RSL Vocals Syllabus Guide 2016

VOCALS
SYLLABUS SPECIFICATION
2016 Edition
Vocals
Syllabus Specification
2016 Edition
Rockschool | Performance Arts Awards | Vocational Qualifications

Acknowledgements
Syllabus
Vocal specialists: Martin Hibbert and Eva Brandt
Additional consultation: Emily Nash, Stuart Slater and Sarah Page
Supporting tests composition: Martin Hibbert, James Uings, Jon Musgrave, Jodie Davies,
Ryan Moore, Chris Hawkins, Jonathan Preiss
Rhythmic test lyrics: Lucie Burns (Lazy Hammock)
Publishing
Syllabus compiled and edited by James Uings, Simon Troup, Stephen Lawson, Stuart Slater, Nik Preston
Syllabus specification edited by Nik Preston, Abbie Thomas
Syllabus cover and layout design: Philip Millard, Philip Millard Design
Cover photography Kevin Winter / Getty Images
Syllabus Fact Files written by Stephen Lawson, Owen Bailey, Michael Leonard
Additional syllabus proofing by Chris Bird, Ronan Macdonald, Jonathan Preiss, Becky Baldwin
Full music transcriptions: Music Sales Ltd.
Audio
Backing tracks produced by Music Sales Limited
Supporting test backing tracks recorded by Jon Musgrave, Jon Bishop and Duncan Jordan
Supporting test vocals recorded by Duncan Jordan
Supporting tests mixed at Langlei Studios by Duncan Jordan
Mastered by Duncan Jordan
Musicians
Neal Andrews, Lucie Burns (Lazy Hammock), Jodie Davies,Tenisha Edwards, Noam Lederman,
Beth Loates-Taylor, Dave Marks, Salena Mastroianni, Paul Miro, Ryan Moore, Jon Musgrave,
Chris Smart, Ross Stanley, T-Jay, Stacy Taylor, Daniel Walker
Executive Producers
Norton York
John Simpson
Contact
RSL
Harlequin House
Ground Floor
7 High Street
Teddington
Syllabus books published by Rockschool Ltd. 2014 under license from Music Sales Ltd.
Published: 03 November 2016

Revised: 24 July 2017 (see final page for revision notes)
3 RSL Vocals Syllabus Specification 2016 Edition

Contents
3 Acknowledgements
4 Contents
5 Introduction
8 Grade 1
14 Grade 2
22 Grade 3
30 Grade 4
38 Grade 5
46 Grade 6
54 Grade 7
62 Grade 8

INTRODUCTION
Introduction
Welcome to the Rockschool syllabus specification for vocals, 2016 edition. This syllabus
specification is designed to give teachers, learners and candidates practical information
on the graded examinations run by Rockschool.
The Rockschool website, www.rslawards.com has in-depth information on all aspects of our examinations including examination
regulations, detailed marking schemes, assessment criteria and free choice piece criteria as well as notated and audio examples to
help you prepare for the examination.
This Syllabus Specification covers the following vocal Examinations:
n Graded Examinations Grades 18

n Performance Certificates Grades 18
Please note that there is no debut exam in this series.
EXAMINATIONS
GRADE EXAMINATIONS
Grade Examinations are available at Grades 18 and consist of the following elements:
n Three Performance Pieces: Grades 18

n Technical Exercises: Grades 18
n Sight Reading OR Improvisation & Interpretation: Grades 15
n Quick Study Piece: Grades 68
n Ear Tests: Grades 18
n General Musicianship Questions: Grades 18
These elements fall into two categories:
n Prepared work: This consists of three Performance Pieces and Technical Exercises
n Unprepared work: This consists of Sight Reading OR Improvisation & Interpretation (Grades 15), Quick Study Piece
(Grades 68), Ear Tests (Grades 18) and General Musicianship Questions (Grades 1 - 8)
PERFORMANCE CERTIFICATE
Performance Certificates are available at Grades 18 and consist of the following elements:
n Five Performance Pieces
REPERTOIRE
Rockschool publishes more than 90 established hits associated with top international vocalists for use in the vocal exams. Individual
books are available at each grade (1-8) and these are split into male and female with six songs in each. Candidates may mix and match
the pieces as they wish and a backing track is provided on the download card. Candidates are also permitted to change the key of any
song according to their range. In this situation a backing track must be presented to the examiner at the beginning of the exam.

INTRODUCTION
EXAMINATION STRUCTURE
The examination structure for the Grade Examination is shown below:
Grades 1-5
n Performance Pieces*
n Technical Exercises *
n Sight Reading OR Improvisation & Interpretation
n Ear Tests
n General Musicianship Questions
Grade 6-8
n Quick Study Piece
n Ear Tests
*These elements can be taken first or second at the candidates request
EXAMINATION TIMINGS
Examination Timings for Grade Exams: Examination Timings for Performance Certificates:
n Grade 1: 25 minutes n Grade 1: 25 minutes
FREE CHOICE PIECES

Candidates are able to perform a number of Free Choice Pieces in the examination:
n Grade Examinations: Two Free Choice Pieces (at least one piece must be from the grade book)
n Performance Certificates: Three Free Choice Pieces (at least two pieces must be from the grade book)
In vocal exams Free Choice Pieces can be selected from our list of Wider Repertoire - a full list of suggested pieces which can be
found on our website, www.rslawards.com.
Alternatively, Candidates can choose or compose any song in any genre outside of the grade book and wider repertoire. These songs
should demonstrate a comparable level of technical and musical demand to the pieces given in the set selections in the grade books
which can be referred to as an indication of appropriate level. Candidates should refer to the Free Choice Piece Criteria available on
our website when accessing the level of a potential piece, www.rslawards.com/music/graded-music-exams/free-choice-pieces.
All pieces must be performed to a backing track. Free Choice Pieces must be available in fully notated sheet music and Candidates
need to bring a copy of the sheet music for the examiner to refer to during the examination.
If there is any doubt about the appropriateness of the chosen piece, please contact [email protected].

INTRODUCTION
MUSICAL INTERPRETATION
Musical Interpretation is allowed at all grades in both the Grade Exam and Performance Certificate. Rockschool encourages individual
musicality, articulation, expression and use of dynamics when performing. This applies anywhere in the exam other than the technical
exercises where articulation when specified must be observed. Candidates are reminded that all musical interpretation should be
stylistically appropriate.
USE OF MICROPHONES
n At Grades 1-5 the use of a microphone is optional, although candidates may perform with a microphone if they feel it will
enhance their performance
n At Grades 6-8 all sections of the exam are to be performed with a microphone
n Candidates can provide their own microphone for the examination should they prefer to use their own equipment,
otherwise a microphone and lead will be provided by the centre
MARKING SCHEMES AND ATTAINMENT BANDS
MARKING SCHEME
All Rockschool exams are marked out of 100
GRADE EXAMS
Grade 1-5 (marks) Grade 6-8 (marks)
n Performance Piece [20] n Performance Piece [20]

n Technical Exercises [15] n Technical Exercises [15]
n Sight Reading/Improvisation & Interpretation [10] n Quick Study Piece [10]
n Ear Tests [10] n Ear Tests [10]
n General Musicianship [5] n General Musicianship [5]
PERFORMANCE CERTIFICATES
n Performance Piece 1 [20]

ATTAINMENT BANDS
The attainment bands for Grade Examinations are as follows:

Pass: 60%73%
Merit: 74%89%
Distinction: 90% and above
The attainment bands for Performance Certificates are as follows:

Pass: 60%74%
Merit: 75%89%
Distinction: 90% and above

Grade 1
The Grade 1 vocals exam is for candidates who have mastered the key basic skills in vocal
performance. There are two types of exam: Grade Exams and Performance Certificates.
Please see the Examinations section on page 3 for further details.
The use of a microphone is not mandatory at Grade 1, but candidates may use one if they
feel it will enhance their performance.

