African Songs and Drum Beats
African Songs and Drum Beats
African Songs and Drum Beats
‘Working with drum patterns involves the use and development of aural and
temporal thinking. These learning modes have their own languages and sets of skills
– similar to visual and verbal thinking. Some students excel in aural and temporal
activities who otherwise face difficulties in the learning approaches emphasised in
conventional educational settings’
The Algebra Project
Drum Beats
Drum Language
African Songs
African stories
Exploring percussion
Children learn to sing African and Caribbean songs and play Djembes and other
percussion instruments in solo and ensemble contexts. They learn improvising skills,
and develop fluency and accuracy through accompanying singing, dancing and
storytelling. Rhymes and rhythms are drawn from Africa and the Caribbean, and
children are encouraged to invent, develop and perform their own cyclic patterns.
Children
learn to work together as a team
gain confidence in performing solo and in an ensemble
develop greater self-esteem and esteem
gain knowledge and understanding of music from different traditions
African Songs
African Songs introduces popular action and sociable songs from West Africa and the
Caribbean. The examples are drawn from the Cumbria Music Service West African
Drumbeats Wider Opportunities programme.
Home again
This song is very popular in West Africa. Soldiers and sailors frequently sang it when
returning home. There are versions in several African languages.
Sailors on long voyages made decorative boxes from shells and other materials for
sweethearts at home. Sometimes, the words ‘Home Again’ made up part of the
design.
Ask children to imagine they are going on a long journey. What would they miss
most about home?
This song was a favourite of the Sierra Leone musician, Ebenezer Calendar.
However, his most popular song was ‘Fire! Fire!’ He is said to have sung this to
entertain passengers on board ship. The tale goes that as soon as he began to sing,
other passengers raised the alarm thinking the ship was in danger!
Ranky tank
This song tells a funny story about a pig and a mouse. Although the story originated
in Africa, the song is Caribbean. Accompanying movements and rhythm patterns are
to be found on the West African Drumbeats CD rom. See example lesson plan below
.
Koko-rio-ko (Cock-a-doodle-doo)
This African folk song is sung in Creole:
Cock-a-doodle-doo!
Cock-a-doodle-doo!
Cock-a-doodle-doo!
Cock crows in the day.
A cockerel crowing during daylight is considered unusual, and may mean something
strange is about to happen!
Drum Beats
Zozo Shuaibu explains the correct way to hold and sit with the Djembe, along with
open, bass and mute tones.
Ranky-Tank
Vocabulary
structure, call, response
Learning Objectives
Children should learn
to identify simple musical structures
to perform a Caribbean singing game
to explore and combine parts within a musical structure
Learning Outcomes
Children
sequence and perform movements to Ranky-Tank
Teaching Activities
Activity 1
Listen to Rank -Tank
The song tells a story. Can the children retell it in their own words?
Can they identify the repeated response? (Ranky-tank sung by Sam)
Do children notice the Ranky-tank ‘call’ (Zozo) differs from the Ranky-tank
‘response’ (Sam)? Can they say/show how it differs?
Sing and clap the Ranky-tank response while Zozo and Sam sing the song
Practise the response on djembes using different combinations of tones
(Bass, Open and Mute)
Learn to sing the first part of the song as call and response
Call: Ranky-tank!
Response: Ranky-tank!
Call: Ranky-tank!
Response: Ranky- tank!
Call: Ranky-tank!
Response: Ranky-tank!
Call: Oh! Oh! Ranky-tank!
Response: Ranky-tank!
Perform accompanying the sung response with different combinations of
djembe tones and percussion instruments
Activity 2
Watch Zozo perform Ranky-Tank as a singing game. CD AFRICAN STORIES
>DANCES>Ranky-Tank
Learn and practise the song and actions
Listen to the clave rhythm accompanying the dance. Clap along with this.
Appoint
a) a timekeeping group
b) a djembe group to drum the response (see above)
c) player/players to maintain the clave rhythm
d) dancers
e) singers