The New Yorker 10-17 July 2017 PDF
The New Yorker 10-17 July 2017 PDF
The New Yorker 10-17 July 2017 PDF
DRAWINGS Maggie Larson, Tom Chitty, Sharon Levy, Eric Lewis, Alice Cheng, Liana Finck,
Michael Maslin, Will McPhail, Roz Chast, Harry Bliss, Edward Steed, William Haefeli, Amy Hwang, Jason Chateld,
Bruce Eric Kaplan, Sara Lautman SPOTS Philippe Petit-Roulet
CONTRIBUTORS
Lawrence Wright (The Future Is Texas, Louisa Thomas (The Kyrgios Enigma,
p. 40), a sta writer since 1992, is also a p. 28), a contributing writer for new-
screenwriter and playwright. His latest yorker.com, is the author of the biog-
book is The Terror Years: From Al- raphy Louisa: The Extraordinary Life
Qaeda to the Islamic State. of Mrs. Adams, about the wife of John
Quincy Adams.
Hye-young Pyun (Fiction, p. 64), a South
Korean novelist, is the author of Ashes Stephen Greenblatt (If You Prick Us,
and Red and The Hole, which will p. 34) is the John Cogan University Pro-
be published in English in August. fessor of the Humanities at Harvard.
David Denby (Books, p. 72) is a sta Emily Flake (Comic Strip, p. 54) has had
writer and a former lm critic for more than two hundred cartoons pub-
the magazine. His most recent book lished in the magazine. She is the au-
is Lit Up. thor of, most recently, Mama Tried:
Dispatches from the Seamy Underbelly
Emily Witt (The Talk of the Town, p. 24) of Modern Parenting.
is the author of Future Sex, which
came out last year. Clive James (Poem, p. 45) lives in Cam-
bridge, England. His latest poetry col-
Yoni Brenner (Shouts & Murmurs, p. 33) lection, Injury Time, was published
writes for lm and television, and has in May.
contributed humor pieces to the mag-
azine since 2007. He is currently devel- Jane Kramer (Books, p. 78) has been a
oping a TV series for HBO. sta writer since 1964.
James Wood (Books, p. 82) teaches at Mark Ulriksen (Cover), an artist and il-
Harvard. The Nearest Thing to Life lustrator, has contributed more than fty-
is his latest book. six covers to the magazine since 1994.
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2 THE NEW YORKER, JULY 10 & 17, 2017
THE MAIL
AGE OF EMPIRES Japanese to play their part. Buck was
astonished. From 1910 to 1945, Japan
Ian Buruma, in his review of recent had imposed a brutal occupation of
books on China, considers the coun- the Korean Peninsula, and relations
trys military might but neglects its between the countries remained bit-
most daunting challenge to American ter. In two sentences, the President
global dominance: its growing eco- had revealed that he was making sen-
nomic inuence (Books, June 19th). sitive foreign-policy decisions about
In 2013, President Xi Jinping unveiled nations of which he knew little.
an initiative to build a vast trade net- Peter Conn
work of road, rail, and sea routes that Vartan Gregorian Professor of English
will span four continents. The follow- (Emeritus), University of Pennsylvania
ing year, he launched the Asian Infra- Philadelphia, Pa.
structure Investments Bank to chal- 1
lenge the power of the World Bank WATCHING THE WATCHMEN
and the I.M.F.; the A.I.I.B. is now
backed by more than fty sharehold- Jennifer Gonnermans piece about
ing members, including Germany, Brooklyns Little Pakistan explains that
France, the U.K., and Israel. The dol- in the year after 9/11, federal agencies
lar remains the worlds leading reserve arrested more than two hundred Paki-
currency, partially because oil and other stani immigrants living in New York
major commodities are still traded in City (Neighborhood Watched, June
dollars. But last year, the I.M.F. made 26th). The Justice Departments Oce
the Chinese yuan one of its ve o- of the Inspector General later released
cial currencies, and Iran and Russia a report on the so-called September 11
now conduct some oil exchanges in Detainees, showing that agents had
yuan. If more countries follow suit, it failed to distinguish between suspected
could spell the end of Americas eco- terrorists and people who had only over-
nomic preminence. Buruma is wise stayed their visas. This failure to distin-
to recommend a balance of conces- guish was no accident. In 2003, an F.B.I.
sions and cordination in order to special agent named Coleen Rowley
avoid war. wrote a letter to the director of the Bu-
Renate Bridenthal reau, Robert Mueller, pointing out that
Professor of History (Emerita) after 9/11, Headquarters encouraged
Brooklyn College more and more detentions for what
New York City seem to be essentially P.R. purposes.
Field oces were required to report
Buruma rightly assails Donald Trumps daily the number of detentions in order
ignorance of Asian history, but it is to supply grist for statements on our
not unprecedented. In April, 1962, progress in ghting terrorism. The abuse
Pearl S. Buck, a writer and East Asia of immigration law enforcement has
specialist, attended a dinner for Amer- obvious relevance today, as the Trump
ican Nobel laureates hosted by Pres- Administration attempts to ban Mus-
ident John F. Kennedy. The Korean lim refugees and to tear communities
War had been over for a decade, but apart through deportation.
