H Y P E R K E Y B O A R D S

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OWNER’S MANUAL
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 Summary
Control Panel, 4 [TAP TEMPO], 11
[FILL BASIC], 11
[FILL VAR], 11
Rear panel connections, 6 [VARIATION], 11
[ARRANGE], 11
[AUTOSET], 11
Introduction, 7 MAKING UP CHORDS USING THE WHOLE KEYBOARD RANGE (FREESTYLE), 11
What is the CD20/30, 7
STOPPING A STYLE ON KEY RELEASE (AUTOSTOP), 11
Maintenance, 7
CHANGING HOW THE BASS PART PLAYS (BASS FOLLOW), 12
Precautions, 7
Copyright and responsibility waver, 7

Harmony, Digital Multi-Effects, Master Tuning, 12

Power supply, connections, demos, 8 HARMONY, 12
Activating the Harmony function, 12
POWER SUPPLY, 8
How to use the Harmony function, 12
Inserting the batteries, 8
Turning off the Harmony function, 12
Connecting the mains adaptor to the power supply, 8
AMPLIFICATION, 8 DIGITAL MULTI-EFFECTS, 12
Built in speakers, 8 MASTER TUNING, 12
External amplification, 8 Transposer, 12
Stereo headphones, 8 Tune, 12

PEDALS, 8
Damper, 8
The Touch Keyboard, 13
Volume, 8
DEMO, 8
How to select Sounds and Styles using the [PAGE]
buttons, 13
The keyboard and instrument parts, 9 Sound selection, 13
THE KEYBOARD, 9 Style selection, 13
THE INSTRUMENT PARTS, 9
UPPER AND LOWER, 9
Programming the LAYER mode, 9 The two sound banks, 13
Programming the SINGLE mode, 9 Selecting a sound bank, 13
Returning to the SPLIT mode, 9
Changing the split point, 9
Songs, 14
ASSIGNING UPPER AND LOWER SOUNDS, 10
SELECTING AND PLAYING BACK A SONG, 14
Assigning a Sound to the Upper part, 10
How to select a Song, 14
Assigning a Sound to the Lower part, 10
Playing back a Song, 14
Playing with the Song accompaniment, 14
Styles, 10 THE TRACK BUTTONS IN SONGSTYLE, 14
CHOOSING THE STYLE, 10 [CHORDS], 14
[LOWER], 14
DRUM, BASS, ACC1, ACC2, 10
[UPPER], 14
REGULATING THE PART VOLUMES, 10
THE TRACK BUTTONS IN REALSONG, 14
AUTOMATIC SUSTAIN IN THE LOWER PART, 10
[CHORDS], 14
CHANGING THE TEMPO, 10 [LOWER], 14
CONTROLLING THE STYLE, 10 [UPPER], 14
[[START/STOP], 10 THE SPECIAL TRACKS, 14
[SYNC START], 11
HOW TO RECORD A SONGSTYLE, 15
[INTRO/END], 11
Preparation (before recording), 15
 Recording, 15 How to assign Midi channels on the CD20/30, 23
To exit the “record” mode, 15 GENERAL MIDI, 23
“Overwriting”, 15 Standardized sounds, 23
HOW TO RECORD A REALSONG, 15 The 16 General Midi parts, 23
Preparation (before recording), 15 WHEN THE CD20/30 IS CONTROLLED BY ANOTHER INSTRUMENT, 23
Recording, 16 How to change the Sound, 23
To exit the “record” mode, 16 How to change the Style, 23
THE SONG NAME, 16 How to control the Style, 24
CHANGES AND CORRECTIONS, 16 WHEN THE CD20/30 IS CONTROLLING ANOTHER INSTRUMENT, 24
Editing the Sound and initial volume, 16 How to change the Sound, 24
How to erase parts (CLEAR), 16 How to change the Style, 24
Erasing a note or a percussive instrument (ERASE), 16 How to control the Style, 24
Editing Program Changes after the initial one (EDIT—Program Change), 17 SPECIAL MIDI FUNCTIONS, 24
Deleting Volume messages (EDIT—ClearVolume), 17 Local ON/OFF, 24
Correcting rhythmic errors (QUANTIZE), 17 Slave Keyboard: Tracks, 25
MIDI Clock, 25
Start/Stop ON/OFF, 25
How to program a Style, 18 MIDI Filters, 25
How a Style is made up, 18 MIDI Dump, 26
THE TRACK BUTTONS, 18 DYNAMICS, 26
[DRUM], 18
[BASS], 18
[ACC1/2], 18 Disks, 27
HOW TO RECORD A STYLE, 18 A few rules, 27
Preparation (before recording), 18 The contents of a disk, 27
How to record, 19 How the DISK mode is structured, 27
Exiting the “record” mode, 19 Exiting the DISK mode, 27
Sound and volume settings for the Upper and Lower parts, 19 HOW TO FORMAT A DISK, 27
STYLE NAMES, 19 HOW TO LOAD DATA FROM A DISK, 27
MODIFICATIONS AND CORRECTIONS, 19 “PLEASE: Clear Styles or Songs”, 28
Editing the Sound and initial Volume settings, 19 Assigning Samples to the Touch Keyboard, 28
How to edit the starting tempo and initial effects, 19 HOW TO SAVE DATA TO DISK, 28
Erasing parts (CLEAR), 19 READING GEM WS DISKS, 28
How to erase a note or a percussion instrument (ERASE), 20 GEM WS Series Song Patterns, 28
Editing Program Changes after the initial one (EDIT—Program Change), 20 GEM WS Series Prog.Styles, 29
Erasing Volume messages (EDIT—ClearVolume), 20 How to load a GEM WS Song pattern, 29
How to correct rhythmical errors (QUANTIZE), 21 How to load a GEM WS Prog.Style, 29
Copying one complete Style into another, 21 Dynamic level conversion (“WS Dynamic Level” function), 29
Copying a riff from a different Style, 21 READING MIDI FILES, 29
Copying a riff within the same Style, 21 How to create a Midi File with a sequencer, 29
SUGGESTIONS, 21 Some rules to observe when using Midi Files with the CD30, 30
How to load a Midi File, 30
Playback of a Midi File, 30
MIDI, 22
What is Midi?, 22
Midi Connections, 22 Glossary, 31
The MIDI THRU port, 22
The MIDI mode structure, 22
How to exit from MIDI mode, 22 Technical specifications, 32
INSTRUMENT PARTS AND MIDI CHANNELS, 22
The special Common Channel parts, 23
 Control Panel
16 17

TEMPO LOWER
DANCE BEAT ROCK'n JAZZ LATIN FOLK ETHNIC POP CD STYLES CD STYLES CD STYLES PROG SONGS PIANO

00 ROCK 1 08 8 BEAT1 16 BOOGIE 24 SWING 1 32 BOSSA 40 WALTZ 1 48 P.DOBLE 56 POP 1 64 CD_1 72 CD_9 80 CD_17 88 PROG 1 96 SONG1 00 GRAND
01 ROCK 2 09 8 BEAT2 17 ROCK'n 25 SWING 2 33 SAMBA 41 WALTZ 2 49 KARS 57 POP 2 65 CD_2 73 CD_10 81 CD_18 89 PROG 2 97 SONG2 01 PIANO1
02 RAP 10 8 BEAT3 18 TWIST 26 SWING 3 34 LATIN 42 MARCH 50 ANADOLU 58 POP 3 66 CD_3 74 CD_11 82 CD_19 90 PROG 3 98 SONG3 02 PIANO2
03 HOUSE 11 8 BEAT4 19 CHARL. 27 FOXTROT 35 SALSA 43 POLKA 51 ARAB 59 POP 4 67 CD_4 75 CD_12 83 CD_20 91 PROG 4 99 SONG4 03 HONKY
04 DANCE 12 16 BEAT1 20 SLOW R.1 28 BIG BAND 36 CHACHA 44 BAROQUE 52 MALFOUF 60 POP 5 68 CD_5 76 CD_13 84 CD_21 92 PROG 5 STYLE UPPER 04 E.PIANO1
05 FUNK 1 13 16 BEAT2 21 SLOW R.2 29 SHUFFLE 37 RHUMBA 45 COUNTRY 53 KERON. 61 POP 6 69 CD_6 77 CD_14 85 CD_22 93 PROG 6 05 E.PIANO2
06 FUNK 2 14 16 BEAT3 22 BALLAD1 30 J.WALTZ 38 MAMBO 46 BEGUINE 54 TROT 62 POP 7 70 CD_7 78 CD_15 86 CD_23 94 PROG 7 06 HARPSI
07 FUSION 15 16 BEAT4 23 BALLAD2 31 DIXIE 39 TANGO 47 REGGAE 55 ENKA 63 POP 8 71 CD_8 79 CD_16 87 CD_24 95 PROG 8 07 CLAVI
ESC +10
0
NG SOUN
E/SO DS
S TY L
CHORDS LOWER UPPER
MEMORY HARMONY
DRUMS BASS ACC 1/2

1 2 3
ABC DEF GHI

QUANTIZE CLEAR COPY SPLIT LOWER

4 5 6
max JKL MNO PQR
STYLE/SONG RECORD UTILITY
7 8 9
STU VWX YZ_
START SYNC INTRO
VARIATION AUTOSET
STOP START END
0
PAGE NAME PAGE
min
BANK 1/2
TAP FILL FILL TEMPO DATA
TEMPO BASIC VAR ARRANGE FREESTYLE –

VOLUME MANUAL CONTROLS AUTOMATIC STYLES M

1 2 3 4 5 6 7 8 9

1. Volume. Regulates the general volume level. The regula- 4. Automatic Styles. [VARIATION] activates/disactivates the
tion is proportional with respect to the individual regulation of Style variation. [AUTOSET] changes the part Sounds, tempo
each timbral part. and effects when the Style is changed. [ARRANGE] activates/
2. Manual Controls. Manual control of the rhythm and auto- disactivates the automatic accompaniment parts (except for
matic accompaniment. [START/STOP] starts or stops the the Drum parts). [FREESTYLE] eliminates the split and al-
style. [SYNC START] starts the Style when a note or chord in lows a chord for the Style to be constructed (a minimum of 3
the Lower part is played (or restarts the Song). [INTRO/END] notes) using the whole keyboard range.
starts or stops the Style with an intro or an end fill. [TAP 5. Utility. Controls the interaction between the Lower e Up-
TEMPO] starts the Style after the tempo has been tapped per parts of the keyboard. [SPLIT] activates/disactivates divi-
out. [FILL BASIC] recalls the fill and/or reverts to the basic sion between the Upper and Lower parts. [LOWER] activates/
Style version. [FILL VAR] recalls the fill and changes the Style disactivates the Lower part. [MEMORY] sustains the notes
variation. played in the Lower part. [HARMONY] harmonizes the Up-
3. Style/Song Record. Sequencer controls. Style e Song re- per part with the chord used in the Lower part.
cording. [CHORDS/DRUM], [LOWER/BASS], [UPPER/ACC1/ 6. The [STYLES] and [SOUNDS] buttons. [STYLES] pre-
2] are the track buttons. [QUANTIZE] makes the quantize pares the keypad for Style selection. [SOUNDS] prepares
function available. [CLEAR] gives access to global erasure the keypad for Sound selection. When pressed at the same
(Clear), selective erasure (Erase), and editing (Edit). [COPY] time they give an [ESC] function, which cancels certain change
allows a Style or one of its parts to be copied. situations and allows exit from the Song “record” mode, from

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CHROM. P ORGAN GUITAR BASS STRINGS ENSEMBLE BRASS REED PIPE LEAD SYNTH SYN SFX ETHNIC DRUMS SFX

08 CELESTA 16 ORGAN1 24 NYLON 32 Ac.BASS 40 VIOLIN 48 STRING 56 TRUMP 64 S.SAX 72 PICCOLO 80 SQUARE 88 NewAGE 96 RAIN 104 SITAR 112 DrumsCD 120 Gtr.NOISE
09 GLOCK 17 ORGAN2 25 STEEL 33 El.BASS 41 VIOLA 49 SlwSTR 57 TROMB 64 A.SAX 73 FLUTE 81 SAWTH 89 WARM 97 TRACK 105 BANJO 113 DrumsWS121 Brt.NOISE
10 M.BOX 18 ORGAN3 26 JAZZ 34 Pk.BASS 42 CELLO 50 SySTR1 58 TUBA 66 T.SAX 74 RECORD 82 CALLIOP 90 SyPOLY 98 CRYST 106 SHAMIS 114 HOUSE 122 SEASHOR
11 VIBES 19 CHURCH 27 CLEAN 35 Fr.BASS 43 CONTRA 51 SySTR2 59 MUTED 67 B.SAX 75 PAN flute 83 CHIFF 91 SyCHOIR 99 ATMOSP 107 KOTO 115 ROCK 123 BIRD Tw.
O1 12 MARIMBA 20 REED 28 MUTEgtr 36 SLAP 1 44 TREMOL 52 CHOIR 60 Fr.HORN 68 OBOE 76 BOTTLE 84 CHARAN 92 BOWED 100 BRIGHT 108 KALIMB 116 GATE 124 TELEPHON
O2 13 XYLOPH 21 ACCORD 29 OVERgtr 37 SLAP 2 45 PIZCATO 53 VOICE 61 BRASS 69 EnHORN 77 SHAKUN 85 SoloVOX 93 METAL 101 GOBLIN 109 BagPIPE 117 ELECTR 125 HELICOPT
14 Tb.BELL 22 HARMON 30 DISTgtr 38 SyBASS1 46 HARP 54 SYNTH 62 SyBRS2 70 BASSON 78 WHISTLE 86 5thWAVE 94 HALO 102 ECHOES 110 FIDDLE 118 JAZZ 126 APPLAUSE
15 DULCIM 23 BANDON 31 HARMgtr 39 SyBASS2 47 TIMPANI 55 OrchHIT 63 SyBRS2 71 CLARIN 79 OCARINA 87 BassLead 95 SWEEP 103 SCI-FI 111 SHANAI 119 SYMPHO 127 GUN SHOT

DRUM TUNE GENERAL 15

EFF1 DISK SOUND/PERC.

