Alapin Sicilian Defense
Alapin Sicilian Defense
Alapin Sicilian Defense
1 . e4 cS 2. c3 ltJf6 3. eS ltJdS
4 5 6 7
1 ttJf3 b4 *
e6 *
2 c4
3 ttJa3
4 g3
5 j,c4
6 d4 j,c4 *
cd4 *
7 �d4
8 cd4 �c4
d6
9 ttJf3
10 ttJf3
d6
11 cd4 �g5 *
e6 b6 *
12 ttJbd2
13 a3
14 �c4
15 Jtd3
16 ttJc3
19 d4 cd4
cd4
20 j,c4
1 74
M USC LE U P
By
_____----.: B
:... .;; I L
U:..;,.; ;;.;: IN
D:..;,.;
�G A RE P E RTO I RE , B22 S I C ! LlAN D E F E N,;;,.;
S E;;..:=;;;;;;;;
;;; ;;;;
;;; ;;;
;;;; ;;;
1 75
Kotronias
to avoid the sterile main-line theory o f the . . . lZ:Jc6/ . . . lZ:Jb6 lines; however,
even against . . . e6 systems (such as the one Vassilios is proposing) it has
been shown to contain some venom. Thus, it is essential for Black players
to be well prepared against this line.
This is also the proper moment to draw the reader' s attention to a little
move order detail : White often starts with the move 2.lZ:Jf3 and follows
with 3 .c3, trying to trick Black out of certain systems. Such would be the
case here as well, if B lack ' s Sicilian of choice starts with 2 . . . lZ:Jc6; 2 . . .
e 6 3 .c3 lZ:Jf6 would simply transpose to the lines examined i n previous
volumes, but the knight move is a different story altogether, ruling out
all such transpositions. It is against this move order trickery that the last
two parts of Vassilios' effort are directed. True, Black no longer has the
option of playing the . . . e6/ . . . b6 system
that this series is based upon, but the early
Lifelong Sicilian Player inclusion of 2 .lZ:Jf3 lZ:Jc6 opens up new
options - to both players. Of course, 2 . . .
The pedigree of the author speaks volumes d 6 rules out all such concerns altogether,
about what the reader is to expect from these with 3 .c3 lZ:Jf6 being a completely
articles: apart from being a very strong independent system.
and successful active player, GM Vassilios
Kotronias is a highly esteemed author and Before diving into the intricacies of
chess analyst, well known for his deep S . �c4, Kotronias takes a quick look
analytical approach to the opening, who at the rare move S .lZ:Ja3 . White intends
has worked with several top grandmasters, to challenge the lZ:JdS by means of the
such as Veselin Topalov, Alexei Shirov and slow manoeuvre lZ:Ja3 -c4-�3, but a3 is
Nigel Short, as well as a trainer for the not an optimal square for the knight's
Greek national team. His name is associated development. Black' s suggested reaction
with deep opening research, inventive is the prophylactic S . . . a6, intending to
new ideas and an unceasing quest for the gain queenside space with . . . bS and
absolute truth, as can be evidenced from his sideline the knight on a3 ; but the simple
various highly regarded opening works to central counter . . . d6 remains a valid
date. Additionally, he is well known for his option as well. White must proceed with
uncompromising style and fighting spirit. his intended plan without delay, but is
hardly able to trouble Black; simple and
Vassilios' competitive successes include ten direct central play ensures the second
gold medals in the Greek Championships player full equality.
and first places, clear or shared, in several
strong tournaments all over the world, while The move S . ..tc4 has become a major
he has been a member of the Greek national line in its own right, and quite justifiably
team for three decades. Most recently he so; it is an interesting possibility that
won the gold medal on his board in the 20 1 3 leads to dynamic play. Black replies with
European Team Championships i n Warsaw. S . . . lZ:Jb6, when White does best to retreat
He certainly knows what he ' s writing about, to b3 ; the alternative, 6 . ..te2 d6 7.ed6
too: Vassilios has been a lifelong Sicilian eS ! , leads to lines where only Black can
player, and has clearly spent endless hours be better. Black should then play 6 . . . c4,
throughout his career racking his brains over isolating the eS-pawn from the rest of
how to meet the 2.c3 Sicilian in a dynamic its army, and follow up with 7 . ..tc2 g6,
and ambitious way. This series of articles preparing to attack it. Such direct play
represents the result of his most recent forces White to react promptly, so as
efforts on this problem. not to be left behind in the fight for the
initiative. This is best served by playing
1 76
C h ess Informant 123
b2-b3 , either immediately or a bit later; some very fine move order nuances
are explained in the notes. B lack proceeds to liquidate the eS-pawn with
. . . d6 or . . . dS , opening up the centre.
The critical position of this article arises after 8 .b3 dS 9.ed6 '&Id6 1 0.0-0
ilg7 1 1 .lZ:Ja3 cb3 12.ab3 0-0 1 3 .d4 �g4 ! (preparing . . . eS) 14.h3 (netting the
bishop-pair, though other moves are also examined) 14 . . . �f3 I S .'&If3 eS !
1 6.lZ:JbS (the most energetic attempt) 1 6 . . . '&Id7 ! . Black has given up his light
squared bishop to accelerate his development and engage in battle against
White ' s pawn centre. Pavasovic ' s 17 . .§.d l ! is the only way for the first
player to put any pressure on Black, but after 17 . . . ed4 1 8 . lZ:Jd4 lZ:Jd4 19.cd4
the simple novelty 19 . . . .§.fe8 ! should equalize without undue effort. Overall,
provided that Black is satisfied with sound equality and is not entirely averse
to exchanges and a draw, he faces no theoretical problems whatsoever.
CHAPTER 1 7
Vassilios Kotronias
• Pea k rati n g : 2 6 2 8 �
---
3 ...lZ:Jf6 This move is good, solid, and reliable. In the present chapter we are going to examine
I have used it over the years with success and this rather weird-looking move. However,
it is by no means inferior to 3 . . . dS , in fact I apart from its surprise value, it is not really
am inclined to describe it as more intriguing. dangerous.
The white e-pawn is tempted to advance, but
in return Black will gain the excellent dS S ... a6! Taking bS under control and preparing
square for his knight. to gain space on the queenside.
[RR S . . . d6 6.ed6 ! Smagin 260S - I . -A. Nataf
4.eS lZ:JdS S.lZ:Ja3 ! ? 2S26, Deutschland 200 1 - 8 1 1 107]
177
Kotronias
1 78
C h ess Informant 123
2 1 .abS abS 22.§ac 1 d4 2 3 . cd4 (23.tiJd4 tiJd4 I like this move more than S . . . e6 because it gains
24.�g4 tiJb3=) tiJd4 24.tiJd4 §d4 2 S . �g4 time and avoids the shutting in of the �c8.
§g4 26.f4 i/.. e 7 27.g3 §g6 28 .§c7 �f8
29.�c3 §a6 30.1 ldd7 §a2=] 6.�b3 Allowing . . . c4 with gain of tempo, but
nevertheless the most critical continuation.
After 1O.i/.. d3 Black can borrow a theme from White plans to liquidate the black pawn once
the Open Spanish by quickly developing his it reaches c4 and subsequently obtain a strong
queenside: pawn centre.
[The alternative retreat 6.�e2 is harmless for
10 ... c4 1l.i/.. c 2 �g4 12.0-0 deS 13.deS �e7 B lack due to 6 . . . d6 7.ed6 eS !
14.�f4 'l?Sfd7! IS.h3 i/.. h S 16.§el §d8! =
CONCLUSION
S.tiJa3 is a choice of development that should
not worry Black as White' s plan to challenge
the tiJdS involves the time-consuming
manoeuvre tiJc2(c4)-e3 ; A good reaction to it is
the prophylactic S . . . a6, intending to gain space
on the queenside by . . . bS or simply to play . . . d6,
according to circumstances. In this chapter
Black achieves full equality by adhering fIrst
and foremost to the theme of centralisation.