GRADE 1
Grade 1
GRADE EXAMS
PREPARED WORK
Candidates will need to perform three Performance Pieces and the Technical Exercises for the Grade Exam. These are to be
performed at the beginning of the exam and can be in either order, at the candidates choice. The examiner will only ask for a selection
of the Technical Exercises in the exam.
UNPREPARED WORK
A Sight Reading test OR an Improvisation & Interpretation test must be completed at the candidates choice. This is followed by two
Ear Tests: Melodic Recall (Test 1) then Rhythmic Recall (Test 2). The Rhythmic Recall will also require identification of the correct
rhythm from two choices given by the examiner.
For the final part of the exam, five General Musicianship Questions will be asked. Four questions will be asked on one of the pieces
performed, (the candidate will be asked to choose which piece) and one question will be asked on understanding of the voice.
All questions will be at the examiners choice.
EXAM STRUCTURE
The Grade 1 exam lasts 25 minutes and will be taken in the following order:
n Ear Tests
Setting the level of the backing track
At the start of the exam the examiner will conduct a sound check to ensure that the level of the backing track is satisfactory for the
candidate. Candidates will be asked to sing along to the backing track for the first few bars of the first Performance Piece. The sound
check is not marked and once the correct level has been agreed the examiner will start the exam with either the Performance Pieces
or Technical Exercises at the candidates choice. Note that the sound check is only conducted for the first piece.

GRADE 1
TECHNICAL EXERCISES
At Grade 1 there are four groups of Technical Exercises. The examiner will ask for a selection from each group.
GROUP A: SCALES
Tempo: 70bpm
4/4 time signature
The major scale must be prepared. The candidate may select any starting note between AE and may choose to sing along to a
metronome click or to hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the
count starts.
This test can be performed using any vocal sound except humming or whistling.
GROUP B: ARPEGGIOS
Tempo: 70bpm
4/4 and 3/4 time signatures
Two different patterns of a major arpeggio need to be prepared and the examiner will select one of these to be performed in the
exam. This test must be performed to a metronome click and any starting note between AE may be selected by the candidate. The
chosen starting note will be played before the count starts.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
In this group the following intervals must be prepared:
n Major 2nd interval

n Major 3rd interval
The candidate will be asked to perform one of these intervals in the exam, as chosen by the examiner. The examiner will choose a
starting note within the range of AC (female) and D-F (male). The candidate will then be required to sing the root note followed by the
major 2nd or major 3rd at the examiners choice. The candidate may choose to sing along to a metronome click throughout or to hear
four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the count starts.
This test may be performed using any vocal sound except humming or whistling.
GROUP D: TECHNICAL STUDIES
Tempo: 85120bpm
4/4 time signature
In this group the following studies must be prepared:
n Rhythmic: Rhythmic accuracy

n Melodic: Dynamic change
The examiner will ask the candidate to perform one of the above studies in the exam. The examiner will decide which, so both must be
prepared before the exam. The Rhythmic Study starts with a four-beat count-in and consists of a four-bar rhythm spoken with lyrics.
The Melodic Study starts with the root note followed by a four-beat count-in. The exercise consists of a four-bar melody to be sung
with lyrics and a dynamic change. Both tests need to be performed to the appropriate backing track which can be found on the
download card.

GRADE 1
SIGHT READING / IMPROVISATION & INTERPRETATION

At Grade 1 a choice between Sight Reading OR Improvisation and Interpretation will be offered. A previously unseen test will be used
in the exam and an example of this can be found in the Grade 1 book.
SIGHT READING
Key:
n Female: C major
n Male: C major
Tempo: 70bpm
Range: Up to a Major 3rd
At Grade 1 the Sight Reading test consists of whole notes (semi-breves), half notes (minims) and quarter notes (crotchets) in 4/4. The
test is four bars long and starts with the root note. The examiner will allow 90 seconds preparation time and will offer the option of
practising with a metronome click throughout or a four-beat count-in at the start of the practice time. Whichever option is chosen, the
practice time will start with the examiner playing the root note and the same choice is available when performing the test.
IMPROVISATION & INTERPRETATION
Key:
n Female: C major
n Male: C major
Tempo: 70-80bpm
At Grade 1 the examiner will give the candidate a chord sequence in the key of C major. The candidate must improvise a melody over
the backing track. The test is four-bars long and will be heard three times. The first and second time is for rehearsal and the third time
is for the candidate to perform the final version for the exam.
Each playthrough will begin with the root note and a four-beat count-in. The backing track is continuous throughout, so once the first
playthrough has finished the root note and count-in of the second and third playthroughs will start immediately.

GRADE 1
EAR TESTS
MELODIC RECALL
Tempo: 85bpm
The examiner will play three consecutive notes. The candidate will need to identify whether the last two notes are higher or lower in
sequence. This means the candidate will need to tell the examiner whether the second note is higher or lower than the first, and
whether the third note is higher or lower than the second. The test will be heard twice, each time with a four-beat vocal count-in.
RHYTHMIC RECALL
Tempo: 90bpm
Part 1: Rhythmic Recall
The examiner will play a two-bar rhythm played on a single note to a drum backing. The test will be heard twice and each time the test
is played it is preceded by the root note and a four-beat count-in. There will be a short gap for to practise after each playthrough. Next
a vocal count-in will be heard, after which the rhythm must be sung back. For this exercise da or ba vocal sounds must be used.
It is acceptable to sing over the track as it is being played as well as practising after the first two playthroughs. The length of time
available after the second playthrough is pre-recorded on the audio track so the count-in may begin while the candidate is still
practising.
The test is made up of quarter notes (crotchets), eighth notes (quavers) and equivalent rests.
Part 2: Identification
The candidate will then be asked to identify the rhythm heard in part 1 from two printed examples shown by the examiner.

GRADE 1
GENERAL MUSICIANSHIP QUESTIONS

In this part of the exam five questions will be asked. Four of these questions will be about general music knowledge and the fifth
question will be about the voice.
MUSIC KNOWLEDGE
Part 1: General Music Knowledge
The examiner will ask four music knowledge questions. The questions will be based on one of the pieces (including Free Choice
Pieces) performed by the candidate in the exam. The candidate can choose which one.
If there are handwritten notes on the piece chosen, the examiner may ask the candidate to choose an alternative.
The candidate will be asked to identify:
n The treble clef

n The time signature
n Whole (semi-breve), half (minim), quarter (crotchet) and eighth (quaver) note values
n A rest in the piece
VOICE
Part 2: Your Voice
The examiner will also ask one question about the voice. Brief demonstrations to assist answers are acceptable.
Candidates will be asked one of the following questions:
n Where is your diaphragm?

n Where is your larynx?
n What is the difference between head voice and chest voice?
n Why is it important to warm up before singing?
The Grade 1 exam lasts 25 minutes and the candidate chooses to sing five pieces only.
FREE CHOICE PIECES

Free Choice Pieces may be performed in the examination:
n Grade exam: Two Free Choice Pieces

n Performance certificate: Three Free Choice Pieces
To view our list of Wider Repertoire, please visit the website: www.rslawards.com.

Grade 2
The Grade 2 vocals exam is for candidates who have mastered the solid basic skills in vocal
performance. There are two types of exam: Grade Exams and Performance Certificates.
The use of a microphone is not mandatory at Grade 2 but candidates may use one if they

GRADE 2
Grade 2
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
EXAM STRUCTURE
n Ear Tests

GRADE 2
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 80bpm
4/4 time signature
A natural minor scale must be prepared. The candidate may select any starting note between AE and may choose to sing along to a
metronome click or to hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the
count starts.
GROUP B: ARPEGGIOS
Tempo: 80bpm
4/4 and 3/4 time signatures
Two different patterns of a minor arpeggio need to be prepared and the examiner will select one of these to be performed in the
exam. This test must be performed to a metronome click and any starting note between AE may be selected by the candidate. The
chosen starting note will be played before the count starts.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Major 3rd interval

n Minor 3rd interval
major 3rd or minor 3rd at the examiners choice. The candidate may choose to sing along to a metronome click throughout or to hear
four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the count starts.
Tempo: 85120bpm
4/4 time signature

n Melodic: Dynamic change
The Melodic Study starts with the root note followed by a four-beat count-in. The exercise consists of a four-bar melody to be sung
with lyrics and dynamic changes.