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BASS TRANSPOSER

EFF2 MIDI 13
ACC 1/2 MASTER TUNING DIGITAL MULTI EFFECT USER DEMO

LOWER

UPPER
10. Mixer - On/Off. Controls
the volume of the instrument
parts. Pressing a pair of but-
MIXER - ON/OFF TOUCH KEYBOARD tons activates/disactivates the
corresponding part.
11. Master Tuning. Key shift-
ing (TRANSPOSE) and fine
tuning (TUNE) of the instru-
ment. Pressing a pair of but-
10 11 12 tons at once brings transpo-
sition or tuning back to zero.
12. Touch Keyboard. A se-
ries of pads available for
playing percussion instru-
ments or samples.
the MIDI and DISK programming modes and from the Song 13. The [DEMO] button. Starts a sequence of
and Style edits. demo songs. Press the button once more to stop the sequence.
7. The Keypad. Consists of numbers and letters. If the Style 14. User. [DISK] gives access to the disk drive (only on CD30).
name flashes on the display, enter the chosen style. If the [MIDI] gives access to the Midi programming mode.
Upper Sound flashes then enter the chosen Upper Sound. 15. Digital Multi Effect. The effects section. The centre but-
and likewise if the Lower Sound is flashing enter the Lower tons activate/disactivate the effects. The arrow buttons are
Sound required. used to select one of the 16 different variations of each ef-
8. The [PAGE] buttons. In the MIDI or DISK modes these fect. EFF1 covers the modulations (chorus, phaser, flanger,
allow movement between the previous or successive edit ensemble, rotary). EFF2 covers various types of reverb (hall,
pages. If the Sound name is flashing they allow you to scroll room, concert, church, vocal, plate) and delay.
backwards and forwards in the Sound list. If the Style name 16. Style List. Styles listed in family groups. Each Style has
is flashing you can scroll backwards and forwards in the Style a number which is used to select it on the keypad or by MIDI
list. When pressed together they allow a different sound bank (Program Change).
to be chosen (Sound Bank 1 or 2). 17. Display. Normally shows the tempo, Style and Sounds of
9. The [TEMPO-DATA] buttons. Allow you to vary the Style the Upper and Lower parts. Other information will appear when
tempo. If pressed together they set the tempo to a 120 mid- a parameter is being modified.
tempo. In the MIDI and DISK modes they allow you to change 18. Sound List. Sounds are grouped into families according
the values of the parameters set. to the General MIDI standard. Each Sound has a number
which is used to select it on the keypad or by MIDI (Program
Change).
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 Rear panel connections

THRU IN OUT DAMPER VOLUME LEFT RIGHT LEFT RIGHT PHONES ON/OFF

IC
US
ALM
IN OUT 12 V D.C.

ER
GEN
MIDI

THRU IN OUT DAMPER VOLUME LEFT RIGHT LEFT RIGHT PHONES ON/OFF

IN OUT 12 V D.C.
MIDI

1 2 3 4 5 6 7 8 9

1. Contrast. Regulates the display contrast. If you are connecting up to a hi-fi stereo amplifier use two
2. Midi In/Out/Thru. Sockets for connection with other musi- RCA type mini jack plugs:
cal instruments (or computers). MIDI IN allows the CD20/30
to be controlled by another instrument. MIDI OUT lets the
OUT

CD20/30 control another instrument. MIDI THRU passes out

IN

all data arriving at the MIDI IN port.

3. Damper. For connecting a Damper (or Sustain) pedal. Sus-
tains the Upper part notes.
4. Volume. Connection for a Volume pedal. This controls the 7. Phones. Output for stereo headphones. Use an RCA 1/4”
overall volume of the instrument. adaptor for walkman or minidisc headphones.
5. Audio In Left-Right. Inputs for another musical instrument 8. Power supply socket. Connect the optional mains adap-
or another sound source (Compact Disc, MiniDisc, DAT, tor to this socket. The power supply overrides any batteries
audiotape...). The incoming sound can be either mixed with which may be in the instrument.
that of the CD20/30 and heard through the built in speakers, Please note: do not use other makes of mains adaptor which
from the AUDIO OUT socket or from the PHONES output. have not been specially designed for the CD20/30. Some
6. Audio Out Left-Right. Outputs for connection with an am- other transformers may look like the same but can cause
plifier or an amplified mixer. Connect both outputs for Stereo serious damage to the circuitry. Check that the adapter shows
or just the RIGHT output for mono. Use two 1/4” jack plugs the following symbol (= internal positive pole):
for connection with a musical instrument amplifier:
OUT

9. On/Off switch. Turns the CD20/30 on or off!

IN

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Introduction

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What is the CD20/30

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The CD20/30 is a keyboard which can provide automatic accompaniment (Style). The Styles allow you to play live with the

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backing of a “real band”; one person alone can give the impression of playing all the instruments in this band single handed,
either for personal enjoyment or to entertain friends.
As well as this, the CD20/30 can memorize up to four Songs which play back a performance and allow you to listen to that
performance over and over again to see where you went wrong, or the CD20/30 can be used as a backing track while you play
another instrument over the top.
Of course, the CD20/30 can be used as a solo instrument in a real group and, because of its realistic sounds, it can be used as
an electronic organ, piano or even a whole string orchestra.
The sounds of the CD20/30 are “sampled”, that is to say recorded from live sources using a technique similar to that used for
the Compact Disc. Sampling allows sounds to be obtained which are very realistic, clear and dynamically very strong.
The CD20/30 can use its own built in speakers, or can be connected up to an external amplification system (stereo amplifiers,
amplified speakers, amplified mixers).
The CD30 model incorporates a disk drive, which allows automatic rhythms and songs to be stored and played again as well as
allowing Midi File disks, available in music shops, to be loaded.

Please note: on switching off some program settings are lost

Every time the CD20/30 is switched off, its settings return to the initial state (called the default mode). The sounds assigned to
the instrument parts and the Style selections revert to the factory set configurations.
The Songs, Prog. Styles, split keyboard settings and certain MIDI settings however, do stay in the memory once the instrument
has been turned off because they rely on a battery powered back up memory.

Maintenance
• Clean the surface with a soft cloth which has been slightly dampened with light detergent.
• Clean the display with a suitable lens or monitor solution.

Precautions
• Read carefully the chapter on “ Power supply and connections” before turning on the instrument.
• Only use the type of batteries recommended and the optional mains adaptor supplied by Generalmusic.
• Do not use the instrument near water.
• Carefully check the amplifier volume control before starting to play. Excessive volume can cause permanent hearing loss.
• Keep the instrument away from heat sources. Do not expose the instrument to intense cold.
• Leave enough space around the instrument for it to be properly ventilated.
• Do not let any small objects or liquids fall into the instrument. If such a situation should occur, switch off the instrument
immediately and seek specialist technical help.
• Do not open up the instrument.
• Seek specialist technical help when: a) the mains adaptor is damaged; b) objects or liquid have got inside the instrument; c)
the instrument has been affected by rain; d) the instrument starts functioning unusually; e) the instrument has been dropped
and the outside casing has been damaged.

Copyright and responsibility waver

All the information contained in this Owner’s manual has been carefully prepared and checked. No responsibility will however
be assumed for eventual errors. All rights are reserved and this document may not be copied, photocopied or reproduced,
either whole or in part, without the prior written consent of Generalmusic S.p.A.
Generalmusic reserves the right to make any aesthetic, design or functional modifications it considers necessary to any of its
products without prior notice.
Generalmusic assumes no responsibility for any damage to things or persons caused by the improper use of its products.

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 Power supply, connections, demos

Power supply Built in speakers

The CD20/30 can either be powered by batteries, or by the These work when no headphones are connected to the
mains supply (using the optional mains adaptor). headphone socket. They work independently from the out-
puts for external amplification.
The two methods of supplying power are alternatives. When
the mains adaptor plug is inserted it automatically overrides
the batteries. External amplification
Connect an external amplifier to the LEFT and RIGHT out-
Inserting the batteries puts (use both for a stereo signal or just the RIGHT/M output
for a mono signal).
If connected, unplug the mains adaptor from the socket on
the instrument. To exclude the built in speakers and just use an external am-
plifier all you need to do is plug headphones (or even just a
Use 1.5V “C” size (R14) batteries. Alkaline batteries last longer
normal jack plug) into the PHONES socket.
than normal ones and should be preferred.
Use the [VOLUME] slider to regulate the volume output from
1. Turn the instrument over so that the battery compartment
the CD20/30.
underneath is accessible:

Stereo headphones
Connect stereo headphones to the PHONES socket. Plug-
ging in a jack disactivates the built in speakers.
2. Remove the flap and slide in the batteries. Make sure that
the “+” and“-” polarities on the batteries coincide with the
corresponding polarity signs marked on the instrument ( Pedals
the “-” pole must be towards the inside of the compart- Special Damper and Volume pedals, available as options from
ment). Generalmusic can be connected to the instrument.
3. Close the battery compartment and turn the instrument
back the right way up.
4. Turn on the instrument by setting the switch to ON. Damper
Needs a “footswitch” type pedal.
Connecting the mains adaptor to the power supply Pressure on this pedal means that the notes of the Upper
instrument part are held, like the sustain pedal on a tradi-
Use only the mains adaptor provided as an option by tional piano.
Generalmusic. Any other type of adaptor, even though it may
look the same, may not be suitable and will therefore cause
damage to the equipment. Volume
1. Connect the mains adaptor jack plug into the “12V D” Needs a “continuous control” type pedal.
socket at the rear of the instrument.
Movement of this pedal controls the overall instrument vol-
2. Plug the other end of the mains adaptor into a wall socket. ume and serves the same purpose as the [VOLUME] slider.
3. Turn on the instrument by setting the switch to ON.

Demo
Amplification
Having made all the connections, you can now check whether
The sound from the CD20/30 can either be heard through sound comes out properly from the speakers, the headphones
the built in speakers, through an external amplifier or through or from the external amplifier. Use the DEMO function for
headphones. this.
The volume of the built in amplifier and the stereo headphones 1. Press the [DEMO] button to start the sequence of demo
can be regulated using the [VOLUME] slider. songs. During this phase it is not possible to use any other
function on the instrument apart from the volume slider
[VOLUME].
2. Press the [DEMO] button once more to interrupt the se-
quence and return to the instrument’s normal functioning
mode.

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The keyboard and instrument parts

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The keyboard

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The CD20/30 has a 61 note (from C2 to C7) dynamic key-

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board; this means that the harder you press the keys, the
louder the sound.

The instrument parts

The CD20/30 can play up to six instrument parts, two on the
keyboard (Upper e Lower) and four automatic accompani-
ments (Drums, Bass, Acc1, Acc2).
As well as this, using Midi, it is possible to make the CD20/30
play sixteen instrument parts (see the chapter on “Midi”).

Upper and Lower

- SPLIT mode:
When the keyboard is turned on, Upper plays in the right
hand section of the keyboard while Lower plays the left hand
side.
- LAYER mode:
Upper e Lower can play together over the whole keyboard
range.
- SINGLE mode: LOWER SECTION

Upper plays throughout the whole keyboard range while Lower

SPLIT LOWER
does not play at all.
Upper
Lower
Programming the LAYER mode
1. Press the [SPLIT] button so that its led goes out.
2. Upper e Lower play together throughout the whole key-
board range.

