Haraway The Persistence of Vision
Haraway The Persistence of Vision
Haraway The Persistence of Vision
Donna Haraway
unregulated gluttony; all perspective gives way to infinitely mobile vision, which no
longer seems just mythically about the god-trick of seeing evervthing from nowhere,
but to have put the mvth into ordinary practice. And like the god-trick, this eye
fucks the world to make techno-monsters. Zoe Sofoulis (1988) calls this the canni-
bal-eye of masculinist, extra-terrestrial projects for excremental second hirthing.
A tribute to this ideology of direct, devouring, generative, and unrestricted
vision, whose technological mediations are simultaneously celebrated and presented
as utterly transparent, the volume celebrating the 100th anniversary of the National
Geographic Society closes its survey of the magazine's quest literature, effectcd
through its amazing photography, with two juxtaposed chapters. The first is on
'Space', introduced by the epigraph, 'The choice is the universe or nothing'
(Bryan 1987: 352). Indeed. This chapter recounts the exploits of the space race
and displays the colour-enhanced `snapshots' of the outer planets reassembled from
digitalized signals transmitted across vast space to let the viewer `experience' the
moment of discovery in immediate vision of the `object'. These fabulous objects
come to us simultaneouslv as indubitable recordings of what is simply there and
as heroic feats of techno-scientific production. The next chapter is the twin of
outer space: `Inner Space', introduced by the epigraph, 'The stuff of stars has come
alive' (Bryan 1987: 454). Here, the reader is brought into the realm of the infin-
itesimal, objectified by means of radiation outside the wave lengths that `normally'
are perceived by hominid primates, i.e. the beams of lasers and scanning electron
microscopes, whose signals are processed into the wonderful full-colour snapshots
of defending T cells and invading viruses.
But of course that view of infinite vision is an illusion, a god-trick. I would
like to suggest how our insisting metaphorically on the particularity and embodi-
ment of all vision (though not necessarily organic embodiment and including
technological mediation), and not giving in to the tempting mvths of vision as a
route to disembodiment and second-birthing, allows us to construct a usable, but
not an innocent, doctrine of objectivity. I want a feminist writing of the body that
metaphorically emphasizes vision again, because we need to reclaim that sense to
find our way through all the visualizing tricks and powers of modern sciences and
technologies that have transformed the objectivity debates. We need to learn in
our bodies, endowed with primate colour and stereoscopic vision, how to attach
the objective to our theoretical and political scanners in order to name where we
are and are not, in dimensions of mental and physical space we hardly know how
to name. So, not so perversely, objectivity turns out to be about particular and
specific embodiment, and definitely not about the false vision promising transcen-
dence of all limits and responsibility. The moral is simple: only partial perspective
promises objective vision. This is an objective vision that initiates, rather than
closes off, the problem of responsibility for the generativity of all visual practices.
Partial perspective can be held accountable for both its promising and its destruc-
tive monsters. All Western cultural narratives about objectivity are allegories of
the ideologies of the relations of what we call mind and body, of distance and
responsibility, embedded in the science question in feminism. Feminist objectivity
is about limited location and situated knowledge, not about transcendence and
splitting of subject and object. In this way we might become answerable for what
we learn how to see.
THE PERSISTENCE OF VISION 193
These are lessons which I learned in part walking with my dogs and wondering
how the world looks without a fovea and very few retinal cells for colour vision,
but with a huge neural processing and sensory area for smells. It is a lesson avail-
able from photographs of how the world looks to the compound eyes of an insect,
or even from the camera eye of a spy satellite or the digitally transmitted signals
of space probe-perceived differences `near' Jupiter that have been transformad into
coffee-table colour photographs. The `eyes' made available in modern technolog-
ical sciences shatter anv idea of passive vision; these prosthetic devices show
us that all eyes, including our own organic ones, are active perceptual systems,
building in translations and specific ways of seeing, that is, ways of life. There is
no unmediated photograph or passive camera obscura in scientific accounts of bodies
and machines; there are only highly specific visual possibilities, each with a wonder-
fully detailed, active, partial way of organizing worlds. All these pictures of the
world should not be allegories of infinite mobility and interchangeability, but of
elaborate specificity and difference and the loving care people might take to learn
how to see faithfully from anothcr's point of view, even when the other is our
own machinc. That's not alienating distance; that's a possible allegory for feminist
versions of objectivity. Undcrstanding how these visual systems work, technically,
socially, and psychically ought to be a way of embodying feminist ohjectivity.
