Textual Analysis Booklet
Textual Analysis Booklet
Textual Analysis Booklet
Textual Analysis
There are many elements of the Textual Analysis NAB that are
the same as Close Reading.
Simile
Metaphor
Personification
Alliteration
Onomatopoeia
Sentence Structure
Word Choice
Poetry
4. Well now, look at our villa, stuck like the horn of a bull
Just on a mountain’s edge as bare as the creature’s skull.
(Browning: Up at a Villa – Down in the City)
Consider the following short poem by Alfred Lord Tennyson and the
practice questions that follow.
The Eagle
Q. How does the poet suggest the eagle is like a ruler, in the
opening line of stanza 2? (A)
A. He refers to the waves ‘wrinkles’, crawling beneath him as if they
were like servants bowing before their master or king.
Poetry Practice
Loneliness
Nightmare town,
The streets silent, dark
Sabbath empty
Follow me home:
I walk slowly
And the rain-wet stones
Wink under the sodium flares,
I hear them snigger
As I bend my head to the rain:
I must have walked this road
This endless road
A thousand years,
Yet I never meet a soul,
Even the paper scraps
Draw themselves aside,
The houses draw up,
From their dank gardens,
But their prim laces never stir –
Oh God is there no one in this town?
Margaret Taylor
Questions
1
6. Consider lines 10-12.
a. Identify the techniques used by the writer to suggest
the long-term nature of the woman’s loneliness.
2
b. How does the poet’s use of punctuation help support the
meaning of these lines? 1
Prose
In this extract from Touching the Void, the writer, Joe Simpson, sets
the scene for the true-life story of a mountain climb that goes
disastrously wrong.
I felt a homely affection for the warm security of the tent, and
reluctantly wormed out of my bag to face the prospect of lighting the
stove. It had snowed a little during the night, and the grass crunched
frostily under my feet as I padded over to the cooking rock. There was
no sign of Richard stirring as I passed his tiny one-man tent, half
collapsed and whitened with hoar frost.
Squatting under the lee of the overhanging rock that had become our
kitchen, I relished this moment when I could be entirely alone. I
fiddled with the petrol stove which was mulishly objecting to both the
temperature and the rusty petrol with which I had filled it. I resorted
to brutal coercion when coaxing failed and sat it atop a propane gas
stove going full blast. It burst into vigorous life, spluttering out two-
foot-high flames in petulant revolt against the dirty petrol.
As the pan of water slowly heated, I looked around at the wide, dry
and rock-strewn river bed, the erratic boulder under which I crouched
marking the site at a distance in all but the worst weather. A huge,
Textual Analysis
almost vertical wall of ice and snow soared upwards to the summit of
Cerro Sarapo directly in front of the camp, no more than a mile and a
half away. Rising from the sea of moraine to my left, two spectacular
and extravagant castles of sugar icing, Yerupaja and Rasac,
dominated the camp site. The majestic 21,000-foot Siula Grande lay
behind Sarapo and was not visible. It had been climbed for the first time
in 1936 by two bold Germans via the North Ridge. There had
been few ascents since then, and the true prize, the daunting 4,500-
feet West Face had so far defeated all attempts.
I turned off the stove and gingerly slopped the water into three large
mugs. The sun hadn’t cleared the ridge of the mountains opposite and it
was still chilly in the shadows.
Questions
Drama
Drama conventions
Setting
What is the setting for A View from the Bridge? How is this shown
on stage?
Textual Analysis
Read the following extract from the play Bold Girls, by Rhona
Munro. In this scene two friends are talking after a night out.
Michael is the dead husband of one of the friends, Marie. His
photograph hangs on the wall.
Marie: See Cassie, I’ve had better times with Michael than a lot of
women get in their whole lives with a man.
Marie: Oh Cassie.
Cassie: That doesn’t work, Marie. I’ve tried to keep myself warm
that way. Find some man with good hands and a warm skin and
wrap him around you to keep the rain off; you’ll be damp in the end
anyway.
Marie: Cassie, don’t talk like that; you know you’ve not done half
the wild things you make out.
Marie: If that’s what you think of them that’s all you’ll find.
Marie: No.
Marie: We cared for each other! We were honest with each other.
Cassie: Honest!?
There is a pause
Cassie: So he told you about it did he. All the times he made a fool
of you to your face?
Cassie: I don’t believe you could have kept that smile on your face
Marie, not if he was honestly telling you what he was up to.
Marie: Cassie…
There is a pause
Marie: But if there’d been any truth in them Michael would have
told me himself.
Cassie: Oh Marie!
Cassie: That’s stupidity, Marie. You haven’t the sense of a hen with
its head off!
Cassie: Well we both did! That’s what I’m telling you Marie! We
were both lying to you for years!
Questions
1. Why has the writer used inverted commas around the words,
“Thanks – for the memories” (line 7)? 1