a -

Amateur Oberatic Version

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' . , i

MIIT JAH
(Opere&a,inTryo Ac:*)

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MUSIC BY
' t

SA}I*TY FAIN

Vocal Score

.:1
.'1, '€'

. - ' . . !

KINNEYMUSIC
, ,',: -, 6gents:
Sole.selfing
ffiUS|G SALES*f'b ., |9,Ndwmsn
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 CALAMITY JANE

MUSICAL NUMBERS
No. Pqc
Ovrnrrnr I

ACT I
l. " Tlfi DEADwooo SucE " (Calamity and Enscmblc) ; 6
2. " CAREESswm{ fiIE Tntmr " (Calamity, Bill and Mcn) 2r
3. " ADELAIDE " (Bill and Mcn) n
4. " Ev'RyoNE Conplrnls Asour rnr Wrlrrnen " (Frycr) v
'" MEN ! " (Calamity) 39
5.
6. CIN-Crx @anccrs) 45
7. "HrvE Fwr. or HoxE'Y" (Fryer) 48
8. " I CAN oo Wmrow You " (Calamity and Bill) 5l
9. OpsNrNc ScnNn 2{rchestra 55
10. " Ir's HARRYI'ru PuNNrNc ro Mlnnv " (Adelaide and Stage'Door-
Jshnniss) 56
" " (Katie) 60
l0a. Rrpruse oF fT's HARRYI'u PuNNrNc ro Mmnv
"ADELAIDE" (Men) 62
ll. OprNrNc SceNE3-RnPRrsEoF
"12. " WINDY CnY " (Calamity and Chorus) ' 6t
.
13. * KEEPIr Uxpnn Youn Hlr " (Katie) ?8
" " 79
14. Rrpnlss oF KEEnIr UNorn Youn Hnr (Katie and Chorus)
15.
"
Frxeu Ac"r OwE: Rrpnrsn oF CARELESS Wmr THs TR'tm{ "
(Ensembleand Chorus) 83
16. ENTR'IcIB t5

AciT 2
'17. OpBNrNcAct Two : " A WoMAN'sTouclt' (Calamity and Katie) 88
" (Bill)
18. " HIcIsR TtnN I Hawr " (Chorus)
98
19. " THB BLAcr Hrrrs or Dnott l0r
'19a. Opnr.nNcScrNn 3 : Rrpruse oF " BLAcK HIr.rs or Dlrotl " (Calanity,
I(atie, Bill, Danny and Chorus) \u.- 109
n. " IrvE vou DslRLv " (Katie and Danny) l14
21. Frt.nr"erro (Calamity and Bill) tt7
: 22. OpnmNc ScsNB4-Orchestra r20
: 23. " My Sncnrr LovE " (Calamity) " r22
{ '23a. MeIos lxp Rrprusn or " MY SscREr I.ovE " (Calamity and Bill) 125
,T
t
U. RepRIseoF " WrNDy Cny " (Chorus) lzE
I 25. Flxer,E (Full Company)
26. CunrHN Clr.r: "Ttte BIAcx Httts oF DAKoTA"
r32
r43
n. h.rv-Our tn

I
 CALAMITY JANE Music bv
LYricsbY
PALILFRANCISWEBS'TER SAMMY FAIN
Music adapted
arxlarrangcdby
RONALD HANMER
OVERTURE
Broadlyin 2 (l =m)

El n.Ent2 (J=rn)

L J "

11==\_

= L

O Copyright MCMLXII by Remick Music Corporation, New york.

KINNEY MUSIC LTD., 69 New O>idordStreet,London, W.C.1for United Kingdom & Eire.

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El Steady4 (r -ns)

r i f r f i f r f i F t r i f i r t r t
{-1

T
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t r t T r F i T t F I r i i F i
Vlns.

f r F i r r f i r r r t F t r I r i Fi
7 t f t r t f t

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(J=125)
mAttegTvivo

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 ACT I

N9 I THE DEADWOODSTAGE
(CALAMITY Md ENSEMBLE)

Bright2 (J'ros)

It'll be here, Uncle. No need to worry. MILLER: Wro's worried? Ever sce re worrredl
 the Ded-nood S@is a

a - slmiri the
cur- tainsflappin'andthedriver

Whipcrdauay,wtripcra&a*ay,uttipcrad a- uay!-

t
 Oh, theDeadwood Stage

In - jun :uro\&sare a - thicker thanporterpine

ti5te 3r de - lay- Whbcracka-way,whipcracka-way,

THREEOR FOURi.IEN

Thev'rehead-irf straiehtfor town load-ed down with a fan - cv

t
Dad-v'md Stageis a - cominon

af-ter is nest, Tv,enty-tlrcemiles, tlreyr.e

orveredodry-
-4-J' t .rrr

Whipcr*a-way, wfrip cnrk a-uay,

l0

I
MILLER: Thal
tr she might have anothcr Indim fight

BILL: Quit boilin' mr,

ncvef happ) rrnless shes

( ' a l a r n ' s n c v c : l a i l e d t o h r r n g r n t h € s t a g e y e l - h r i u n s o r m h , i u nMsIl L L E R : D r d n t $ m t a n y t h i n g r o h a p p e n t c h e r t h i s t r i p - s h e ' s g o t m y r t r e s s a b o a r d -

-, -T--l tL-

goturnin
Thewheels lnmervardtxutid. em hum-min?
I{ap - py tinrs br to sta.v Hey! Tlq'1lbe hrne to- niglr by thc

Tlrcy'll be horne to - niglrt by fre

ardteir lrara a- thunninlilaamardolinplunkin'a

r-rl

Wlrcntheyget home, Ttrtll be fix-in' to stiry-

/-1.
=--l
r
l2

a-way,whipcnck a-waY,
Whipcnrck

sort of fol thc

werlcrtmc
Fkre theybe! Fbrethey be! How's a-bout a

If al -t i* [i lr tS r . I

CALAMITY JANE cntcrs followcd RATTLESNAKE and passcngers from thc stage - coach
 t - l r

LOCALCHARACTER

( high pitclad voice)

A

lst
Local
Newrubberhoots Thingsto cro-drct

2td
local
' v
brine ustcrdrvl- Ten dollarsuits
! ! vns.
r

spark-le
Beadsthat like a Prls-m Snakeoil fer Yer rheuma- tis - m;

gin-e-hamfor the girls; Gum drops nmdeuP

,
' l l l r
) + + )

string of
sog-gy, and a gen-u-wine

+---..-____=--
wore in ev'- ry fam-ous con- cert ltnll --=----r-;-- Cir^st yer eye on
, t + l
l + +
 Lkr- tor Borah's pa-tent pending hair re - stor-er, grur-run- teed- to grow har on a bill- iard

ball =t - tro - du-cing Hen-ry

t-|
L t l I I
Fl &Clar col rcice

---J-
- rill Ain't a showman an - v srart-er. op - er ates the Go[- den

Gar- ter. wherethe creamof Deadwood Ci - ty connsto dine

IJ
r6

Cal.
a-----/
glad to say he's a \€ - ry epod ftiend of mine!