Many currents in feminism attempt to theorize on the grounds for trusting
especially the vantage points of the subjugated; there is good reason to believe
vision is bctter from below the brilliant space platforms of the powerful (Hartsock
1983; Sandoval n.d.; Harding 1986; Anzalda 1987). Linked to this suspicion,
this chapter is an argument for situated and embodied knowledges and against
various forms of unlocatable, and so irresponsible, knowledge claims. Irresponsible
means unable to be called into account. There is a premium on establishing the
capacity to see from the peripheries and the depths. But here lies a serious danger
of romanticizing and/or appropriating the vision of the less powerful while claiming
to see from their positions. To see from below is neither easily learned nor unprob-
lematic, even if `wc"naturally' inhabit the great underground terrain of subjugated
knowledges. The positionings of the subjugated are not exempt from critical
re-examination, decoding, deconstruction, and interpretation; that is, from both
semiological and hermeneutic modes of critical enquiry. The standpoints of the
subjugated are not `innocent' positions. On the contrary, they are preferred because
in principie they are least likely to allow denial of the critical and intcrpretative
core of all knowledge. They are savvy to modes of denial through repression,
forgetting, and disappearing acts ways of being noNN here \\ hile claiming to see
comprehensively. The subjugated have a decent chance to be on to the god-trick
and all its dazzling and, therefore, blinding illuminations. `subjugated' stand-
points are preferred because they scem to promise more adequate, sustained,
objective, transforming accounts of the world. But how to see from below is a
problem requiring at least as much skill with bodies ami language, with the medi-
ations of vision, as the `highest' techno-scientific visualizations.
Such preferred positioning is as hostile to v arious forms of relativism as to the
most explicitly totalizing versions of claims to scientific authority. But the alter-
native to relativism is not totalization and single vision, which is alwavs final! \ the
unmarked category whose power depends on systematic narrowing and obscuring.
194 DONNA HARAWAY
eye has fundamentally been a wandering eye, a travelling lens. Thesc peregrinations
have often been violent and insistent on mirrors for a conqucring self but not
always. Western feminists also inherit some skill in learning to participate in revisual-
izing worlds turned upside down in earth-transforming challenges to thc views of
the masters. All is not to be done from scratch.
The split and contradictory self is the one who can interrogate positionings
and be accountable; the one who can construct and join rational conversations and
fantastic imaginings that change history. Splitting, not bcing, is thc privileged image
for feminist epistemologies of scientific knowledge. Splitting' in this context should
be about heterogeneous multiplicities that are simultaneously necessary and inca-
pable of bcing squashed into isomorphic slots or cumulative lists. This geometry
pertains within and among subjects. The topography of subjectivib is multi-
dimensional; so, thereforc, is vision. The knowing self is partial in all its guises,
never finished, whole, simply there and original; it is always constructed and
stitched together imperfectly, and therefore able to join with another, to see together
without claiming to be another. Here is the promise of objectivity: a scientific
knowcr seeks the subject position not of identitv, but of objectivity; that is, partial
connection. Thcre is no way to 'be' simultaneously in all, or wholly in any, of
the privileged (subjugated) positions structured by gender, race, nation, and class.
And that is a short list of critica] positions. The search for such a 'fa' and total
position is the search for the fetishized perfect subject of oppositional history,
sometimes appearing in feminist theory as the essentialized Third World Woman
(Mohanty 1984). Subjugation is not grounds for an ontology; it might be a visual
clue. Vision requires instruments of vision; an optics is a politics of positioning.
