                                                       
31 1. 2.



                                             
40 TRIO

            
 

                              
                          
58

         
 

                                                       
70 1. 2.

                     

Walter Jacobs, Boston Transposition prepared by: Gary Bricault
Our Director
3rd & 4th F Horns March
F.E. Bigelow
Arr. by R.E. Hildreth


     
                                              

 
  
            
                                        
13 1. 2.

   

                                                
23

                            
 
 
                                                     
31 1. 2.

           

         
                        
TRIO
  
40

                
   

 
                                                    
58

 

                         
                                                    
70 1. 2.


 
Walter Jacobs, Boston Transposition prepared by: Gary Bricault

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