GRADE 2
SIGHT READING
Key:
n Female: F major or A minor

n Male: C major or A minor
Tempo: 70bpm
Range: Up to a Major 3rd
At Grade 2 the Sight Reading test consists of whole notes (semi-breves), half notes (minims), quarter notes (crotchets) and quarter
note rests in 4/4. The test is four bars long, starts with the root note and is in one of the above keys. The examiner will allow 90 seconds
preparation time and will offer the option of practising with a metronome click throughout or a four-beat count-in at the start of the
practice time. Whichever option is chosen, the practice time will start with the examiner playing the root note and the same choice is
available when performing the test.
Key:
n Female: A minor
n Male: A minor
Tempo: 80-90bpm
At Grade 2 the examiner will give the candidate a chord sequence in the key of A minor. The candidate must improvise a melody over
the backing track. The test is four-bars long and will be heard three times. The first and second time is for rehearsal and the third time
is for the candidate to perform the final version for the exam.
playthrough has finished, the root note and count-in of the second and third playthroughs will start immediately.

GRADE 2
EAR TESTS
There are two Ear Tests: Melodic Recall (Test 1) and Rhythmic Recall (Test 2).
MELODIC RECALL
Key:
n Female: C Major
n Male: C Major
Tempo: 85bpm
The examiner will play a two-bar melody with a drum backing. The melody will use the first three notes of the C major scale and the
first note will be the root note. The test will be heard twice, each time with the root note and a four-beat count-in. There will be a short
break to practise after each playthrough. Next a vocal count-in will be heard, after which the melody must be sung to the drum
backing.
Candidates are permitted to sing over the track as it is being played as well as practising after the first two playthroughs. The length of
time available after the second playthrough is pre-recorded on the audio track, so the count-in may begin while the candidate is still
practising. This test may be performed using any vocal sound except humming or whistling.
RHYTHMIC RECALL
Tempo: 90bpm
The examiner will play a two-bar rhythm played on a single note to a drum backing. The test will be heard twice, each time with a
four-beat count-in. There will be a short gap to practise after each playthrough. Next a vocal count-in will be heard, after which the
rhythm must be sung back. For this exercise da or ba vocal sounds must be used.
available after the second playthrough is pre-recorded on the audio track so the vocal count-in may begin while the candidate is still
practising.
The test is made up of quarter notes (crotchets), eighth notes (quavers) and quarter note rests.

GRADE 2

MUSIC KNOWLEDGE

n Any pitch name (it is not required to state flat, sharp or natural)
n Whole (semi-breve), half (minim), quarter (crotchet), eighth (quaver) and 16th (semi-quaver) note values
n Any rest value
The candidate will be asked to identify and explain:
n The meaning of the 4/4 time signature marking

n The meaning of repeat marks, first and second time bars
n The meaning of staccato marks
n The meaning of slurs
Part 2: Your Voice

n What is the meaning of diction?

n What is the meaning of tone?
n During a song, when would be a better time to take a breath?
n Why is posture important when singing?
FREE CHOICE PIECES



GRADE 2
GRADE 2 : PERFORMANCE PIECES
Attainment Band Assessment Criteria not met Pass Merit Distinction
Mark Range 011 1214 1517 1820
Grade Descriptor QQInsecure basic QQSecure basic techniques QQMostly secure basic QQConsistently secure
techniques some of the time techniques basic techniques
QQInconsistent awareness QQAwareness of rhythm/ QQAwareness of rhythm/ QQAwareness of rhythm/
of rhythm/pulse pulse some of the time pulse most of the time pulse throughout
QQInability to maintain QQBasic ability to maintain QQBasic ability to maintain QQBasic ability to maintain
pitch and intonation pitch and intonation pitch and intonation pitch and intonation
accurately accurately some of the accurately most of the accurately throughout
QQInsecure use of diction, time time QQBasic ability to use
articulation and phrasing QQBasic ability to use QQBasic ability to use diction, articulation and
diction, articulation and diction, articulation and phrasing throughout
phrasing some of the phrasing most of the
time time
GRADE 2 : TECHNICAL EXERCISES (SCALES, ARPEGGIOS, INTERVALS, MELODIC STUDIES)
Mark Range 0-8 9-10 11-12 13-15
Grade Descriptor QQInability to maintain QQBasic ability to sing with QQBasic ability to sing with QQBasic ability to sing with
pitch, pulse or rhythm accuracy, pitch, rhythm accuracy, pitch, rhythm accuracy, pitch, rhythm
accurately and pulse some of the and pulse most of the and pulse consistently
QQInability to recall musical time time QQAbility to recall musical
and rhythmic phrases QQAbility to recall musical QQAbility to recall musical and rhythmic phrases
accurately and rhythmic phrases and rhythmic phrases consistently
some of the time most of the time
GRADE 2 : SIGHT READING / IMPROVISATION & INTERPRETATION
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQInsecure ability to read QQSecure ability to QQMostly secure ability QQConsistently secure
basic notation read basic rhythmic, to read basic rhythmic, ability to read basic
OR inability to improvise harmonic and melodic harmonic and melodic rhythmic, harmonic
rhythm, harmony and notation some of the notation OR Mostly and melodic notation
melody time OR Secure ability to secure ability to OR Consistently secure
improvise basic rhythm, improvise basic rhythm, ability to improvise basic
harmony and melody harmony and melody rhythm, harmony and
some of the time melody

GRADE 2
GRADE 2 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQIncorrect responses QQSome correct responses QQMostly correct QQConsistently correct
responses responses
GRADE 2 : GENERAL MUSICIANSHIP QUESTIONS
Mark Range 0-2 correct responses 3 correct responses 4 correct responses 5 correct responses

Grade 3
The Grade 3 vocals exam is for candidates who have established the basic skills, preliminary
techniques and the beginnings of stylistic awareness with some individuality.
There are two types of exam: the Grade Exam and the Performance Certificate.

GRADE 3
Grade 3
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
EXAM STRUCTURE
n Ear Tests

GRADE 3
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 90bpm
4/4 time signature
A major and natural minor scale must be prepared. The candidate may select any starting note from AE and may choose to sing
along to a metronome click or hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before
the count starts.
GROUP B: ARPEGGIOS
Tempo: 90bpm
3/4 time signature
A major and minor arpeggio must be prepared and the examiner will select one of these to be performed in the exam. This test must
be performed to a metronome click and any starting note between AE may be selected by the candidate. The root note will be heard,
followed by a one-bar (three click) count-in.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Perfect 4th interval

n Perfect 5th interval
starting note within the range AC (female) and D-F (male). The candidate will then be required to sing the root note followed by the
perfect 4th or perfect 5th at the examiners choice. The candidate may choose to sing along to a metronome click throughout or to
hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the count starts.
Tempo: 95100bpm
4/4 time signature

n Melodic: Quick dynamic changes and bends
The Melodic study starts with the root note followed by a four-beat count-in and will make use of quick dynamic changes and bends.
Both tests need to be performed to the appropriate backing track which can be found on the download card.