I
t

told he pam'd for gold but ne - \€r Fron-tier man and bron-cho
1 w .

scort for Gen'- ral back in Yel - low -storc in eigheen- six-ty -

q----/
But I m glad to say heb a rie- ry good frierd of mire ! -
 whre dla get tlrrn fiur- try ckflrcs?

Cal.

I
(

smel-liri like

---------*
Flere\ a mnn the sher-iff wat -ches---=*.-

On his lrtrntherebmorctkrn twen-ty sev- en not 'ches On firc

l8

Cal.

draw theresno one fas - ter, and yr:u're flirt - in with dis as - ter wtrenBill Hbk- ock s re - Pu -

-ta - tlon )ou ma But I'm gbd to say he's a ve-ry goodfricndofa

ftroat is drv as a des-ert thistlein May- ln the Gold-en(iarter gmna

116lr,r,
so.,
 l9

wet my uiristle to - day Ltst to thc bar's-

'em uP Joe.
threeleggedcrow- Set'em up Jce. set
r-:-1

rFglg1l.'o*

Drink on the Housc

I
 Makemine sas-par- il - lY

'em 'em 'em lp

Set up Joe, set up Joe, set

> > >

'em
S€t up Joe!

t: -:.8- r

> > > ? €>

A
 2l

N92
- CARF,LESW
S ITH THE TRUTH
(CALAMITY BILL & MEN)

C r e : C A L A M I T Y : Y o u c a l l i n ' m e a l i a r a g a i nB i l l H i c k o c k ?
AD LIBS: Tell us arcthcr erc.

Andantemisterioso(l =u;
All righr tcllers. . .
*C,{[.AMITY:

tr Bright2,with a steadybeat(J=roo)

tell p'boutthe I was cap-turedby a scoreor more of and

for to scalp me just fer play. Well,

Stlr Cl.rs

I ltst junpedLpon a buf -fa - lq pulled otr his horn and blew s o a
I
22

Cal

I-da-ho come to save the day lnnour of me the

L'btessotempo(J=J)

buf-fa-lo on the nidt- el and an 6'- jun on ttrc cent-

Tell us another one. tell tn unctherone, oh,my ach-in'

tooth. She's not lv - in'. but slre's t:are-lesswith the

 B

witlr the
Care-less Sheb not ex- act - ly

Care C-arelesswift the She\ mt ex - act - ly

Stgr.W.W

E Brisht2 (J roo)

Did I tell yabcuttlrc timelastweek,lln

A

Cal.

Crip - ple Cre*. when all at once I see two grizz - lies

f>

on each side of me- I just was-n't in tltc mtxrd to

grab- bin' up mv rif gcl with the bar - rels.

tul-let wentNorththe oth-erSouh.shot

L'istessoTempo{J.=J)

- :\._/
'em
orrc of throughtlre tail atd shot tlre oth ' er through the mouthl-
 us an-oth- er orn, tell lls ar-oth-er orp.

Ha. ha, ha, ha, ha. lu, ha,

Oh. my tooth, Shei rnt ex- act -ly but she's carebsswilh th€
-{--

Br.
<- >>

Carelesswith the
LU Andantemisterioso(J =ss;

'boutthe Lake St. Paul; And

Did I tell ya time last fall, I'm

irak so tall, t'would take a bird a day to reachthe tc{r

 27

I start swingin'withmy trusty axe and sudden - ly that oak tree cracksand up

-oth-er snracksandd<lwntlrevcameker - flool Be - lieveme or not I

=J
L'istessotempo(J.

tell you pards.tl.re Lestof thefor-esi foid-ed up just like a deck

Tell us anoth- er one, tell us Oh, my

Mei Ha, ha, ha. ha.

28

l ]t i

-lv tv- brrt shc\ the

Care tnlth, Shes not ly - in' but $e\

(larelesswith t|r ly - in but slr's

 29

N93
-
A D E L A ID E
( B I L L& M E N )

Gc. BlLl. : You seettr carved on the[m,rf an ancicnt slrip

. . r n a g a m b l e r ' s c a t m . .. .
in the dyin' enfun of a crrnplirc .

Moderatoin 4 (t=122)
In thrs ca*,shc lust happcnsto be th€ lowlint singin darcin' starof thcm all \tlelaidc Adarns!

Ewe a rnarawish,tento orc heuruhwishbr thu one

J . -

-laide,Adelaitle,Ad-el
- aide, dr,how lovelyyou are! If pu garcamanadream,tsn
ic
TENOFS

BARITOiI€S
Mrn- bve- ly! e- laide

BARITONES

t . Ti r
-10

one rn hisdmmshcwuld lrrld on - lv \ou: Ad- e -lakle.Ad-clride.Ad-c-Lridc

wu'rcourfarour- i1c

e - laide y€s

Youle hcardof FIcl- en of Trov.of

You are our star

c { >
toc) Bcru- ti-lirl dolls.tut boy oh boy, They ain't jusl lf vou

Spokenad libn:-"\\'evc heard

of all thce gals""&rmedolls'etc

tFtqF
 3l

r. --:r

ev-ercamet()t(unfrstiriout in fiat gownnlde of silk rurdbroca&_ t|tcywouUhrwtohirea hall.irst ttt

---i---;

r-r-r

hirb thegu6u,lrcklfall
for AdclaideI Wth tlr bu;tbthrrNuucar I

Ad-elaide Ad-e-laide

the bustlethatyru wdrr I dc- clrrc il's rrowcnl.r rvcrc

stresww.
[l

un der pur thimb. Adehide.Ad -c -laide,whafa

bclur-rvvou

der lrour thumb- 0tt, whirl

der ''rur thwnb _

-1-;i\ ^ ,?
32

at. t'a J. J' a

with the wqy ltufillyarclothes,arrdyourhose, andthatccrnehith-er look

beau- ty! e -laide Ad

with the wav 1rufill ytrrrclothes,and

your hose and thatcune hith er In ycur

ffi

you that $'€think witheadr udris- ky we drink at the bar

eye- Flere'sto yor

eye_

The Queenof She-ba,andCle- o - pat - ra, just t)

 33

tley wouldn't rate a scc-orrl lor* com - Fred bhrd in his

e -hde

If a manhasan-ybbod in his

yes, he's played- T'lrate -wn-tually heges, in hb

e - laide yeq heis prayed- l}at e. - rcn-tuallv he eets. in hb

,bJ
t

,h.N .D r r \J

I rcck-on he's p'ayed *: * prayedpl_.,

34

N94 EV'RYONECOMPLAINSABOUT THE WEATHER

( FRYERI

Cac. FRYER: But yrucm at lcast letme s/ror youl

Why&rn'tthw sim - ply

"HowcrxldXu My
sell if a n - y rain?" friends.it all de-
>> Vl6
-perds on Moth-er Na -ture The laws of corn- pen - sa - tion still ap-

The wea - ther mry be fright . ful to nrcnt ev 'ry

one,but,

coubnt be nore de - light - ful point of view of

you still com- plain a-bort the weather Then flr dev-il dont

loptrorut
cil b A
.15
 eV . fV-One
5tqs,
VlrW.
com - plains a - bor.rt the weat-heX bo- dy

bout it- Whydcrntthey re

- lise a ve - ry stm You gotta have a win - ter if

_
wnnt til have a spriryl friends,it all de - pends on Moth- er
\--l
M-ture-
Vlnr
3t

Fry.