LOWER SECTION

Programming the SINGLE mode

SPLIT LOWER

1. If lit, press the [SPLIT] button so that its led goes out.
2. Press the [LOWER] button to turn off its led. Upper
3. Upper plays throughout the whole keyboard range while
Lower does not play at all.

Returning to the SPLIT mode

LOWER SECTION
1. If they are unlit, press the [LOWER] and [SPLIT] buttons
to make their leds come on. SPLIT LOWER

2. Upper plays in the right hand keyboard section while Lower Lower Upper
plays in the left hand side.

The point where the keyboard divides, the “split point”, is

indicated by a white triangle printed over the keyboard.
The split point can be changed using the procedure out-
lined in the next paragraph.

Changing the split point

1. Press and keep pressed the [SPLIT] button. On the key-
board press what is to be the highest note of the Lower
part.

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2. The split point has now been changed to the note just blink on the display.
played. 3. Select the Sound as you did for the Upper part.

Assigning Upper and Lower sounds Drum, Bass, Acc1, Acc2

The voices of the CD20/30 are called “Sounds”. The Sound These instrument parts are used by the Style for automatic
list is printed on the control panel to the right of the display. It accompaniment. It is not possible to play them on the key-
is possible to assign a particular Sound to the Upper and board itself.
Lower instrument parts.

Regulating the part volumes

Assigning a Sound to the Upper part
Regulate the volume of each part with the MIXER ON/OFF
1. If the Sound name is not flashing, press the [SOUNDS]
buttons. When a button is pressed, the display momentarily
button so that it does.
shows a graphic representation of the part volume.
2. Use the keypad to key in the number which corresponds
The volumes of parts Acc1 and Acc2 are always paired to-
with the Sound you want. If the number is between 00
gether.
and 09, key in the zero too. If the number is between 100
and 127, press [SOUNDS] for the hundreds and then the [<] decreases volume, [>] increases it.
remaining two numbers. When pressed together, a pair of buttons disactivate the cor-
Example: To select “01/Piano1” key in [0][1]. To select “127/ responding part (“off”), or they reactivate it again (“on”).
Gunshot” key in [SOUNDS][2][7].
3. On the display, under the word “Sounds”, the name of the
Sound selected will appear. Automatic sustain in the Lower part
The notes played in the Lower part can be held even when
your hand is taken away from the keys. This can be achieved
Assigning a Sound to the Lower part
using the Memory function, which is disactivated when the
1. If the Sound name is not flashing, press the [SOUNDS] instrument is turned on. To activate this function press the
button so that it does. [MEMORY] so that its led comes on. To disactivate it press
2. Press and keep down the [LOWER] button during the se- the button so that the led goes out.
lection phase. The name of the Lower Sound will begin to

Styles
A style is an automatic accompaniment, which can be con- Changing the tempo
trolled by making up chords on the keyboard. The buttons in
the MANUAL CONTROLS and AUTOMATIC STYLES sec- The metronome tempo can be varied using the [TEMPO-
tions allow you to start or stop the accompaniment, and to DATA] buttons. The current tempo appears on the display,
choose the way in which the Styles are executed. under the “Tempo” heading.
A list of Styles is printed on the control panel, to the left of the When changing the Style, if the [AUTOSET] led is on, the
display. tempo is changed too, in keeping with the Style.
When pressed together, the [TEMPO-DATA] buttons default
to a mid-tempo of 120.
Choosing the Style
When the instrument is switched on, a Style is already loaded
Controlling the Style
and ready to play. Use the following procedure to choose a
different Style. In order to make all the accompaniment parts play together,
1. If the name of the Style is not flashing, press the [STYLE/ use your left hand (in the left keyboard section under the split
SONG] button so that is does. point ) to play a note or chord. A single note will produce a
2. Use the keypad to key in the number corresponding to major chord.
the Style required. If the number is between 00 and 09,
key in the zero too.
[START/STOP]
Example: To choose “01/Rock2” key in [0][1].
3. On the display, under the heading “Styles”, the name of Used to start or stop a Style playing.
the Style selected will appear.

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[SYNC START] [ARRANGE]

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Makes the Style start as soon as a note in the left keyboard Activates/disactivates the Bass, Acc1 and Acc2 instrument

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section is played, without having to press [START/STOP]. parts. When the led is on, all the automatic accompaniment

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1. With a Style in the stop mode, press [SYNC START]. A parts can be heard. If the led is off, only the Drum part is

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quaver (E) sign will appear on the display. available.

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2. Play a note or a chord in the left hand keyboard section.

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The Style will automatically start playing.
[AUTOSET]
4. To disactivate this function press [SYNC START] once
more when the Style has stopped. Activates/disactivates the automatic changing of certain set-
tings when the Style is changed.
If the led is on, when you change the Style then the tempo,
[INTRO/END] the Upper and Lower Sounds, the part volumes and effects
An alternative to [START/STOP]. Starts or stops the Style all change too. If the led is off, when the Style is changed
playing, but with the addition of an intro or with a coda. these settings do not change.

[TAP TEMPO] Making up chords using the whole keyboard range

Allows you to tap out the tempo you want the Style to play in. (Freestyle)
1. With Style in the stop mode, tap the beat twice or more on Usually, the notes or chords which control the Style must be
the button. On the display under “Tempo”, the tempo which played in the left hand section of the keyboard, below the
has been tapped out will appear (in the form of a metro- “split point”. This part of the keyboard corresponds with the
nome beat). Lower instrument part; the Style chords, however, are recog-
2. Press [START/STOP]. The style will start in the time you nized even if the keyboard is in the LAYER or SINGLE modes
tapped out. ( and the Lower instrument part is disactivated).
It is possible to free chord recognition from the “split point”
limitation using the Freestyle function. In this mode the chords
[FILL BASIC]
for the Style can also be played by the right hand or using the
Plays a fill (a one or two bar musical “passage”), or - if a Style whole keyboard range.
variation is playing - plays the fill and then leads back to the In the Freestyle mode, a chord of at least three notes must
basic version of the Style. be formed - using either hand - so that the Style recognizes
1. While the basic Style is playing, press [FILL BASIC]. the chord. In this way you can freely play a melody, but when
2. The fill will cut in (a one or two bar musical “passage”). you want to change the Style chord, play a chord of at least
3. At the end of the fill the basic Style will continue to play. three notes.
To enter this mode press the [FREESTYLE] button to turn
alternatively the led on. To exit, press the button so the led goes out. Free-
style disactivates the [SPLIT] button and the Harmony func-
tion.
1. While the Style variation is playing (the [VARIATION] led
is on), press [FILL BASIC].
2. A fill will start playing (a one or two bar musical “passage” Stopping a Style on key release (Autostop)
which leads from the variation to the basic Style).
3. After the fill, the Style will revert to playing its basic ver- Once the note or chord controlling the Style has been played,
sion. (The [VARIATION] led goes out). the automatic accompaniment parts continue to play until ei-
ther [START/STOP] or [INTRO/END] are pressed.
Instead, the automatic accompaniment can be made to stop
[FILL VAR] when your hand is taken away from the keyboard. In order
Plays the fill and then recalls the Style variation. for this to be possible, the Autostop function must be set to
1. While the basic Style is playing, press [FILL VAR]. ON.
2. A fill will start playing (a one or two bar “passage” which 1. Press [MIDI]. The instrument is now in the MIDI mode.
leads to the variation). 2. Run forwards through the “pages” using [PAGE>], until
3. After the fill, the Style will play its basic version. (The [VARI- you reach EXTRA FUNCTION—Autostop:
ATION] comes on).

[VARIATION]
3. Turn the function ON using [TEMPO-DATA]. To disactivate
Activates/disactivates the Style variation, that is to say a the function again, use the [TEMPO-DATA] buttons once
slightly different version of the basic Style. more.
The button led comes on and goes out automatically as but- 4. Press the two [ESC] buttons again to exit from the MIDI
tons [FILL VAR] and [FILL BASIC] are pressed. mode. The settings remain in memory even when the in-
strument has been switched off.

11
 Changing how the bass part plays (Bass Follow) 2. Run forwards through the “pages” using [PAGE>], until
you reach “EXTRA FUNCTION—Bass Follow”:
Normally, the accompanying Bass part follows exactly what
is played on the keyboard. This happens because the func-
tion Bass Follow is default set to ON. If you want the Bass
part to follow only the Style program ignoring the “foreign”
notes played on the keyboard, set the Bass Follow function 3. Set the function to OFF using [TEMPO-DATA]. To reacti-
to OFF. vate the function, press [TEMPO-DATA] once again.
1. Press [MIDI]. The instrument is now in the MIDI mode. 4. Exit the MIDI mode by pressing the two [ESC] buttons
together. The settings are stored to memory even when
the instrument is switched off.

Harmony, Digital Multi-Effects, Master Tuning

Harmony [EFF 1] and [EFF 2] in the [DIGITAL MULTI EFFECTS] sec-
tion turn the effects on and off. When the led is on it means
This function allows a melody played in the right hand to be that the effects are active, if the led is off they are not active.
harmonized with the chords played in the left hand. The [<] and [>] buttons in the same section select one of the
effects made available by the processor (16 each). The ef-
fects change automatically when the Style is changed if the
Activating the Harmony function
[AUTOSET] led is on.
1. Press [HARMONY]. (Its led comes on).
2. The led of the [SPLIT] button comes on automatically. The
Freestyle function is automatically set to OFF. Master Tuning
Alters the CD20/30 tuning to suit the tunings of other instru-
Now the keyboard is divided into two parts: Upper where ments in the group. It is made up of two parts:
the melody is played and Lower where the chords are - The TRANSPOSER changes tuning by semitones;
played.
- TUNE alters the tuning by 1/64 semitone degrees (this is
It does not matter whether the Lower instrument part is useful for tuning to an acoustic instrument which is slightly
active or not: the important thing is that the keyboard is out of tune).
divided in this way.

Transposer
How to use the Harmony function
1. Press [<] to lower intonation by a semitone, or [>] to raise
Play a melody with your right hand, while at the same time it by a semitone.
playing a note or the notes of a chord with the left hand.
The minimum value is -6 (semitones), the maximum +6
The left hand chord harmonizes with the right hand melody. (semitones).
2. Each time a TRANSPOSER button is pressed the number
Turning off the Harmony function of semitones is shown on the display.
3. Press both buttons together to bring tuning back to 0
Press [HARMONY]. (Its led goes out). (standard).

Digital Multi-Effects Tune

The CD20/30 incorporates two digital effects processors, each 1. Press [<] to lower intonation by 1/64 of a semitone, or [>]
one being able to produce a separate effect: to raise it by 1/64 of a semitone.
- modulation effects, which add the classic chorus, phaser, The minimum value is -48/64, maximum is +48/64.
flanger, ensemble or rotary effects ([EFF 1] button); 2. Each time a TUNE button is pressed, the intonation value
- reverb/delay, which give depth to the sound ( [EFF 2] but- appears on the display.
ton). 3. Press both buttons together to bring tuning back to 0
Each Style has its own two effects which normally change (standard).
when the Style is changed.

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The Touch Keyboard

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On electronic keyboards the standard term for drums is drumkits also contain “special” sounds, called samples.

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drumkit, and each note of the keyboard is assigned to a dif- The 13 large DRUMS & SAMPLES PADS buttons are called

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ferent percussive sound. The CD20/30 has 8 drumkits, and pads, and play percussive sounds or samples.

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each Style calls up the most suitable drumkit for its Drum The pads play sounds which are in the drumkit of the Drum
part. instrument part, or sounds from the drumkit assigned as
Along with all the traditional percussion sounds, the CD20/30 Sound to the Upper instrument part.

How to select Sounds and Styles using the [PAGE] buttons

Apart from the standard method, Sound and Styles can be 3. Scroll backwards and forwards through the Sound list us-
chosen using [PAGE <] and [PAGE>] on the keypad. ing [PAGE<] or [PAGE>].

Sound selection Style selection

1. If the Sound name is not flashing on the display then press 1. If the Style name is not flashing on the display then press
[SOUNDS] to make it do so. [STYLE/SONG] to make it do so.
2. If you want to assign the Sound to the Lower part, press 2. Scroll backwards and forwards through the Style list us-
and hold the [LOWER] button. ing [PAGE<] or [PAGE>].

The two sound banks

The CD20/30 has two sound banks which can be assigned Selecting a sound bank
to the Upper and Lower parts. The sounds contained in the
1. Make sure that the Sound name is flashing on the display.
first bank are printed on the control panel. A list of the sounds
If it is not, then press [SOUNDS] to make it do so.
in the second bank can be found in the appendix of this
manual. 2. Press the two [BANK 1/2] buttons together on the keypad.
The first and second banks contain different versions of the 3. The display will show the name of the bank you have se-
same sound. For example, if in the first bank sound 00 is lected (“Sound Bank 1” or “Sound Bank 2”):
GrandPiano, then sound 00 will be a piano sound in the sec-
ond bank too.
The second sound bank is compatible with General MIDI
standard sounds (see the chapter on “Midi”). The first bank
however, substitutes the “Percussion” family with the “Drums”
family, so that the drumkits can also be played by hand on 4. After you have selected the bank, select the sound re-
the keyboard, assigning them to the Upper and Lower parts, quired. The sound bank selected will remain active until
as if they were normal Sounds. the other bank is chosen (followed by a sound selection).