Kotronias
. . . when he effortlessly obtains good control
of the centre and at least equal chances. Then:
CHAPTER 1 8
A) The restrained 8 . d3 is hardly the type of
l .e4 cS 2 .tiJf3 tiJc6 3 .c3 tiJf6 4.eS tiJdS move that will secure an edge for White; after
S . �c4 8 . . . �d6 9.0-0 0-0 1 O . a4 tiJdS I l .tiJa3 b6
12.§e l (I2.tiJc4 �c 7+) §e8 he is actually
struggling to equalise:
l .e4 cS 2.tiJf3 tiJc6 3.c3 tiJf6 4.eS tiJdS S.�c4
This is the main alternative to the more
natural S . d4; before initiating action in the
centre White forces his opponent to make up
his mind regarding the future of the tiJdS .
S ... tiJb6
179
Kotronias
: A2) The best thing I can see for White is i This is the star move, taking away the c2
1 l3 .tbgS ! ? .te7 14 . .tf3 ! .tgS IS . .tgS, at 1 square from the white queen. Now White has
I least obtaining something concrete in the tried several moves in his effort to complete
: form of the bishop pair; however, after I S . . . f6 his development but the evaluation remains
I 1 6 . .td2 .te6= Black' s light square control unshakable: Black is at least equal.
: and strong pawn centre outweigh this factor. : B2a) 14.�d2 Wic7 IS .g3 �ad8 16.Wic 1
I
: �fe8 17.ilgS happened in Morales Pecino
B) �fter ? d4 cd4 9 .cd4 Black has two good : - Asturiano Molina, COrT. 2007, and here
contmuatlOns: : both 17 . . . �b8+ and the game's 17 ... �d7+
: give Black a slight advantage; it is difficult
: for White to coordinate his forces and if he
: drops his bishop back to fl then Black may
: contemplate an advance of his h-pawn to h4
: to weaken the white king's defences;
: B2b) 14 . ..ta6?! Wic7 IS .g3 �ad8 16.Wif3
: .1e6 17.ilgS f6 18.i.e3 �fe8 19.�ac 1 tbd7 !
: 20.Wie2? (20.tbb5 tbe5 21 .tbc7 W3 22.�g2
: was probably the only way.) tbeS 21 .Wic2
: ilh3 22.�fdl tbf3 23.�hl WiaS !+ 24.ilc4
: �h8 2S . ..tt7 �e7 26.Wib3 g6 27.i.c4 WihS !
: 28.�d6 �de8 ! 29.tbe2 �e3 30Je3 tbd2
: 3 1 .�f6 tbb3 32.ab3 WieS and 0 : 1 , was a
: Bl) 9 . . . e4 is also good enough. After : catastrophic loss for White in Morales Pecino
1 1 O . tbgS (J O.tbe5 .td6 1 l . tbc6 bc6 12.tbc3 : - Aguiar Garcia, COrT. 2008;
: Wie7°o is more interesting; each side has : B2c) After 14.i.f3 Wic7 IS .g3 �ad8 16.Wie2
1 its trumps in this approximately level �fe8 White is forced to interpose the bishop
I position.) .td6 I l .tbe4 .tb4 1 2 . tbbc3 Wid4 on e3 and this results in a weakening of his
: 1 3 . 0-0 a draw was agreed in Adams 26SS pawn structure: 17.ile3 �cS 18.�adl �e3
1 - Khalifman 263 S , Wij k aan Zee 1 995 - 19.fe3 .te6 20.b3 (Gerard - Schwarz, COrT.
1 62/( 1 46), as the position is rather sterile. 2012) 20 . . . tbd7 !?+;
For example, 13 . . . 0-0 1 4 . .1e3 (J4.a3 �c3 B2d) 14.ilg4!? seeks to trade pieces and
15.tbc3 Wie5=) WieS I S .Wic l ! (J5 . .tb6?! create breathing space for the white queen, but
ab6+) �d8 1 6 . �e 1 ! ? (J6.a3 .tc3 1 7.tbc3 Black should not agree to it. Best is 14 ... �g6!
ile6 18.�el tbd4=) h6 ! 1 7.a3 .tf8=;
B2) 9 . . . ed4 After this move the computers
prefer Black (if only minimally), in spite
of his acceptance of a slight weakening in
his pawn structure. Let us now see what
happens after 9 . . . ed4: 1O.tbd4 .td6 ! I l .tbc6
bc6 1 2 . tbc3 0-0 l 3 . 0-0 iHS !
180
C h ess Informant 123
! ilhS 20.'lIUd3 .§d8 2 1 .'lIUe3 (21 .0,d5? .§j7!+) 6 c4 Thematic, trying to isolate the eS pawn
...
: .§g6 22.f4 0,c4 23 .iLe l 0,e3 24.iLh4 .§b8 from the rest of the white army.
: 2S . .§f2 0,g4 26 . .§c2 i.f4 27.i.g4 .§g4
: 28.ilf2= but it is quite likely there is some 7 ilc2 g6 Preparing to pile up on the target.
.
181
Kotronias
8 ... d5 ! ? [Not bad, but 8 . . . �g7 ! could well A) That game continued 1 4 . . . �c7 1 5 . d4
be an argument in favour of the 8 . ct:Ja3 ct:Ja5 1 6 . c 5 b6 when, instead of the
move order; as far as I can see White has impulsive 1 7 .Ha5 ? ! oo which rendered
nothing better than 9 .bc4 (9.�e2 d5 1 0 . ed6 the p osition unclear, White could have
ct:Jb4 does look like an issue for White. ) retained the advantage by 17 .He I ! bc5
ct:Jc4 l O . d4 0-0 I l . iLd3 ct:J6a5 1 2 . 0-0 d6� 1 8 .ct:Je5 cd4 1 9 . iL f4 ! i ;
and B lack does not look at all worse to me.]
B) After 1 4 . . . iLe6 ! 1 5 . �e2 �c5 ! ?
9.ed6 �d6 10.0-0 iLg7 1 l .ct:Ja3 ! Now (Another possibility i s 15 . . . ct:Je5 16.ct:Je5
B lack is forced to relinquish his hold over �e5 1 7. �e5 iLe5 18.d4oo/± but White
1 82
C h ess Informant 1 23
183
Kotronias
,
. . . fS , (as 20 . . . l2lj5 is better for White after : C2b) 17.'�f3 l2leS 1S.'�e2 a6 19.12ld4 l2ldS
21 .l2lc2;;!;); : Black has reached his optimum position. Now
B2b) 1 7 . . . �fdS 1 S .j.e4 ! a6 1 9 . 12la3 ! : the weakness of the c3 pawn forces White to
(J9.l2lc 7 �acB 20.l2leB �e8 21 .dc6 bc6 : navigate with care: 20 . .1b2 ! (Weaker are both
22.�a6 �ed8 23.YJUc2 l2ld5�) l2le7 : 20.j.d2?! �acB 21 .c4 CiJg4!+; and 20.YJUd2?!
(J9 . . . YJUd6 20.l2lc4! l2lc4 21 .bc4;;!;) 20.c4 : l2lc3 21 .YJUc3 l2lc6+) l2lc6 (There is probably
: l2lfS (20 . . . YJUd6 21 .l2lc2t) 2 1 .l2lc2 l2ld7 : nothing better.) 2 1 .l2lc6 YJUc6 22 . .1e4 l2lc3
: 22 .b4i; : 23 . .1c3 YJUc3 24 . ..tb7 �a7 2S . .1a6 YJUb3
1S4
C h ess Informant 123
185
Kotronias
B) However 17 . . . fl.fc 8 ! is the cleanest B) 18 . . . abS 19.dc6 �c6 (J9 . . . �dl ? 20.�dl
equaliser: fl.al 21 .cb 7 1i.h6 22.1i.h6 fl.dl 23.�dl
fl.b8 24.1i.j3 J5 25.1i.c6 J4 26.g3+ should
-
186
C h ess Informant 1 23
: In spite of lengthy analysis I could not sacrifice brought me back to harsh reality
I find equality for Black here. The critical and shook my confidence in the line :
I line goes 19 . . . ttJc2 ! (J9 . . . e4? ! 20.iJ.. e 4
: f5!? 21 .�dY! �c3 22."il.b1± leaves Black
I exposed to the powerful white bishops.)