Th hws of ccm-pen - sa - tion still

Fry.

beef - the show- ers on a cloud ' Y day- jtst lhinkof the fiekb of

I
(

if yru still com -platn

weather, why the devil don't pu do sornethltitlrn why the devil don't

-
tou do sonrthirg,then wtry thedevil donl )otl do scnBttrirUa bout
 39

N9s
- MEN!
Cr: BILL: Likcr tcrchyolduunm.. . .
H h . . . M 4 / b eh c s g o rt o m r h i n gt h r c . . . .
C A L A M I I ' Y :W h y , p r . . . y o , . . !
(Slc rwlvr lor smrling ro lnn, .d hin)
Mm.. . I

Bright Waltz (J -60)

think of rnen you can't print in a Lnck-y t|le girl who has

-\--l
\..--l
been took!-
. :
 chance, they'll strfu€you a - longwith a scng and a dance, They'll

slipyou a wink with the pink lem-on - ade- But leaveyon

- as soon as the nDon
lAtt |

of bur- ber - ry And I dont pro- po6e

- you can call otr the I'n be a spin-is - ter

 mischiev-ous men! Be on your gu,ardu4rn yor-r stroll in tk They'll ply you with

trin - kets ard prom- ise you pearls re - gard-ingtheir pnrm-is - es; Do just as

be doubting Thomas- es,. Fbr- ri- ble

Show me the dora and I'll the Just let a ten - der-foot

Cal.

mcn-tion"l'a - mour'l---a quickJikea flash,I will

42

('al

Fris-ky from whis-key and jaib, dol - lar wa - ger, will get You a

ien-----------6 no Deadwrndcoy - o - te will hog - tie henl- Men are

'em
S() I\'e come con - clu - sion - I donl uantan'v part of
 oh! Tlrct'rkrckilt:rrtrf tntl Down. downwiththcm
all.

typeor the mub head-ed rnen who are

plugg-ab - le, love-ab - le . lynch- ab - le , menl

nose fer An- y drrck-enwlrob kick-

 Song and rl
up to trc
_wv[__,---

Trou - ble cones tbu - ble in htrck-skin iuri piurts! Ad- am be-
drnce.

So now that welrn: fin

- al ly holl - ered our
trou-ble be - - gan-

the dirt that we czul for

herls off ant dish'd all
 45

N96
E
CAN - CAN
Cre: MILLER . the Golden Gartcr Show!

Furirno(l=rs:)
47
48

Ng7 HIVE FULL OF HONEY

- (FRYER)

Cre; MILLER: the toast of Ncw York.... Miss FrrrrccsFrverl

.i (FRyER
(FRYER
earzn)Moderate 4 ()=tlz)

- -'-
I'\egot two rrcnderlirl arms, I vegot twu worderfulliPs.
Vlns,

twen- ty one- and I'm free I've got a hiw full of lron-e1' For tlle

+'
ghm-cr-ans type.
i'{Bp*ar;ous type, Yotlll lor,cdrc
way I fit_ on }our I'vc got a hivc full of

right kind of honey

on - ly child. Do tou think you ctxlH leam to care?_ If Im ttre oneyoua-dore comeonand
Vln!. W!!i
get mebefore Somebodyshrkesit down- from tlrc rir, I'vc got a hirc ftrll ol

tr
\---l

ho-nry- lor the riglrt kiud of honey bcc- lve got tu,o u,onderflrlarms, I regrrttwt'l
Vlns.W.w.

-.
won- der-ful lips, I'rrr ov - er one- ancl Iltt

FRYERSrr.e
con(\ tLt.

I
IVe eot a hive full of honev For the right kirrd of hort-n" bee.-
 5l

I
N98 T CAN DO WITHOUT YOU
(CALAMITYand BILL)

Cre CALAMITY; ain't nuthir' you say mm mything to me! . . . .

Moderate2 (J=ss)
le CALAMITY

F-
nt*P,1,#T,,]"-$ I , t J
w1n-ter
n\ Vlns

r-r I
_. a l
banquet ylure thd

F r-1 C
net - tle
I
ard the n.rl- dew on the Like an t -
I ;- ,uh.o

.s ". l-
can cn wthou
 -D
A AAAFT*
yell fer yt- t0 oonr birck!

J",_-,-

r*,ri €

'F
F i, +.^ '\ L (,t:r fi i:r
Qr€s- Yute tft the ointmefit pure tlrc Tho' I know sonr

r'-r .-r
t 1 1 / \ .
pe'nsable like a brrckor
, 1 ! ,
""9 hE''I {Ecando withcltt
rf.n.6, i';';t';ilil

t'
t:
-{
In* tne bar - rel
ta 0t4

tr '.it 4
t'il ti" *\oi#S," \6.rte tfu tack
 53

i .ioa,yw,'fr,,,

K i '. , q
tcf be whe
! F l
- er you
;n-
the croak.