American troops remained stationed Mark Dow
in South Korea to help police its bor- Brooklyn, N.Y.
der with the North. During the din-
ner, Kennedy turned to Buck and
asked, What shall we do about Letters should be sent with the writers name,
Korea? Before she could reply, he an- address, and daytime phone number via e-mail to
swered his own question: I think well [email protected]. Letters may be edited
for length and clarity, and may be published in
have to get out of there. Its too ex- any medium. We regret that owing to the volume
pensive, and well have to involve the of correspondence we cannot reply to every letter.
After twenty distinguished years, the Caramoor festivals Bel Canto at Caramoor series, conceived by the
scholar and conductor Will Crutcheld, will come to a close this summer, ending a glorious run of trills,
roulades, and high-ying coloratura reworks. The Italian bel-canto style is nothing if not star-driven,
and to wrap up his series Crutcheld has chosen one of the Mets brightest young talents, Angela Meade
(above), to take the role of Imogene in a semi-staged performance of Bellinis orid Il Pirata, on July 8.
PHOTOGRAPH BY RUVEN AFANADOR
filtrate what could be a hostile environment, they
said in a statement. (Jones Beach Theatre, 1000 Ocean
NIGHT LIFE
1
Parkway, Wantagh, N.Y. vanswarpedtour.com. July 8.)
Waxahatchee
The best albums, like all great creative output, be-
cementing the prog-rock genre. The band has since come time stamps of an artists life at a particular
ROCK AND POP struggled to escape the confining hold of cult pop- moment. Katie Crutchfield, the Philadelphia-by-
ularity, but its current live configuration indicates way-of-Alabama artist who records under the name
Musicians and night-club proprietors lead that King Crimson is still committed to experi- Waxahatchee, is a wry songwriter with D.I.Y. punk
complicated lives; its advisable to check mentation: the founding member and guitarist roots, who pours her own experiences into her songs
in advance to confirm engagements. Robert Fripp has enlisted three drummers to tour in an unsparing, riveting way; she recently admit-
with the band, and frequently has them play in en- ted that her 2015 album, Ivy Tripp, was the result
(Sandy) Alex G tirely different time signatures simultaneously. For of a lot of beating around the bush in a toxic rela-
The songwriter-guitarist Alex Giannascoli has a two nights at the Count Basie Theatre, the eight- tionship. Her new record, Out in the Storm, picks
sharp ear for concise, shy phrasing and casual ar- piece group will perform a bevy of career-span- up where Ivy Tripp left off; on the evening after
rangements that find intimacy in mornings rid- ning cuts. (99 Monmouth St., Red Bank, N.J. 732- its release, she performs selections from the album
ing shotgun or late nights lounging on a pals Per- 224-8778. July 9-10.) at a show that promises to be intimate and revela-
sian rug. Even when the Domino signee hints at tory. She describes it as a very honest record about
1
the sinister, its with old, close friends. I was wait- Sleep a time in which I was not honest with myself. (War-
ing for a baggie / a powder bunny, he whispers on Nostalgists often pine for artists early work, but saw, 261 Driggs Ave., Brooklyn. 718-387-0505. July 15.)
Memory, the scratchy opener of his self-released this California doom-metal group is best known
album, Trick. I have a buddy I grew up with / for its final album, Dopesmoker, from 2003.
He hooked it up for me. Early endorsers may It led to a very public fallout with Sleeps label, JAZZ AND STANDARDS
smirk at his inclusion on Frank Oceans latest al- after the group insisted that the record contain
bums, but Giannascoli has sought little validation just one song, more than an hour long, with no Ron Carter
from the major music establishment; his D.I.Y. sect breaks. The conflict eventually led the band to Having recently turned eighty, the master bassist
places more value in its own gatekeepers, from break up. The guitarist, Matt Pike, went on to Carter is officially a jazz patriarch, though his nim-
low-frequency alt radio stations to scrappy cam- start the venerable metal outfit High on Fire, ble fingers and agile responsiveness regularly make
pus papers. He tours his latest full-length album, while the drummer, Chris Hakius, and the bass light of the calendar. Hes joined here by another
Rocket, stopping for two nights in New York. player, Al Cisneros, began crafting the medita- revered elder figure, the saxophonist Benny Golson,
(Music Hall of Williamsburg, 66 N. 6th St., Brooklyn tive drone stylings of Om. Sleep reunited in 2009, and by the fine younger trumpeter Wallace Roney.
718-486-5400. July 6. Bowery Ballroom, 6 Delancey and has been touring sparingly since thenits (Blue Note, 131 W. 3rd St. 212-475-8592. July 11-16.)