I 20.ttJc2
I
1 87
Kotronias
make B lack happy, while (2B.WJcl b5+) WJe l 29.'�h2 WJe4 30.WJc3
C2b3223) 2 5 . iJ.e3 CiJd7 26.CiJc2 b5 ! (30.Jad3 CiJc5! 3 1 . WJc3 WJe5 32.WJe5 Jae5
33.iJ.e5 CiJd3 34.iJ..f6 �j8+) WJe5 3 1 .WJe5
CiJe5+ is better for Black;
C2b32242) 27.WJc l ! WJf5 ! 28.WJd2 WJh5 !
(2B . . . b5 29.CiJc2 bc4 30.bc4 Jac4 31 .CiJe3±)
C2b322421) 29.Jae l Jae l 30.WJe l WJf5 !
, 3 1 .WJe2 CiJc5 32.CiJc2 a5°o (32 . . . WJe4
: 33.WJd2 f6 3413 WJd3 35.WJd3 CiJd3
: 36.iLf6oo);
: C2b322422) 29.CiJc2
188
C h ess Informant 123
36.ltJD (36.h4 ltJe6 3 7.c5 V/tie5 38.'Be2 because it takes the computer a relatively long
V/tid4 39. V/tia2 V/tid5 40.V/tid5 'Bd5 41 .'Be6 time to spot this simple equalising move.
�j7 42.'Bb6 'Bd7 43f4 h5 44.�j2 'Be 7 [Instead weak is 19" .ltJdS? ! 2 0 . .te4 ! 'Bfd8
45.g4 hg4 46.hg4 �g7=) V/tif8 ! 37.'Be2 2 1 ..tgS ! f6 22.'BaS ! bS? 2 3 . 'Be l ! + -;
(37.h4 ltJe4 38.'Bd4 ltJg5 39.ltJg5 'Bd4
40.V/tid4 fg5=) as= and Black secures the 1 9 " . fS opens up the king and is tantamount to
position of his knight on cS, with equal positional suicide; after 20.b4 ! �h8 2 1 .'BaS
chances; 'Bac8 22 . .tb3± a6? ! 23 . .tf4 ltJc4 24.'BcS bS
C2b323) 23 .V/tif4 ! � leads to a very 2S .dS+ - Black ' s position was collapsing in
dangerous attacking position for White Pavasovic 2S68 - Grosar 2470, Bled 2002]
, who can apply long term pressure on the
: dark squares. For the sake of completeness 20 . .te4 'Be6! One should always remember
: it is important to note that 23 .V/tif4 ! is in that rooks can sometimes be doubled!
: fact the only way to maintain an edge for
: White in this position, as against other 2 1 ..tf4 !
: moves Black manages to hold his own. But [2 1 . .tb7 'Bae8 i s already better for Black.]
: now if 2 3 " . .teS
2 1 ...'BaeS 22 . .teS ! .teS 23.deS V/tic7 24 . .tb7
'BSe7 2S . .ta6 V/tieS 26.'Bac1 �g7 27 . .tfl
as=
Black ' s centralisation coupled with the
pending possibility of " . a4 ensure that this
position is dead level.
CONCLUSION
S . iLc4 is an interesting possibility that
leads to dynamic play. After S " . ltJb6 White
should rather retreat his bishop to b3 as the
alternative 6 . .te2 d6 7 . ed6 eS ! leads to lines
,
that can only be better for B lack. The critical
: 24.V/tid2 .tal 2S .ltJa l V/tid6 26.ltJc2 ltJd7 position of this chapter arises after 6 . Ji.b3
: 27 . .tb2 bS 28.ltJe3 f6± leaves Black with c4 7 . .tc2 g6 8 .b3 dS 9 . ed6 V/tid6 1 0 . 0-0
: a laborious defence ahead of him after Ji.g7 I l . lLla3 cb3 1 2 . ab3 0-0 1 3 . d4 .tg4 !
: either 29 . .td4 or 29.V/tiaS .] 1 4.h3 .t D l S .V/tif3 eS ! 1 6 . lLlbS V/tid7 when
,
,
B lack has given up his light-squared bishop
lS.ltJd4 ltJd4 19.cd4 to accelerate his development and battle
against the white pawn centre. Pavasovic ' s
1 7 . 'Bd l ! i s the only way to put pressure
on B lack, but after 1 7 " . ed4 1 8 . lLld4 ltJd4
1 9 .cd4 the simple novelty 1 9 " . 'Bfe8 ! should
equalise rather easily. Overall, I don' t see the
slightest problem for Black in this chapter,
provided he is satisfied with sound equality,
exchanges and a draw.
Kotronias
END OF PART V
189
B 22
1 . e4 c5 2 . c3 l'bf6 3 . e5 l'bd5
4 5 6 7
1 'Llf3 b4 * I. I.ii ..t it' • ..t I.
e6 * l .t. .t. .t. l .t.
2 c4 .t.
j"ljj ,Q,
3 'Lla3
4 g3
5 Jtc4
10 'Llf3
d6
11 Jtg5 * :i IJJ ..t �· ..t
cd4
I.
b6 *
.t. . .t. .t. .t.
e6
•
12 'Llbd2 j. .t.
IJJ 8
13 a3 8
14 Jtc4 /\ [\, 8
1]
15 Jtd3
16 'Llc3
4 5 6 7
17 e5 'Lla3 * I. / ..t � • ..t I.
'Lld5 a6 l .t. . .t. .... .t. .t. .t.
. .·
1 76
By
BU I LD I N G A R E P E RTO I RE , 822 S I C I LIAN D E F E N S E
C3·SICILIAN
Part VI
1 77
and Nigel Short, as well as a trainer for the Greek national team. His
name is associated with deep opening research, inventive new ideas and
an unceasing quest for the absolute truth, as can be evidenced from his
various highly regarded opening works to date. Additionally, he is well
known for his uncompromising style and fighting spirit.
Vassilios ' competitive successes include ten gold medals in the Greek
Championships and first places, clear or shared, in several strong
tournaments all over the world, while he has been a member of the Greek
national team for three decades. Most recently he won the gold medal
on his board in the 2 0 1 3 European Team Championships in Warsaw. He
certainly knows what he' s writing about, too: Vassilios has been a lifelong
Sicilian player, and has clearly spent endless hours throughout his career
racking his brains over how to meet the 2.c3 Sicilian in a dynamic and
ambitious way. This series of articles represents the result of his most
recent efforts to deal with this problem.
CHAPTER 1 9
Vassilios Kotronias
l.e4 c5 2.tl:lf3 tl:lc6 3 .c3 tl:lf6 4.e5 tl:ld5
• Country: Greece
5 . d4.cd4 6.cd4
• Born: 1 964
• Peak rating:
i. .t. "i' • ..t. i. • Title:
i i i .i i • . •
l.i\ 6 ... d6 Black should lose no time in challenging
/8
� ltJ
� £\ ��
ll'l .Ji ii·•� ib
The most natural move, giving White a
temporary space advantage and open lines for
his pieces. B lack has in return a good square
on d5 and the option of undermining White' s
centre b y . . . d6.