GRADE 3
SIGHT READING
Key:
n Female: C major or D minor

n Male: F major or E minor
Tempo: 7585bpm
Range: Up to a Perfect 5th
At Grade 3 the Sight Reading test consists of whole notes (semi-breves), half notes (minims), quarter notes (crotchets), eighth notes
(quavers) and quarter note rests in 4/4. The test is four-bars long, starts with the root note and is in one of the above keys (the
examiner will decide which). The examiner will allow 90 seconds preparation time and will offer the option of practising with a
metronome click throughout or a four-beat count-in at the start of the practice time. Whichever option is chosen, the practice time
will start with the examiner playing the root note and the same choice is available when performing the test. The candidate will then
perform the test for the examination.
Key:
n Female: G major or E minor

n Male: G major or E minor
Tempo: 80-90bpm
At Grade 3 the examiner will give the candidate a chord sequence in the key of G major or E minor (the examiner will decide which).
The candidate must improvise a melody over the backing track and the chord sequence will be heard three times. The first and
second time is for rehearsal and the third time is for the candidate to perform the final version for the exam.
playthrough has finished, the root note and count-in of the second and third playthroughs will start immediately.

GRADE 3
EAR TESTS
There are two Ear Tests: Melodic Recall (Test 1) and Rhythmic Recall (Test 2).
MELODIC RECALL
Key:
n Female: C major or A natural minor scale

n Male: F major or A natural minor scale
Tempo: 90bpm
The examiner will play a two-bar melody played to a drum backing. It will use a range of up to the first five notes of the above scales
(the examiner will decide which) and the first note will be the root note. The test will be heard twice, each time with a four-beat
count-in. There will be a short gap to practise after each playthrough. Next a vocal count-in will be heard, after which the melody must
be sung to the drum backing.
practising.
RHYTHMIC RECALL
Tempo: 90bpm
The examiner will play a two-bar rhythm played on a single note to a drum backing. The test will be heard twice and each time the test
is played it is preceded by the root note and a four-beat count-in. There will be a short gap for you to practise after each playthrough.
Next a vocal count-in will be heard, after which the rhythm must be sung back. For this exercise da or ba vocal sounds must be used.
available after the second playthrough is pre-recorded on the audio track so the count-in may begin while the candidate is still
practising.
The test is made up of quarter notes (crotchets), eighth notes (quavers) and equivalent rests.

GRADE 3

MUSIC KNOWLEDGE

n Any pitch name (flat, sharp or natural must also be stated)

n Whole (semi-breve), half (minim), quarter (crochet), eighth (quaver), triplet eighth (triplet quaver) and 16th (semi-quaver)
note values
n Any rest value
n Recognition of any interval up to a fifth between two adjacent notes (it is not required to state major, minor or perfect)
n The meaning of the 4/4 time signature marking

n The meaning of repeat marks, first and second time bars
n The meaning of staccato marks
n The meaning of slurs
n The meaning of crescendo/diminuendo
n The meaning of D.C., D.S., al Coda and al Fine markings
n The meaning of ad lib
Part 2: Your Voice

n What is the meaning of the break?

n What is the meaning of transition?
n How do you support a long sustained note?
n Give an example of each of the following:
a) A type of food that would be good to eat before a performance?
b) A type of food that would not be good to eat before a performance?
FREE CHOICE PIECES


GRADE 3
Mark Range 011 1214 1517 1820
Grade Descriptor QQInsecure basic QQSecure basic techniques QQMostly secure basic QQConsistently secure
techniques some of the time techniques basic techniques
QQInconsistent awareness QQAwareness of rhythm/ QQAwareness of rhythm/ QQAwareness of rhythm/
of rhythm/pulse pulse some of the time pulse most of the time pulse throughout
QQInability to maintain QQBasic ability to maintain QQBasic ability to maintain QQBasic ability to maintain
pitch and intonation pitch and intonation pitch and intonation pitch and intonation
accurately accurately some of the accurately most of the accurately throughout
QQInsecure use of diction, time time QQBasic ability to use
articulation and phrasing QQBasic ability to use QQBasic ability to use diction, articulation and
diction, articulation and diction, articulation and phrasing throughout
phrasing some of the phrasing most of the
time time
GRADE 3 : TECHNICAL EXERCISES (SCALES, ARPEGGIOS, INTERVALS, MELODIC STUDIES)
Mark Range 0-8 9-10 11-12 13-15
Grade Descriptor QQInability to maintain QQBasic ability to sing with QQBasic ability to sing with QQBasic ability to sing with
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQInsecure ability to read QQSecure ability to QQMostly secure ability QQConsistently secure
basic notation read basic rhythmic, to read basic rhythmic, ability to read basic
OR inability to improvise harmonic and melodic harmonic and melodic rhythmic, harmonic
rhythm, harmony and notation some of the notation OR Mostly and melodic notation
melody time OR Secure ability to secure ability to OR Consistently secure
improvise basic rhythm, improvise basic rhythm, ability to improvise basic
harmony and melody harmony and melody rhythm, harmony and
some of the time melody

GRADE 3
GRADE 3 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses
Mark Range 02 correct responses 3 correct responses 4 correct responses 5 correct responses

Grade 4
The Grade 4 vocals exam is for candidates who have mastered the basic skills, preliminary
techniques and acquired the beginnings of stylistic awareness with some individuality.

GRADE 4
Grade 4
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
Ear Tests: Melodic Recall (Test 1) then Harmony Vocals (Test 2). The Harmony Vocals test needs to include the use of lyrics which will
be given by the examiner.
performed, (the candidate will be asked to choose which piece) and one question will be asked on understanding of the voice or
microphone. All questions will be at the examiners choice.
EXAM STRUCTURE
n Ear Tests

GRADE 4
TECHNICAL EXERCISES
At Grade 4 there are five groups of Technical Exercises. The examiner will ask for a selection from each group.
GROUP A: SCALES
Tempo: 80bpm
4/4 time signature
A major pentatonic scale must be prepared. The candidate may select any starting note from AE and may choose to sing along to a
metronome click or hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the count
starts.
GROUP B: ARPEGGIOS
Tempo: 80bpm
3/4 time signature
A major and major (ascending) with dominant 7 (descending) arpeggio must be prepared and the examiner will select one of these to
be performed in the exam. This test must be performed to a metronome click and any starting note between A-E may be selected by
the candidate. The root note will be heard, followed by a one-bar (four-click) count-in.
The test can be performed using any vocal sound except humming or whistling.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Major 6th interval

n Major 7th interval
major 6th or major 7th at the examiners choice. The candidate can choose to sing to a metronome click throughout or to hear a
four-beat count-in. Whichever option is chosen, the starting note will be heard before the count starts.
GROUP D: MELODIC STUDY
Tempo: 115bpm
4/4 time signature
In this group the melodic study for slides and trilldowns must be prepared. This exercise is an eight-bar melody that must be sung to
lyrics after the root note and four-beat count-in is heard. Candidates are required to perform the study with the appropriate backing
track which can be found on the download card.
GROUP E: BACKING VOCALS
Tempo: 115bpm
4/4 time signature
In this group, both backing vocal parts need to be prepared. This is a two-part harmony test and the candidate will be asked to perform
one part in the exam, as chosen by the examiner. The chosen part must be sung alongside the other part on the recording. The test
needs to be performed to the appropriate backing track which can be found on the download card.