St. 212-260-4700. July 7.) rare performance at the Pioneer Works art space
should not be slept on. (159 Pioneer St., Brooklyn. The Django Reinhardt NY Festival All Stars
Arca 718-596-3001. July 14.) This annual celebration of the music and influ-
Alejandro Ghersi spent his young adulthood trav- ence of the unparalleled Belgian Gypsy guitar-
elling between his native Venezuela and New York, Sophie ist features such acolytes as the guitarist Samson
and he mines both locations for his metallic elec- On Madonnas 2015 comeback single, Bitch, Im Schmitt. Guest soloists include the saxophonist
tronic productions as Arca. On a pair of EPs, Madonna, the contribution of Diplo, the producer, Grace Kelly and the vocalists Veronica Swift and
Stretch 1 and Stretch 2, he cannily chopped is clear: a mashing line of saxophone-like dubstep Jazzmeia Horn. (Birdland, 315 W. 44th St. 212-581-
glistening synth textures into forward-thinking bass that carries through the chorus and sounds 3080. July 4-9.)
hip-hop cadences, catching the ear of Kanye West, like countless other spastic E.D.M. climaxes. But
who enlisted Arca to help shape his 2013 opus, the staccato flow of Madonnas lyrics and the soft Heath Brothers Band
Yeezus. The dual ends of Arcas personality synth arpeggios are trademark Sophie, the London With the death of the superb bassist Percy Heath,
he is both a press-shy introvert and, in his visual producer, born Samuel Long, who co-produced the in 2005, the fate of the Heath Brothers band looked
work, a bold exhibitionistcome through in the single with Diplo and is smoothing out club mu- precarious, but the surviving siblings soldiered
breadth of his compositions, which at once rattle sics hard edge, one shiny composition at a time. on: the saxophonist and flutist Jimmy (now ninety
low ends and scrape club ceilings. He tours his lat- His bubbly, tongue-in-cheek track Lemonade was years old) and the drummer Albert (now eighty-
est self-titled album, on which he voices homey, irritating electronic purists even before it ended two) are both exemplary modern-jazz figures. With
saccharine melodies in English and Spanish, along- up in a McDonalds commercial, and his shadowy the bassist David Wong and the pianist Jeb Patton
side his longtime creative partner Jesse Kanda and work with the label PC Music is regarded as some in tow, the quartet remains one of the staunchest of
the bristling electronic d.j. Total Freedom. (Brook- of the best and most bewildering pop around, all contemporary post-bop units. (Village Vanguard, 178
lyn Steel, 319 Frost St., East Williamsburg. July 6.) baby-pitched vocals and kawaii indulgence. Jacques Seventh Ave. S., at 11th St. 212-255-4037. July 11-16.)
Greene and Smerz join him at this installment of
Downtown Boys MOMA PS1s Warm Up series. (22-25 Jackson Ave., Conrad Herwigs Latin Side Of . . .
Since firing out of basements and loft parties in Long Island City. momaps1.org. July 15.) In the view of the trombonist Herwig, applying
Providence, Rhode Island, this bilingual punk band Latin rhythms and tonal coloring to any great jazz
has thrashed through brawny no-wave shows with Vans Warped Tour composition can only add lustre. In the course of
little concern for personal safety or noise-induced More than twenty years ago, when this coast-to- a compact engagement, Herwig and company will
hearing loss. Its brash vocalist, Victoria Ruiz, is coast, corporate-sponsored festival first crept under spice up the iconic work of Joe Henderson, Miles
committed to left-wing causes: shes worked for the skin of the punk-rock lite, it seemed like the Davis, Horace Silver, Herbie Hancock, Wayne
the public defenders office, she sings in both En- commodification of punk music had reached its Shorter, and John Coltrane. (Jazz Standard, 116
glish and Spanish (to speak to as many people as lowest pointbut it only got worse, as the pro- E. 27th St. 212-576-2232. July 13-18.)
possible), and she titled the bands dbut album gramming slid toward mallcore and tween power
Full Communism. This week, Downtown Boys pop. This year, however, the bill includes a hand- Dick Hyman and Ken Peplowski
appear alongside Royal Headache and Sheer Mag, ful of eighties-era acts who command the respect of When it comes to extraordinarily gifted musicians
as part of an annual summer concert series hosted drinking-age listeners, including the costumed hor- like the pianist Hyman and the clarinettist and sax-
by the House of Vans. (25 Franklin St., Brooklyn. ror rockers GWAR, the seminal So Cal hardcore act ophonist Peplowskimen who can tackle any id-
houseofvans.com. July 12.) the Adolescents, and the local legends Sick of It All. iomatic jazz you might throw at themthe term
(By the bar, you might see some tattooed moms and traditionalist seems a tad limiting. Yet both of
King Crimson dads taking advantage of the festivals free parent these virtuosos exhibit a remarkable fluency with
This ragtag band from England charmed the pub- ticket program.) But, for all its dysphoric swag- early jazz and swing styles. Though Hyman is Pep-
lic with an abrasive amalgamation of jazz, psyche- ger, the tour still sports the musk of a bro-heavy lowskis elder by a few decades, these musical soul
delia, and classical music on its Mellotron-laden big-tent affair, which makes the inclusion of the mates seem to have been born to duet with each
1969 dbut, In the Court of the Crimson King. coed feminist punks War on Women so commend- other. (Jazz at Kitano, 66 Park Ave., at 38th St. 212-
It shot up to No. 28 on the Billboard album charts, able. We feel like were in a unique position to in- 885-7119. July 14-15.)