.! i i i i i
i i i i .i. i I.ii '1lV i
I.i i i I.ii
I.ii fj
1 79
B2) 1 5 .El.fe l El.fe8 1 6 .El.adl '!Wd7+; 0-0, as played in Afek 2395 Shmuter
I 2490, Tel-Aviv 1 996, looks a bit better
: 7.ffill_ for White after 18.�e3!± in spite of his
inferior pawn structure; the pair of bishops
is strong.) A likely continuation is then
!. .i. � · .i. !. 16 .:§e l �g7 1 7 .�g5 0-0 1 8.�b5 '!Wd6
i i i i i i 19 .:§bd l '!Wc7 20.:§d7 '!Wd7 2 1 .:§e7 '!Wd5
I.ii i 22.�c6 '!Wc6 23 .h4 a6 24.c4 h6 with a tiny
I.ii /\ plus for Black;
A4) 9.�b5 l't.Jc3 10.'!Wd8 Sd8 l l .bc3 can be
answered in more than one way:
!. .) .i. !.
i ii i
.i.
is the main alternative to the bishop move,
in order to contest the d5 square; after 7 . . .
de5 8 . de5 there are several continuations
, worth examining. I have chosen to present 'I
1 the following two to the readers:
1 80
12 .gD e6 13 . .§.b l \J/!Jc7 14.Ae3 Ae7 1 5 .0-0 very difficult for either side to play for a win.
0-0 16.f4 b6oo; [After the extravagant 8.Af7? ! a good and
safe line for Black is 8 . . . 'iif7 9.e6 'iig8 IO.d5
B) 8 . . . Cbc3 (JO.{Ljg5? Cbd5 - +) Cbd5 l l .\J/!Jd5 \J/!Ja5 12.Cbc3
(12.\J/!Ja5 Cba5 13.Cbd4 Cbc6+) \J/!Jd5 13.Cbd5 .§.b8
14.Cbf4 Cbd8 1 5.Ae3 Cbe6 16.Aa7 Ba8 17.Ae3
.i .t "i' • .t .i Cbf4 18.Af4 h6 19.o-o gs 20.Ae3 Ag7+;
.t. .t. .t. .t. .t. .t.
� 8 .�b3 !? is more interesting and dynamic than
8 .Ab5 ; the critical position arises after 8 . . . de5
9.d5 ! Cba5 1 0 . Cbc3 Cbb3 l l .\J/!Jb3 e6 !
.i .t "i' •..t .i
.t. .t. .t. .t. .t.
� .t.
The most natural choice. We now turn to the
ci .t.
examination of 9.\J/!Jd8 Cbd8 1 0.bc3 where
Black has the better pawn structure and 'i1 ClJ ClJ
e6 well covered, so he need not be afraid /� /� /�, /\ /\
of ideas involving e5-e6. Now 10 . . . Ad7 ! ,
stopping checks on b 5 and preparing . . . sc8, cb.
is of course very logical and sound; after
1 I .Cbd4 scs 1 2 . Ae3 g6 ! U2 . . . sc3 13.Cbb51) A) In case of 1 2 . 0-0
1 3 . .§.c l Ag7 14.f4 Sf8 ! ? 1 5 . Ae2 f6 ! 1 6.ef6 A l ) 1 2 . . . ed5 1 3 .Cbe5 Ae7 (13 . . . Ad6 14.\J/!Jb5
sf6 17.0-0 Ah6 ! 1 8. sf2 e5 1 9 . .:LJD CZJf7! '=; $f8 15f4 'iig8 1 6.Ae3 Ae6 17 . .§.adloo is
Black had an excellent game i n Ikarus - typically unclear, with White enj oying some
Zappa, Torino (WCCC) 2006] compensation for the material.)
/\
C!\ A l a) 14.\J/!Jb5 ! ? Ad7 1 5 .Cbd7 \J/!Jd7
/\ /\ /\ /\ /\ A l a l ) 1 6.\J/!Jd7 'ii d 7 1 7.Ae3 Af6 1 8 . Ab6
lJ 4_)
Ac3 1 9 .bc3? ( 19.Ae3 ! ?) ab6+ was better
for B lack in Novak 2200 - J. Plachetka
2370, Novy Smokovec 1 97 1 ;
7 ... Cbb6 [The knight retreats with tempo, A l a2) 1 6 . Ae3 ! \J/!Jb5 1 7.CbbS 0-0 1 8 .Cbc7
preparing the capture . . . de5] .§.ads 1 9 . sad l Cbc4 20.Cbd5 Ad6= is
. level too;
8.Ab5 This move is the most popular and • A l b) 1 4 . Ae3 should lead to equality in
safe for White, leading to positions where it is multiple ways, e.g. 14 . . . 0-0 ! (14 . . . Ae6?!
181
: 15.'W!ib5 @j8 16."§.adl±) I S . �b6 ab6
B lack has forfeited t h e right to castle, but
: Al b l ) 1 6.tl:idS �cs 1 7."§.ad l ( 1 7.tbd3 in return has an extra pawn and a pair of
: �e6 18.tb3f4 �d7 19.'W!ig3 �c600) �e6oo; b ishops. In a fe w positions Black will have
: A l b2) 1 6 . 'W!idS �f6 1 7 ."§.fe l "§.aS 1 8.'W!id8 to play incisively and without the services
: "§.d8 1 9 . tl:ic4 "§.cS 20.tl:ib6 �e6=;
o f the "§.h8 as it i s obstructed by the king;
I A2) 12 . . . tl:idS ! ? is well worth trying and in some of these positions he will try to
I could be a winning attempt. castle artificially by . . . h6 and . . . @g8-h7,
in others he will push his pawn to h4 and
.i A � fl .A .i try to activate the rook via h S . Here are
the fruits of my analysis:
ii iii I B l ) I S . "§.d l ?! is convincingly answered
I
i by l S . . . � e S ! 1 6 . tlJdS �d6 ! ( / 6 . . . & )d 7
'.& i 1 7. 'W!ib4 @ e 8 1 8 . 0- 0-"; 1 6 . . . �\;J, d 7 1 7. 'W!ic5
@e8 18.tbb6 + -) 1 7 . tl:ib6 ( 1 7. 0-0 �d7
1 8 . 'W!i d3 tbc8+) ab6 1 8 . 0-0 �e6 ! 1 9 . � f4
CiJ ( 1 9. � b 6 �c4!!+ leads to a winning
bb endgame for B l ac k . ) � f4 2 0 . "§.d8 "§.d8
h� 2 I .'W!ib6 �gs+ (21 . . . "f:dd5+);
B 2 ) I S . 0-0-0 �e6 1 6. tl:i f3 (Black stood
optimally after 1 6f4 �e5 1 7fe5 h 6+. in
• A2a) 1 3 . tl:idS? 'W!idS+ is bad for White; Van Der Werf 24 1 S Van Wely 2 S 7 S ,
A2b) 1 3 ."§. d l ! ? should be met by W ij k a a n Zee (open) 1 99 S 62/( 1 48))
• 1 3 . . . 'W!ib6 ! 14.tl:ieS (1 4. tbd5 ed5 15.'W!id5 f6 "§. c 8 1 7 . @b l tl:ic4 ! 1 8 . tl:idS a6 leads t o
• 1 6.�e3 �e6! seems to deny White serious a tense situation where B l a c k i s doing
. compensation.) 'W!ib3 I S . ab3 f6 1 6 . tl:ic4
extremely okay :
: (16.tbd5 ed5 1 7.tbd3 g5! 18.�e3 @j7+.)
• tl:ic3 1 7 . bc3 a6 ! and to achieve full equality
• White needs to struggle in the line l 8 .tl:ib6
"§.b8 1 9 . �e3 eS 20.f4 ! �e6 2 1 .feS fe5
: 22."§.aS "§.d8 ! 2 3 . "§.d8 (23."§.e l �d6) @d8
. 24.b4 �d6 2S.bS ! @c7 26.ba6 ba6 2 7."§.a6
• @b7
: A2c) 1 3 .tl:ieS was played in a correspondence
! game, mentioned above, and which
: continued 13 . . . tl:ic3 14.'W!ic3 (14.bc3 V$d5!)
