The document summarizes information about four influential Filipino painters: Victorio Edades, Vicente Manansala, Hernando Ocampo, and Galo Ocampo. It provides details about each artist's style, notable works, subjects depicted, and the awards and recognition received in their careers. It highlights how these painters were pioneers and leaders in the modernist movement in Philippine art in the post-World War 2 era.
The document summarizes information about four influential Filipino painters: Victorio Edades, Vicente Manansala, Hernando Ocampo, and Galo Ocampo. It provides details about each artist's style, notable works, subjects depicted, and the awards and recognition received in their careers. It highlights how these painters were pioneers and leaders in the modernist movement in Philippine art in the post-World War 2 era.
The document summarizes information about four influential Filipino painters: Victorio Edades, Vicente Manansala, Hernando Ocampo, and Galo Ocampo. It provides details about each artist's style, notable works, subjects depicted, and the awards and recognition received in their careers. It highlights how these painters were pioneers and leaders in the modernist movement in Philippine art in the post-World War 2 era.
The document summarizes information about four influential Filipino painters: Victorio Edades, Vicente Manansala, Hernando Ocampo, and Galo Ocampo. It provides details about each artist's style, notable works, subjects depicted, and the awards and recognition received in their careers. It highlights how these painters were pioneers and leaders in the modernist movement in Philippine art in the post-World War 2 era.
Download as DOCX, PDF, TXT or read online from Scribd
Download as docx, pdf, or txt
You are on page 1of 3
VICTORIO C.
EDADES (December 23, 1895 March 7, - Awards received:
1985) 1961 Pro Patria Award, given during the Rizal Centennial Celebration - Father of Modern Philippine 1964 Patnubay ng Sining at Kalinangan Award, Painting from the City of Manila - Known for using dark somber 1976 National Artist Award in Painting colors in his paintings 1977 Degree of Doctor of Fine Arts, honoris - His works focused on factory causa in UST worker, laborers, or other simple townspeople Victorio Edades self-portrait VICENTE MANANSALA (January 22, 1910 August 22, - Paints distorted human figures in rough, bold 1981) impasto strokes, and standing tall and singular in his advocacy and practice of what he believes is - Known for his paintings creative art depicting realistic themes - He introduced a degree program offering subjects using an abstract or a cubist in foreign languages and art history, which would style later lead to a Bachelors degree in Fine Arts. This - The beauty of art is in the development brought about a first in Philippine process, in the moment of education since art schools then were mostly doing a particular painting, vocational schools. closely associating it with the act of making love. - He was named a National Artist in 1976 - The climax is just when its really finished. - He was a member of Triumvirate together with - National Artist in Painting in 1982 Carlos Botong Francisco and Galo B. Ocampo, - As a member of the Thirteen Moderns and the neo- they led the growth of mural painting in the realists, he was at the forefront of the modernist country movement in the country. - His works include The Sketch (also known as The - With the issues of national culture and identity in Artist and the Model), Portrait of the Professor, focus after WWII his works were those of the other Japanese Girl, Mother and Daughter, The early modernists which reflected the social Wrestlers and Poinsettia Girl. environment and expressed the native sensibility. - Major works: - consistently worked in the figurative mode, with 1928 The Sketch, National Museum Collection the exception of a few abstract works 1928 The Builders, Cultural Center of the - developed transparent cubism, wherein the Philippines Collection 1935 Interaction, with Carlos V. Francisco "delicate tones, shapes, and patterns of figure and and Galo B. Ocampo environment are masterfully superimposed" 1976 Demoiselles Davao - Manansala reinterpreted or indigenized cubism as 1979 Kasaysayan, a mural for a Manila bank he drew his themes from the