GRADE 4
SIGHT READING
Key:
n Female: D major, Bb major, B minor or D minor

n Male: D major, Bb major, E minor or D minor
Tempo: 8090bpm
Range: Up to an octave
At Grade 4 the Sight Reading test will feature lyrics and cover a range of up to an octave. The test will be in one of the above keys (the
examiner will decide which) and will start with the root note. At this grade there is an element of improvisation in order to prepare
candidates for the Quick Study Piece at Level 3 (Grade 6 upwards). Bars 5 and 6 are a repeat of bars 1 and 2 and a melody will need to
be improvised in the final two bars. The examiner will allow 90 seconds preparation time, after which the test must be performed.
During the practice time candidates will be given the choice of a metronome click throughout or a four-beat count-in. Whichever
option is chosen, the practice time will start with the examiner playing the root note. The same choice will be given when performing
the test.
The improvised bars in this test may be performed using any vocal sound except humming or whistling. Improvised lyrics and vocal
ad-libbing are permitted.
Key:
n Female: D major, Bb major, E minor or D minor

n Male: D major, Bb major, D minor or A minor
Tempo: 95bpm
At Grade 4 the examiner will give the candidate a chord sequence in one of the above keys (the examiner will decide which) and the
candidate must improvise a melody over the backing track. At this grade there is also an element of sight reading to prepare
candidates for the Quick Study Piece at Level 3. This consists of a two-bar section featuring lyrics at the beginning of the test. The
examiner will allow 30 seconds to practise, after which the backing track will be played twice. The first time is for rehearsal and the
second time is for the candidate to perform the final version for the exam. The backing track will begin with a root note and a four-beat
count-in on both playthroughs and is continuous, so once the first playthrough has finished, the root note and count-in of the second
playthrough will start immediately.
The examiner will offer the option of practising with a metronome click throughout or a four-beat count-in at the start of the practice
time. Whichever option is chosen, the practice time will start with the examiner playing the root note.

GRADE 4
EAR TESTS
There are two Ear Tests: Melodic Recall (Test 1) and Harmony Vocals (Test 2).
MELODIC RECALL
Key:
n Female: D major or B natural minor scale

n Male: G major or E natural minor scale
Tempo: 90bpm
The examiner will play a two-bar melody played to a drum backing. It will use a range of up to the first five notes of the above scales
(the examiner will decide which) and the first note will be the root note. The test will be heard twice, each time with a four-beat
practising.
HARMONY VOCALS
Key:
n Female: C major or A major

n Male: D major or F major
Tempo: 90100bpm
The examiner will play a three-bar melody in one of the above keys (the examiner will decide which) and this will be based on the IIV
chords. The recorded vocal part will sing the root note of each chord and candidates need to harmonise a major 3rd above this part
using the same rhythm. The examiner will give the candidate the lyrics.
The test will be heard twice, starting with the root note and a four-beat count-in each time it is played. There will be a short gap to
practise after each playthrough. Next a vocal count-in will be heard, after which the harmony line must be performed. It is acceptable
to sing over the track as it is being played as well as practising after the first two playthroughs. The length of time available after the
second playthrough is pre-recorded on the audio track, so the vocal count-in may begin while the candidate is still practising.

GRADE 4

question will be about the voice or the microphone.
MUSIC KNOWLEDGE

n Any pitch name (an appropriate flat, sharp or natural must also be stated)
n Whole (semi-breve), half (minim), quarter (crotchet), eighth (quaver), triplet eighth (triplet quaver), 16th (semi-quaver)
note values and adjacent note value combinations
n Whole, half, quarter, eighth and 16th note rests and adjacent rest combinations
n Recognition of any interval up to a 7th between two adjacent notes (it is not required to state major, minor or perfect)
n The meaning of any time signature

n The meaning of any dynamic marking
n The meaning of the tempo marking
Part 2: Your Voice and the Microphone

The examiner will also ask one question about the voice or the microphone. Brief demonstrations to assist answers are acceptable.
n How do you ensure consistent vocal tone?

n How do you create breathy (aspirate) tone?
n When would you use vibrato?
n How does a microphone amplify sound?
FREE CHOICE PIECES


GRADE 4
Mark Range 011 1214 1517 1820
Grade Descriptor QQInsecure physical QQSecure physical QQMostly secure physical QQConsistently secure
techniques techniques some of the techniques physical techniques
QQInsecure expressive time QQMostly secure expressive QQConsistently secure
techniques QQGenerally secure techniques expressive techniques
QQInsecure use of rhythm expressive techniques QQSecure use of rhythm QQSecure use of rhythm
QQInsecure use of pitch and QQSecure use of rhythm most of the time throughout
intonation some of the time QQSecure use of pitch and QQSecure use of pitch and
QQInability to demonstrate QQSecure use of pitch and intonation most of the intonation throughout
stylistic awareness intonation some of the time QQStrong stylistic
QQInability to use diction, time QQStrong stylistic awareness throughout
articulation and phrasing QQStrong stylistic awareness most of the QQSecure use of diction,
awareness some of the time articulation and phrasing
time QQSecure use of diction, throughout
QQSecure use of diction, articulation and phrasing
articulation and phrasing most of the time
some of the time
GRADE 4 : TECHNICAL EXERCISES (SCALES, ARPEGGIOS, INTERVALS, MELODIC STUDIES, BACKING VOCALS)
Mark Range 0-8 9-10 11-12 13-15
Grade Descriptor QQInability to maintain QQAbility to sing with QQAbility to sing with QQAbility to sing with
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQInsecure ability to read QQSecure ability to read QQMostly secure ability to QQConsistently secure
notation rhythmic, harmonic and read rhythmic, harmonic ability to read rhythmic,
QQInability to improvise melodic notation some and melodic notation harmonic and melodic
rhythm, harmony and of the time QQMostly secure ability notation
melody QQSecure ability to to improvise rhythm, QQConsistently secure
improvise rhythm, harmony and melody ability to improvise
harmony and melody rhythm, harmony and
melody

GRADE 4
GRADE 4 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses

Grade 5
The Grade 5 vocals exam is for candidates who have acquired intermediate skills and
techniques and have developed an increasing sense of stylistic conviction and individuality.

GRADE 5
Grade 5
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
Ear Tests: Melodic Recall (Test 1) then Harmony Vocals (Test 2). The Harmony Vocals test needs to include the use of lyrics which will
be given by the examiner.
performed, (the candidate will be asked to choose which piece) and one question will be asked on understanding of the voice or
microphone. All questions will be at the examiners choice.
EXAM STRUCTURE
n Ear Tests

GRADE 5
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 80bpm
4/4 time signature
A minor pentatonic scale must be prepared. The candidate may select any starting note from AE and may choose to sing along to a
starts.
GROUP B: ARPEGGIOS
Tempo: 80bpm
3/4 time signature
A major (ascending) and dominant 7 (descending) arpeggio must be prepared. This test must be performed to a metronome click
track and any starting note between AE may be selected by the candidate. The root note will be heard, followed by a one-bar (three
click) count-in.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Minor 6th interval

n Minor 7th interval
starting note within the range AC (female) and D-F (male). Candidates will then be required to sing the root note and then the minor
6th or minor 7th at the examiners choice. The candidate can choose to sing to a metronome click throughout or to hear a four-beat
count-in. Whichever option is chosen, the starting note will be heard before the count starts.
GROUP D: MELODIC STUDY
Tempo: 125bpm
4/4 time signature
In this group the melodic study for melismas and scoops must be prepared. This exercise is an eight-bar melody sung to lyrics and
starts with the root note followed by a four-beat count. Candidates are required to perform the study with the appropriate backing
track which can be found on the download card.
GROUP E: BACKING VOCALS
Tempo: 120bpm
4/4 time signature
In this group, both backing vocal parts need to be prepared. This is a two-part harmony test and the candidate will be asked to perform
one part in the exam, as chosen by the examiner. The chosen part must be sung alongside the other part on the recording. The test
needs to be performed to the appropriate backing track which can be found on the download card.