13
 Songs
The CD20/30 has a built in multitrack sequencer on which The track buttons in SongStyle
you can record a live Song performance or data fed to the
CD20/30 at the MIDI IN port. SongStyle is made up of three instrumental tracks: UPPER,
The CD20/30 can store up to four Songs. The Songs must LOWER, and CHORD (for the automatic accompaniment
have been recorded or (on the CD30) loaded from disk as parts).
“.SNG” or “.ALL” files. The track buttons are found in the STYLE/SONG RECORD
There are two types of Song: section. The Song names are those printed in white (the
• SongStyle, which use automatic accompaniment. names in blue are for Style recording).
• RealSong, which do not use automatic accompaniment
so the tracks can be used freely. With this type of Song [CHORDS]
the Drum track, for example, must be played out com-
pletely by hand as the rhythmic cycles provided by a Style The tracks where the chords used for automatic accompani-
are not available. ment are recorded ( Drum, Bass, Acc1 and Acc2 parts).
The name means:”A Song with RealTime tracks” (real time Led off: the track is empty. Led flashing: the track is record-
is another way of saying “live”). ing. Led on: the track has been recorded.

[LOWER]
Selecting and playing back a Song
Lower track.
How to select a Song Led off: the track is empty. Led flashing: the track is record-
ing. Led on: the track has been recorded.
1. If the Style name is not flashing on the display, press
[STYLE/SONG] to make it do so.
2. Use the keypad to key in the number of the Song required. [UPPER]
The Song numbers are from 96 to 99.
Upper track.
3. The name of the Song selected will appear on the display
above the word “Styles”. Led off: the track is empty. Led flashing: the track is record-
ing. Led on: the track has been recorded.

Playing back a Song

The track buttons in RealSong
1. Press [START/STOP] to start the Song. If the Song is
empty, nothing will happen. RealSong is different from SongStyle in that it has six tracks
2. During playback it is possible to adjust the tempo using to play on freely, with no automatic accompaniment.
the [TEMPO-DATA] buttons.
3. Press [START/STOP] to stop the Song.
[CHORDS]
4. [SYNC START] acts as a continuation command. Press
this button to restart playback from where it left off. The Drum track and Pads button.

Playing with the Song accompaniment [LOWER]

In order to play the Upper and/or Lower parts on the key- The Bass and Lower tracks button.
board while the Song is playing you need to turn off the led of If the led is on it means that the Lower track has been re-
the corresponding track. When the led of one of the tracks is corded.
on, you cannot play that part live.
For example, the following procedure must be followed to
play the Upper part live while the Song is playing. [UPPER]
1. With Song selected, whether in playback or not, press The Acc1, Acc2 and Upper tracks button.
[UPPER] in the STYLE/SONG RECORD section to turn If the led is on it means that the Upper track has been re-
its led off. corded.
2. The upper part can now be played live. To play using the
whole keyboard range disactivate the [SPLIT] led.
3. To restore the track to the Song, make the [UPPER] led The special tracks
come back on in the STYLE/SONG RECORD section.
As well as the instrumental tracks, Song also records the Com-
mon Channel, Tempo and Pads special tracks. To record these
The CHORDS track cannot be disactivated. Both in SongStyle
and RealSong only the Upper and Lower parts can be played
live.

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tracks no buttons need be pressed (they are “ghost tracks”

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which are recorded automatically).
Recording

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Special tracks 1. Press [START/STOP] or [INTRO/END] to start recording.

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Common Channel - SongStyle: 2. During recording you can change Style, Sound, Tempo

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Style controls: Style selected, ac- and Volume, use the Style controls, use the Damper pedal,

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tivation/disactivation of the Style activate/disactivate and change the effects.
control buttons. 3. Use [START/STOP] or [INTRO/END] to stop recording.
- RealSong and SongStyle: 4. The leds of the [CHORDS], [UPPER] and [LOWER] tracks
Effects activation/disactivation and should be on. If they are, then the corresponding tracks
selection.
have been recorded.
Tempo Metronome tempo.
Pads - SongStyle:
Notes played on the Touch Key- To exit the “record” mode
board.
Press the two [ESC] buttons together.

“Overwriting”
How to record a SongStyle
Other notes can be added over the tracks already recorded.
Preparation (before recording) 1. Press [CHORDS] to put the Song into the “record mode”.
2. Press the button for the track to be recorded so that its led
1. Press [CHORDS] to enter the “record” mode. begins to flash. The UPPER, LOWER and PADS tracks
2. A choice between RealSong (“REALSONG”) and can all be recorded over. The CHORD track cannot be
SongStyle (“SONG”) will appear on the display. Use the overwritten.
[PAGE>] button to select the SongStyle (SONG flashes). The special Common Channel and Tempo tracks are not
recorded again. To re-record them they must first be
erased.
3. Start recording using [START/STOP].
Sound 4. Add notes to the Upper and/or Lower tracks.
3. Press [CHORDS] again
“In record”
to confirm. ‘Record’ appears on
Bank
the display: Lower 5. Use [START/STOP] to stop recording.
Tempo Sound 6. Exit the “record” mode by pressing the two [ESC] buttons
together.
Style Upper
Sound
How to record a RealSong
Preparation (before recording)
1. Press [CHORDS] to enter the “record” mode.
Sound and SongStyle will appear
2. A choice between RealSong
4. The leds of the [CHORDS], [LOWER] and [UPPER] but- “In record” Bank
on the display. Confirm RealSong by pressing [CHORDS]
RealSong
tons flash: the three tracks can be recorded simultane-
again. The ‘record’ display appears:
Tempo
ously.
If you do not want to record a track, press the correspond-
Track in Sound of the track in
ing button repeatedly to make its led go out. record
record
5. The Style name flashes on the display: a different Style
can be chosen. Otherwise, you start recording with the
Style already set.
6. If the [AUTOSET] led is off you can...
- select the initial Sounds for the Upper and Lower parts
(otherwise the Style will select the Sounds).
- vary the initial tempo before starting to record. 3. If you want to change the time signature and the RealSong
- regulate the initial volume of the Upper and Lower tracks. length, press [COPY]:
- select, activate or disactivate the effects (this initial state
can be changed during recording).
7. The keyboard split point can be modified, activated or
disactivated.
Use [PAGE] to pass from one parameter to another. Use
8. The Lower track can be activated/disactivated. To do this, the [TEMPO-DATA] buttons to change the parameters.
use the Lower track button (in which case the [LOWER] The “_” symbol means that the RealSong has no length
button in the UTILITY section cannot be used).

15
 limitation.
4. Only one track at a time can be recorded in RealSong, so
Editing the Sound and initial volume
only one track button will flash at a time.
Press the button which corresponds with the track to be 1. Adjust the track volumes (using the buttons in the MIXER
recorded repeatedly until its track name appears on the section).
display. 2. Press [CHORDS] to return to the “record” mode. The flash-
5. Select the Sound you want to assign to that track. Only ing |R appears on the display.
drumkit sounds can be assigned to the Drum track. 3. Select the track where you want to change the Sound.
6. Adjust the tempo before starting to record. The new value 4. Select a different sound for that track.
will become the initial tempo for the Song. 5. Press [START/STOP] to start recording.
7. Activate or disactivate the effects; select the effects re- 6. Immediately after the initial “count in”, stop the recording
quired. using [START/STOP].
8. Set the initial track volume using the buttons in the MIXER 7. Press a different track button if you want to edit another
section. track. Alternatively, press [ESC] to exit the “record” mode.
9. The split point cannot be changed, because the recording
is made with no keyboard range limits, one track at a time.
How to erase parts (CLEAR)
1. Press [CHORDS] to return to the record mode. The flash-
Recording
ing |R appears on the display.
1. Press [START/STOP] to start recording. 2. Press [CLEAR]. The menu of edit and erase operations
2. During recording you can change Sound, Tempo and Vol- appears:
ume, use the Damper pedal, activate/disactivate and
change the Effects.
3. Use [START/STOP] to stop recording.
4. The led of the recorded track comes on. An asterisk (*)
appears next to the track name: 3. Press [CLEAR] to select “Clear”. The CLEAR function ap-
pears on the display:

5. Select another track and continue recording. If you overdub

a track which is already recorded, the new notes are added 4. Use [TEMPO-DATA] to select the track you want to can-
to the track. Use the Erase function, described later, to cel.
cancel any notes which have been added in error. In SongStyle you can choose Chord, Lower, Upper, Com-
mon, Tempo, and Pads tracks. In RealSong you can
choose Drum, Bass, Acc1, Acc2, Lower, Upper, Common,
To exit the “record” mode Tempo (use the ERASE function on the Drum part to can-
cel the pads). “All” erases the whole Song.
Press the two [ESC] buttons together.
5. Press [CLEAR] to confirm the track selection.
6. The question “Sure?” appears on the display. Press
The Song name [CLEAR] to confirm, or the two [ESC] buttons to cancel
the erase procedure. Alternatively, press one of the track
1. If necessary, press [CHORDS] to put the song into the buttons to cancel the procedure and return to “record”.
“record” mode.
2. Press [CLEAR] to call up the edit and erase menu.
3. Press the [NAME] button (on the keypad) to enter the Song Erasing a note or a percussive instrument (ERASE)
name or edit an existing name. 1. Press [CHORDS] to return to the record mode. The flash-
4. Use the keypad to key in the letters/numbers (each key ing |R appears on the display.
has three characters, which appear one after the other in 2. Press [CLEAR]. The menu of edit and erase operations
cycles each time the key is pressed). appears:
5. Press [PAGE>] to move to the next space. Press [PAGE<]
to move back a space.
6. When you have finished, press both [ESC] buttons to exit
the “record” mode and confirm the Song name.
3. Select “Erase” with the [PAGE>] button.
4. Press [CLEAR] to enter the ERASE function:
Changes and corrections
SongStyle and RealSong can be modified by re-entering the
record mode and using the functions called up by the [CLEAR]
and [QUANTIZE] buttons. 5. Select the track on which the note is to be erased using
[TEMPO-DATA].
6. Press [START/STOP] to start Song playback.

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7. Press the note you want to erase just before it is about to 3. Select “Edit” with the [PAGE>] button.

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be played. If you are erasing a percussion instrument, hold 4. Press [CLEAR] to call up the “Program Change” page of

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down the note for the whole length of the Song. the EDIT function:

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8. Use [START/STOP] to stop the Song.

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9. Select a different track with one of the track buttons. Oth-

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erwise, exit the “record” mode by pressing the two [ESC]

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buttons together.
5. Press [PAGE>] to call up the “Clear Volume” page of the
EDIT function:
Editing Program Changes after the initial one (EDIT—Program
Change)
Note: Program Change is the code used by electronic musi-
cal instruments to select a sound. The numbers in the Sound
6. Use [TEMPO-DATA] to select the track where the Volume
list give every Sound a Program Change number.
messages are to be erased.
1. Press [CHORDS] to return to the record mode. The flash-
In SongStyle you can select the Upper and Lower tracks.
ing |R appears on the display.
In RealSong Drum, Bass, Acc1, Acc2, Lower and Upper
2. Press [CLEAR]. The menu of edit and erase operations are available. “All” selects all the tracks.
appears:
7. Press [CLEAR] to confirm the track selection.
8. The question “Are you sure?” appears on the display. Press
[CLEAR] to cancel the Volume messages (except for the
initial message, which cannot be erased), or alternatively
3. Select “Edit” with the [PAGE>] button. the two [ESC] buttons to cancel the procedure.
4. Press [CLEAR] to get to the “Program Change” page of
the EDIT function: Correcting rhythmic errors (QUANTIZE)
The quantize function moves the beginning of the notes played
“out of time”, so that they fall into a correct rhythmic timing.
Track in edit
1. Press [CHORDS] to enter theQuantize Value (the flashing
record mode
5. Use [TEMPO-DATA] to select the track where the Pro- |R appears on the display).
gram Changes are that you want to see. 2. Press [QUANTIZE]:
6. Press [CLEAR] to show the first Program Change found
in the track:

3. Use [PAGE] to move from the track name in edit to the

quantize value.
Note: The Program Change at the beginning of the track In SongStyle the Upper, Lower and Pads tracks can all be
cannot be shown or modified with this function. quantized. In RealSong you can quantize all the instru-
7. Use [PAGE] to move backwards and forwards between mental tracks.
“Bank” and “Sound”. 4. Select the track to be quantized and change the quantize
The Bank can only be modified if it has already been value with the [TEMPO-DATA] buttons.
changed at least once during recording. The following table shows the quantize values and their
8. Select the Sounds by either using [TEMPO-DATA] or key- respective musical notations:
ing in the Program Change number on the keypad. Quantize value Musical notation
9. Press [CLEAR] to show the next Program Change. Re- 96 (no quantize)
peat the same procedure for this Program Change. Con-
48 r triplet
tinue to select and edit the other Program Changes.
32 r
10. After you have seen (and eventually modified) all the Pro-
gram Changes, if you press [CLEAR] the track name will 24 x triplet
appear again on the display. 16 x
11. Select another track and repeat the changes. 12 e triplet
12. Press the two [ESC] buttons to exit from the “record” mode. 8 e

Deleting Volume messages (EDIT—ClearVolume) 5. Press [START/STOP] to hear the effect of the quantize. If
it is not what you want, stop the track and choose a differ-
1. Press [CHORDS] to return to the record mode. The flash- ent quantize value.
ing |R appears on the display. 6. Press [QUANTIZE] to confirm the quantize value for the
2. Press [CLEAR]. The menu of edit and erase operations chosen part. The question “Sure?” appears.
appears: 7. Press [QUANTIZE] to confirm the operation, or the [ESC]
buttons to cancel. Alternatively press one of the track but-
tons to get back to “record”.

