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Color Field Painting Is A Style of Abstract

Color Field painting emerged in New York City in the 1940s and 1950s, inspired by European modernism and related to Abstract Expressionism. In contrast to the action painters' vigorous gestures, color field painters used different color saturations to create their effects, including huge fields of vibrant color in the works of Mark Rothko and Barnett Newman, or repeating pictographs and symbols in the works of Adolph Gottlieb and Lee Krasner.

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Mary Seth A Retardo
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53 views2 pages

Color Field Painting Is A Style of Abstract

Color Field painting emerged in New York City in the 1940s and 1950s, inspired by European modernism and related to Abstract Expressionism. In contrast to the action painters' vigorous gestures, color field painters used different color saturations to create their effects, including huge fields of vibrant color in the works of Mark Rothko and Barnett Newman, or repeating pictographs and symbols in the works of Adolph Gottlieb and Lee Krasner.

Uploaded by

Mary Seth A Retardo
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Color Field painting is a style of abstract

painting that emerged in New York City during the


1940s and 1950s. It was inspired by European
modernism and closely related to Abstract
Expressionism, while many of its notable early
proponents were among the pioneering Abstract
Expressionists.
In contrast to the vigorous gestures of the action
painters, another group of artists who came to be
known as color field painters used different color
saturations (purity, vividness, intensity) to create
their desired effects. Some of their works were huge
fields of vibrant color-as in the paintings of Mark
Rothko, which is the Magenta, Black, Green on
Orange and the work of Barnett Newman which is
the Vir Heroicus Sublimis. Others took the more
intimate [pictograph approach, filling the canvas
with repeating picture fragments or symbols-as in the
works of Adolph Gottlieb which is the Forgotten
Dream and the work of Lee Krasner which is the
Abstract no. 2.
SUBMITTED BY:

SUBMITTED TO:
Color Field Painting

Mark Rothko, 1949


Oil on Canvas

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