GRADE 5
SIGHT READING
Key:
n Female: D major, Bb major, B minor or D minor

n Male: D major, Bb major, E minor or D minor
Tempo: 8595bpm
Range: Up to an octave
At Grade 5 the Sight Reading test will feature lyrics and cover a range of up to an octave. The test will be in one of the above keys (the
examiner will decide which) and will start with the root note. At this grade there is an element of improvisation in order to prepare
candidates for the Quick Study Piece at Level 3 (Grade 6 upwards). Bars 5 and 6 are a repeat of bars 1 and 2 and a melody will need to
be improvised in the final two bars. The examiner will allow 90 seconds preparation time, after which the test must be performed.
During the practice time candidates will be given the choice of a metronome click throughout or a four-beat count-in. Whichever
option is chosen, the practice time will start with the examiner playing the root note. The same choice will be given when performing
the test.
Key:
n Female: D major, Bb major, E minor or D minor

n Male: D major, Bb major, D minor or A minor
Tempo: 100bpm
At Grade 5 the examiner will give the candidate a chord sequence in one of the above keys (the examiner will decide which) and the
candidate must improvise a melody over the backing track. At this grade there is also an element of sight reading to prepare
candidates for the Quick Study Piece at Level 3. This consists of a two-bar section featuring lyrics at the beginning of the test. The
examiner will allow 30 seconds to practise, after which the backing track will be played twice. The first time is for rehearsal and the
second time is for the candidate to perform the final version for the exam. The backing track will begin with a root note and a four-beat
count-in on both playthroughs and is continuous, so once the first playthrough has finished, the root note and count-in of the second
playthrough will start immediately.
The examiner will offer the option of practising with a metronome click throughout or a four-beat count-in at the start of the practice
time. Whichever option is chosen, the practice time will start with the examiner playing the root note.

GRADE 5
EAR TESTS
MELODIC RECALL
Key:
n Female: Bb major or A natural minor scale

n Male: D major or C natural minor scale
Tempo: 90bpm
The examiner will play a two-bar melody played to a drum backing. It will use one of the above scales (the examiner will decide which)
and the first note will be the root note. The test will be heard twice, each time starting with the root note and a four-beat count-in.
There will be a short gap to practise after each playthrough. Next a vocal count-in will be heard, after which the melody must be sung
to the drum backing.
time available after the second playthrough is pre-recorded on the audio track, so the vocal count-in may begin while the candidate is
still practising.
HARMONY VOCALS
Key:
n Female: A major or F major

n Male: C major or A major
Tempo: 90110bpm
The examiner will play a four-bar melody in one of the above keys (the examiner will decide which) and this will be based on the IIVV
chords. The recorded vocal part will sing the root note or 3rd of each chord and candidates need to harmonise a diatonic 3rd above
this part using the same rhythm. The examiner will give the candidate the lyrics.

GRADE 5

question will be about the voice or the microphone.
MUSIC KNOWLEDGE

n Any pitch name (an appropriate flat, sharp or natural must also be stated)
n Whole (semi-breve), half (minim), quarter (crotchet), eighth (quaver), triplet eighth (triplet quaver), 16th (semi-quaver)
note values and adjacent note value combinations
n Whole, half, quarter, eighth and 16th note rests and adjacent rest combinations
n Recognition of any interval up to an octave between two adjacent notes (it is not required to state major, minor or perfect)
n The meaning of any time signature

n The meaning of any dynamic marking
n The meaning of the tempo marking
n The meaning of the key signature (stating either major or relative minor)
n The meaning of the swung rhythm marking

The examiner will also ask one question about the voice or the microphone. Brief demonstrations to assist answers are acceptable.
n Using your articulators (mouth/lips/tongue/teeth/jaw), how can you modify a bright ee sound to produce
a less bright tone?
n How would you prevent straining during prolonged use of louder dynamics?
n Suggest two exercises that can help develop control over dynamics across your range
n Explain how you would use microphone technique to be able to sing at different volumes
FREE CHOICE PIECES


GRADE 5
Mark Range 011 1214 1517 1820
Grade Descriptor QQInsecure physical QQSecure physical QQMostly secure physical QQConsistently secure
techniques techniques some of the techniques physical techniques
QQInsecure expressive time QQMostly secure expressive QQConsistently secure
techniques QQGenerally secure techniques expressive techniques
QQInsecure use of rhythm expressive techniques QQSecure use of rhythm QQSecure use of rhythm
QQInsecure use of pitch and QQSecure use of rhythm most of the time throughout
intonation some of the time QQSecure use of pitch and QQSecure use of pitch and
QQInability to demonstrate QQSecure use of pitch and intonation most of the intonation throughout
stylistic awareness intonation some of the time QQStrong stylistic
QQInability to use diction, time QQStrong stylistic awareness throughout
articulation and phrasing QQStrong stylistic awareness most of the QQSecure use of diction,
awareness some of the time articulation and phrasing
time QQSecure use of diction, throughout
QQSecure use of diction, articulation and phrasing
articulation and phrasing most of the time
some of the time
GRADE 5 : TECHNICAL EXERCISES (SCALES, ARPEGGIOS, INTERVALS, MELODIC STUDIES, BACKING VOCALS)
Mark Range 0-8 9-10 11-12 13-15
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQInsecure ability to read QQSecure ability to read QQMostly secure ability to QQConsistently secure
notation rhythmic, harmonic and read rhythmic, harmonic ability to read rhythmic,
QQInability to improvise melodic notation some and melodic notation harmonic and melodic
rhythm, harmony and of the time QQMostly secure ability notation
melody QQSecure ability to to improvise rhythm, QQConsistently secure
improvise rhythm, harmony and melody ability to improvise
harmony and melody rhythm, harmony and
melody

GRADE 5
GRADE 5 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses

Grade 6
The Grade 6 vocals exam is for candidates who have begun to develop advanced technical
control and a competent grasp of stylistic techniques and personalisation. There are two
types of exam: the Grade Exam and the Performance Certificate.
The use of a microphone is mandatory in all sections of the exam at Grade 6.

GRADE 6
Grade 6
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
At this grade candidates will be asked to prepare and perform a short Quick Study Piece (QSP). This will consist of four-bars of melody
and eight-bars of improvisation. This is followed by two Ear Tests: Melodic Recall (Test 1) then Harmony Vocals (Test 2). The Harmony
Vocals test needs to include the use of lyrics which will be given by the examiner.
For the final part of the exam, five General Musicianship Questions will be asked. Three questions will be asked on one of the pieces
performed, (the candidate will be asked to choose which piece), one question will be asked on the use of improvisation in the piece,
and one question will be asked on understanding of the voice or microphone. All questions will be at the examiners choice.
EXAM STRUCTURE
n Quick Study Piece
n Ear Tests

GRADE 6
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 100bpm
4/4 time signature
A blues scale must be prepared. The candidate may select any starting note from AE and may choose to sing along to a metronome
click or hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the count starts. This
test can be performed using any vocal sound except humming or whistling.
GROUP B: ARPEGGIOS
Tempo: 100bpm
4/4 time signature
A major and diminished arpeggio must be prepared. This test must be performed to a metronome click track and any starting note
between CG may be selected by the candidate. The root note will be heard, followed by a one-bar (four-click) count-in. This test can
be performed using any vocal sound except humming or whistling.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
In this group the following interval sequences must be prepared:
n Major 7th and major 6th sequence

n Minor 7th and minor 6th sequence
The candidate will be asked to perform one of these sequences in the exam, as chosen by the examiner. The examiner will choose a
starting note within the range AC (female) and D-F (male). Candidates will then be required to sing the 1stmajor 7th, 1st-major
6th-1st in sequence or the 1st-minor 7th, 1st-minor 6th-1st in sequence. This will be at the examiners choice.
The candidate can choose to sing to a metronome click throughout or to hear a four-beat count-in. Whichever option is chosen, the
starting note will be heard before the count starts. This test can be performed using any vocal sound except humming or whistling.
GROUP D: BACKING VOCALS
Tempo: 120bpm
4/4 time signature
In this group all three backing vocal parts need to be prepared. This is a three-part harmony test and the candidate will be asked to
perform one part in the exam, as chosen by the examiner. The chosen part must be sung alongside the other two parts on the
recording. The test needs to be performed to the appropriate backing track which can be found on the download card.
GROUP E: STYLISTIC STUDY
Tempo: 80125bpm
4/4 time signature
Candidates will need to choose and perform one Stylistic Study from the group of styles listed below. This choice will determine the
style of the Quick Study Piece. For example, if the Jazz and Blues stylistic study is chosen the examiner will give the candidate a QSP
from the Jazz and Blues group.
n Pop and Musical Theatre