familiar Filipino environment. - Awards received: Republic Cultural Heritage Award in 1963 Patnubay ng Sining at Kalinangan Award from the City of Manila in 1970 - Works: Interaction by Edades Reclined Nude by A Cluster of Nipa Hut The Sketch by Galo Ocampo and Victorio Edades, 1976 Victorio Edades San Francisco Del Monte Botong Francisco Charcoal on Paper Banaklaot I Believe in God Still Life with Green Guitar Via Crucis Whirr Nude - utilized fantasy and science fiction as the basis for Market Venders his works Madonna of the Slums - a portrayal of a - His art is described to be "abstract compositions of mother and child from the countryside who biological forms that seemed to oscillate, quiver, became urban shanty residents once in the inflame and multiply" like mutations. city. - Played a pivotal role in sustaining the Philippine Art Gallery, the countrys first - Works: Genesis Slum Dwellers Ina ng Ibalon Calvary Nude with Candle and Flower Market Venders, 1949 Philippines Mother and Child, 1965 Man and Carabao Angel's Kiss Palayok at Kalan Ancestors Isda at Mangga The Resurrection Fifty-three "Q" Back drop Mother and Child, Fiesta 1981 Luksong-Tinik (Jumping over Mother and Child Madonna and the Slums, Thorns), 1973 Easter Sunday \ 1950 - His works captured the Philippines landscape using bold colors
HERNANDO R. OCAMPO (April 28, 1911 December 28,
1978)
- Largely known for his abstract
paintings - A self-taught painter Man and Carabao - His works feature shapes Mother and Child, bounded with curved lines 1970 painted in intense colors Ina at Anak, 1951 - Famously known for his triumvirate of with neo-realists - Genesis Vicente S. Manansala and Cesar Legaspi masterpiece, was - his works reflected understanding and awareness used as the basis of of the harsh realities of his country after the Second the design of the World War and contributed significantly to the rise curtain of the of the nationalist spirit in the post-war era Cultural Center of - many of his works depicted lush sceneries and the the Philippines Genesis, 1969 beautiful Philippine landscapes through his skillful (CCP) Main Theater use of fierce and bold colors - Awards received: - credited for inventing a new mode of abstraction Republic Cultural Award in 1965 that exemplifies Philippine flora and fauna, and Patnubay ng Sining at Kalinangan Award in 1969 portrays sunshine, stars and rain in fierce Diwa ng Lahi Award in 1976 movement and bold colors. Gawad CCP para sa Sining Award in 1979 CESAR LEGASPI (April 2, 1917 April 7, 1994) Ovary Flora and Fauna - Known for utilizing and Triptych refining cubism Flight - Cubism is a style involves Bayanihan breaking parts into Struggle geometric shapes Avenging figure - A pioneer Neo-Realist of Turning point the country Peace - remembered for his singular achievement of The Survivor refining cubism in the Philippine context Planters - he belonged to the so-called Thirteen Moderns Stairway to Heaven and later, the Neo-realists The Ritual - His distinctive style and daring themes contributed significantly to the advent and eventual acceptance of modern art in the Philippines - He made use of the geometric fragmentation technique, weaving social comment and juxtaposing the mythical and modern into his overlapping, interacting forms with disturbing power and intensity. - Awards Received: Art Association of the Philippines are: fourth prize, Sick Child, 1948, first prize, Gadgets, 1944; fourth prize, PIanters, 1949; and third prize, Ritual, 1951 First prize for Stairway to Heaven in the Manila club Art Exhibition in 1949 Symphony won an honorable mention award in the Manila Grand Opera House Exhibition in 1950 Patnubay ng Sining at Kalinagan award from the City of Manila in 1972 Gawad CCP para sa Sining award from the Cultural Center of the Philippines in 1990 National Artist in painting in 1990 - Works: Man and Woman (Beggars) (1945) - in an expressionist idiom involving distortion, shows a couple in rags amidst the skeletons of buildings which we broken like surrealist sculpture. Gadgets (1947) - done in two versions, reflects the increasing importance of machines in the post-war industrialization period, as well as what he perceived was the insidious threat of human metamorphosing into machine. Diggers Idols of the Third Eye Faade