Hatch With Cunliffe: Organization Theory, 3 Edition, Chapter 2
Hatch With Cunliffe: Organization Theory, 3 Edition, Chapter 2
Hatch With Cunliffe: Organization Theory, 3 Edition, Chapter 2
CHAPTER 2
Objectives
This is a long chapter, but important in establishing the diversity of the field and a more in-
depth understanding of the differences between the three perspectives. As stated on
page 25, the ideas can initially be overwhelming, but are reinforced in each chapter and
so students will become more familiar with the overarching themes as they continue
reading.
It is helpful to illustrate the three perspectives with videos (see below for examples) and
organizational examples from instructor/student experiences as an employee or customer.
I take in examples of the art suggested in the chapter (Hockney), the work of Cindy
Sherman (photographer), Andy Warhol, plus an example of modernist representative art.
Its also helpful to reinforce the ontological and epistemological differences between the
perspectives when talking about each one.
The work of Classical writers is straightforward, and students also grasp the modernist
influences fairly quickly. Its interesting to note that this early work is oriented around
people rather than ideas or schools of thought mainly because organization theory was
not a distinct discipline. Modernist influences are rooted in the Enlightenment idea that
progress is based on scientific knowledge and rationality (page 36), and can be seen in
three main theories:
- General Systems Theory (pages 29-31): we can explain scientific and social
phenomena by viewing them as systems governed by laws and principles.
- Socio-Technical Systems Theory (pages 31-32): on offshoot of General Systems theory
that includes human behaviour in the system.
- Contingency Theory (pages 32-33): which states there is no one best way to organise,
rather that the most appropriate way in a given situation will depend upon particular
circumstances or contingencies.
Symbolic-Interpretive influences might be more challenging, but the key points are:
Explaining the postmodern perspective is often the most challenging part of teaching the
three perspectives. First, it differs from the other two perspectives in that it draws heavily
on a philosophical understanding but this is what makes it so different and exciting!
Second, postmodernists shun simplification. Of course this doesnt help students, but Ive
found that reinforcing the following themes throughout the course can help. And it also
helps to understand the difference between postmodernism and poststructuralism (at least
for the instructor!).
Discussion Questions
1. How is the work of classical theorists such as Taylor and Follett still relevant today?
2. Taking the level of analysis as the organization, select a local organization (or a
hypothetical manufacturer of high quality, all natural ice cream) what are potential
subsystems, inputs, outputs, and feedback mechanisms? (See PowerPoint slide titled
A System).
3. What advantages might a contingency approach have for managers compared to the
classical approach of one best way?
4. What are the differences between the way a modernist manager and a social
constructionist manager might view their role in the organization?
5. How might the language game of the classroom differ from the language game of your
department at work? (Focus of conversation, what can be said/not said, how things
can be said, to whom, and how one may respond).
6. What discursive practices might shape the identity of the student (or the manager)?
(language, cultural and institutional practices
7. Ask students to give organizational examples of simulacra/hyperreality other than
Enron. Why do organizations create simulacra?
1. Show the first 10 or so minutes of Charlie Chaplins Modern Times (to just after the
demonstration of the feeding machine on Charlie). Ask students how this relates to the
Classical Management theories.
2. To help students understand the main premises of symbolic-interpretivism and the idea
of multiple interpretations, I show a video clip (it can be any video - I use Chocolat
started at the point where someone is pouring petrol on the boat, leading to a fire, finishing
where the child and adult emerge from the mist (about halfway through the video).
Ask students to (individually) write the following while watching the video:
a) Select the two main characters in the clip and describe who you think they are,
including a physical description.
b) Briefly describe the event, including where it took place.
c) Why do you think this happened?
d) What do you think will happen next?
Discussion points:
1. How did you decide who were the main characters, what was happening, what will
happen next? Comments often cover:
- experience, observation
- the degree of actor involvement in interaction.
- common sense, (i.e., implicit understandings of events, actions and conversation,
symbols and images)
4. Show the segment of The Matrix from the point just after all the needles are taken out
of Keanu Reeves, to when hes lying on the bed talking to Laurence Fishburne. Ask
students how the clip relates to social construction/postmodern ideas, particularly ideas
about what is reality (in the film reality is masked), simulacra, everything is text, and
scepticism towards metanarratives and what we see. (Note, at the beginning of the film
Neo opens a book and pulls out a computer disc the book is Baudrillards Simulacra and
Simulation).
5. A more in-depth version of the group activity outlined above for Chapter 1.
1. Karl Marx:
http://www.spartacus.schoolnet.co.uk/TUmarx.htm
2. Adam Smith:
http://www2.lucidcafe.com/lucidcafe/library/96jun/smith.html
3. Max Weber:
http://www.faculty.rsu.edu/~felwell/Theorists/Weber/Whome.htm
5. Lyotard:
http://www.egs.edu/faculty/lyotard-resources.html
6. Michael Foucault:
http://www.csun.edu/%7Ehfspc002/foucault.home.html