: f6 ! I S .tl:id3 eS 16.�e3 'W!idS 1 7 ."§.fd l �g4
: 1 8 . f3 �fS 19.tbcS 'W!ic6 20."§.ac l �cs+, / '
I B) 1 2 .tl:ieS ! edS 1 3 . �e3 �d6 1 4.'W!ibS @f8 : B 2 a) 1 9 . 'W!ib 7 ? "§.b8 2 0 . 'W!ia6 tl:ib2
2 1 . "§.d4 tl:ic4
B 2 a l ) 2 2 . @c2 tl:ia3 ! 2 3 . @d3 (23 . @d l
.i A � • .i tbbS - + ) tbbS - + ;
i i i i i B 2 a 2 ) 2 2 .@a l tl:i e 3 2 3 . fe 3 (23.tbe3
'.& .A �e5 + ) � c s + i s c learly bad for
White;
'ii i CZJ B2b) 1 9 . 'W!ia4? ! � fS ! 2 0 . @a l �c2
leads to a good version o f the variation
1 9 . 'W!ib3 � fS seen below, as the queen
c annot take on b 7 ;
B 2 c ) 1 9 . 'W!ib3 looks like the best
possibility for White.
182
contrast to the above lines, after 19 . . . �a5 !
there is no draw for White; the best I could
: find for him is 20.�b6D lZ:Jb6 2 1 . �b6
�c5 ! + B . Rechel 2369 - Kragelj 2225,
Kecskemet 1 999 - 74/( 1 5 7) (more exact
: than 21 . . . �b6 22.lZJb6 2.c6+! ) the point
: being that 22.�b7?? fails to 22 . . . Bb8 - +;
I B3) 1 5 .lZ:Jf3 !
.i .i. � • .i
B2cl) 19 . . . �f5 20.@a l �c2 ! i i i & i
B2cll) 2 1 .�c2?! CZJe3 22.�c8 �c8
23 .lZ:Je3 �b8 ! (1:, . . .g6, . . . @gl) looks better
� .i. .
183
Clif3 22.Clif3 ..\lf3 2 3 . 1&d7 (23.1&b 7? B3b2 2 1 ) Black has no problems after
£d8 - +) @g8 ! 24.Clib5 (24. ..\ld4 ? ! h 6 1 8 . 1&d4 1&f5 ! ? (18 . . . 1&c4=) 1 9 .h3 ..\lf3
2 5.'f4f'el @h 7 26.Be3 Bad8 2 7.1&b 7 20.gf3 .8'.c8=;
Bhe8 gives Black the better chances.) B3b222) 18 ...\lb6 ab6 19.1&d5 ..\le7 20.Clie5
..\le5 2 5 . ..\ld4 ..\lf4 ! 26 . ..\lb2 h6 27.Clid4 ..\le6 2 1 .Clid7 @e8 22.Clib6 ..\ld5 23 .Clic8
..\lg4 28.1&b7 @h7 29 .Bfe 1 ..\ld6= Black ..\lg2 24.Bhg l Bc8 25.Bg2 g6 = and an
has carried out artificial castling and the approximately equal ending has been reached;
chances are even; B3c) 1 6.1&e2 ! ? is a reserved course; White
B3b2) 17 . 0-0-0 intends to castle short and apply central
B3b21 ) Laborious is 17 . . . Bc8 1 8 .@b l 1&f6 ! pressure. After 16 . . . 1&f6 ! (16 ... Clia4 1 7.Clia4
..\la4 18.0-0±; 16. . . Clic4!?)
j_
j_
i
i. *' i.
j_ i i i
j_ if
i
184
B3c2211) . . . the prophylactic 1 8 . . . h6? ! B3dl) After 1 7 . 0-0-0 ! ? I like the
allows 1 9.�d3 ! �c6 (19 ... �g4 20.C[Jd5 "geometric" 17 . . . �c8 ! ? pinning the C[Jc3
C[Jd5 21.�ct5 Be6 22.�b 7±) 20.C[Jb5 �b8 and obtaining access to both c4 and f5 . The
2 1 .C[Ja7 ! �a7 22.�a3 @g8 2 3 . �a7± with following analysis confirmed my initial
an edge for White; feeling that B lack is j ust fine here:
B3c2212) 18 . . . �c6 ! is called for, with B3d l l ) 1 8 .@b l ! ? is best answered by
a good game, e.g. 19.�d3 (19.C[Jb5 �b8 1 8 . . . �c4 ! = making good use of the C[Jb6.
20.�d2 @g8+) �g6 !
B3c22121) 20.�b6? ! ab6 2 1 .�g6 (2J .C[Jd5?
�d3 22.Bd3 �b5+) hg6 22.CfJd5 Bh5+; • .i
B3c22122) 20.�d4 ! @g8 2 1 .b3 h6 i i i
22.Bfe I Be6 23 .h3 @h7 24.C[Jh4 �e5=;
B3c222) 18.Bfd l
.i . .i
i i j_ i i i
IJl j_ �
i
B3d l l l ) Keeping queens on by 1 9 . �c2 ! ?
i s well met by 1 9 . . . �h5 ! ( 1 9. . . Af3 ? !
20.gf3 �e5 2 1 .C[Jd5 �c2 22.@c2±)
20.�d2 ! ? (20.@al Af3 ! ? 2 1 .gf3 �e500)
�b4 2 1 .Bc l f6 ! ? (21 . . . CfJa4? ! 22.�d4
�g6 23. @a l ±) 22.C[Jd4 �g6 2 3 . @a l @f7
1 8 . . . �c6 ! Again this move is required. 24.h4 h5 2 5 . a3 �a6 26.C[Jdb5 Bad8oo and
(18 . . . h6?! 19.�d3!± is better for White) Black is certainly not worse;
19.�d3 �g6 ! 20.�b6 ab6 2 1 .C[Jd5 b5 ! oo B3d112) After 1 9.�c4 ! C[Jc4 20.C[Jd5 the
and i n this unclear position the chances most accurate way to handle the ending is
should be dynamically balanced. We can probably. . .
add a few more possible moves: 22.�d2 B3d 1 1 2 1 ) 2 0 . . . h5 ! givmg the &h8
(22.�b3 h6 23.CfJh4 �g400) h6 2 3 .CfJf4 breathing space and creating the option of
�f4 24.�f4 @g8 25.Bd6 Be4=; taking on e3 .
B3d) 16.�b3 ! looks best, maintaining
pressure on d5 and b6 while avoiding
shielding the d-file. .i • .i
i i i i
We now turn our attention to the main line, j_
with the reply 16 . . . �g4 !
.i � . .i
, )
ii i i i
"' j_
i
j_ Now White has nothing better than 2 l .h3
but then 2 l . . .C[Je3 22.CfJe3 �f3 23 .gf3
�c5 24. Bd7 b6= reveals an important
difference, as the rook is ready to spring
to life via h6, rendering the position
185
completely equal; B3dl23) 19.@b l Creating the possibility
B3d1122) Also possible 1s 20 . . . Afs of taking with the knight on d5 . In reply
2 1 .@a l Ae4 ! but then to 1 9 . @b l , Black should play 19 . . . d4 ! ?