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 How to program a Style
The Style numbers 88-95, belonging to the “Prog” group, are [BASS]
programmable. Once programmed, these Styles remain in
Bass track.
memory even when the instrument has been switched off.
On the CD30 it is possible to save them to disk for future use. Led off: track empty. Led flashing: track recording. Led on:
track has been recorded.

How a Style is made up

[ACC1/2]
A Style consists of a (”header”), two global settings (“global”)
and a series of “tables” (“riff”) which are called up by the chord The Acc1 and Acc2 button.
played on the keyboard. Led off: track empty. Led flashing: track recording. Led on:
• The header contains information (valid for the whole Style) track Acc1 and/or Acc2 have been recorded.
on tempo, bar subdivision (time signature), and the state
and selection of effects.
• Each global (one for the basic Style and one for the vari-
How to record a Style
ation) contains information on sounds and initial volume
for each instrument part (including Upper e Lower). Preparation (before recording)
• Each riff contains the music played by each instrument 1. Select one of the Prog. Styles (88-95). If nothing has been
part in the automatic accompaniment for each type of recorded yet, the Style contains a copy of one of the Styles
chord. Here is a list of the riffs: which cannot be programmed, this will be erased when
you start the recording procedure.
Symbol Meaning 2. Press [DRUM] to enter the “record” mode. The copy of
the non-programmable Style will be erased.
INTRO Introduction
The ‘record’ display appears:
MAJ_B Major Basic
MIN_B Minor Basic Track in record
Tempo Style
7th_B Seventh Basic Track
FILL_B Fill Basic Sound
MAJ_V Major Variation
MIN_V Minor Variation Riff length (in bars) Riff in record

7th_V Seventh Variation Time Signature Reference

FILL_V Fill Variation Key

END Ending
3. Select the track to be recorded on by pressing the corre-
sponding button. Press [ACC1/2] repeatedly to call up
A Style structure can be shown in this way: tracks Acc1 or Acc2.
4. Assign the sound you want to the track (the Drum track
'global' for Basic Style 'riffs' "_B"
only accepts drumkit sounds). Select the sound using the
'header' keypad.
'global' for Variation 'riffs' "_V" 5. Adjust the track volume using the MIXER group buttons.
6. Select, activate or disactivate the effects.
7. Select the riff to be recorded, the key signature, time sig-
nature, riff length and tempo according to the instructions
The track buttons which follow.
There are four automatic accompaniment tracks: Drum, Bass, Move from one parameter to another using the [PAGE]
Acc1 and Acc2. The track buttons are found in the STYLE/ buttons. Change the parameters using [TEMPO-DATA].
SONG RECORD section. The Style names are those printed 8. Selecting one of the riffs to record. Choose one of the riffs
in blue. from the table shown earlier. Usually all you need to do is
record the riffs as 7th_B, 7th_V, INTRO, END, FILL_B,
FILL_V.
[DRUM] 9. Reference key. This note corresponds to the chord that
Drum track. should be formed during play to achieve exactly the se-
Led off: track empty. Led flashing: track recording. Led on: quence recorded.
track has been recorded. 10.Time Signature. The bar subdivision. As a basic rhythm,
this is valid for the whole Style (it is recorded in the header).
Once it has been set for a particular riff, it is no longer
possible to change it for other riffs.

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11. Riff length. The number of bars that the riff is made up of. 2. Press [CLEAR] to call up the edit and erase menu.

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12. Tempo. The metronome beat valid for the whole Style (it 3. Press [NAME] (on the keypad) to write in the Style name,

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is recorded in the header), which can be changed later. or edit an already existing one.

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4. Use the keypad to key in the letters/numbers (each key

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has three characters, which appear one after the other in

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How to record cycles each time the key is pressed).

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1. Press [START/STOP] to enter the record mode. You will 5. Press [PAGE>] to move forwards one space. Press
hear a “count in” during which it is not possible to record. [PAGE<] to go back one space.
2. Record on the track. Recording takes place in cycles, so 6. When you have finished, press [ESC] to exit the “record”
once all the bars have been written, recording starts over mode and confirm the Style name.
again (Overwriting).
3. Press [START/STOP] when you want to stop recording.
4. Select a new track and repeat the same recording proce- Modifications and corrections
dure.
The programmed Style can be modified by re-entering the
5. Select a different riff and repeat the procedure on differ- “record” mode and using the [QUANTIZE], [CLEAR], and
ent tracks. [COPY] buttons.
6. If necessary, make use of the correction functions de-
scribed later. All you need to do is press one of the
[QUANTIZE], [CLEAR] or [COPY] buttons. Editing the Sound and initial Volume settings
1. Change the sound and volume settings in the Upper and
Exiting the “record” mode Lower parts by following the procedure described in the
“Sound and volume settings for the Upper and Lower
Press the two [ESC] buttons together. parts”.
2. Adjust the automatic accompaniment track volume with
the MIXER buttons.
Sound and volume settings for the Upper and Lower parts
3. Press [DRUM] to return to the “record” mode.
For basic Styles and their variations separately, it is possible 4. Use the track buttons to select the track where the sound
to program the sounds and volumes of the Upper and Lower is to be modified.
parts.
5. Select a different sound for the track.
Programming these two parts is limited to an “instantaneous
6. Press [START/STOP] to start recording.
recording”, as there are no sequences or notes to record.
7. Immediately after the initial “count in” press [START/STOP]
When a Style is played, the initial regulation of these parts
to stop recording.
are called up by the [VARIATION] button being activated or
8. Press a different track button if you want to edit the sound
disactivated, (as long as the [AUTOSET] led is on).
on another track. Alternatively, press the two [ESC] but-
tons to exit the “record” mode.
• Upper and Lower for the basic Style
1. Exit the “record” mode.
2. Assign the sounds you want to Upper and Lower in How to edit the starting tempo and initial effects
the normal way. Adjust the part volumes. 1. Put the Style into the ‘record’ mode.
3. Press [DRUM] to enter the “record” mode.
2. Change, activate or disactivate the effects.
4. Press [START/STOP] to start recording.
5. After the “count in” stop recording by pressing [START/ 3. Adjust the initial tempo.
STOP]. 4. Press [START/STOP] to start recording.
6. Exit the “record” mode. 5. Immediately after the initial “count in”, stop the recording
with [START/STOP].
• Upper and Lower for the variation
1. Exit the “record” mode.
Erasing parts (CLEAR)
2. Assign the sounds you want to the parts in the normal
way. Adjust the part volumes. 1. Press [DRUM] to return to the “record” mode.
3. Press [DRUM] to enter the “record” mode. 2. Press [CLEAR]. The menu listing the edit and erase op-
4. Select one of the variation riffs. The [VARIATION] led erations appears on the display:
comes on.
5. Press [START/STOP] to start recording.
6. After the “count in” stop recording by pressing [START/
STOP].
7. Exit the “record” mode. 3. Press [CLEAR] to select “Clear”. The CLEAR function ap-
pears on the display:

Style names
Riff Track
1. If necessary, press [DRUM] to put the Style in the “record”
mode.

19
4. Move backwards and forwards between riff and track us-
ing the [PAGE] buttons. Change the parameters with 3. Select “Edit” using the [PAGE>] button.
[TEMPO-DATA]. 4. Press [CLEAR] to call up the “Program Change” page of
5. Select the riff. “All” erases the whole Style. the EDIT function:Riff Track
6. Select the track. “All” erases the whole riff.
7. Press [CLEAR] to confirm the track selection.
8. The question “Sure?” appears on the display. Press
[CLEAR] to confirm, or the two [ESC] buttons to cancel
the erase procedure. Alternatively press another track
button to return to the “record” mode.
5. Use [TEMPO-DATA] to select the track where the Pro-
gram Changes are that you want to see.
How to erase a note or a percussion instrument (ERASE)
6. Press [CLEAR] to show the first Program Change found
1. Press [DRUM] to return to the record mode. in the track:
2. Press [CLEAR]. The menu listing the edit and erase func-
tions appears on the display:

Note: The Program Change at the beginning of the riff

(contained in the global) cannot be shown and edited with
3. Select “Erase” using the [PAGE>] button. this function.
4. Press [CLEAR] to call up the ERASE function: 7. Use the [PAGE] buttons to move backwards and forwards
between “Bank” and “Sound”.
The Bank can only be edited if it has already been changed
Riff Track at least once during recording.
8. Select the Sound you want using [TEMPO-DATA] or by
keying in its Program Change number on the keypad.
9. Press[CLEAR] in order to see the next Program Change.
5. Move backwards and forwards between the riff and track Repeat the same procedure for this Program Change.
using the [PAGE] buttons. Use [TEMPO-DATA] to edit the Continue to select and edit the Program Changes.
parameters. 10. After having seen (and eventually edited) all the Program
6. Press [START/STOP] to start playing the riff. Changes, if you press [CLEAR], the track name will ap-
7. Press the note to be cancelled just before it is about to be pear on the display again.
played. If you are erasing a percussion instrument, keep 11. Select another track and repeat the editing procedure.
the note held down for the whole of the riff. 12. Press the two [ESC] to exit the “record” mode.
8. Use [START/STOP] to stop play.
9. Select a different riff and/or a different track. Return to the
“record” mode by pressing one of the track buttons. Alter- Erasing Volume messages (EDIT—ClearVolume)
natively, exit from the “record” mode using the [ESC] but- 1. Press [DRUM] to return to the “record” mode.
tons. 2. Press [CLEAR]. The menu of editing and erase opera-
tions appears on the display:
Editing Program Changes after the initial one (EDIT—Program
Change)
While programming a Style it is possible to insert a sound
change into a track, indicated as a Program Change, to sub- 3. Select “Edit” using [PAGE>].
stitute, for example, a SlapBass in a riff with a PickBass. The 4. Press [CLEAR] to call up the “Program Change” page of
Program Change can be inserted during or (preferably) after the EDIT function.
the notes have been recorded, and can then be edited with
this function.
1. Press [DRUM] to return to the “record” mode.
2. Press [CLEAR]. The menu showing the edit and erase
operations appears on the display: 5. Press [PAGE>] to call up the “Clear Volume” page of the
EDIT function: Riff Track

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6. Use the [PAGE] buttons to move backwards and forwards
Copying a riff from a different Style

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between riff and track. Use the [TEMPO-DATA] buttons to

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edit the parameters. 1. Select the destination Style where the copy is to be re-

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7. Press [CLEAR] to confirm the track selection. corded.

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8. The display shows the question “Are you sure?”. Press 2. Press [DRUM] to enter the “record” mode.

