Glue Ups
Glue Ups
Glue Ups
Surviving Glue-Ups
A guide to
stress-free gluing
and clamping
B y G a r y R o g o w s k i
glue
Which type of adhesive to use
depends on several factors:
strength, open time, clamp
time, and appearance. For 90%
of my projects, yellow glue
has proven to be great.
However, it has a short
open time so you must
be prepared to work
quickly once you wipe it on.
light-dut y cl amps
For simple assemblies, spring
clamps will suffice. For slightly
larger glue joints, small,
sliding-arm bar clamps will
work. Have an array of these
from 6 in. to 18 in. in length.
heavy-dut y cl amps
ba n d c l a m p s For bigger jobs like pulling together frames, carcases,
Use band clamps for glue-ups of everything from or panels, youll need heavy-duty bar or pipe clamps of
chairs to mitered picture frames. sufficient size and length. Use a threaded pipe coupler
and pipe that is threaded at both ends to make two
shorter bar clamps into a long one.
hand screws
Wooden hand screws wont
mar the workpiece, but
practice closing them
before the glue-up. They
C-clamps can provide light to
C-clamps put a lot of pressure in a small moderate pressure
area, and work for both light- and heavy-duty over a wide area.
clamping. Be sure to use clamping pads, as
C-clamps can mar the work surface.
caul s
Clamps often need help to do their
jobs properly. Clamping cauls vary
dead b low m a l l e t
from thin, protective pads to
Persuasion comes in many forms. curved and angled pieces that
Rather than using a framing hammer redirect or distribute clamping
and a block of wood to protect the work pressure. Use cauls made of
surface, use a deadblow mallet. They pack melamine or cover the cauls
a wallop without leaving marks. with tape so glue wont stick to
them. Thin, flat strips of wood
g lu e boat and s tic ks will protect your project, while
To make the glue accessible, thicker cauls will spread
use a glue boat of some sort clamp pressure. Save
a plastic lid, a folded-up piece your bandsawn offcuts
of cardboard. To avoid getting to act as shaped cauls.
glue on your fingers, spread it
with wood sticks.
of it. Most of these important factors come need it. Make sure any caul or clamp pad I use? The age-old answer is: Just enough.
under the heading preparation. you use is free of dried-up glue. Nothing Unfortunately, experience is the best
dents wood as well as that hard old stuff. teacher. I used enough glue on my first
Preparation is the key to success This may seem simple, but number the large bookcase to glue three of them to-
The assembly of your project may be the parts clearly so there is no confusion when gether. More glue is not usually better, and
most important job you face during its you are under the gun. There is no worse the cleanup can be time-consuming and
construction. Before you squeeze out any feeling than finishing your clamping on- difficult, especially if you are following
glue, check that your assembly tools are at ly to discover that tenon A is in mortise with a finish (such as oil) that highlights
the ready. This will save you precious time C. Use big, bold letters or numbers. You glue residue.
during glue-up. It also may send you to the wont have time in the midst of your gluing A little bit of squeeze-out is what youre
store to get the right tools for the job. frenzy to look for neat little script. shooting for in most situations. Let the glue
A lamentable truth is that you will never In every case, do a dry run to make sure dry until its reached a plastic state. Then
have enough clamps. Get over it; its true. everything is in order beforehand. Check it can be lifted from the surface of the
Choose clamps appropriate for each job, the parts to see that they are not twisted wood with a sharp chisel or scraper. Do
and buy as many heavy-duty ones as you or bowed by the clamping pressure. Adjust not wet a rag and smear the glue around
can afford. Before using clamps, unscrew the pressure to keep frames flat while still unless youre painting the piece or you
them as much as possible so you have pulling them tight at the joints. This may have no other choice. If the glue does dry
plenty of adjustment available, and arrange mean changing the position of the clamp completely, youll have to get it off. Dried
them so that the head and tail stops are at heads. glue is hard, so in this case use your sec-
the proper distance. ond-best chisel, one that you dont mind
Different clamps have different jaw Just enough glue, just where you need it resharpening often.
depths. Put clamps on your project to The age-old question asked by most new The best glue joint is long grain to
check that youll get pressure where you woodworkers is: How much glue should long grain, so dont worry about gluing
36 F I N E w o o d w o r k in g
Use melamine cauls and check the diagonals. On dovetails, Rogowski keeps the long grain
proud, which allows him to use flat cauls. Later, he planes the sides flush with the pins and tails. If
the diagonals dont match, use a long clamp to draw the assembly square.
p lywood cases:
c u rved caul s reac h
ac ross lon g shelves
end-grain surfaces unless thats all youve
got to work with. Clamp at Convex caul
the ends.
There are a variety of gluing situations,
Shelf
but Ive drawn up a few of the more com-
mon scenarios that youll run into. Advice
on these specific glue-ups can be applied
to many variations.
Dovetailed cases:
Keep glue on the outside
Carcase dovetails usually need some
clamping help to come together. I like to
leave the long grain of the case just slightly
proud of the end grain so I can put a flat
caul right over the joint. If you leave the
pins and tails proud, youll have to use
notched cauls for clamping. I also find it
easier to plane the long grain flush than
to work on the end grain of protruding
pins and tails. Curve applies
pressure in the Glue large cases in stages. Here the case is upside down,
Dovetails can be a messy glue-up. Use and the top panel is only dry-fit in its rabbet, while the other
middle, where
melamine cauls or cover the cauls with clamps cannot panels are glued. To apply pressure along the entire edge of
tape so they wont become glued to the reach. the middle shelf, Rogowski uses a convex caul.
ba r c l a m p s a r e a b e t t e r
C h o i c e fo r m i t e r e d ca s e s
Angled cauls
attached to
workpiece Workpiece
Center the
clamping
pressure on
the joint.
Sliding-arm Attach cauls onto large mitered cases. Angled cauls direct clamping pressure through the
bar clamps joints. If you glue on the cauls, make them out of a softer wood so they are easy to remove.
38 F I N E w o o d w o r k in g
Mortise-and-tenons
blind tenons are
s t r a i g h t fo rwa r d
Glue up table bases in stages. This allows you to check and adjust the flatness and squareness
of subassemblies before the final assembly.
janua r y / feb r ua r y 2 0 0 5 39
Sliding positioned over the glue joint. Then clamp
across the notches.
Use pipe clamps to drive the dovetail home. Have another one ready to finish where the first The drawer back also is dovetailed. Use two
clamp leaves off. With steady, focused pressure, the joint wont bind. The small dovetailed strip clamps to push the workpiece evenly down-
taped to the drawer side protects it as it is driven fully home. ward. Note the small slip of wood used to align
the slots for the drawer bottom.
40 F I N E w o o d w o r k in g
Edge joints
s tr a i g h t p i p e c l a m p s
ma k e fo r f l at pa n e l s
may / june 2 0 0 5 41