when Duke Ellington adopted sym- elders like Anthony Braxton and Wa- derlying force of his ideas and with the
phonic forms and Maurice Ravel assim- dada Leo Smith to younger exponents commitment he elicits from his collab-
ilated the blues. In the nineteen-fties like Vijay Iyer and Sylvie Courvoisier orators, who include the violist Kyle
and sixties, what Gunther Schuller draw on classical and jazz elements as Armbrust and the versatile new-music
dubbed the Third Stream movement the occasion requires. They seek not so pianist Cory Smythe. Here is an ex-
encompassed modernist compositions much a seamless fusion as the freedom traordinary talent who can see across
with jazz features and large-scale to move around at will. the entire musical landscape.
conceptions by the likes of Charles The composer and multi-instrumen- Alex Ross
8 THE NEW YORKER, JULY 10 & 17, 2017
1 CONCERTS IN TOWN
CLASSICAL MUSIC
with Howard Shore. Coleman is the subject of ton, South Carolina. Gershwin, of course, had an
Ornette: Made in America, an idiosyncratic 1985 extensive Broadway background, but the piece was
National Sawdust documentary, directed by Shirley Clarke; and a re- conceived as grand opera, and Glimmerglasss ar-
Cutting-edge chamber opera is prominent at the union of Prime Time, the avant-garde jazz-funk tistic and general director, Francesca Zambello,
stylish Williamsburg music club for the next two band that Coleman led for roughly two decades, and its conductor, John DeMain, have restored
weeks. First comes a concert screening of all twelve brings together surviving members and notewor- the works original recitatives and orchestrations.
episodes of Lisa Bielawas Vireo: The Spiritual Bi- thy guests. Ensemble Signal returns to conclude Musa Ngqungwana and Talise Trevigne take the
ography of a Witchs Accuser, a made-for-TV opera the series with a program of Colemans seldom en- title roles. July 7 and July 13 at 7:30 and July 18 at
with performances by the San Francisco Girls countered classical chamber works. July 11 at 7:30, 1:30. Rodgers and Hammersteins Oklahoma!
Chorus as well as such stars as the soprano Deb- July 12 at 6, July 14 at 8, July 16 at 2. (For tickets and offers a complex but more idyllic slice of Ameri-
orah Voigt and the Kronos Quartet. Next up is an Lincoln Center locations, see lincolncenterfestival.org.) can life. The young opera singers Jarrett Ott and
ambitious and innovative multimedia version of Vanessa Becerra star as Curly and Laurey, respec-
Handels serenata Aci, Galatea, e Polifemo, fea- Lincoln Center Festival: tively, in a staging by Molly Smith, the artistic di-
turing the impressive countertenor Anthony Roth Cloud River Mountain rector of Washington, D.C.,s Arena Stage; James
Costanzo and the eminent director Christopher Gong Linna, a protean Chinese vocalist whose Lowe conducts. July 8 at 8 and July 14 at 7:30. John
Alden. July 7 at 7; July 12-13 and July 19-20 at 8. (80 work fuses folk idioms, art-song conventions, and Holiday, an up-and-coming countertenor with an
N. 6th St., Brooklyn. nationalsawdust.org.) contemporary pop, is accompanied by the Bang appealing, soprano-like timbre, sings the title role
on a Can All-Stars in new songs inspired by the of Handels Xerxes, giving audiences the chance
Bargemusic writings of Qu Yuan, a classical Chinese poet. The to hear his rendition of one of the most exquisite
Two busy weeks at the barge begin with a per- songs, with texts in Mandarin and English, were arias the composer ever wrote, Ombra mai fu.
formance by the impeccable young pianist David composed collaboratively by Lao Luo (Gongs Nicole Paiement conducts, and Tazewell Thomp-
Kaplan, who surrounds Ligetis Musica Ricer- husband, the German composer Robert Zollitsch) son directs. July 15 at 8 and July 17 at 1:30. With its
cata (bits of which you may have heard on the and the Bang on a Can founders, Michael Gordon, muted colors and sympathetic narrative, Donizettis
soundtrack to Stanley Kubricks Eyes Wide Shut) David Lang, and Julia Wolfe. July 14-15 at 8. (Ger- The Siege of Calais dramatizes the struggle of the
1
with masterworks by Beethoven and Brahms (the ald W. Lynch Theatre, John Jay College, 524 W. 59th St. French port city, under sustained attack by Edward
Six Piano Pieces, Op. 118). July 7 at 8. (Fulton Ferry lincolncenterfestival.org.) III during the Hundred Years War. The spectre of
Landing, Brooklyn. bargemusic.org.) the so-called Calais Junglethe migrant camps
that were dismantled by the French government
Chamber Music Society of Lincoln Center: OUT OF TOWN in 2016lingers over Zambellos production, the
Summer Evenings works American premire. Joseph Colaneri con-
The society extends its season once more, with a Tanglewood ducts a cast that includes Aleks Romano, Leah Cro-
three-concert series featuring fine veterans play- The supreme music festival of the summer is in cetto, Adrian Timpau, and Chazmen Williams-Ali.
ing side by side with formidable younger talents. full swing. Among the highlights of the next two July 16 at 1:30. (Cooperstown, N.Y. glimmerglass.org.)