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[CLEAR] to erase the Volume messages (apart from the 3. Press [COPY].
initial one, which cannot be erased), or the two [ESC] but- 4. Use the keypad to key in the name of the source Style.
tons to cancel the procedure. Alternatively press one of 5. Select a different source
Source Styleriff using Destination
the [TEMPO-DATA]
Style but-
the track buttons to return to the “record” mode. tons:

How to correct rhythmical errors (QUANTIZE)

The quantize function shifts the beginning of notes played Source Riff Destination Riff
“out of time”, so that they fall into a precise rhythmic timing.
1. Press [DRUM] to enter the “record” mode.
2. Press [QUANTIZE]: Quantize value
Riff Track
6. Use the [PAGE] buttons to move backwards and forwards
between the source riff to be copied and the destination
riff. Select a riff with the [TEMPO-DATA] buttons.
7. Press [COPY] to confirm the selection. The confirmation
request: “Copy/Sure?” will appear. Press [COPY] again
to confirm the operation.
3. Use the [PAGE] buttons to move through the parameters.
Edit the parameters with the [TEMPO-DATA] buttons.
4. Select the riff. Select the track you want to quantize and Copying a riff within the same Style
choose the quantize value. 1. Press [DRUM] to enter the “record” mode.
A table showing the quantize values and their equivalent 2. Press [COPY].
musical notation is shown in the chapter on Song editing. 3. The option “ALL” is selected by default, this copies the
5. Press [START/STOP] to hear the result of quantizing. If whole Style onto itself. Use the [TEMPO-DATA] buttons
you are not happy with it, stop play and choose a different to select a different riff:
quantize value.
6. Press [QUANTIZE] to confirm the quantize value for that
particular track. The question “Sure?” will appear.
7. Press [QUANTIZE] to confirm the operation, or the [ESC]
buttons to cancel. Alternatively, press one of the track but- 4. Use the [PAGE] buttons to move backwards and forwards
tons to return to the “record” mode. between the source riff to be copied and the destination
riff. Select a riff with the [TEMPO-DATA] buttons.
5. Press [COPY] to confirm the selection. The confirmation
Copying one complete Style into another request: “Copy/Sure?” will appear. Press [COPY] again
This operation erases any riffs which may have been recorded to confirm the operation.
in the Style being edited and makes a complete copy of a
different Style.
Note: The source (original) Style may not have all its riffs Suggestions
recorded. As recording a Style is a rather complex procedure, at least
Source Style
1. Select the destination Destination
Style where the copy Style
is to be re- at the beginning it may be helpful to follow these recommen-
corded. dations in order to obtain satisfactory results straight away:
2. Press [DRUM] to enter the “record” mode. • Edit an existing Style after having copied it into a Prog.
3. Press [COPY]: Style. Working from tracks which are already there is much
easier than creating from nothing, and helps you under-
stand how the musicians who created the CD20/30
worked.
• Starting from scratch, be content with recording just some
of the essential parts, for example Drum and Bass or Drum
and Acc1. When you have achieved a satisfactory result,
4. Use the keypad to key in the name of the source Style.
then you can carry on and record all the tracks.
“ALL” reminds you that all the riffs will be copied (that is to
• Record at a very slow tempo, bringing it up to speed only
say, the whole Style).
on completion.
5. Press [COPY] to confirm the selection. The confirmation
• Make use of the automatic correction functions; at first it
request: “Copy/Sure?” will appear. Press [COPY] again
may seem difficult to use them, but later you will regard
to confirm the operation.
them as fundamental means necessary for your compo-
sitions.

21
 MIDI
What is Midi? MIDI: Filters Pages for Input and Output filters.
Programs the Midi filters (to ex-
Midi is a system for communicating between electronic in- clude certain Midi communication
struments. With Midi it is possible to: messages).
- use the CD20/30 keyboard to control another musical in- MIDI: Dump Archives the contents of an exter-
strument; nal sequencer’s memory.
- use another device (keyboard, sequencer, computer) to MIDI: Dynamic Keyboard Activates/disactivates keyboard
control the Sounds and Styles on the CD20/30; dynamics.
- connect the CD20/30 to a sequencer or a computer (this MIDI: GeneralMidi On/Off Activates/disactivates General
covers both the previous cases), for programming the Midi compatibility.
Songs or Styles externally. MIDI: Slave Keyb-Tracks Determines the instrument’s
multitimbral Midi status (two or six
parts).
Midi Connections MIDI: Slave Keyb-Start/Stop Activates/disactivates the re-
sponse of the CD20/30 to the Midi
The fundamental rules of Midi connections:
Start/Stop message.
- In technical jargon, an instrument which controls another
EXTRA FUNCT -BassFollow (Dealt with in the chapter on Style
instrument is called master, while the instrument which is use).
being controlled is called the slave.
EXTRA FUNCT- Autostop (Dealt with in the chapter on Style
- Connect the MIDI OUT on the master instrument to the use).
MIDI IN on the slave instrument using a standard Midi
lead.
- To program Songs on an external sequencer or compu- How to exit from MIDI mode
ter, connect the MIDI OUT on the CD20/30 to to MIDI IN To exit from [MIDI] prese the [ESC] keys.
on the sequencer/computer; the MIDI OUT on the
sequencer/computer to the MIDI IN on the CD20/30.
- Never connect two Midi ports on the same instrument Instrument parts and Midi channels
together.
Each of the six instrument parts of the CD20/30 can be as-
signed to a different Midi channel, to be chosen from the 16
The MIDI THRU port available (1-16). The factory settings are as follows:
The MIDI THRU port allows a series of musical slave instru-
ments to be “chained” together: Instrument part Midi channel
Drum 10
master OUT IN slave THRU IN slave
Bass 2
Acc1 3
In the example, “slave 1” and “slave 2” are controlled by the Acc2 6
“master”. “Slave 2” is not receiving data from “slave 1”, which
Lower 4
is only acting as a bridge.
Upper 5

The MIDI mode structure The corresponding parts must be assigned to the same Midi
MIDI mode programming is divided into sections; some sec- channels on other Midi units which are connected. Here are
tions are subdivided into pages. some practical examples, with the CD20/30 set up as in the
table above:
To pass from one section to another or from one page to
another use the [PAGE] key. To call up a page of a section - If the CD20/30 is controlling an expander with only its
press the [MIDI] key while the name of the section is dis- Upper part extending throughout the whole keyboard
played. To exit from the page and return to the previous sec- range, the expander should be set to receive on Midi chan-
tion press the [ESC] key. nel 5.
Here is a list of the sections: - If the CD20/30 is controlling a multitimbral expander, that
is, with more than one instrument part, then the instru-
ment parts of the expander should be assigned to the same
Sections Structure and contents channels as the CD20/30: the Drum part to channel 10,
Channel selection Pages. Assigns Midi channels to the Bass to channel 2, and so on...
the instrument parts and to the
- If the CD20/30 is being controlled by another instrument
Common Channel.
(master), then the parts on the master must be set to the
MIDI:Clock Selects Midi Clock syncronization CD20/30 channels, or alternatively, set the CD20/30 parts
(Internal/External).
to those of the master.
Local On/Off Pages. Programs Local Off
(disactivates the individual parts’
sound generators).

22
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corresponding Midi channels are mapped:

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The special Common Channel parts

G
MIDI channel Part

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Apart from the 6 instrument parts, the CD20/30 receives and
1 GM 01

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sends Style data on a special channel (Style number, tempo,

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activation/disactivation of the Style control keys). 2 Bass

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The special part, called the Common Channel, must also be 3 Acc 1
assigned to a Midi channel between 1-16. The factory setting 4 Lower
is channel 16. An instrument receiving or sending Style com- 5 Upper
mands to or from the CD20/30 needs to do so using this chan- 6 Acc 2
nel.
7 GM 07
8 GM 08
How to assign Midi channels on the CD20/30 9 GM 09
1. Enter the MIDI mode by pressing [MIDI]. The first section 10 Drum
is “Channel selection”. 11 GM 11
2. Press [MIDI] to get to the part programming page. Each 12 GM 12
page contains two parts. The first page contains the Lower 13 GM 13
and Upper parts, the second Drum and Bass, the third
14 GM 14
Acc1 and Acc2. The Common Channel is on the fourth
page. 15 GM 15
3. Use [PAGE] to change from one part to another and be- 16 GM 16 (or Common Channel)
tween pages.
4. Change the Midi channel assigned to the part using Assigning a different Midi channel to “standard” instrument
[TEMPO-DATA]. part (Upper, Lower, Drum, Bass, Acc1, Acc2) makes the in-
5. Exit from the MIDI mode by pressing the two [ESC] keys strument’s original channel no longer available. For exam-
together. ple, if channel 1 is assigned to the Bass part, an external
The new settings are kept in the memory even when the sequencer will not be able to send data to the CD20/30 on
instrument has been switched off. channel 2.
To use the 16 parts as instrument parts, 1) activate General
Midi compatibility, 2) disactivate the Common Channel, 3)
General Midi leave the Midi channels assigned to the “standard” instru-
ment parts unchanged.
Standardized sounds
The General Midi (GM) standard makes sound organisation When the CD20/30 is controlled by another
and the way sounds are selected similar on different types of
instrument.
instrument
When the CD20/30 is being controlled by an external
How to change the Sound
sequencer, the correct sounds are automatically selected.
The CD20/30 has two sound banks. The second is in Gen- 1. To select a Sound from the second bank, the following
eral Midi standard while the first is a little different (instead of message must be sent to the CD20/30 parts:
the “Percussive” group you’ll find the “Drum” family). When
the option “MIDI:GeneralMidi” is set to ON, a drum kit from Control Change 0, value 01
the “Drums” family is always assigned to Midi channel 10,
while sounds from other groups (including the “Percussive” The Control Change 0 is often termed Bank Select. For
group) can be selected on all the other channels. Sounds belonging to the first bank, the message is not
necessary.
The 16 General Midi parts 2. After Control Change 0, send the Program Change mes-
sage by selecting the number which corresponds with the
Six instrument parts can be controlled directly by the CD20/ Sound chosen. For example, to select Sound “16/Organ
30, but General Midi requires a multitimbral expander able to 1”, send Program Change number 16.
receive on 16 different parts. The master may list the Program Change numbers using
When the option “MIDI:GeneralMidi” (in the MIDI change 1 - 128 instead of 0 - 127. In this case it will be necessary
mode) is set to ON, the CD20/30 receives on 16 parts, in- to add 1 to the Program Change numbers of the CD20/30
cluding its own 6 normal parts. This is how the parts and Sound list.
3. The Sound selected is now assigned to that particular in-
strument part.

23
 Freestyle On 112-108

How to change the Style Freestyle Off 112-44

Autoset On 112-109
1. Using the Common Channel, send the CD20/30 a Pro-
Autoset Off 112-45
gram Change message with the number which corre-
sponds to the Style required. For example, to select Style Tempo Increment 118-tempo var, divided by 2
“07/Fusion 1”, send Program Change number 7. Tempo Decrement 119-tempo var, divided by 2
2. The Style is now set. The Sounds of the instrument parts
used for the accompaniment change automatically. If the
[AUTOSET] led is on then the Upper and Lower part To synchronize the tempo of the CD20/30 to the master, the
Sounds and the tempo will change too. MIDI CLOCK must be set to EXTERNAL (see the “Midi-Midi
Clock special functions” paragraph further on).
How to control the Style
To emulate the Style controls, use the Common Channel to When the CD20/30 is controlling another instrument
send the CD20/30 a Program Change message or, alterna-
tively, Control Change messages, as listed in the tables be- How to change the Sound
low.
When a Sound is chosen on the CD20/30, the corresponding
At the same time, these messages are sent from the CD20/
Program Change number is sent to the slave instrument, on
30 to
the same instrument part as the CD20/30. In the same way,
another instrument (or computer) when the corresponding
when the Style is changed, the parts’ Program Changes are
keys are pressed.
also sent to the slave.
N.B. Set the input filter on the Manual Controls to OFF in the
Where a Sound from the second bank is chosen, the CD20/
MIDI programming mode.
30 sends - immediately before the Program Change - the
Control Change 0 message with a value 01.
Style Control Program Change
Intro 121
How to change the Style
Fill Basic 122
Fill Variation 123 The styles of the slave instrument must be similar to those of
the CD20/30. If this is not the case, ignore the CD20/30 Style
Sync Start 124
name but make a note of its number.
Variation On 125
The slave instrument must be capable of receiving Style
Variation Off 126 change messages on a Midi channel. If this is possible then
End 127 the Common Channel should be set to that particular chan-
nel, because the CD20/30 sends Style change information
The Control Change messages are always followed by the on this special part.
assigned value.
How to control the Style
Style Control Control Change Value
The slave instrument must be capable of receiving the same
Intro 112-17
control messages used by the CD20/30 (see the “Style Con-
Fill Basic 112-18 trol” table in the previous paragraph).
End 112-19 If this is not the case, only Start/Stop is a standard Midi mes-
Sync Start 112-20 sage, and so the slave will only be able to receive this mes-
Fill Var 112-37 sage.
Variation On 112-102 To synchronize the tempo of the slave to the CD20/30, the
MIDI CLOCK must be set to INTERNAL (see the “Midi-Midi
Variation Off 112-38
Clock special functions” paragraph further on). The slave must
Harmony On 112-103 have its Midi Clock set to EXTERNAL.
Harmony Off 112-39
Memory On 112-104
Memory Off 112-40 Special MIDI functions
Eff1 On 112-105
Eff1 Off 112-41
Eff2 On 112-106 Keyb.
(LOCAL OFF)
Eff2 Off 112-42 EXT. CD20
Midi Thru
Arrange On 112-107 SEQ. CD30
Sounds
Arrange Off 112-43

24
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Local ON/OFF necessary to use the master to start it.

