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    BWV 974 - Adagio

    Uploaded by

    AndriiStadniuk
    This document contains musical notation for the Bach/Marcello Adagio. It consists of 30 lines of musical staff notation using symbols like quarter notes, half notes, whole notes, and rests to notate the melody, harmony, and rhythm of the piece over multiple instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    BWV 974 - Adagio

    Uploaded by

    AndriiStadniuk
    533 views1 page
    This document contains musical notation for the Bach/Marcello Adagio. It consists of 30 lines of musical staff notation using symbols like quarter notes, half notes, whole notes, and rests to notate the melody, harmony, and rhythm of the piece over multiple instruments or voices.

    Original Description:

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    © © All Rights Reserved

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    This document contains musical notation for the Bach/Marcello Adagio. It consists of 30 lines of musical staff notation using symbols like quarter notes, half notes, whole notes, and rests to notate the melody, harmony, and rhythm of the piece over multiple instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    533 views1 page

    BWV 974 - Adagio

    Uploaded by

    AndriiStadniuk
    This document contains musical notation for the Bach/Marcello Adagio. It consists of 30 lines of musical staff notation using symbols like quarter notes, half notes, whole notes, and rests to notate the melody, harmony, and rhythm of the piece over multiple instruments or voices.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    Bach/Marcello Adagio

        

        

     
                  
    3

      
              

           
             
    7
                   
           

      
                     
    9
            
     
     


                 
                         
    12

                     

          
       
          
    19
          
         

             
                        
       
    22

       


     

      
    
    26
               
     

           

             
    28

          


                                     
    30

      

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