The first concert features the ebullient clarinettist weeks is an appearance by Apollos Fire, the lauded
David Shifrin, in Beethovens Trio in B-Flat Major, period-performance group from Cleveland, which Caramoor
Op. 11, and Webers Quintet in B-Flat Major, brings a joyous spontaneity to its performances. The elegant Westchester festivals diverse offer-
Op. 34, and the elegant pianist Gilles Vonsattel, Its concert is all Baroque, dominated by a clutch ings in mid-July include an appearance from the
in Schumanns Piano Quintet. The Societys direc- of concertos by Vivaldi (including The Four Sea- engaging crossover singer-songwriter Gabriel Ka-
tors, David Finckel and Wu Han, welcome the vi- sons). July 5 at 8. The festivals official open- hane, who joins the ever-adventurous young com-
olinist Arnaud Sussmann for a mix of spirited and ing-night concert is helmed by the Boston Sym- bine yMusic in a world premire by Kahane and
seminal works by Brahms, Dvok, and Mendels- phony Orchestras music director, Andris Nelsons, other post-classical diversions. July 7 at 8. Many
sohn. The finale offers Beethovens String Trio in who leads the ensemble in a single, grand offer- of Caramoors more intimate concerts are held in
D Major, Op. 9, No. 2, and Dvoks String Quin- ing, Mahlers Symphony No. 2 (Resurrection). the graceful confines of the Spanish Courtyard.
tet in E-Flat Major (American), bookending a Malin Christensson and Bernarda Fink, the vocal But not Daniil Trifonovs upcoming recital, which,
sonata for violin and piano by Prokofiev. A wine soloists, share the stage with the renowned Tan- given the young Russian pianists star power, will
reception with the artists follows each event. July glewood Festival Chorus. July 7 at 8. Nelsons and be presented in the grander space of the Venetian
9 at 5, July 12 at 7:30, and July 16 at 5. (Alice Tully the B.S.O. join one of the most virtuosic and com- Theatre. Music by Schumann, Shostakovich, and
Hall. 212-875-5788.) pelling young pianists working today, Daniil Tri- Stravinsky (Three Movements from Petrushka)
fonov, in Mozarts Concerto No. 21 in C Major, the is on the program. July 9 at 4. The Orchestra of
Naumburg Orchestral Concerts climax of a program that begins with music with St. Lukes returns the following weekend, with
The long-established series, held at the scruffy- a French accent: Ravels Tombeau de Couperin, the dazzling guitarist Jason Vieaux as its guest.
elegant Naumburg Bandshell, in Central Park, is a Thomas Adss Three Studies from Couperin, and Vieaux performs music by Vivaldi and Piazzolla
cherished part of every New York summer. Two dy- one of the finest of Haydns Paris Symphonies, (Four Seasons of Buenos Aires), after which the
namic groups grace the stage next. First is the win- No. 83, La Poule (The Hen). July 14 at 8. Nel- orchestras strings make Vivaldis Four Seasons
ning Brooklyn chamber orchestra the Knights, con- sons has one more big bang, in mid-July, a concert their own. July 16 at 4. (Katonah, N.Y. For tickets and
ducted by Eric Jacobsen, offering a typically eclectic version of the only Ring opera thats of a porta- full schedule, visit caramoor.org.)