L { ? \
'e
for'951, psl - son
54

E *or..rr*o*,

I candow

Cahm! CALAMTY: Then lets get the old tch;orer rollinl N{ILLER: Pronriselrr anything-orh trirgler k^-! CALWIT\: I lt

It4ore'sthe pi - tyl
 s5

N99
- OPENING SCENEN

Broadly(i =r,l.o,
1.,

*--_..._ -* o- --'----------/ -+

^ l - \ ',
l-i .r-. r

..-__//' ---_--l \-_/

El CURTAIN-UP n, ^ yun .rsprcrrc,rt,

Nltrsb hdcsot errhully rndsr q^-111n-qacti.rr and diakrgue

5t)

N ..IT'S HARRY I'M PLANNING TO MARRY''

- 9l0
(AI)ELAII)t rnd thc JOIIN\lES)

Crc .{DEI \lDE rtl fareucll pcrlorm.rnce

I

Valsemoderatoin I (J=oo)

-\---l

'rent
diff - sa - fa - ri He can box like a Hes m

Har - ry
.- ['m mar - rv-
1 !- l-
t**
 built like tlrc bust of re - mem -ber

-t----/

sta - tue hol - lou Plrys- ic - 'ly

he's de - lish Men-td-
Br

-ly su- per - Har - ry

fish I'm plan- ning mar- ry-
 lrtrt's wined a -

Yes,, it's lfu - ry she's planning to mar- ry-

ac l.
I

-
-bout his sus- pcn-dcrs He's tlrc orB that I tru - ly

'TtE
numb; I suc - cwnb,whentrc ren-ders- fre on the Bar

-
- Wlrn he flex-es his muscles I n-ut-#- Like a but- ter - fly ca4l* in a
 \--_-/
shut-ter- Whenhe calls nrc hb nute, I just dis- in-ter - grale. So it's lfar-r! lhr
Br.
ri

phn-ning to mar - ry- Sirce the uorld first be - gan Ne-wr

Sirre tlr u,rrrld fint be - ean

tr
lr|r w.W

been srch a Wln cqrld tove like tE qnr so

been srch a
60

Adel.

plan- ning ttt

N9lOa ..IT'S HARRYI'M PLANNING TO MARRY,

REPRTSE:
G

(K\ItL)

Cs; KATf E srrrlLesau'4ttclaidc Athms nosein front of mirnr

Valsemoderato
(/zurrtrq
in I (*eo)
ft KATIE ;\delaide)

When you turn tc) the sub- jcct of Har - rY

 tle's as dunrb as an ox, But it's Har - rv Ihr plan- rung to
-l t4
ww j+ 1 t ! I
A | -,- -

mar - ry-- Thoughhe's buih like the bust of A Ju51 rc -

-rnem{er sta - tue is hol - low - 'llYl he's & -

KATIE ses
CALAMITY'S
rcJbct&nin the
CAL.{MITY arcn ,nvrcl

- lish Men-tal - Iy sup- er fislr. But I{ar - ry I'm planning .-'*,r'#,,:{

a l =
I
62

N9tl O P E NI N G S C E NE I I I
R e P r i s eA. D E L A I D E
( r 4 F N)

Cue C\LAl\1ll-Yl . . wmchrdys beinghutled. ( Illack-out)

Bright2 (J=108) <

 =toa)
E Moderato(J
> ,.--

'>-
CURTAIN
, b4:)

P >

SOLO TENOR Slowly and sadly

If you give a mana wish, ten to cxre hewouldwishforthat one per - fect girl,
z--..

Mm IVIm-
-laide.Adelaide.Adet-ride, oh. howlorclyyou are- If ytu girrea mar a drca[trYlto

+--___-/
p

r--T-l

l*-wtluldhold on - ly
orrc.in hisdreanrs Ad-el - aide.Adelaide \d - el- aije,)otr'reour lav-our-ite
t--f-l

Mm_--

DANNY: Tcmpting provirJcnct

Millie - That s what tt
 65

it rculdnl surpri* me rcne ;f

land I

Affegrovivo (J=l4/-)

gave a man a wish, ten to

she walkcd in nsht this I CALAM: \tWll bovs!

minuteand said-- 'er!
I ve bruns
'14lta,
| MEN: ???
/i.\ ",r* ir,:.Aftt Vlor. Col Voc

hrngo
ri

\c4
6

you trae come to tovvn )ot-t €n bet all the tovm will be
r----3------]
68

-N9 12 WINDY CITY

(CALAMITY & CHORUS)

t.'a.. (-ALAMI'tY . . tbe biggct noise in I llimis t

Allegro( J= loo )
tr
CALAMITY

from the Win - dy Ci - tv, The

A A 4 f

-j- j-
f

- -raE
+.
Thcy got shacks up to se - ven storeyi,They ne-rer seean-y rom - ing glories But a step fiun- our
StAs piuz ' r l l r r t J

door way- We got-'em Ttey got thce min- strel shoun

J ) r B r
 l# *. ,J-^,Pnb-lic parks. For the sake of

They'regotfoun-taim thereto squirtyouI Just blew in fromthe Win- dy Ci - tX Tlr

-la 8r

might - y prettybut they ain't got_what we got.- I'mtel-lin you

,-'1
t ^

We\e got rmre life in Dead-\rood Ci - ty thanin all of Il -

I
 Just blew in from the Win- dy Ci - ty, TIle Win-dy Ci-ty is v pretty But they

BOYS

=e-L

ainl got- uhat onf They gotshacksupo

--,_:1 -/-,\

> > > >

> > > >

I r r - va 4.. I

Cho. se-ven storeys,Thy ne-ver see iu1-y mom - ing glories.But

a stcp from our

o7-)'
a
J:
 we got_ 'em
fer free. They got those min - strel shows

la- dies in their bls chap-eaux Pri -mte lawns,

V16. sxs.

Fer ttrc sake of Theyle got forn - tr.irs ttpre to squirt 1,ou
!
r:\
 - ty pretty but thel,

ain't got- what we got- We've got more life

1-T=.1

optiwt art nfl y don"" nat rcquired

a^*",rrE

On the sfieetuasadan- cin' feller.

l-il *.ws.r,.
-r
fi1't-
 ofyellerandthe dance he

Schottische Geft shrestyte) =tZo)

74

s h o p - p r n ' ,a - win - der shoPPin'with eyes the

Shoulila-seen me a-win-der
 e - vl-tcn Jusf as

I heard claim. hun- dreds came a thingtheycall a

76

Cal.

gar stores, rc - vol - ving doors. ven - ttons com - ln'-

Stgr. Suer

'stead of -in'! Just blew in from the Win - dy

Win - dy Ci

El *'.,. rr.rn.

J.

Win - dy migh - ty pret-ty but they ain't got.-

 I'm tell - in' ya I ainr a - swap- pin' half of Dead_unodforthe

I'm tell_ - i4' ya I ain't a - swap- pin' haJf of Di:adlwoodfor the

*f r
7E

N9
-
13 KEEPIT UNDERYOURHAT
( KATIE)

Cac: l\{[LLER the one and only Adclalic Adanr!

4()=tzo)
lModerato

KATIE (vcr-r rctvus onl lr\irut)

Well,norvif yru'vegot real sweetpatootie,bet-ter keep it ruder yo-uhiI-

\.-i__l__---/

Just re-memder cu-ri-os-i -ty in fa-bhsofdd- killedthecur- i -ous cnt-

(crtwd truls b mum,wrtfully)

you have a laddie*4ro's a teal qg -ar daddy, Bet-ter take in the welcomirgrnat.-

Re - mern-berthere'sa do- zen dollsfor ev - ry Dan- Ycu're rrrt the on-ly sveet pea
 in the if Ku wannakncrwtrwayto keep yrur man,- Keep it un-do your

hat. Hat-tie, Keepit underpur hat, lbt-tie, Keep it underyour

N914 REPRTSE:KEEP IT UNDER YOUR HAT

(KATIE & CHORI.JS)

OTa KATIE My cn uy? Okay - I will!