Instruments of vision mediate standpoints; there is no immediate vision from the
standpoints of the subjugated. Identity, including self-identity, does not produce
science; critical positioning does, that is, objectivity. Only those occupving the
positions of the dominators are self-identical, unmarked, discmbodied, unmediated,
transcendent, born again. It is unfortunately possible for thc subjugated to lust for
and even scramble into that subject position and then disappear from view.
Knowledge from the point of view of the unmarked is truly fantastic, distorted,
and so irrational. The only position from which objectivity could not possibly be
practiced and honoured is the standpoint of the master, the Man, the One God,
hose eye produces, appropriates, and orders all difference. No one ever accused
the God of monotheism of objectivity, only of indiffercnce. The god-trick is self-
identical, and we have mistaken that for creativity and knowledge, omniscicnce
even.
Positioning is, therefore, the key practice grounding knowledge organized
around the imagery of vision, as so much Western scientific and philosophic
discourse is organized. Positioning implies responsibilitv for our enabling practices.
It follows that politics and ethics ground struggles for the contests over what may
count as rational knowledge. That is, admitted or not, politics and ethics ground
struggles over knowledge projects in the exact, natural, social, and human sciences.
Otherwise, rationality is simply impossible, an optical illusion projected from
nowhere comprehensively. Histories of science ma \ be powerfully told as histo-
ries of the technologies. These technologies are ways of life, social orders, practices
of visualization. Technologies are skillcd practices. How to see? Wherc to see
1 9 6 DONNA HARAWAY
from? What limits to vision? What to see for? Whom to see with? Who gets to
have more than one point of view? Who gets blinkered? Who wears blinkers? Who
interprets the visual field? What other sensory powers do we wish to cultivate
besides vision? Moral and political discourse should be the paradigm of rational
discourse in the imagery and technologies of vision. Sandra Harding's claim,
or observation, that movements of social revolution have most contributed to
improvements in science might be read as a claim about the knowledge conse-
quences of new technologies of positioning. But I wish Harding had spent more
time remembering that social and scientific revolutions have not always been liber-
atory, even if they have always been visionary. Perhaps this point could be captured
in other phrase: the science question in the military. Struggles over what will count
as rational accounts of the world are struggles over how to see. The terms of vision:
the science question in colonialism; the science question in exterminism (Sofoulis
1988); the science question in feminism.
The issue in politically engaged attacks on various empiricisms, reductionisms,
or other versions of scientific authority should not be relativism, but location. A
dichotomous chart expressing this point might look like this:
knowledge:community::knowledge:power
hermeneutics:semiology::critical interpretation:codes.
Decoding and transcoding plus translation and criticism: al I are necessary. So science
becomes the paradigmatic model not of closure, but of that which is contestable
and contested. Science becomes the naN th not of 1-1 a t escapes human agencv and
nN
responsibility in a realm abo ye the fray, but rather of accountabilitv and respon-
sibility for translations and solidarities linking the cacophonous visions and visionary
voices that characterize the knowledges of the subjugated. A splitting of senses, a
confusion of voice and sight, rather than clear and distinct ideas, become the
mctaphor for the ground of the rational. We seek not the knowledges ruled by
phallogocentrism (nostalgia for the presence of the onc true Word) and disem-
bodied vision, but those ruled by partial sight and limited voice. We do not seek
partiality for its own sake, but for the sake of the connections and unexpected
openings that situated knowledges make possible. The only way to find a larger
vision is to be somewhere in particular. The science question in feminism is about
objectivity as positioned rationality. lts images are not the products of escape and
transcendence of limits, i.e. the view from abo ye, but the joining of partial views
and halting voices into a collective subject position that promises a vision of the
means of ongoing finite cmbodiment, of living within limits and contradictions,
i.e. of views from somewhere.
References