menu of music by Purcell, John Adams, Judd Green- ble size: Wagners one-act Das Rheingold, with
stein (the world premire of a work for flute and a cast headed by Thomas J. Mayer (Wotan), Sarah Maverick Concerts
orchestra), and Mozart (the Symphony No. 40 Connolly (Fricka), and Jochen Schmeckenbecher A special Saturday-night event at the Mavericks
in G Minor). Then comes the splendid Orpheus (Alberich). July 15 at 8. The B.S.O.s last concert beautiful woodland hall introduces an exciting group
Chamber Orchestra, performing several of Bachs of the fortnight is one of its lawn-ready Sunday- from Chicago, the Spektral Quartet, performing
Brandenburg Concertos (Nos. 2-3 and 5-6) and a afternoon jaunts, a populist program with Nelsons works by Gerard McBurney, Augusta Read Thomas,
Brandenburg-inspired contemporary work, Chris- that includes Tchaikovskys Violin Concerto (with Philip Glass, and Ravel. The following Sunday after-
topher Theofanidiss Muse. July 11 and July 18 at Anne-Sophie Mutter), Berliozs Symphonie Fan- noons have a special focus on two composers, with
7:30. (Mid-Park, enter at 72nd St. No tickets required.) tastique, and, to open, a world premire from the their music advanced by two outstanding young
exquisitely skilled film composer John Williams: a ensembles. First comes the Chiara String Quartet,
Lincoln Center Festival: Ornette Coleman: compact violin concerto, Markings. July 16 at 2:30. which will playfrom memoryBrahmss Quar-
Tomorrow Is the Question (Lenox, Mass. For tickets and full schedule, visit bso.org.) tet No. 1 in C Minor as well as the Quartet No. 1,
Two years after his death, Colemanan iconic Musica Celestis, by Aaron Jay Kernis, a richly ex-
American composer, improviser, and bandleader Glimmerglass Festival pressive contemporary master who is one of Amer-
is the subject of a four-part focus. The first event is This year the lineup at the most prestigious summer icas finest composers in the genre; music by Brit-
the most extraordinary: accompanying a screening opera festival on the East Coast mixes classic Amer- ten opens the concert. Then its on to the Parker
of David Cronenbergs 1991 adaptation of Naked icana and stories that echo todays headlines. The Quartet, which will prelude Kerniss Pulitzer Prize-
Lunch, the nightmarish William S. Burroughs flagship work is George Gershwins beloved Porgy winning String Quartet No. 2, Musica Instrumen-
novel, the saxophonists Henry Threadgill and Ravi and Bess, a jazz-and blues-inflected piece that de- talis, and Brahmss Quartet No. 3 in B-Flat Major
Coltrane join Ensemble Signal in a live rendition picts the lives of a fictionalized African-American with Stravinskys Concertino. July 8 at 8; July 9 and
of the claustrophobic score that Coleman created enclave bedevilled by drugs and poverty, in Charles- July 16 at 4. (Woodstock, N.Y. maverickconcerts.org.)
1
it asks, that these people belong to it? cluding Steven Boyer (Hinckley), Alex
tween 120th and 124th Sts. 212-360-2777. Previews
Naturally, the show is a lightning Brightman (Zangara), Erin Markey begin July 7. Opens July 9.)
rod no matter the times. The Round- (Fromme), and Steven Pasquale
about postponed a planned 2001 Broad- (Booth), under the direction of Anne
NOW PLAYING
ILLUSTRATION BY ANDRE DA LOBA
way production in the wake of 9/11. (It Kauman. Doubtless, Americas most
played at Studio 54 in 2004, with Neil recent populist disruptions will echo The Government Inspector
Patrick Harris as Lee Harvey Oswald.) through Another National Anthem, In this adaptation of Gogols 1836 play, set in a pro-
vincial Russian town where the corruption runs as
But, like Julius Caesar, the show in which the assassins join together and deep as the mud in the street, Jeffrey Hatcher re-
doesnt endorse political violence; it sing, They may not want to hear tains the original framework but gives the jokes a
interrogates it, drawing out whats scary it / But they listen / Once they think its zingy modern spin. Jesse Berger, who directs the
raucous Red Bull Theatre production, freely mixes
and silly about these armed malcon- gonna stop the game. in bits from the Marx Brothers, the Three Stooges,
tents. In some ways, they couldnt be Michael Schulman and Woody Allen. Leading a cast of characters for
whom virtue is universally absent, Michael Urie dance, while, in the foreground, Sir Toby Belch turing Jessica Hecht and Jayne Atkinson (July 19-
is charming as hell as the lucky and manipulative (Kurt Rhoads, another topnotch comedian) strong- 29); and Geoff Morrow and Timothy Pragers new
object of mistaken identity (his drunk scene is a arms a cross-dressing Olivia (Krystel Lucas) into musical A Legendary Romance, about a nineteen-
comic masterpiece), while Arnie Burton does su- accepting the challenge. Twelfth Night runs in fifties movie producer and his leading lady (Aug.
perlative double duty as a cynical servant and a repertory with The Book of Will, Lauren Gun- 3-20). Nikos Stage offerings include Jason Kims
postmaster who reads all the mail. As the mayor, dersons new play, set three years after Shakespeares The Model American (through July 9), about a
Michael McGrath bluffs and blusters to the hilt, death, and Pride and Prejudice, a world premire young gay Latino making a life in New York; Har-
and Mary Testa, as his wife, earns big laughs just adapted by and starring Kate Hamill. On July 8th, rison David Riverss Where Storms Are Born,
by changing the pitch of her voice. (New World Pride will literally steal some thunder from West starring Myra Lucretia Taylor as a grieving mother
Stages, 340 W. 50th St. 212-239-6200.) Point, with an extended intermission to allow for (July 12-23); and Moscow Moscow Moscow Mos-
the viewing of the U.S. Military Academys fire- cow Moscow Moscow, Halley Feiffers spin on
Measure for Measure works display. (Boscobel House & Gardens, 1601 Rte. Chekhov, featuring Cristin Milioti, Thomas Sa-
A nasty play for our nasty moment, Shakespeares 9D, Garrison, N.Y. 845-265-9575. hvshakespeare.org.) doski, Jeanine Serralles, Tavi Gevinson, and Ryan
cynical romance abounds in hot-button topics: sex- Spahn (July 26-Aug. 6). (Williamstown, Mass. 413-
ual harassment, abuse of power, religious hypocrisy, Powerhouse Theatre 597-3400. wtfestival.org.)