Moderato4 U rzo)KATIE t ryui snle & cu{i&te)

ltblt,rnwif yurle got a cu-tiewho'sa real svreetpatootie,Better

Vln..

keep it un &r ]our hat- Jrst rc-nrrr$ercu-ric - i-ty, in fa-blesofold_

t0

thecurj i.oir ",tY Supposin' ].ru love lt laddieWhma real -ar daddv:Bet

trke in the welconirgmat;- Re - mernberther€isa dozen dolls for ev -'rv Darl-

- -
t t)-. - | r I
not the on-ly su,tetpea if yruwannakrurvtlrewaytokeepyoql nnn-

un-del y'our Hat - tie. Keep it urrder your hat."

Keepit un-deryour hatl Sbll,nowif youlegot a cu-tie who'sa rcal sweetpatootie,Better

Well,nowif ydve got a cu -tie who\ a real swcetpatoo-tie,Better

q",
 keep it un-deryourhat_ in fa-blesof

keep it un-dcryourhat_ Just re -membercu-ri-os- it-y, in fa-blesof oH_

K i l l e d t l rccr r- r ' i . { } uc\ A t . _ Supposin' you love a lad-diev,lxr'sarcal sug- ar daddy, Better

Killedthecu- ri- aqt

Supposin' ytrr lole a lad-diewho'sa re.rl sug- ar daddy,Bet_ter

takein thewelcomirg ma[_ Re - nretnoerthere'sa doz-cncblls for ev' - ry Dan- Yru're

takein thewelcorningmat_ there'sa doz-endollsfor ev' - rv Dan_ You'rc

t2

not the on- ly sweetper in the can;- if yx wuuu kuu theuayto keepytur nran,-

nol the m-ly swectpea in tlr can;- krnrvtkwayo keep yrur man-
if 1u-rwanna

Keepit underyour hat, Keepit underyur lnt, Keep

Keepit under your Hattie. Keep it under yorr hat, Hattie,

Keepit uder your

 83

N9 15
- F[NSlEsAqr t
REPRTsE
,(ENSET\4BLE
*lIKruJE TRUTH
*

Crc' CALAMITY . . . .the only girl for rhe Golden Gurrer was Kdtie gtnn!
( Big laryh froot everyho,ly)

Steady2 (.t=roo)

FULL COMPANY EXCEPT CALAMITY

us an.oth-er-otre. an-oth-cr orrc,
t4

rlrt ex - act - ly ly - in', But she:s cure - less. cilre - less. qlre - less,
Cho.

CURTAIN

> > > > :> > :-,- >

END OF ACT I
 85

N9 16 ENTR'ACTE

Broadlyin 2 (t=so1

-:t-^
A little faster
Iptr

-i >f-'1- -.1
=; > t

J A + =
I I
+
1 . -f\+'
-

_ Steady4 (l= tos;

A 4---\ , a---\
-

f t r t F t F t f r f r t r i
86

i i r ?r tr -l r F a
h
t
F
T
I
I
t r t
Vlnr. F-
r J ' 7

1 7 r T t r t T t r t 7 I
a 7 r
I

1^\ ^.-\

r 7 t

Eocr
=I

t:l

r r 7 r r t r t r r f t f i f i T i F i
 n

Vrr:.J
J _-J

7
I
t r t T'l rc = +l a n
' l
P i
t ?
l
lF
r t r t r r r i
Vlnr. Sxi. Vlns Sxs

T i r i r i r i 7 r r r r { r { F r r r

r
8E

ACT TI
-N9 17
OPENING ACT II
A WOMAN'S TOUCH
(C{LAMITY & KATIE)

Bright andlively (J=t:o)

KNIIE', hqmren oil ttuge.

,i^'i't"-'-"r''l'-"", ,l' , rr .lt, r,\, ,\, |SIJE.SS',-yw.s.srpi,,.Gro.k
 E9
CALAMI'fY: NGtie,
thiscrbino'minewu
fl ole rats'nest- till KAf IE:liothing to
yougot wo*in on it. rt - ib1 a cal ot
Nx its realpurty- parfa few frills,
andaremrn! t(Mh!

A woman'stouch.

The magic of Al - ad-din ouldrft

l 1 - v
I
LJ-I

And she doesnt rrceda hnp!

do asmuch. Shdsa wizard sh's a champ.

-
-
, L? e' T Iq 7 T 7 7
T
q)

wonmn'stouch Cur uea'ta spell Tlr kird of trocts -

pocustkfshe dtrs mwell; Wfittre maglc of a bruom, $rccan mesmertze a

Br.A

' +t' t ' - r' 1

1

With a whisk-whiskhrcarda ufrisk-u,hiskthr€ardadust nan for tp cin&rs.

H \
 9l

rub-r'ubhcrqarda rLrb-rub
tlrre sheciur
pttlish up thc win-&ru. pre-st() clrange-o .sud-den-ly,
thc

sun conrspeeping tluo€h

Ard wtut doesMister Sunshine

sayto

nukesWu blink To stopandthink A woman and a rvhisk-broomeanac-

j
r _, - ,
t 1 - . 1 - + e

(=,
92

So ne - ver un-der - cst

4\

-complish r diur mrnh - Srr 119- vcf urt-r-br - est wonl iilt s

t
womaristouch can quicklyfill

- - n - s l q - e + e - e

t-r'|--llI ltrt

enrpty fl()wcr boxes ort a winder sill .

Orre snrilefrrxnherand 'ztxrm'.

fil
t_= t'

r 1 = 7
\i
92

So rre - ver un-der - est - i -nfle a touch!

A

-complish yr diun mtrJh - Srr lle - ver un-&r - est wonl iill s

woman'sttluch can quicklyfill

C - - q C e - r + q - e

t { , t - t r ' l ' 7 t

cnrpty fltrrvcr boxes ou a winder sill .

One snribfiun herand 'ztxrm'.

4 d . > Ft'
L2 I'

r- 7 I= 7
 93

Crl.