n Soul and RnB
n Jazz and Blues
n Rock and Indie

GRADE 6
QUICK STUDY PIECE
Tempo: 70-160bpm
and eight-bars of improvisation. Bars 14 of the test will be a notated melody and the candidate must sing all the written detail,
including the lyrics. In bars 58 candidates will need to improvise a variation of bars 14, developing both the lyrics and melody as
they feel appropriate. In bars 912 candidates are required to improvise freely, with no reference to bars 14 needed. These bars can
be performed using any vocal sound except humming or whistling. Improvised lyrics and vocal ad-libbing are permitted.
The examiner will give the candidate the sheet music and then a full mix version of the track will be heard, including the notated parts.
This first playthrough will be preceded by the root note and a one-bar count-in. After the full mix candidates will have three minutes to
practise. The root note will be played at the start of this practice time and then again after 90 seconds. During the practice time,
candidates will be given the choice of a metronome click throughout or a one-bar count-in at the beginning.
At the end of the three minutes, the backing track will be played twice more with the notated parts now absent. The first time is for
rehearsal and the second time is for the candidate to perform the final version for the exam. Again, the root note will be heard and
then a one-bar count-in before each playthrough. The backing track is continuous, so once the first playthrough has finished, the root
note and count-in of the second playthrough will start immediately.
The QSP style will be from one of the following four groups. These match the groups of the Stylistics Studies in the Technical
Exercises section.

n Soul and RnB
n Jazz and Blues
n Rock and Indie
The style of the QSP given to the candidate will be from the same group as the candidates choice of Stylistic Study.
The examiner will decide the specific style from the group chosen.

GRADE 6
EAR TESTS
MELODIC RECALL
Key:
n Female: A major and C natural minor scale

n Male: E major or D natural minor scale
Tempo: 90bpm
and the first note will be the root note or the 5th. The test will be heard twice, each time starting with the root note and a four-beat
still practising.
HARMONY VOCALS
Key:
n Female: C major or A major

n Male: G major or A major
Tempo: 90120bpm
The examiner will play a four-bar melody in one of the above keys (the examiner will decide which), based on the IIVV-VI chords. The
recorded vocal part will sing the root, 3rd or 5th of each chord and candidates need to harmonise a diatonic 3rd or 4th above this part

GRADE 6

In this part of the exam five questions will be asked. Three of these questions will be on general music knowledge of the piece, one will
be on improvisation and one will be on the candidates understanding of the voice or microphone.
MUSIC KNOWLEDGE

The examiner will ask three music knowledge questions. The questions will be based on one of the pieces (including Free Choice
n Any notation used in the chosen piece

n Recognition of any interval up to an octave between two adjacent notes (candidates will need to state major,
minor or perfect)
Part 2: Improvisation
Candidates will be asked to briefly describe and demonstrate their approach to how they would improvise any part of the chosen
song. This should be done with reference to melody, rhythm, phrasing, dynamics and expression. Candidates can choose the part.

The examiner will also ask you one question about the voice or the microphone. They will decide which. Brief demonstrations to assist
answers are acceptable.
n Name three effective resonators for singing

n Explain the difference between aspirate onset and glottal onset
n Which exercises might be safe to perform when your voice is tired or you have a sore throat?
n How can you balance your sound on microphone when switching between chest voice (low register)
and head/falsetto voice (high register)?
FREE CHOICE PIECES


GRADE 6
Mark Range 011 1214 1517 1820
Grade Descriptor QQInsecure physical QQSome secure physical QQMostly secure physical QQConsistently secure
techniques techniques techniques physical techniques
QQInsecure expressive QQSome secure expressive QQMostly secure expressive QQConsistently secure
techniques techniques techniques expressive techniques
QQInsecure use of rhythm QQSecure use of rhythm QQSecure use of rhythm QQSecure use of rhythm
QQInsecure use of pitch or some of the time most of the time throughout
intonation QQSecure use of pitch and QQSecure use of pitch and QQSecure use of pitch and
QQInsecure use of harmony intonation some of the intonation most of the intonation throughout
or melody time time QQSecure use of harmony
QQInability to demonstrate QQSecure use of harmony QQSecure use of harmony and melody throughout
stylistic awareness and melody some of and melody most of the QQStrong stylistic
QQInconsistent use of the time time awareness throughout
rhythm and timing QQStrong stylistic QQStrong stylistic QQAssured use of rhythm
QQInsecure use of diction, awareness some of the awareness most of the and timing throughout
articulation and phrasing time time QQAssured use of diction,
QQAssured use of rhythm QQAssured use of rhythm articulation and phrasing
and timing some of the and timing most of the throughout
time time
QQAssured use of diction, QQAssured use of diction,
articulation and phrasing articulation and phrasing
GRADE 6 : TECHNICAL EXERCISES (SCALES, ARPEGGIOS, INTERVALS, MELODIC STUDIES, BACKING VOCALS, STYLISTIC STUDY)
Mark Range 0-8 9-10 11-12 13-15
GRADE 6 : QUICK STUDY
Mark Range 0-4 5-6 7-8 9-10
Grade Descriptor QQInability to read QQSecure ability to read QQMostly secure ability to QQConsistently secure
rhythmic, harmonic and rhythmic, harmonic and read rhythmic, harmonic ability to read rhythmic,
melodic notation OR melodic notation some and melodic notation harmonic and melodic
Inability to improvise of the time OR Secure OR Mostly secure ability notation OR Consistently
rhythm, harmony and ability to improvise to improvise rhythm, secure ability to
melody rhythm, harmony and harmony and melody improvise rhythm,
melody some of the harmony and melody
time

GRADE 6
GRADE 6 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses

Grade 7
The Grade 7 vocals exam is for candidates who have a developed advanced technical
control and a thorough grasp of extended stylistic techniques and personalisation. There
are two types of exam: the Grade Exam and the Performance Certificate.

GRADE 7
Grade 7
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
EXAM STRUCTURE
n Quick Study Piece
n Ear Tests

GRADE 7
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 100bpm
4/4 time signature
A harmonic minor scale must be prepared. The candidate may select any starting note from AE and may choose to sing along to a
starts. This test can be performed using any vocal sound except humming or whistling.
GROUP B: ARPEGGIOS
Tempo: 100bpm
3/4 time signature
An augmented arpeggio must be prepared. This test must be performed to a metronome click track and any starting note between
CG may be selected by the candidate. The root note will be heard, followed by a one-bar (four-click) count-in. This test can be
performed using any vocal sound except humming or whistling.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Major 3rd and major 2nd intervals

n Minor 3rd and minor 2nd intervals
starting note within the range AC (female) and D-F (male). Candidates will then be required to sing the 1stmajor 3rd, 1stmajor
2nd1st in sequence, or the 1stminor 3rd, 1stminor 2nd1st in sequence. This will be at the examiners choice. The candidate can
choose to sing to a metronome click throughout or to hear a four-beat count-in. Whichever option is chosen, the starting note will be
heard before the count starts. This test can be performed using any vocal sound except humming or whistling.
Tempo: 120bpm
4/4 time signature
Tempo: 80125bpm
4/4 time signature

n Soul and RnB
n Jazz and Blues
n Rock and Indie

GRADE 7
QUICK STUDY PIECE
Tempo: 70-160bpm
This first playthrough will be preceded by the root note and a one-bar count-in. After the full mix candidates will have three minutes to
Exercises section.