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The CD20/30 parts can play the sounds of a slave instru-

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ment without necessarily playing its own internal sounds. The CD20/30 as a master

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parts play the slave without using the CD20/30 internal sounds CD20/30 Clock Internal

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when the LOCAL OFF function is set.

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slave Clock External
To play with an external sequencer, (1) set the CD20/30 to

H
single situation, (2) set the Upper part to Local Off. Activate
Midi Thru on the external sequencer. When you play the CD20/
30 you are hearing the part selected on the sequencer and CD20/30 as a slave
not the Upper part of the CD20/30: CD20/30 Clock External
master Clock Internal

1. Press [MIDI] to enter the MIDI programming mode.

1. Press [MIDI] to enter the MIDI programming mode.
2. Use the [Page>] key to reach the “MIDI: Local ON/Off”
2. Use the [Page>] key to reach the “MIDI:Clock” section.
section.
3. Use [TEMPO-DATA] to set the function to either INTERN
3. Press [MIDI] to call up the pages. There are three pages
or EXTERN.
which each contain two of the six CD20/30 instrument
4. Press both [ESC] keys together to exit from the MIDI mode.
parts: the first page contains the Lower and Upper parts,
the second is for Drum and Bass, the third covers Acc1 These settings will remain in the memory even when the
and Acc2. instrument has been switched off.
4. Pass from one page to another and from one part to the
next using [PAGE]. Start/Stop ON/OFF
5. Use [TEMPO-DATA] to set the part selected to ON or OFF.
You can choose whether or not the CD20/30 receives and
6. Press both [ESC] keys together to exit from the MIDI mode.
sends the Start/Stop message. If the function is set to ON the
These settings will remain in the memory even when the
Start/Stop message is received and sent, but if it is set to
instrument has been switched off.
OFF then Start/Stop is ignored.
1. Press [MIDI] to enter the MIDI programming mode.
Slave Keyboard: Tracks 2. Use the [Page>] key to reach the “MIDI:Slave Keyb-Start/
Stop” section.
When used as a slave, the CD20/30 can receive two, six or
3. Use [TEMPO-DATA] to set the function to either ON or
sixteen Midi parts. Receiving two parts allows more polyphony
OFF.
(that is to say, a larger number of voices).
When the master is switched on, the “Slave Keyb: Tracks” (in 4. Press both [ESC] keys together to exit from the MIDI mode.
the MIDI mode) is automatically set to ON and the CD20/30 These settings will NOT remain in memory after the in-
receives on six instrument parts. If you only want to use the strument has been switched off.
Upper and Lower parts then enter the Midi mode and set the
function to OFF.
MIDI Filters
1. Press [MIDI] to enter the MIDI programming mode.
2. Use the [Page>] key to reach the “Slave Keyb: Tracks” Certain messages can be “filtered” (excluded) from
section. communucations. This could be useful for solving compat-
ibility problems between the CD20/30 and a Midi song file
3. Use [TEMPO-DATA] to set the function to either ON or
programmed for different musical instruments which may use
OFF.
different Program Changes or messages to those of the CD20/
4. Press both [ESC] keys together to exit from the MIDI mode.
30.
If the “MIDI:GeneralMidi” option has been set to ON, the CD20/
1. Press [MIDI] to enter the MIDI programming mode.
30 still receives on 16 parts so as to maintain perfect General
2. Use the [Page>] key to reach the “MIDI: Filters” section.
Midi compatibility.
Select the “Input” (MIDI IN filters) or the “Output” (MIDI
OUT filters) group using the [Page] key.
MIDI Clock 3. Press [MIDI] to get to the filter programming pages. Each
page corresponds to a different filter of Midi messages:
The Midi Clock controls synchronization between two elec-
tronic musical instruments. “MIDI: Clock Int/Ext = Intern” (in-
ternal) means that the instrument is synchronized to its own Message dispayed Filter
internal tempo and is able to transmit this and subsequent P.Chg Program Change
changes to a slave. “MIDI: Clock Int/Ext = Extern” (external) C.Chg Control Change
means that the instrument is synchronized to the tempo dic-
Damp Damper Pedal
tated by a master, so to set a Style or Song running it will be

25
Bend Pitch Bend
Man Manual Controls (= Style control
using Program Change on the
Common Channel).
4. Use the alphanumeric keypad to insert the characters
G.Mus Generalmusic Controls (= Style (each button of the keypad provides three characters which
and tempo controls using Program
Change on the Common Chan-
are selected by pressing the button repeatedly until the
nel). required character appears).
Press [PAGE>] to advance one space. Press [PAGE<] to
Use the [PAGE<] and [PAGE>] keys to move from one page move back one space. The name can be up to seven char-
to the next. acters long.
4. Use [TEMPO-DATA] to turn the selected filter ON or OFF. 5. Confirm the name using [MIDI] or cancel the Dump re-
ON means the message cannot be communicated while quest with [ESC]. The display will show “SURE?”.
OFF allows it through. 6. Start recording on the sequencer connected to the CD20/
5. Press both [ESC] keys together to exit from the MIDI mode. 30.
These settings will remain in memory even when the in- 7. Press [MIDI] to start the data transfer to the external
strument has been switched off. sequencer. The CD20/30 display will show the “Wait
please” message.
8. On completion, stop the recording on the external
MIDI Dump sequencer and save the data to floppy disk.
The programmable Songs and Styles contained in the memory
can be sent in the form of System Exclusive data to an exter- To receive data:
nal sequencer (or Computer), a Midi Data Filer, or another This operation erases any Songs and Styles which are in
CD instrument, transmitted using DUMP-SAVE. the CD20/30 memory!
Furthermore, by means of the DUMP-LOAD function, CD20/ The CD20/30 can receive compatible System Exclusive data
30 can also receive programmable Songs and Styles from from another CD (CD2, CD3, CD10, CD20. CD30 models) or
an external device. from an external sequencer using Midi Dump. When these
devices start a Midi Dump, the CD20/30 automatically renders
To send data: itself receptive no matter what mode it may be in at the time.
1. Press [MIDI] to enter the MIDI programming mode. The procedure may also be effected manually however, as
2. Use the [Page>] button to pass to the “MIDI: Dump” sec- follows:
tion. Select the “Save” function with the [Page] button. 1. Press [MIDI] to enter the MIDI programming mode.
Press [MIDI] to gain access to the function. 2. Use the [Page>] key to reach the “MIDI: Dump” section.
3. The display will show a request to insert the name of the The “Load” function is selected. Press [MIDI] to call up
“file” to be sent to the external sequencer: the function.
3. Press [MIDI] to put the CD20/30 in the ready mode. The
CD20/30 display shows the message “Wait Data”. The
[ESC] keys cancel this operation.
4. Press “play” on the external sequencer. The data is trans-
ferred to the CD20/30 memory.
5. On completion, the data has been transferred to CD20/30
memory. Songs and Styles which were previously in the
memory have now been erased.

Dynamics
It is possible to enable/disable the keyboard dynamic func-
tion as well as reception and transmission via Midi of Velocity
messages.
1. Press [MIDI] to enter the MIDI programming mode.
2. Use the [Page>] key to reach the “MIDI: Dymanic Kb” sec-
tion.
3. Use [TEMPO-DATA] to set the dynamic function to OFF
(or ON again).
4. Press both [ESC] keys together to exit from the MIDI mode.

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Disks

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The CD30 incorporates a disk drive which takes 3.5” DD-DS

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(720 kb) disks. The disk drive can read CD, GEM WS and

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DISK: Select-Load Selects and loads a file (from disk
MS-DOS disks. Data can only be saved to disks in CD for- to the CD30 memory).

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mat. DISK: Select-Save Selects and saves a file (from the
The Generalmusic catalogue contains numerous Song and CD30 memory to disk).
Style disks, covering the best of modern musical repertoire. DISK: Select-Format Formats the disk which is in the
disk drive.
DISK: Select-Delete Selects and deletes a file from the
A few rules disk.
Using disks is very simple. Read the following instructions for DISK: Load-MIDIFILE Selects and loads a Midi File.
use in order to learn how to use them and keep their contents
unharmed.
• Before you can use a disk to save your data on, it needs Exiting the DISK mode
to be formatted: follow the procedure described in the “How Press the two [ESC] buttons.
to format a disk” paragraph.
• Do not format commercial disks containing data already
programmed (e.g. those from the Generalmusic library or How to format a disk
the demo disk which comes with the instrument).
• Do not take a disk out of the disk drive while the “busy” Format a new disk before using it to save data. This proce-
led is on. dure allows a disk to be recognized by the CD30 disk drive.
• Protect a disk containing important data, and on which 1. Insert the new disk, unprotected, into the disk drive.
you do not wish to write, by sliding the tab so that you can 2. Press [DISK] to enter the DISK mode.
see through the notch. 3. Find the “DISK: Select-Format” function by repeatedly
• Keep disks away from sources of heat, cold, magnets, pressing [PAGE>].
audio equipment, telephones, fridges and other electrical 4. Press [DISK] to start formatting.
appliances containing magnets. 5. The question “Format/sure?” appears. Press [DISK] to con-
firm the formatting procedure. Alternatively, press the two
[ESC] buttons to cancel.
The contents of a disk 6. Wait for about one minute while the disk is being format-
Data is memorized on a disk in the form of files. ted.
A disk can contain four different types of file. A file name is
composed of a maximum of 8 characters, a separation point
and a final identification extension of 3 letters (ex: How to load data from a disk
SONG001.SNG). The four different types of file are listed in Note: Loading a file from disk automatically erases the file
the following table: data already in the memory. If you want to retain that infor-
mation, then save it to disk before loading the new data.
————.ALL The whole contents of the CD30 1. Insert into the disk drive the disk from which you want to
memory: 4 Songs, 8 Prog. Styles, load the data.
Samples.
2. Press [DISK] to enter the DISK mode.
————.SCD Samples.
3. The “DISK: Select-Load” function is selected. Press [DISK]
————.STY A group of 8 Prog. Styles. to start the operation.
————.SNG A group of 4 Songs. 4. Use the [PAGE] buttons to select the type of file.
5. Press [DISK] to view the files of that type on the disk.
How the DISK mode is structured 6. Select the file you want with the [TEMPO-DATA] buttons.
7. Press [DISK] to load the file which has been selected.
The DISK functions are spread over various pages. Use
8. The question “Load/sure?” appears. Confirm with [DISK],
[PAGE] to move between one function and the next. To call
or cancel the operation with the [ESC] buttons.
up that particular function press [DISK]. Press [ESC] to exit
9. If you are loading a “.SNG” or “.STY” you will have to
the function.
choose whether to load all the Songs or Styles contained
Here is a list of functions:
in the file, or if just one Song or Style is to be loaded Style.
“SONG: Select” appears on the display:

SONG:Select
ALL 96 Song

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 disk drive.
or the message “STYLE: Select”: 2. Press [DISK] to enter the DISK mode.
3. Find the “DISK: Select-Save” function using the [PAGE>]
buttons.
4. Press [DISK] to start the Save operation.
5. Use [PAGE] to select the type of file required (the exten-
If you want to load a whole file then press [DISK] to con- sions to choose from are: “.ALL”, “.SCD”, “.STY”, “.SNG”).
firm. If you want to select just one Song or Style, press 6. Press [DISK] to view the type of file selected on the disk.
[PAGE>] to make the Song or Style name flash, select 7a. If you want to substitute an existing file, select the file re-
the Song or Style using [TEMPO-DATA], confirm that se- quired using the [TEMPO-DATA] buttons. Press [DISK] to
lection with [DISK]. save the data. When “Save/sure?” appears, confirm by
pressing [DISK] or cancel with the [ESC] buttons.
“PLEASE: Clear Styles or Songs” 7b. If you want to create a new file, press [NAME] on the
keypad. The CD30 makes itself ready to receive the new
If the memory is full, the loading procedure is cancelled. The file name:
“Please clear Styles or Songs” message appears on the dis-
play.
1. Press [ESC] to make the error message disappear.
2. Erase the least important data from memory using the
sequencer deletion functions (read the chapters on Songs Use the keypad to key in the letters/numbers (each key
and Style programming). has three characters, which appear one after the other in
If necessary, save the memory contents in an “.ALL” file cycles each time the key is pressed).
for future use. Press [PAGE>] to move forwards one space. Press
3. Repeat the loading procedure. [PAGE<] to go back one space.
Press [DISK] to save the data. When the “Save/sure?”
message appears confirm it with [DISK].
Assigning Samples to the Touch Keyboard
The Touch Keyboard sounds depend on the drumkit selected.
To use the Samples it is necessary to assign one or more Reading GEM WS disks
drumkits to substitute the sounds normally used. Assigning Compatibility with the GEM WS series
Samples to a drumkit is carried out in the DISK mode.
GEM WS series keyboards are now no longer in production,
1. Load the Sample from disk. but their musical library is one of the largest in the world.
2. Press [DISK] to return to the DISK mode. The CD30 can read Song Patterns and Prog.Styles from disks
3. Find the “DISK: Select Kit” function using [PAGE>]: in WS format, converting them into in RealSongs and Prog.
Styles. RealSongs and Styles can be saved to disk as nor-
mal CD30 data.