Katr

A touchofpaint e'rurtum a kit-ch!-tl

l
t ) 1

_ , | . 1 _ 1
t ' ? '
T
J
I
-r.J

ch.ririn - to rr Chippendale Ev-en makea lampap-pear like a cry- stalchrn1el- ier

chairin- to a Chippendale

t v
L _ 'T ' (F' {:_f-' a ? l

tr
Wift a tack,urk.here arda tack,tack;trre,Anda
Stgs W.W.

hand around a hammer,With a mop,nrcp,hereanda ca - bil

nrop.mop,therefoucangivea glammer.
CAI."AMITY:
l&l$/ha6 this? Sl85 ptrz CALAIv{ITY:rr\rhv.
- its
a pitcherof pu!
e\

W.W. Glck
nf
Cello Vla Hn
 96
K,\TIE:Not t
ww goo.l one
isit?
/i

With a plrc- to - grryh ix.l- y roomlookskind-a rromeyl

KA T I E

On the mant-Ic- Piccc'J

in with nre, this ca - bin tlnt I has be - come an el - e -gant man-siottmiv* lor

pizz W w. lriantle

\r,
 97

two - me anr.l1,ouI

Thc piesumlcakes wonranbakes

r ? 7 7 r 7 i 7 l z = 7 f t = z

So nc - vel under- esti - mate touch

tcll her that hc lovesherre.n t-rrt-tch. So ne - ver under - esti - mate a wo - rrran'.s trruch. No.
/e

\-/

n e - v e rr r n - d e r - e-st i - m a t ea
9E

N9 l8 H I G H E RT H A N A H A W K
( r l t L t .)

Cre. BfLL: (kxtliiug ttttiltnl Whrr u gal. . . .

Moderate 4 (RrbatoJ=loo)BrLL

My heart a luwk-

- +
Ftnlpsrs, z----
| --

J +

W bve is deeperthan a well

J
t ' '
_ My loveand ['ll well- giv - in' nre tl"p eyc-
St8!

Her per - fume blowin' me a kiss be at rrll sur-plised

 lf I wercr.n - ly dcamirgall And wlrcn I a - hrut like

o ----------------
f

Jirn Dnssedin pl red, Rjks will shout"Take a

/,--a'\-- -l^

look al the head!'l- I said that I wouldne-,'erf;tll-

A Stgs.W.w

I laughd at oth-erswhenthevfi:ll And here ['n Higher

A
 Ftrlks will shrut:''Dott'tyou

E conreprima

think they rnakc a won- der-firl pair?" I ctid that I wouldne-verfall-

hawk. and deepetttnn a well My love, nry love is higlter thm a

r:\

hauik, and deepcr tlun a

> > > > > >

:
h"€'
 ()l

N9 19 B L A C K H I L L SO F D A K O T A
( ( ' l l o R L r s)

Cra,.C.{tAMITYrunrrira Bll.LS unrr. Blal;rnt. Taht

 L'istessotempo(J=J)
()nt
tub; - Clawt ett.

Take me back to the

r r r "l =l lF i r r t r t

Hills. The Black Hills of Tb thebcar- ti-ful ln - di- an qJuntrv that I

f t t - t f t f f t f t

l-ost mv hart in tlrc Bl.ick Hills. Thc BlackHills ol Da -

rr.&
 -. _ _ _
a__=r
\Mrre tlre pinesaresohightlrattheykiss the slry a - bove!-- And when I

r t r r r t r r r t r i t r t

- y- - +. +I+
Cho. get that lone-someftel-irg, And Ih miles a-way I hear the robe of thc

iakenre brk to tlre Black Hills. The

Takenp back, The

my- sttc mountains call - irg me tnck lrcme
Take ne back to the Black Hills, The

Take rne bsck, Tlrc

 BlackHills ol Da - ko - ta, to the bcar-ti-ful In-di-an qun-lry that I

r t r i r t r t r t r t

*5-

BlackHills, BlackHills, Tkx€h I've wanderedfa a - lvay

Tt
Vlni.,
Crp Br J^J ,{-J

Wherethe deer and the

{ta-'--..''.-->

Black Hills, Black Hills, I'll comebaditoyru som day!

!-t J..:l

-*,-
htr-fa-lo roam Ardth red wing feathershernest, Thr's tE pbce tts I1l cdl n1 lunc, TIE

Take me birck, Take me back,- Black Hills of Da-

r
Take me back to Black Hills. The Bld Hills of
lard that I lorretlre best. Take me back - Take me back,- BlackFflls

Take nr back to ttrc Black Thc BlackHills of Da-

Sttr prrr w.w'

i r t

Take me back T*e nre back_

To the beau- ti-ful In-di - an coun-try tlnt I love

Take nre back Take me back- Tklt I
4

To the beiu - ti - ful In-di - an ccun-try thal

Bn opcn
f,,----

r r t
 I I yv
l,
Lbst rnv lrcurtin the Black Hills, The
BlackHillsol Da - ko - ta-Where the pinesare rirrlighthattlq
I-ixt rrrl hatt - Lmt my heart-

Losi nry lrcart in the Black Hills. Thc

StSs pizz W.W.

t
r i
!
i
I
I
.
sky a - bor.el And when I thal lone-some

T-

I hear the wice <f the mtlurtait.ts cnll - irg me bltck

 E
Takeme back to tie Black l{ills.

| -,-_-_/

Cho. home- The BlackHitls of

Takenre back to the Black Hills.

Thke me back,

r 3

beau-ti-ful In-di-an countrythat Take me back to tle

Black Hills..The BlackHilbof To the beau-ti-fulIn-di-an coun-lry that I

 So trtkc nle, Tirkc to thc Bltck

Black Hillsof Da- ko - ta- To the beau-ti-fulIn-di-an com-try that I Iore. Blrck

4
 109

N9 l9a
- OPENING SCENEIII
REPRISE:BLACKHILLS oF DAKOTA
(CALAMITY,KATIE, BILL, DANN\ & (]HORUS.
)

Steady4(J=108)

BlackHills

Be-causeI lost my heart Hills, The BlackFlillsof Da-

J

)
 - ko - tr, - Wlrerethe pirrs are so high0tntdtqvhs tlrc

:1?Fr
ErrrrCALAMITY
rmdtsll-l, KATIE
ad DANNY.

CALAMITY It wuzCusts\ Bill. I

BILL: Dida hafta wr that ol' cmt? Cac it t'm hilsclf.

I
IBILI- This ain't m outing expeditim 4ainst
forbnScullyl Weie going to a
We're r Ball!
l.urrat"s""a

lTl CaUtUtrV: I krw. . . . An're $Egota nightferit.ain'twe,uitP lponr it thrillyrh,jcsr tolcnk^ut 1,,
l:, themhrlls? | M rcnder ttrm Iniunsficht so

f icrcc - t'hang onto this comtrY !

 lil

CALAI'IITY

Take me back to t

Take me back The BlackHillsof Da- ko- ta To the heau- ti-firl In - di - an

KATIE

BILL
Take me back to the Black Hills, The

r | | 7 | | |
Take nre back The BlackHills of To the beau-ti-fulIn -di-an

t r i i r t r - i r i f i r-r

coun- try fi.1t I love Take nre back to the Black Hills. The

TOGETFf,R

ccmn- try that I love Thke rne back to the Black Hills. The

. cHoRt_6
I Minltle nrk ) That I love-
l-

e . / -

r i r r i r i i r t t r t
 Black Hills of To the beau-ti-ful In - di -an coun - trv rhtl

Black l-lills of To the beau-ti-fulh - di-ar coun - trv

p

that I

--

I
F
1 t t t f t
tr
Tempo di Polka e.renrpRlNCrpA.LS
c'.rJ.
llnd
Krte.