20.'fld4 Ae6 ! and I can't see how White
can do anything of substance after it:
i. • i.
i i i i i
.i.
l;l_J
IJl .i.
t2J
£z1
: (22 . . . Ac6 23.Ild6! l{Jd6 24. Ac5 'ild8 Ae7 22.'flel h5! 23.Qie5 'flh600) h6 22.'fle l
25.Ildl is not easy to meet as 25 . . . @e7?! ( ll.fiJhn:F) Ab3 23.Qic8 Aa2 - +; :::;Jjc"1
: fails to 26.Qid4±) 23 .gf3 Ae5 24.Ild7± Ac5) @g8 ! 2 3 . g4 ! ? (23.�b6?! Ac5
could be a trifling edge for White; I see no 24.�b5 Ad4 25.Qie7 @h 7 26.Qic8 Aa2
reason to allow it; 2 7. @c2 'flhc8 28.@dl il,/2+) Ag4 24.Qif6
B3dl2) 1 8. Ab6 Apparently risky, but ' gf6 25 . .§.g l (25.Ilg4 �g4 26.Ilgl �gl
in reality not so much, as Black remains : 2 7.Qigl @g700) h5 26.'fld6 �f5 27.@al
undeveloped. After the forced recapture : @f8 28.�b4 (28.Qid4 \1&,/2 29 . .§.bl \1&,/4
1 8 . . . ab6 White has two or three options to : 30.Ild5 �h2+) @g7 29.h3 �f3 30.hg4
choose from, but Black stands excellently : �f2 3 1 . 'fldd l 'fla5 32.gh5 Ilg5 3 3 . 'flgfl
regardless of his choice: ' �c5 34.�f4 'flh6 3 5 .�b8 �b5 36.'flfe l
.§.g2 3 7 . .§.b l �h5 3 8 . .§.e8 .§.h8 39 . .§.h8
�h8 40.�b7 �h2 41 .�b6 �e5 42 . .§.h l
f5 43 .a4 f4 44.�h6 @g8 45.�h7 @f8
46.�h8 �h8 47.'flh8 @g7 48.'flh4 f3
49.Ilf4 f2 50.@a2 @g6=;
B3d2) l 7 . Qid4 ! After this White normally
waves goodbye to the attractive idea of
castling long, but it is nevertheless the best
: move.
186
B3d21) 1 7 . . . tt:lc4? 1 8 . 'Mfb7 tt:le3 1 9 . fe3± 6 B3d23122) 23 . . . h5 ! 24.:§ad l :§h6 ! !::; when
0-0, is clearly better for White; Black seems to be at least equal;
B3d22) Also bad is 17 . . . 'Mfh4? ! 1 8 . tt:lcb5 ! B3d232) Also 1 8.0-0 'Mfg6 !
(l 8.tt:ldb5 ? :§e8 - + would have been ideal
for Black) 18 . . . .il.e5? 19.'Mfb4 ! c;i?g8
20.tt:lf3 + -;
B3d23) For a while I toyed with the
idea 1 7 . . . 'Mff6 ! ?, until I had made other
discoveries:
i. • i.
i i i i i
� .i. 'ii'
i
\ .i. 1 9 . f3 ( 19.!?lceJ h5 20f3 .ii.h 3 21 .:§j2
.ii. d 7 22.tt:lb5 .ii. b 5 23.'Mfb5 h4!:;; / 9.g3
h5 20.ttJdb5 h4 2J .ttJd6 'Mfd600; /9.cJ;;r/i J
c;i?g800) .il.h3 20 . Bf2 Be8 2 1 . Be l c;i?g8
(21 . . .tt:lc4 22.tt:ld5 tt:le3 23 . .8'.e3±) 22.tt:ld5
tt:ld5 2 3 . 'Mfd5 h6 24.'Mfb7 c;i?h7 2 5 . 'Mfb3
B3d231) I had originally only looked at .il.f4 26.tt:lc2 .il.b8 27.Bfe2 .il.e6 28.'Mfa4
1 8 .h3 Be8 ! 19 . tt:lcb5 ! (19.tt:ldb5 .8'.e3 - +; .il.d5 29.tt:ld4 Be5oo when the Bh8 has
19.hg4 'Mfd4+) finally been brought into play and the two
B3d2311) 19 . . . tt:lc4? ! 20.hg4 (20.tt:ld6?? bishops give B lack excellent compensation
.8'.e3 2l fe3 'Mfh4 22.$(1 tt:ld2 - +) Be3 for the pawn.
2 1 .fe3 .il.g3 22.c;i?d l 'Mff2 23 .c;i?c l ! ± ;
B3d2312) 1 9 . . . .il.d7 ! 20.tt:ld6 'Mfd6 2 1 .0-0 However Houdini ' s discovery of l 8.tt:ldb5 !
c;i?g8 22.tt:lb5 (22.fi.fel h6 23.tt:lj3 c;i?h 7=) forced me to change my plans . . .
'Mfg6 23 . .il.d4 C3 .'i!Jh I tt:lc4 24.tt:lc l .ii. h 3!
25.gh3 'Mfe4=; 23.{5/iJ tt:lc4) B3d233) Indeed 1 8 .tt:ldb5 ! 1' i s better for
White;
i. • i.
i i .i. i i i i. • i.
� 'ii' i i i i i
i � .i. 'ii'
i
.i.
� q_j
188
B3d24333) 22 . . . �g6 ! = feels like the right B3d24344) 2 1 .�c2 Apparently the only
move. way of stopping the sac. Now a good way
of continuing is 2 1 . . .h4 (21 . . . ilh3 ? ! 22.gh3
�h3 23,13 .§.e8 24.fi,fel±; 21 . . . ilb4!?)
22.Bfe I .§h5 2 3 . �e2 g6oo with an
unclear position; White has satisfactory
compensation for the pawn due to his
control over d4, but no more than that.]
!. .a � · .a !.
The point being that it has prevented Qib5
ii iiii
and Black is ready to follow up with . . . .§.e8 IJ\ IJ\ i
and . . . @h7 . If 2 3 . ild4, then 23 . . . Qic4
24.Qie2 h4 25 . .§fe l .§h6 26.Qif4 �f5= � C�
and Black has coordinated everything, b
obtaining fully equal play;
B3d2434) 20.Bad l looks best and in reply
Black should carve a slightly different �b bbb
path: 20 . . . �c8 ! ? Suddenly the threat of
taking on h3 is very real; g ctJ � iV �
8 ... deS 9.QieS ild7 10.Qid7 This has been the
most popular move in practice.
[ I O.'t_ld has long been known to lead to
drawish positions.
.i � • .t .i
i i .t i .I. i i
I.ii I.ii
189
. easily equalised in the stem game of this has drawing tendencies, but i t is rather
variation, Sveshnikov 2545 - Kasparov I White who has to be the more careful:
1 2545, U S SR (ch) 1 979 - 2 8/32 1 , and went
I on to win;
I B)intrigue
10 . . . e6 ! ? is designed to
in the position;
retain more
190
'l:le5 ! 1 8 . .§Jd l (18.ilb6 ild6+) ild6+;
B3a2) 1 5 .'l:lc3 'l:lc4 1 6 . f4 ilb4 1 7 . 'l:le4
:9'.d4 1 8 . 'l:lg 5 we7 1 9 .b3 'Lld2 2 0 . ilb2
B d 7i was worse for White in Gurgenidze
2505 Sturua 24 1 0 , USSR 1 9 8 0 ;
B3b) 1 4 . 'l:ld6 .il d 6 1 5 . ed6 i s double
edged b u t not worse for B lack as the
pawn on d6 c an easily turn out to be a
weakness : the sequel 1 5 . . . 'l:ld5 1 6 . �g4
' ( 1 6 . ilf4 0-0 1 7. ilg3 �d7 18. �d3
Sac8 19 . 'Sacl El.cl 2 0 . 'S c l Sc800) 0-0
1 7 . �g3 �d7 1 8 . ilh 6 f6 19 . B fe l ct;h8
f
(19 . . . 'S 7 ! ?) 2 0 . Bad l s fe 8 2 1 . il e 3 B t a) 1 6 . . . sfe8 ! ? 1 7.�f3 �d7
'Sac8=!+ proved B lack ' s chances t o ( 1 7. . . 'bc4!?=::; ) 1 8 . .ilf6 ! Be l 19 .Be l �d2
be quite good i n Hasche - Postier, corr. :
20.wfl ! ilf6 2 1 .�f6 1&h2 22 .1*1c6= is
1 994; another way that leads
B3c) 1 4 . 'l:ld4 ! , evading t h e exchange of : Blb) 16 . . . �dl 17.Sau
queens, looks like the best option for :
(18.ilg5 'bc4 19.ilcl 'Se1
White here. Then play should c ontinue slightly more pleasant for Black.
as follows: 14 . . . Bc8 1 5 . il e 3 'Lld5 f5= was completely level in K. k�
1 6 . �b3 Bc7 ! 1 7 . Bac l Sd7 ! 1 8 . il g 5 ! Adorjan 2515, Budapest 1978 - 261.
ile7 1 9 . ile 7 'l:le7 2 0 . 'l:l f3 0-0 2 1 . 'S fd l 1 8 2 ) 1 6.�d4 ! ? The idea of this m (
'l:ld5 2 2. 'Sd4 h 6 2 3 . h 3 �b8 24. a 3 = w ith I develop the knight t o the better sc
an equal game, Seitaj 2395 - Kotronias : and subsequently try t o pressurize L
1 on c6. This is how matters could evL
2520, Chania 1 99 1 ;
I the sequel 16 . . . ild4 1 7 .'l:ld2 ! '?