false rape accusations, prejudicial application of the The summer season from Vassar and New York
death penalty. But Simon Godwins swift, sexed-up, Stage and Film includes Josh Radnors play Sacred 1
slightly empty revival, at Theatre for a New Au- Valley, about two old friends whose relationship is ALSO NOTABLE
dience, leaves spectators fingers unscorched. Po- tested during a magic-mushroom trip (through July
litical parallels interest the English director less 9), and Kevin Armentos Good Men Wanted, a Anastasia Broadhurst. Bandstand Jacobs. Come
than the louche Viennese setting (the audience dance-theatre piece about the women who disguised from Away Schoenfeld. Cost of Living City Cen-
is encouraged to enter through a brothel replete themselves as men during the Civil War (July 20- ter Stage I. Through July 16. A Dolls House, Part 2
with dildos, blow-up dolls, and light B.D.S.M.), 30). Musical workshops include The Secret Life Golden. Fulfillment Center City Center Stage II.
and the dynamic actors are given license to misbe- of Bees, an adaptation of the Sue Monk Kidd novel Through July 16. Ghost Light Claire Tow. Ground-
have. Thomas Jay Ryan is a mercurial Angelo, shift- by Lynn Nottage, Duncan Sheik, and Susan Birken- hog Day August Wilson. Hello, Dolly! Shubert. In
ing from officious to appealing to monstrous with head (July 27-29). (124 Raymond Ave., Poughkeepsie, & of Itself Daryl Roth. Indecent Cort. Marvins
each iamb, while Jonathan Cake inhabits the dis- N.Y. 845-437-5599. powerhouse.vassar.edu.) Room American Airlines Theatre. (Reviewed in
sembling Duke with verve and magnetism. If the this issue.) 1984 Hudson. (Reviewed in this
mellifluous Cara Ricketts wrings less merriment Williamstown Theatre Festival issue.) Oslo Vivian Beaumont. Through July
from Isabella, the virgin object of their plots and Mainstage productions at the Berkshires theatre 16. The Play That Goes Wrong Lyceum. Seeing
desires, blame the killjoy role, one of Shakespeares haven include Jen Silvermans comedy The Room- You 450 W. 14th St. (Reviewed in this issue.) Swee-
most thankless. (Polonsky Shakespeare Center, 262 mate, playing through July 16, about an empty- ney Todd: The Demon Barber of Fleet Street Bar-
Ashland Pl., Brooklyn. 866-811-4111. Through July 16.) nester (S. Epatha Merkerson) who takes a house- row Street Theatre. The Traveling Lady Cherry
mate (Jane Kaczmarek); The Clean House, Sarah Lane. War Paint Nederlander. Woody Sez: The
Napoli, Brooklyn Ruhls 2004 play about cleaning and comedy, fea- Life & Music of Woody Guthrie Irish Repertory.
A florid family drama, sauced in heartache and
overstuffed with woe, Meghan Kennedys script
follows the Muscolinos, an Italian-American clan
squashed into a Park Slope apartment in 1960.
As the play begins, one daughter (Jordyn DiNa-
tale) dreams of escaping to Paris, another (Lilli
Kay) has been shunted into factory work, and the
third (Elise Kibler) has been sent away to a con-
vent, after a tussle with Nic (Michael Rispoli),
the abusive patriarch, left her with a broken nose,
a few cracked ribs, and an unconquerable need to
mouth off. Theres a self-conscious quality to much
of the writing, which crams the two-hour play with
enough incident for several shows. (That said, the
mid-play twist, thrillingly realized, is a genuine
shock.) Under Gordon Edelsteins direction, for
the Roundabout, the actors, including Alyssa Bres-
nahan as Nics aggrieved wife, perform the material
feelingly. (Laura Pels, 111 W. 46th St. 212-719-1300.)
1 OUT OF TOWN
Bard SummerScape
The Wooster Group stages the world premire of
A Pink Chair (In Place of a Fake Antique) (July
13-23), an homage to the Polish artist and theatre
director Tadeusz Kantor, directed by Elizabeth
LeCompte and featuring Kate Valk, Suzzy Roche,
and other company members. (Richard B. Fisher
Center for the Performing Arts, Bard College, Annan-
dale-on-Hudson, N.Y. 845-758-7900.)
Jimmy Slyde in a scene from About Tap, George Nierenbergs sequel to his 1979 documentary, No Maps on My Taps; both will play at the Quad.
Tap Masters More than that, he says, he wanted to In Bubbless routine, from the 1937
contextualize tap, to show how it was movie Varsity Show, he dances atop
A great tap documentary gets restored
the product not just of a shared tech- a gleaming piano being played by his
and rereleased.
nique but also of personality. And so we partner, Buck (Ford Lee Washington).
When the lmmaker George Nierenberg get three vivid portraits, like something At one point, Buck pauses, right on the
made his documentary No Maps on My out of the National Gallery. beat, to bu Bubbless proered shoe.
