Character Analysis

Character Analysis
THE PRODUCERS
Max Bialystock You must blow us away at auditions. Max is an over-

the-top, high-energy, Professor Harold Hill/Tevye-type. Once known as the
King of Broadway, hes become a producer of broadway flops. He raises
money for his shows by romancing wealthy little old ladies. Should appear
to be late 40s/early 50s..stocky, but has to be able to move around a lot.
Always has an answer, always has a plan. A quick-talker, but you dont miss
a word he saysPerhaps one of the best roles ever written for a comic lead.
Vocal Range Bari-Tenor
Dance Moderate. Must be able to move and have good stamina.
Leopold Bloom A lovable nerd that can sing, dance and act. He is a meek
(and wimpy at times,) law-abiding and courteous accountant.believes he
should do everything by the book. Has always dreamed of being a
broadway producer. An absolute contrast to Max, character-wise and
physically. Should appear to be in his 30s, tallish, slender, neat and clean.
Vocal Range Bari-Tenor
Dance- Moderate-Heavy. Tap experience would be great. Big ballroom
dance with Ulla.
Franz Liebkind Yikes! Franz is a German nazi who now resides in New
York and has written the play, Springtime for Hitler a tribute to his hero.
This is the play that Max hopes to produce that will be a sure-fire flop.
When we first meet Franz, he is seen wearing lederhosen, army boots and an
army helmet while singing to his collection of singing carrier pigeons. He is
a nut! Franz must be able to do a German accent that we can understand
clearly. Can appear to be in his 30s-40s.
Vocal Range - Baritone
Dance- Light-Moderate. More character dancing than anything else.
Roger DeBris The over-the-top flamboyant director that Max has chosen
to direct Springtime for Hitler (hes looking for the worst director to create
the biggest flop.) When we first meet Roger, he is wearing a silverish gown
that hell be wearing to a costume ball (hes going as the Grand Duchess,
Anastasia). He at first declines to direct the show because its too serious,
but eventually agrees, providing they can Keep It Gay (he wants to rewrite
the play so that Hitler wins and it has a happy ending!) Roger should
appear to be late 30s/early 40s. Must show over-the-top stereotypical
flamboyant director traits.
Vocal Range - Tenor
Dance- Light Moderate
Carmen Ghia This is Rogers common-law assistant.and is as

flamboyant as Roger Together, he and Roger make for an hysterical
couple, arguing cattily yet exchanging winks from time to time. Carmen
should appear to be about the same age as Roger, perhaps a bit smaller in
stature than Roger.
Vocal Range Second Tenor
Dance- Moderate.
Ulla A knock-out, sexy, tall blonde Swedish woman. (we can work on the
blondemight have to make concessions for the tallbut MUST be sexy)
Must be able to read with a stereotypical Swedish accentShe comes to
audition for the show, Max & Leo hire her as a receptionist/secretary, though
her limited English allows her to say little more than Bialystock and
Bloom.. Her song, When You Got It, Flaunt It characterizes her quite
nicely!
Vocal Range Second Soprano
Dance- Moderate-Heavy. Has a dance solo (If you can do splits that would
be great) Big ballroom number with Leo.
Other minor character parts:
The Usherettes 2 girls open the show and Act 2-3 with the song titled
Opening Night
Hold Me Touch Me one of the many old ladies who help finance Maxs
creations. She has a very funny scene with him in his office. She needs to
be able to look and sound as if shes 75-80 years oldgreat character part.
Mr. Marks Leopold Blooms grouchy, condescending boss at the

accounting firm.
Roger DeBriss Team:

Bryan the set designer (Tenor), Kevin the costume designer (bari-tenor),
Scott the choreographer (MUST BE ABLE TO DANCE), all as flamboyant
as Roger and Carmenhave solo lines in song Keep it Gay, along with
Shirley Markowitz, the lighting designer.a very butch woman who also
likes to keep it gay.(Alto)
Hitler Auditioners:
Jack Lapidus auditions with A Wandering Minstrel I (Tenor)
Donald Dinsmore auditions with The Little Wooden Boy (but never gets
to actually sing)
Jason Green auditions with Have You Ever Heard the German Band
The Storm Trooper/Tenor sings Springtime for Hitler theme song

awesome opportunity for a strong tenor
The Police Sergeant

Three Patrolmen
The Guard in the Prison
Judge in the Courtroom

Foreman of the Jury
The Prison Trustee
Ensemble Numbers:
Opening Night 6 First-nighter couples who have come to see Maxs latest
flop, Funny Boy, A New Musical of Hamlet
King of Old Broadway A newspaper vendor, two nuns, two workmen, a

blind man, a bum, a bag lady, a cop, two street walkers and their escort
(the usherettes will be in this, too)
**Dance is a spoof on Fiddler so everyone needs to have good moving
capabilities.
I Wanna Be a Producer 6 accountants, 12 or so show girls that can tap

** Dance is a huge Tap number. Dont worry, I will get you to where I need
you to be but Tap experience is a must!
Pigeon Puppeteers Franz has 8 pigeons (puppets) that accompany him.
Will need 4 people
Other members of Rogers household.

Sabu the houseboy, wears a loin cloth and turban
An Indian in full dress, a sailor and a sun-glassed policeman (yup, just like
the Village People!) All sing along in Keep It Gay Reprise
** Dance is heavy. All should bee able to move. Lots of character
dancing!
Along Came Bialy - The Old Ladies in Little Old Lady Land all
ensemble women AND men will become little old ladies for this number.
**Dance is heavy here. The taps are on the walkers but everyone needs to
have a sense of rhythm. Ill get you to where I need you to be! Really fun
dance number!!
The Auditions for Hitler in Springtime for Hitler an assortment of

dancing and singing auditioners
Springtime for Hitler German peasants; tapping storm-troopers (male

and female); 4 showgirls with large headdresses (and Ulla is a 5th); The
Heilos a chorus of two women/three men who dance/sing a latino-
sounding piece; (some of the peasants may become storm-troopers for the
big finale)
**This dance has lots going on. There is tap, and everything else in between.
There is a place for everyone!
Til Him - The courtroom scene a small jury of 5; a handful of old ladies
Prisoners of Love Male and female prisoners in prison garb

*Dance is moderate- heavy. Starts with men, then goes to women, then a
combo of the both!
** A NOTE FROM VAL**

Im really excited to be working on this show. It is going to be a blast!!! I
will challenge you all but also work to your strengths. In the end, I will get
you to where I need you to be. You have nothing to worry about! We can Do
it!

Character Analysis - The Producers

Uploaded by

Copyright:

Available Formats

Character Analysis - The Producers

Uploaded by

Document Information

Original Description:

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Character Analysis - The Producers

Uploaded by

Copyright:

Available Formats

Max Bialystock You must blow us away at auditions. Max is an over-

Carmen Ghia This is Rogers common-law assistant.and is as

Mr. Marks Leopold Blooms grouchy, condescending boss at the

Roger DeBriss Team:

The Storm Trooper/Tenor sings Springtime for Hitler theme song

The Police Sergeant

The Guard in the Prison

Judge in the Courtroom

The Prison Trustee

King of Old Broadway A newspaper vendor, two nuns, two workmen, a

I Wanna Be a Producer 6 accountants, 12 or so show girls that can tap

Other members of Rogers household.

The Auditions for Hitler in Springtime for Hitler an assortment of

Springtime for Hitler German peasants; tapping storm-troopers (male

Prisoners of Love Male and female prisoners in prison garb

A NOTE FROM VAL

You might also like