BilI
iutd
Dan.
Iovc---

-€>-

love

E T.*po di Polka
 ll3

t-dt
I ' COLONTL: Niec r.,5ce

KATIE and folkrwed by CALAMI1 Y and BIL L.

Itfusic contiues ad .fades wr{er ewvhg diulogn aru! octinn.

114

N9
- 20 LOVE YOU DEARLY
(KATIE & DANNY)
Crc.'DANNY: ('alamity can be lour bridesmail. . .

,r\ D\NNv Modcrate 4 (tWt rhvthmJ=I}8)

Love you darr- ly, Ir,lorethan iust

Cup mure TP'I.
6, cl..

More than I corrld ev - er kpe to say; --:.

r{-
Ft.
Tp..8r" !!) j flr-)-

wordscant Yrlu .sc--m to tltke' my

tr
ve- ry breatha Lrxrks likc I likc vtrtrrhrrkr
Vl::,...-------------'.t *
 .ike ttu wayyru're fashitrned; If I sourdirn -passioned.
dar- ling, May say
Z-__-____ |
+ _ + Z
:-/- l+ q+.
.L

you dear-ly, Morethanjust sin - cere-ly

you dear-ly, Morc ttnn just sin - cere- lv More than there are

Kate.

Need I say rrcedvou more and

Dan.

rose-buds in a spring bou Need I say needyou nrrrr ard

r
E
Kate

Dan
 lr

more sm, Kate .Eversinceydgothere-cversirctl8tfi6tmomentlsawy[,]'wkmmyou'retheonlyoreforme'.'.,

KATIE
a

Morc thanjust cere- ly

you dear- ly, Morethan just Morethanthere are

Necl I say need yor morc and

rose-buds spil€ Need I say needlou more atd

F\
 fi1

N9 2l FINALETTO
(CALAMITY & BILL)

(lrc..BILL: .. . .disrupt th€ whdeftrt if ttreyw.p,

likethat ! (fxrf )

BrightlValtz (t. = oo)

O\LAMITY. 'em
, .(yelb to Btr.L) Let *e me:

TJ,er face the mean be - hara nice as ple, _

back- tlq'll spit rbht

 things they get

just don't

f\
 Cal.
&BiII

Cal.
&Bill

BII-L: I takebmk *rythirgl sil okn,r-dtr oi'-at. ].youis src

F fuoo.rato(J=72) gma red it. . . CALAMITY: H!.y-ywain'r cmirr'withmc! I hn,

Cal.
&BilI
 r20

BILL: I'm takin' yu homc whether you CALAMITY: Now sce hcre, Bill
like it or not - so c'mon -

\U

If anyone catchcs you an' me this way, Deadwood City'll nevcr

be the same again!

tr Exernt. CURTAIN

&grc tts ute

N9 22 OPENTNGSCENE IV

Broadly(J=ao)

k
 CURTAIN UP Eurer CALAMITY und BlLl.

,'.u,"..
J^l J___. L
t ^ l
+

lE
{
 t22

N9 23 MY SECRET
(
LOVE
CALAMITY )

Cue; BILL: You'll get over Danny, too..

Moderato(J= se)
Dialozue over ntusic 'im...
CALAMITY: No. I won't All I've donefer months is dream about about gittin' married'

an' brrilding a little cabin. ar' havin' kids, an'. I r€ally wanted all them things.... BILL: I was kinda hankerin' fc'em myself

EBroad 2(1 = n)
CAI.AMITY: T h e r c ' l l n c v e r h e a n o t h c rl i k e h i m Bill... not fcr me... not ever BILL: lt aint gonnabeeasy gittin'her uta m y s y s t e n , e i t h e r . . .S h e w a s m

b q u t i f u f . . . a n d . . . s o b e a u t i f u l . . . a n d . . . ( k l s s ) s o h e a u t i f u l . . . a n d f e m a l e . . . a n d ( t i s s e sh e r p a s t i o n a t e l . v \C A L A M I T Y : Bill

CA LA M ITY

c ----.-

lr*._
 .t.
+
The wav that dreamers of- ten
{>

Cal
5----- i l t t '
how wonder-ftrt you are : And why I'm so in love with

shcut it from the hish - eit

 lu

('al.

told the gol -den last my heartban op - en

Moderaterhythm

And rnv secretlove'srn secret, an - y

Cup Br. W.W

*'------

E. ;-_- r------->\
3111; Who was that lootenant yort were tellin' me alxrut

a while back? CALAMITY: Never heard of im BII-L: What yor say to us takin' a ride iust the trvo of us?

J-)

We ould watch the moon hangin' high over tl€ mountains.... CALAMITY: T h e w a y i t ' l l l o o k , I s h a n ' te v e r h a v c s c n it before' '.

k
 125
ComePrim

JfTurtt (Br cupr)

my secretlove'.s
no secret an- y - more
vin!. Fl z:--

u----/u

NP 23a MELOSer.roREPRISE:MY SECRETLOVE

(CALAMITY & BrLL)

Cw.'DANNY.' This me she loft m sa;n errything. Lisr,il. . . .

Moderate(J=t2o) DANNY: Shut up and listen!

in brc with pr. mtl ltlaytrc | m. but I'm not -not Jrn' morc "Crlamity's in krc with yu.
 126

md lexp€t y)u're in riglrt to mme betwen rru A&hide Adams Katic Bm rcwr
I I ;w...GoodbyeDany'
love with her, too, I ir trutnueou yur tuo.Prctend it , I whosrnc to Deduood-l existed.. .Sledoesn'tl. .. .(Heotnfus tle ma)

e
I
J

"Never existcd".... Shc was the most real

BILL Derson in Deadwood.
CALAMIry (with suddenresolution) I've Fotta bring her back.... Thcre's nothin'
elsc for it- I've gotta bring her back!
DANNY But shc's on her way to Valley Falls -
CALAMITY But she ain't gonna catch no stage- not while I can ride faster'n any
woman alive! I'm gittin' back to the cabin. quick! Bill. you can
saddle up fer me, while I get m'deerskinson.... While Im gone, find
a preacherro do the splicin'! .... Dannv, you git back to thehrt an'
invitc the folks to a weddin' a doubleweddin'- you and Katie, 'n
me and Bill.
DANNY (after a stunnedpause) Did- did you say you-and-- Bill?
CALAMITY Thafs right!
BILL Sure is.
DANNY Well I'll be! .... Bill, I don't know what kind of alife vou'llhavc
with this catamount... ,. .