1 0 . ii.c6 i s another line with drawing
tendencies, leading to a position with
three pawn islands for each side. I
'
.,
..t
l� � 8 l1
: : �
: B2a) Possible, but less good is 1 7 . . . sfe8 ! ?
1 8 .ila3 ( 18.'Sabl 'bd5 + ) ilg7 1 9 . wfl !
(19.'Sacl ? ! ilh 6) Sed8 20. Se2 'Sd3
Play usually continues 1 O ... J.c6 (20 . . . Sd2 ? ! 21 .'Sd2 'bc4 22.'Sadl ±; 20 . . .
c5!?) 2 1 .'Sae l h6 ! ? 2 2.Se8 (22.g3! ?±)
A) 1 1 .0-0 g6= (JJ . . . ild5!? ) ; 'Se8 2 3 . 'Se8 wh7 24. we2 'Sd7 25 .g3 ! (25.
b3 'bd5 26.'be4 f5 2 7. 'bc5 'bc3 28.wf3
'Sd2=::;) 'Sb7 26 .'Se4 ! ±;
B2 b) 1 7 . . . Stb8! 1 8. 'Sab l ( 18.Sacl ilb2
19.Sc6 'bd5 =) 'l:ld5 ! (18 . . . 'ba4? 19.'Se4!
c5? 1 20.ilc5!±) 19.'l:lb3 (19.'bc4 c500;
19.ila3 a51') ilg7 U9 . . . ilb6!?) 20.ild6
sb6 (20 . . . sb5! ? 2 1 .'Secl00)
191
B2b l ) After 2 1 .�c5 Ba6 22.a3 B lack has accelerate his development.
a choice between the "pass" 22 . . . h6 and [A terrible mistake would be 14 . .<iiJ16') �d4
the direct 22 . . . tl:if4; and White has lost a pawn for nothing. After
1 5 .�f4 �d6 16.tl:ie2 �b4 17 .�c6 bc6 1 8 .a3
�e4 1 9.�g3 �f4 20.tl:if4 'fi.fd8 2 1 .Bac l
'fi.ac8 22.tl:ih5 �g6 2 3 .�h4 e5 24. 'fi.c3 'fi.d4
25.�h3 �d6 26.�f3 tl:id5 27 . 'fi.b3 g6 28 . 'fi.b7
�e6 29.tl:ig3 e4 30.�b3 h5+ I went on to win
in Kazakov 245 7 Kotronias 2610, France
2009; 14.Bd l is committal, as the f-rook is
not surely the one White wants to bring to
d i ; After 14,_,"Efdfil 1 5 . �h6 g6 ! ? (15 . . . il,f8
16.�g5 �e 7 1 7.�h6 il,/8=) 16.'fi.ac l Bac8
10 ... �d7 1 1 .0-0 e6 12.tl:ic3 � e 7 13.�g4 B) After 1 7 .�g3 ? ! a6 1 8 .�c6 Bc6 1 9.�e5 f6
0-0 20.�e2 @f7 ! 2 1 .h4 tl:id5+ Black had taken
over the initiative and eventually converted
his slight edge to a full point in Kouvatsou
2 1 6 1 - Kotronias 2593, Peristeri 20 10]
b Vjij
ctJ
('
cs b b b
.� bi'. �
14.�c6 ! ? With this capture White relieves
the pressure on the d4 pawn and can now
192
14 ... bc6!= This recapture is safe and 2 0 . de 5 .§.d5 ! 2 l . f4 GZ:lc4 2 2 . llj.!je2 .§.ad8
strong, giving Black equal chances. I have I 2 3 . b 3 l{Je3 ! 24 . .§.dS cd5 2 5 . llj.!je 3 de4
experimented in the past with 14 . . . llj.ljc6? ! but ' 2 6 . h 3 (26. llj.!je4 llj.!j c 5 2 7. @ h l llj.!jf2 28.llj.!jc4
it is very dangerous and I don 't recommend it. · llj.!ja2=) g 6 2 7 . .§.c l ( 2 7 . llj.!je4 .§.d2 28.a4
llj.!jc5 29.@h2 @g7oo) llj.lj h 4 2 8 . llj.!ja7 .§.d2
15. .,th6 .tf6 Now White must decide which 2 9 . llj.!je 3 .§. a2 3 0 . llj.!je4 llj.!jg3 = ;
way he is going to defend his d-pawn. B 2 ) 1 9 . l{J f6 llj.!j f6 2 0 . .t e S llj.!j g 6 reaches
a position that computers actuall y don ' t
16 . .§.fd l This has been the most common seem t o understand. From a human
choice in practice; if the game goes to an perspective it is B lack who is the one
ending it is better for White to have his rooks w i th the superior minor piece here, yet
on dl and c l . engines evaluate the position as far as
lI 6. :{_ic4 '! is of course a mistake due to + 0 . 3 0 i n White ' s favour, which in my
16 . . . llj.ljd4 and White has no compensation for opinion is completely absurd. L et ' s take
his pawn; With I <i.lla d I ! ? White signals his a look at some lines : 2 1 .llj.lje2 ( 2 /.11/'J gQ.
intention to attack rather than go to an ending; hg6+. is c learly good for B lack; J l . !/J0ff3
Black should continue 1 6 . . . @h8 1 7 . GZ:le4 llj.!je7 l{Jd5 22 . .§.cl .§.ac8 2 3 . .§.fel l{J e 7 24 . .§.c4
.§.d7 2 5 . b3 .§.cd8 26.h3 h5 2 7 . .§.a4 @ h 7 !
2 8 . @ h 2 .f6 2 9 . .tf4 GZ:lf5 3 0 . .te3 l{J h 4
1 3 J . llj.!jg3 llj.!jg3 3 2 . @g3 GZ:l/5 00 i s certainly
annoying for White. ) l{Jd5 22 . .§.c 1 GZ:le7
2 3 . .§.c4 .§.d5
B2a) 24 . .§.fc I .§.ad8 2 5 . .§.a4 c 5 ! 2 6 . .§.a7
(26.dc5 ? ? .§.e5! 2 7. llj.!je5 llj.!jc2 - +) l{Jc6
2 7 . .§.c7 l{Jd4 28 . .t d4 c d4 2 9 . llj.!jd2 d3
3 0 . a4 h6+.;
B 2 b ) 24 . .§. e l .§. a d 8 2 5 . f3 h5 2 6 . llj.!je4
@ h 700 In all these variations i t is apparent
that the c omputers c annot evaluate the
merits of the manoeuvre . . . GZ:ld5-e7-f5
A) 18 . .tgS makes no sense with this which, coupled w ith . . . f6, renders the d4
rook configuration, and after 18 . . . .tgS pawn practically indefensible. I would
19.llj.ljg5 llj.!jg5 20.l{JgS .§.ad8 (Also possible even go as far as to say that i t i s B lack
is 20 . . . @g8=) 2 1 .l{Jf3 f6 22 . .§.c l .§.d6 who has the b etter chances but that could
(intending . . . g5) 23.h4 l{Jd5= Black has an b e an exaggeration too, obj e ctively the
excellent game; position is probably equal. ]
.i .