4. Select the drumkit with the [TEMPO-DATA] buttons. Use GEM WS Series Song Patterns
[PAGE>] to find the parameter you want. Edit that param-
The GEM WS has a five track sequencer, through which it is
eter with the [TEMPO-DATA] buttons. Return to the drumkit
possible to create Song Patterns. GEM WS Song Patterns
using [PAGE<].
are similar, even though not completely identical, to the CD30
The parameter can be “Intern” (the Touch Keyboard uses RealSongs.
the internal sounds, that is, the original ones), “Extern”
Conversion changes the GEM WS Song Pattern tracks into
(where the Touch Keyboard uses external ones, the Sam-
CD30 Song tracks:
ples ) or “Empty” (which means the Sample is not in
memory and internal sounds must be used).
GEM WS CD30
5. Use the [ESC] buttons to exit the MIDI mode.
Track A (usually Drums) Acc2
Track B Bass
How to Save data to disk Track C Acc1
Track D Lower
To save to disk there will have to be enough space available
Track E Upper
on that disk to contain the new data. If there is not then for-
mat a new disk. Drum: is disactivated (Off)
The memory contents can be saved in an existing file (all the
previous data is erased), or you can create a new file.
1. Insert the disk into which you want to load data into the GEM WS Series Prog.Styles

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A GEM WS disk can contain Style file, each of which can The new Prog. Styles are memorized in locations 88-95.

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hold up to 32 Prog.Styles. GEM WS Prog.Styles are similar, As soon as the “.ALL” file is loaded, it erases the whole of

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even if not exactly identical, to the CD30 Prog. Styles (88- the memory content.
95).

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The CD30 can only load 8 of the 32 Styles contained in a
Dynamic level conversion (“WS Dynamic Level” function)

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GEM WS file. Search is carried out in sequence in Styles

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from 1 to 8, then from 17 to 24. The CD30 always reads the For every note, MIDI instruments transmit, receive or record
first 8 Styles it finds: the dynamic value (or Velocity). The dynamic is the intensity
with which the note was played. Its value can range between
WS FILE 1 (lowest intensity) and 127 (highest intensity).
Since the GEM WS dynamic is different to that of the CD30,
1-8 9-16 it may be necessary to edit the dynamics of the Song Pat-
terns and Prog.Styles loaded from GEM WS disks. If this is
not done, the tracks loaded may sound “too soft”, owing to
17-24 25-32 these different dynamics.
The “WS Dynamic Level” function in the DISK acts as a filter
for GEM WS data. You may find it necessary to program this
function before loading a Song Pattern or a Prog.Style file.
How to load a GEM WS Song pattern 1. Press [DISK] to enter the DISK mode.
2. Find the “Dynamic Level” page using [PAGE>]:
1. Insert the GEM WS disk in the CD30 disk drive.
2. Press [DISK] to enter the DISK edit mode.
3. “Load” is selected. Press DISK to call up the Load proce-
dure.
4. GEM WS file have “.ALL” extensions. The “.ALL” type is 3. Use the [PAGE] buttons to move backwards and forwards
already selected on the display. Press [DISK] to start the between the track and assigned value.
loading procedure. 4. Select the track and the “Level” value assigned using the
5. The first file found on the GEM WS disk appears. Use the [TEMPO-DATA] buttons.
[TEMPO-DATA] buttons to select the file you want. Four dynamic levels are available (Level 1 is selected by
6. Once the file to be loaded is shown on the display, press default):
[DISK] to load that file. The question “Load/sure?” appears. - Original: the same dynamic value as the GEM WS;
7. Press [DISK] to confirm, or the [ESC] buttons to interrupt - Level 1: values from 64 to 127 (lower values are raised
the loading procedure. to 64);
The new RealSong is memorized in location 99. The whole - Level 2: values from 96 to 127 (lower values are raised
memory content is substituted by the file “.All” as soon as to 96);
it is loaded. - Level 3: all dynamics set to 127.
8. Since GEM WS is not a GeneralMidi instrument, it may 5. Exit the DISK mode using the [ESC] buttons. The settings
be necessary to set the track Program Changes manually remain in memory even when the instrument has been
using the EDIT function. switched off.

How to load a GEM WS Prog.Style

Reading Midi Files
1. Insert the GEM WS disk in the CD30 disk drive.
2. Press [DISK] to enter the DISK edit mode. Midi Files are particular files which allow the CD30 to read
from disk Songs which have been created using computers
3. “Load” is selected. Press DISK to call up the Load proce-
or other musical instruments which incorporate sequencers.
dure.
Songs in Midi file format are so widespread that can be found
4. GEM WS file have “.ALL” extensions. The “.ALL” type is freely available in retail outlets.
already selected on the display. Press [DISK] to start the
loading procedure.
5. The first file found on the GEM WS disk appears. Use the How to create a Midi File with a sequencer
[TEMPO-DATA] buttons to select the file you want.
Normally, sequencers or musical instruments save Songs in
6. Once the file to be loaded is shown on the display, press their exclusive format, which does not permit the exchange
[DISK] to load that file. The question “Load/sure?” appears. of data with other instruments. Fortunately, almost all com-
7. Press [DISK] to confirm, or the [ESC] buttons to interrupt puter based sequencers and certain musical instruments can
the loading procedure. also save Songs in the exchangeable ‘Midi File’ format.
Copy the Midi Files onto a 720 kb disk formatted in Ms-Dos

29
or Atari. (It is possible to format a disk in Ms-Dos format also pressing the [PAGE>] button:
on Macintosh and Amiga, using dedicated utilities such as
PC Exchange™ or Dos2Dos™).

Some rules to observe when using Midi Files with the CD30 4. Press [DISK] to call up the function. The name of one of
• A Midi File can only be loaded if it does not exceed 70 kb. the Midi Files on the disk appears:
If it does exceed this, the following message appears on
the display:

5. Use the [TEMPO-DATA] buttons to scroll through the list

of files contained on the disk, until the one you want is
Press [ESC] to cancel the operation. shown.
• It is only possible to load one Midi File in the CD30 memory. 6. Press [DISK] to start loading. The question “Load/sure?”
Loading one Midi File cancels any other which may al- appears. Confirm with [DISK], or cancel using the [ESC]
ready be in the memory. buttons.
• Loading Midi Files causes existing Songs and Prog. Styles 7. If the file is no larger than 70 kb it is loaded to memory (at
to be lost. position number 99).
• It is not possible to edit a Midi File. If you try to call up Any Songs and Styles which may have already been ex-
record by pressing [CHORD] the following message ap- istent are now erased. If you wish to retain that data, be-
pears: fore loading the Midi File, save the memory contents to a
CD formatted disk.
General Midi compatibility and the [AUTOSET] button are
automatically activated.

In this case, press [CLEAR] to erase the Midi File and

enter the record mode, or [ESC] to keep it in the memory. Playback of a Midi File
A Midi File can be played as a normal Song.
Press [START/STOP] to start playing a Midi File. Stop play
How to load a Midi File
using [START/STOP] and use [SYNC START] to resume play-
1. Insert the Ms-Dos or Atari formatted disk (720 kb) in the ing.
CD30 disk. As for any other Song, during playback the Upper and Lower
2. Press [DISK]. The first page of the DISK mode appears tracks of the CD30 sequencer can be disactivated, using the
(“Load”). relative buttons in the SEQUENCER section.
3. Find the “DISK: Load-Midi File” function by repeatedly
Usually, in Midi Files, the melody is on Midi channel 4, which
on the CD30 is assigned by default to the Lower track. To
mute the melody part of a Midi File on the CD30 therefore, all
you need to do is disactivate the Lower track.
If you should program a Song using an external sequencer,
remember to assign the melody part to Midi channel 4 or 5,
so that you can mute it later on the CD30.

During playback it is also possible to activate/disactivate and

change the effects.

30
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Glossary

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Sound bank: One of the two groups of 128 Sounds in the MIDI: Musical Instruments Digital Interface. Allows one elec-

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CD20/30. A list of the first Sound bank is printed on the tronic musical instrument to control another. IN is the port

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Hyperkeyboard control panel, the second can be found in the through which the instrument receives messages from the

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appendix of this manual. OUT of another instrument. OUT is the port through which
the instrument transmits messages to the IN of the other in-
Coda: The final part of a musical song. For example, when a
strument. THRU is a port which re-transmits all incoming
singer finishes off a song with a few bars which are neither
messages from the IN port.
the verse nor the chorus, but makes it clear that the song is
coming to an end. The singer is then said to be adding a Modulation: “Vibrato” produced using the Pitch/Modulation
“coda”. Ball on the sound of the Upper part. Modulation is also trans-
mitted (and received) via MIDI.
Damper: Also known as “sustain”, corresponds with a nor-
mal acoustic piano sustain pedal on the CD20/30 (and nor- Pitch Bend: “Glissando” (“note bending”) produced using the
mally in other MIDI instruments too). effect Pitch/Modulation Ball on the Upper part sound. Pitch
Bend is also transmitted (and received) via MIDI.
Dynamic: This is the intensity with which a note is played; as
on a normal acoustic piano, the stronger you press down the Play: Playback of a Song.
keys, the more intense the sound will be.
Program Change A Sound identification number. When a
Display. A small liquid crystal screen on the control panel MIDI instrument sends a Program Change message, the re-
which displays the CD20/30 messages for the musician. The ceiving instrument changes the sound, by selecting the sound
display is used to edit MIDI and DISK and to create Prog.Styles to which the Program Change code received corresponds.
and Songs.
Record: Recording musical events.
Drumkit: A kit of different percussion instruments. The CD20/
Sequencer: A Song and Style recorder. The CD20/30 incor-
30 has 8 drumkits available(Sounds 112 to 119 in the first
porates a 6/16 track sequencer (6 tracks + special tracks in
Sound bank).
normal Style and Song mode, 16 tracks for playing Midi Files).
Effects: Devices for enhancing or making sound more real-
Slave: An instrument which can be controlled via MIDI by a
istic.
Master instrument.
Ending: See. Coda
Song A musical piece produced with a sequencer. The CD20/
Harmony: The CD20/30 automatic harmony function. 30 can record and store up to four Songs.
Headphones: Stereo headphones. The socket is on the back Sound: One of the128+128 sounds which the CD20/30 can
panel of the instrument. generate.
Fill: A musical “interlude”. Style: Automatic accompaniment and in particular musical
“style”. In the CD20/30 this is carried out by the Drum, Bass,
Intro: Introduction, the lead in to a song.
Acc1 and Acc2 parts, with sound programming for the Upper
Master: A device (keyboard or sequencer) which can control and Lower parts.
another instrument, a Slave, via MIDI.
Track: One of the Style and Song parts which contain the
Master keyboard: An electronic keyboard or other electronic notes that make the instrument parts play automatically.
musical instrument which can play another instrument via
Transposer: Transposition is the act of moving notes up or
MIDI.
down in the tonal range.
Tune: Fine tuning the instrument in fractions of a semitone.

31
 Technical specifications
Keyboard: 61 note with dynamics (On/Off) Song: 4 multitrack songs, not cancelled when the instrument
Pedal controls: Volume, Damper (Sustain) is switched off
Pitch/Modulation Ball Editing: overwriting, Quantize, Clear, Erase, Name

Polyphony: 16/32 notes (including the Touch Keyboard) MIDI: In, Out, Thru
Effects: 2 processors (16 reverbs + 16 modulations) MIDI synchronization: Clock Internal/External
Multitimbral function: 6/16 parts Midi Dump

Sounds: 128+128 Sounds compatible with GeneralMIDI Audio outputs: 2 mono jacks (Left+Right) for external amplifi-
Drumkit: 7 kits compatible with GeneralMIDI, 1 kit compatible cation, Headphones
with the GEM WS series Built in amplification 5+5 watts

Non-programmable Styles: 88 Styles, 88 Variations Audio inputs: 2 mono jacks (Left+Right)

Programmable Styles: 8 Styles, 8 Variations not cancelled
when the instrument is switched off Dimensions (L•H•D): 966 •108•322 mm
Editing: Quantize, Clear, Erase, Copy, Name Weight: (CD20) 6 kg, (CD30) 6,3

32
© 1995 by Generalmusic S.p.A. All rights reserved.