E g.ro 2 (s=tz) E o*",r,

.,.but it ain't gonna be dulll

Timp. roll.

l|---
 127

my heart'san op - en door,

-dils! last my heartbanop- en door.

St3s y1.yY

t ? l
E Con moto

our sec- ret love's no an- y

tPn. ten

our sec- rct lovelsno an- y - more!

Ien.-
6 Con> moto >

h; bi
 t28

-N9 24 WINDY CITY

REPRTSE:
( C H O R U S)

Bright 2 ( J = r o s )
=\

> > >

.f l,u. c'tto'

NOTS: If shmter scene-changemusic is requirc<l,thc first rLpcat may hc rmittcd,or a start mrd€atcithe.@ot @

IL
 u)

Just blew in fromthe win-dy ci-ty, The win-dy Ci-ty is migh - ty prett%Buttlrey aint got what
I''EN

o-
/--------\ |
- A,

G
 No, sir - reel Theygot shackstpto sev-enstoreys,They rt-\€r see any

i4---4 .E o,,--\

l.

But a Step from our door - way

morning glories, We got 'em for free!

tJ 4F

het - ty la-diesin their big chapeaux.

minstrelshows lawns, public parls, Ah

Stt!. Sxs Stt. W.W.

L
 civ-ic virtug Thdw got fountainsttrcreto squirtyan!
Jus blewin fromtheWindy Ci- ty, The Win-dy Ci- ty is
--.3r

c
------ -

migh - ty pretty,Butthey ain't got what we Iln tel - lin' pu boys!

a
t?tl a
{_---1 4-T.e

Ci - tv than in all
Deadumod
 132
N 92 s
- FINALE
(FULL COMPANY)

Crre: R\Tf I.FSNAKF: Deadrvood Stase all rt,adv fer thc rveddin. party!

Bright(J=ros)

Oh. the Deadwoodstase

is a- rol-lin'on ov-er the

driver a - slappin'the
With the cur-tains flappirlzurdthe reins

Beauti- ful Whip cracka -way,whip

r-- .'----1 )-->).

\
crack a-way,\44tipcrack
a - wayl-__.-___.- Oh,tlre DeadvroodStageis a heidin' on ov_crthe
-_-.*--

- aF,t

In - jun arrc^5 are a - drickerthrn porkcrpine quills

*ft-

+lq--.
a tq\.
r d ts\.
+ l

'---___i_---
Dangerous land

r----r A,-'---,).

ls\
2J
 cru* a-waStWhip crrck a - wa1,!
Whipcracka-way,Whip

and she das- nt need a

tr
 l3tt

CIORUS GIRLS

a'charming wed-ding

kind of ho- cus p,r- cus that she &ps so welli

2rcO

EJsbr*

Hey pres- to. change-q std-den - ly the sun correspop-pirrg

W.W. (Sx)
 lx

Tempoprimo
Fry.
What does mb - trr Sun - shine sav to Ile gm tu'o

Tell us

E nn*, ^te4 ()= n2)

+ " - J - t - t . - -

wonderfularms. Yan'vepttwo vorderfullbs, twen-ty one- and I'm free- You're

>

one I a-dore. gpt youbfol€ smEbody shookyou do"mfmm the tree;

s-
 137

Frv

sweet as a hive full of hon- e1i- So let me be ycur honev

ECon
Ettter
moto
K.\fIE aari DANNY
>

--=:b-
= tt----------=--

vou darr-ly,

Love
Stgs

u-r-------u

More than iust

More thanjrrst sin - cere- ly. More tkrn there are rmc-buds in a
 138

Kate.

Need I say needyou mcrc and more

Need I say need rru ntorc and ITIore day?

E Moderate4

I wculdneverfall- But rnw Im not a-fraidtotell:- My br'e,rny love is higherthm a

StSs W.W

*----* +---=..- /

haq&.,and deeper than a Brter CALAMITY

S
 last my heart's an op - en

told the gol - den

Sttr W.W.(Srt

my sec-ret lor,eb no sec- ret

tbr heart'san op - en door, And her sec-ret loveb no sec-ret

\l/
 Dead-wo<xlStage is a rol-lin'on or.er the plains. wrh the

flap-pin'andthe dri-ver a - slappin' the

-
f,.'t
 t4l

'-\-___L-----l-

skies won-der-ful day Whip crackaway, Whip

)-).

crrck a-way. Whip crack a - wayl Oh. the Dead-woodstage is a-

- IT\
€-
-a 1)

hea-din'on ov-er the Where the In - iun ar-rou,sare a -

+t+.
l e fq\
a e f5\
a
s
1 A
- thickerthanporkerpine quills.

rS\
+ Fr
a f,--- IJ i

l----;-----

Whip crack a -wdy, whip cracl< a'way, whip crack a-

J J tt

> > > > > >

c----T---c---T-

'Whip crack
I
4+ '1+

ENDOF PLAY
 143

N9 26
- CURTAIN CALL
(THEBLACKHILIS OF DAKOTA)

Steady4(J=tos)

FULL CoMPANY
EJ
, Take nre back- Take me

? | | y p I
Tidke me badr to the Black Hills, The
To the
Take me back- Take me back-

Take me back to the Black Hills, Ttre

Stgs ptzr W.W.

t r t ?
G

Take me back._ Take me back.-

I r v r v ' 7r r
beau - ti - ful In - di - an ioun - try that I love

Take me back. - Take nre back. That I love-

I

beau - ti - ful In - di - an coun - trv that I

 I-ost my heart- Lost my heart-

? | | r 7 | | r
Lixt my heartin the Black Hills, The
BlackHillsof Da - ko - fa-Where the pinesare stthigfrtkttlq
lnst my hart - lost mY heart-

Lost my heart in th Black Hills, The

Stts pizz W.W.

kiss the sky a - that lone- some feeling, and I'm

I hear the roice of the nly-stlc lrlountalns

\.
 Take me back to th

---i_--
r l l
Take me back,
Cho home- Tlrc BlackHills of
Take nre back to the Black Hills,

Thke me back.

i r i

Take me back to tlre

Hills, The BlackHilhof To the beau-ti-ful In-di-an coun-trv that I

 me brck to the Bhck

BlackHillsof Da- ko - ta- To the belu-ti-ftrlIn-di-an coun-try tltru I lore. Bltck

JJ hd

Hills,
I

t--7--- g

K..-
 141

'27
\9
-
PLAY. OUT

M o d e r a t e(2J = 8 8 )

--*1
 148

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-- I
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