n Soul and RnB
n Jazz and Blues
n Rock and Indie

GRADE 7
EAR TESTS
MELODIC RECALL
Key:
n Female: B major and D natural minor scale

n Male: D major or E natural minor scale
Tempo: 90bpm
and the first note will be the root note or the 5th. The test will be heard twice, each time starting with the root note and a four-beat
still practising.
HARMONY VOCALS
Key:
n Female: A major or E minor

n Male: E major or B minor
Tempo: 90130bpm
The examiner will play a four-bar melody in one of the above keys (the examiner will decide which), based on any diatonic chords. The

GRADE 7

MUSIC KNOWLEDGE


minor or perfect)

n What type of exercise might you use to practise flipping between registers, including the pitches you would use in the
exercise for your voice?
n Give two examples of vocal effects you might employ while singing in the rock style
n Explain the difference between warm-ups and technical practice, including one example of the type of exercise
used for each
n What equalization settings might you use to correct a singer with a very nasal sound?
FREE CHOICE PIECES


GRADE 7
Mark Range 011 1214 1517 1820
time time
Mark Range 0-8 9-10 11-12 13-15
Mark Range 0-4 5-6 7-8 9-10
time

GRADE 7
GRADE 7 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses

Grade 8
The Grade 8 vocals exam is for candidates who have a developed advanced technical
control and a thorough grasp of extended stylistic techniques and personalisation. There
are two types of exam: the Grade Exam and the Performance Certificate.

GRADE 8
Grade 8
GRADE EXAMS
PREPARED WORK
UNPREPARED WORK
EXAM STRUCTURE
n Quick Study Piece
n Ear Tests

GRADE 8
TECHNICAL EXERCISES
GROUP A: SCALES
Tempo: 100bpm
4/4 time signature
A chromatic scale must be prepared. The candidate may select any starting note from AE and may choose to sing along to a
metronome click or hear four clicks before the test starts. Whichever option is chosen, the starting note will be heard before the
count starts. This test can be performed using any vocal sound except humming or whistling.
GROUP B: ARPEGGIOS
Tempo: 100bpm
4/4 time signature
A diminished 7 arpeggio must be prepared. This test must be performed to a metronome click track and any starting note between
CG may be selected by the candidate. The root note will be heard, followed by a one-bar (four-click) count-in. This test can be
performed using any vocal sound except humming or whistling.
GROUP C: INTERVALS
Tempo: 90bpm
4/4 time signature
n Major 7th, minor 7th and octave intervals

n Major 3rd and minor 3rd intervals
starting note within the range AC (female) and DF (male). Candidates will then be required to sing the 1stmajor 7th, 1stminor
7th, 1stoctave1st in sequence or the 1stmajor 3rd, 1stminor 3rd1st in sequence. This will be at the examiners choice. The
candidate can choose to sing to a metronome click throughout or to hear a four-beat count-in. Whichever option is chosen, the
starting note will be heard before the count starts. This test can be performed using any vocal sound except humming or whistling.
Tempo: 130bpm
4/4 time signature
Tempo: 80125bpm
4/4 time signature

n Soul and RnB
n Jazz and Blues
n Rock and Indie

GRADE 8
QUICK STUDY PIECE
Tempo: 70-160bpm
This first playthrough will be preceded by the root note and a one-bar count-in. After the full mix, candidates will have three minutes to
Exercises section.

n Soul and RnB
n Jazz and Blues
n Rock and Indie

GRADE 8
EAR TESTS
MELODIC RECALL
Key:
n Female: B major and D natural minor scale

n Male: D major or E natural minor scale
Tempo: 90bpm
and the first note will be the root, 3rd or the 5th. The test will be heard twice, each time starting with the root note and a four-beat
still practising.
HARMONY VOCALS
Key:
n Female: A major or B minor

n Male: D major or E minor
Tempo: 90130bpm
The examiner will play a four-bar melody in one of the above keys (the examiner will decide which), based on any diatonic chords. The

GRADE 8

MUSIC KNOWLEDGE


minor or perfect)

What is melisma and what exercises can help you develop it?
n
Describe techniques you might employ to build emotional intensity in a soul/R&B style ballad
n
Give two examples of exercises designed to develop intensity/power in a singers mix voice
n
Explain the difference between a dynamic and a condenser microphone, including one example each of their uses
n
FREE CHOICE PIECES


GRADE 8
Mark Range 011 1214 1517 1820
time time
Mark Range 0-8 9-10 11-12 13-15
Mark Range 0-4 5-6 7-8 9-10
time

GRADE 8
GRADE 8 : EAR TESTS
Mark Range 0-4 5-6 7-8 9-10
responses responses

REVISION HISTORY
Published: 03 November 2016
Revised: 24 February 2017

Page 7 Marking schemes updated
Revised: 29 March 2017

Page 11 Ear test content corrected
Page 31 Reference to use of a microphone corrected
Page 39 Reference to use of a microphone corrected
Page 51 Melodic Recall correction, the first note will be the root note or the fifth.
Page 67 Harmony Vocals, key correction
Revised: 24 July 2017

Page 7 Reference to use of a microphone updated

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VOCALS

Rockschool | Performance Arts Awards | Vocational Qualifications

Published: 03 November 2016

3 RSL Vocals Syllabus Specification 2016 Edition

4 RSL Vocals Syllabus Specification 2016 Edition

This Syllabus Specification covers the following vocal Examinations:

n Graded Examinations Grades 18

Please note that there is no debut exam in this series.

n Three Performance Pieces: Grades 18

These elements fall into two categories:

n Five Performance Pieces

5 RSL Vocals Syllabus Specification 2016 Edition

*These elements can be taken first or second at the candidates request

FREE CHOICE PIECES

6 RSL Vocals Syllabus Specification 2016 Edition

MARKING SCHEMES AND ATTAINMENT BANDS

Grade 1-5 (marks) Grade 6-8 (marks)

n Performance Piece [20] n Performance Piece [20]

n Performance Piece 1 [20]

The attainment bands for Grade Examinations are as follows:

The attainment bands for Performance Certificates are as follows:

7 RSL Vocals Syllabus Specification 2016 Edition

Please see the Examinations section on page 3 for further details.

feel it will enhance their performance.

8 RSL Vocals Syllabus Specification 2016 Edition

*These elements can be taken first or second at the candidates request

Setting the level of the backing track

9 RSL Vocals Syllabus Specification 2016 Edition

n Major 2nd interval

GROUP D: TECHNICAL STUDIES

n Rhythmic: Rhythmic accuracy

10 RSL Vocals Syllabus Specification 2016 Edition

SIGHT READING / IMPROVISATION & INTERPRETATION

IMPROVISATION & INTERPRETATION

11 RSL Vocals Syllabus Specification 2016 Edition

12 RSL Vocals Syllabus Specification 2016 Edition

GENERAL MUSICIANSHIP QUESTIONS

The candidate will be asked to identify:

n The treble clef

n Where is your diaphragm?

FREE CHOICE PIECES

n Grade exam: Two Free Choice Pieces

13 RSL Vocals Syllabus Specification 2016 Edition

Please see the Examinations section on page 3 for further details.

feel it will enhance their performance.

14 RSL Vocals Syllabus Specification 2016 Edition

*These elements can be taken first or second at the candidates request

Setting the level of the backing track

15 RSL Vocals Syllabus Specification 2016 Edition

In this group the following intervals must be prepared:

n Major 3rd interval

GROUP D: TECHNICAL STUDIES

In this group the following studies must be prepared:

n Rhythmic: Rhythmic accuracy

16 RSL Vocals Syllabus Specification 2016 Edition

SIGHT READING / IMPROVISATION & INTERPRETATION

MARKING SCHEMES AND ATTAINMENT BANDS

SIGHT READING / IMPROVISATION & INTERPRETATION

GENERAL MUSICIANSHIP QUESTIONS

SIGHT READING / IMPROVISATION & INTERPRETATION

GENERAL MUSICIANSHIP QUESTIONS

SIGHT READING / IMPROVISATION & INTERPRETATION

GENERAL MUSICIANSHIP QUESTIONS