B) 1 8 . .tf4 .§.fd8
.i
/i � iii
4ll i i .·-*- '�
193
same time the king i s far away from the
principal action should an ending now
I £cc5 26.£d5 £d5=) CL:lg4 2 5 . .1J, e 7 CL:lh6
26 . .1J, c 5 CL:l f5 27 . £gd3
arise. Nevertheless I consider it the best Cl) 27 . . . e5 28.hg6 hg6 29.b4 £cd8 30 . .1J,a7
course as it does not give White time to . £a8 3 1 . .1J,c5 CL:ld4 32 . .1J,d4 £d4 3 3 . £d4 ed4
make decisions about h i s a-rook, already 34.£d4 (34.Yal £a3 35.�fl �f6) £a2=;
placed on c 1 . C2) 27 . . . gh5 28 . .1J,a7 £a8 29.£a3 CL:ld6
[A more intriguing way is 1 6 . . . gfd8 1 7 . CL:le4 30 . .1J,b6 £a3 3 1 .ba3 e5 32.�fl CL:ic4
\lj!je7 1 8 .Yac l £ac8 keeping the king on g8 ' (32 . . . CL:lb5 33.Ycl ed4 34.£c6 CL:la3=)
j ust in case White goes for an ending by 33 . .1J,c5=]
exchanging bishops on g5 .
We' ll now revert to 1 6 . . . �h8 :
0
( J r1
c\
A) The rook lift 1 9 .£c3 �h8 20.gf] can be
answered by 20 . . . £d4 ! (20 . . . .1J,d4 21 .£d4 @
f5 22 . .1J,g7 \lj!jg7 23.\lj!jg 7 �g7 24.£g3 �j8
25.CL:lc5 �j7 26.£d8 £d8 2 7.£d3 £d5 17.CL:le4 \lj!jd8 ! ?
28.£d5 cd5= was equal in Kosteniuk 25 1 6 [Compared to 1 4 . . . \lj!jc6? ! , from d7 the queen
- Tregubov 2607, Kazan 2005) 2 1 . £d4 .1J,d4 can contribute effectively to the defence of
22.CL:lg5 f6 2 3 . \lj!jd4 gh6 24.£f6 e5 25 .\lj!je4 the kingside.]
hg5 26.\lj!jf5 (a surprising position as White is [More natural appears 1 7 ... \lj!je7, keeping the
a piece down, yet the annoying threat gf7 is rooks connected. But the text move has a very
hard to parry.) �g8 ! ? (26 . . . £d8 2 7.g3 gd7? special idea behind it.]
loses to 28.£e6 + -) 27.\lj!jg5 \lj!jg7 28.\lj!je5
CL:ld7 29.lljlje6 �h8 3 0.£f7 \lj!je5 3 1 .\lj!je5 CL:le5
32.£a7oo with an unclear ending that should
probably be drawn;
194
After 2 1 . \Jj/jh5 CiJf4 22.\Jj!jg5 CiJg6 23 . .§'.d2 h6
24.\Jj!jg3 \Jj!je5 25 .\Jj!je5 CiJe5+ it is questionable
whether White has enough compensation;
18 .�e3 doesn' t quite work with the rook still
on al due to 18 . . . CiJd5 19 . .§'.ac l ( 19.vcJc5 .§'.c8
20 . .§'.acl e5 2 1 . CiJd7 {jj e 3 22fe3 ed4 23.�(6
\Jj!jf6 24.\Jj!jd4 \Jj!jg6 25 . .§'.c3 h 6=; 12..JbfQ. \Jj!jf6
20 . .§'.acl .§'.jb8 21 .\Jj!je2 .§'.b6 22.b3 h 6 23 . .§'.c5
a5 24.\Jj!jc2 a4 25.ba4 {iJb4 26.\Jj!jb3 {iJd5=)
\Jj/ja5 ! 20.a3 \Jj/jb5 2 1 ..§'.d2 �e7=]
18 �gS 1 9 CiJgS
... .
A) 2 1 .\Jj/jg6 hg6 22 . .8.ac l .8.ac8 23 .�d6! (23. It seems that with the queen on d8 this is the
a3 'fJ,fd8 24.b4 j6 25.�g3 tJJg8= was fine only move to have any meaning.
for Black in Cornejo 2383 - L. Coelho 2389, [ 1 9.\Jj/jg5 was played by Eva Moser against
Asuncion 2009) .§'.fd8 24.�a3 g5 ! is a typical me . . . (Eva Moser 2 3 8 3 - Kotronias 2574,
ending where the d5 knight is not inferior to Liverpool 2008)
the white bishop. After 25 . .§'.c5 f6 26 . .§'.e l (2JL
gJ_ {iJb6 27 . .§'.el .§'.d4 28. .§'.e6 CiJc4 29. .§'.ec6
.§'.c6 30. .§'.c6 CiJa3 31 .ba3 .§'.a4=; 26. .§'.a5 CiJc7!
27. .§'.cl {iJb5 28.�c5 CiJd4 29.tJJJJ tJJh 7 30 . .§'.a 7
e5 31 .�b6 .§'.d5 32.a4 {iJb3:::::.) CiJb6 (26. . . ti'if4!?
27. .§'.c4 e5 28.g3 0g6 29.�c5 .§'.d7 30. .§'.a4
.§'.cd800) 27 . .§'.e6 .§'.d4 28.h3 CiJc4 29 . .§'.cc6 .§'.c6
30 . .§'.c6 CiJa3 3 1 .ba3 .§'.a4 32 . .§'.c3 g4= in spite
of White's best efforts the result is a draw;
/\ /\
B) A sample line illustrating Black 's potential
with queens on the board is 2 1 .\Jj/je2 .§'.ad8 �
22.\Jj!jc4 (22 . .§'.acl CiJe 700) CiJe7 23 .\Jj!jc5 .§'.fe8
24.\Jj/ja7 f6 25.�g3 {jj f5 26 . .§'.ac l h5oo and . . .and now instead of taking on g5 I had two
suddenly the over-optimistic engines say it' s other good moves :
equal, which i s good news for us.
A) 19 . . . \Jj/jd5 ! ? 20.\Jj/jd5 (J0.\Jj!jf4 a500; 20.VJ!ih4
h6 21.b3 .§'.ad800) cd5 2 1 .{iJc5 CiJc4 22.b3 {iJd6
23.g4 ! ? with an unclear ending;
1 95
B l ) 20.V/!Jc l V/!Jd5 2 1 .l2:Jc3 (21 .tZ'lc5 lZ'ld6�) [22.£d3 cd4 2 3.V/!Jf4 lZ'ld7 24.l2:Jd7 V/!Jd7]
V/!Ja5 22.b3 lZ'ld6 23.tZ'la4 Bac8 (23 . . . V/!Jd5!?)
24.tZ'lc5 (24.V/!Jc5 V/!Jc7! 25.Bacl Bfd8 26.d5 22 ... £ad8 23.Bd3 ! ?
lZJe4 2 7.V/!Jc6 V/!Jb8 28.V/!Ja6 Bel 2 9. Bcl V/!Jf4 [23 .Bac l @g8 24.h3 c4oo L . . . f6]
30. £c2 h 6� is not worse for Black.) gfd8
25.V/!Jf4 @g8= is a finely balanced position; 23 ... cd4
B2) 20.b3 lZ'ld6 2 1 .V/!Jf4 (21 . V/!Jd8 £fd8
.i •
22.tZ'ld6 £d6 23.Bacl £ad8=) tZ'le4
22.V/!Je4 V/!Jd5 (22 . . . V/!Jd6 23.Bacl) 2 3 . V/!Jd5 .i
cd5 24.Bac l (24.Bdcl g5 25.Bc 7 a5
26. Bacl @g7 27. Blc6 @g6) a5 2 5 . Bc7
i ii
I
g5= with a balanced ending. ] '.&\ i i
19 ... h6 20.tZ'lf3 A t this point, a draw was �
agreed in Maksimenko 2505 - Kotronias i �
2614, Germany 2007.
.i .�. .i. •
·� i ···a;
·
1.1·· i i; i 24.Badl
[24.l2:Jf7 @g8 2 5 . tZ'lh6 @h7
END OF PART VI
196