Taps, in the late seventies, a lot of people First comes the ebullient Bunny Ironically, No Maps on My Taps,
wondered whether tap was nished. The Briggs, with his childlike face and bug- whose participants regarded it as an
night clubs that had once showcased ging-out eyes and, often, a super-sized elegy, helped to start a tap revival in the
tappers had mostly closed down. Broad- Rheingold in hand. Next is Howard eighties. The lm was shown in festival
way, another important hatchery of tap (Sandman) Sims, more analytic, telling after festival. Its stars travelled with it
acts, had switched to dream ballets and us how his sand dance was done, show- and danced, live, after the screenings.
modern dance. Most important, jazz, the ing us the box, the mike, even the grains (Nierenberg says that Greens multiple
PHOTO ILLUSTRATION; PHOTOGRAPH COURTESY MILESTONE FILM
music that goes with tap, had been of sand. Finally, there is Chuck Green, layers of clothing were not popular with
shoved aside by rock and roll. who spent fteen years in a mental hos- airport-security personnel.) In time,
This situation helps to account for pital as a young man, and still seems to No Maps on My Taps fell out of active
the highly personal tone of No Maps live on another plane. He travelled with distribution, but nowtogether with
on My Taps. Nierenbergs mother had a collection of old newspapers and stale a sequel, About Tap, that Nierenberg
been a tapper. (She said that the high- crackers; he liked to wear several layers made in 1985it is being restored and
light of her career was dancing for the of clothing. When he dances, his bal- rereleased by Milestone Films, in New
inmates of Sing Sing, when she was ance seems unsteady at times, as if he Jersey. (They care, Martin Scorsese
ten.) It hurt Nierenberg to see the tap were on stilts, but his footwork is won- has said. And they love movies.) The
masters of the mid-century without derfully cleanno blur, no doubts. His cleaned-up prints will have their rst
work, without honor. So he picked three face seems to hail from Easter Island. outing at Manhattans Quad Cinema,
veterans who were as dierent from one The others revere him. July 7-13, to coincide with Tap City, the
another as possible and spent a long Spliced into the contemporary foot- American Tap Dance Foundations an-
time with them. He came to love them, age are clips of two giants from the old nual festival.
and he wanted us to love them, too. days, Bill Robinson and John Bubbles. Joan Acocella
14 THE NEW YORKER, JULY 10 & 17, 2017
DANCE
American Ballet Theatre Saburo Teshigawara / Sleeping Water neon-lit premire that hops on the dance-in-sneakers
The season ends with a salute to the composer Known for imagistic, meditative dance-theatre trend, while other samples of Langs visually stylish
whose music is most closely associated with the works that feel like moving art installations, the and adeptly made but rarely inspired works get live
art of ballet: Tchaikovsky. At the top of the list Japanese choreographer has an interest in exploring accompaniment by Tanglewood fellows and alumni.
is George Balanchines Mozartiana, based on liminal states of mind. To Lincoln Center Festival, What distinguishes Faye Driscolls Thank You for
Tchaikovskys reinterpretation of his musical idol. he brings Sleeping Water, an expansion of a 2014 Coming: Attendance (at the Doris Duke, July 5-9)
From Alexei Ratmansky, there is Souvenir dun piece that featured the French ballerina Aurlie from her other painstakingly constructed romps is
Lieu Cher, a quartet set to a piece for violin and Dupont (now the dance director of the Paris Opera its particularly heavy audience participation; view-
piano, exploring themes of love. The nineteenth Ballet). Teshigawara creates a dreamlike landscape, ers are serenaded by name and enlisted in a Maypole
century will be represented by the final act of Pe- dotted with floating objects, through which sev- dance. The Paul Taylor Dance Company (at the Ted
tipas Sleeping Beauty, a garland of pretty story- eral figures move with sinuous ease. Dupont re- Shawn, July 12-16), stays on the masters sunny side
book dances crowned by a majestic pas de deux in turns to perform the work. (Rose Theatre, 60th St. for this visit: the pretty breezes of Airs, the celes-
the grand old style. July 5 at 2 and 7:30, July 6-7 at Broadway. 212-721-6500. July 13-15.) tial eddying of Syzygy, the imperishable joy of Es-
at 7:30, and July 8 at 2 and 8: Tchaikovsky Spec- planade. From Israel, Roy Assaf Dance makes its
tacular. (Metropolitan Opera House, Lincoln Cen- Tap City, the New York City Tap Festival U.S. dbut (at the Doris Duke, July 12-16) with two
ter. 212-477-3030.) For its main event this year, the festival upgrades to companion pieces: Six Years Later, a duet of plain-
the glass-walled elegance of Jazz at Lincoln Centers spoken, gruffly physical intimacy, and The Hill,
Pilobolus Appel Room. A focus on the music of Duke Elling- a rough-and-tumble trio about male bonding thats
For this free show at BRIC Celebrate Brook- ton, who wrote songs for tap dancers and persistently set, with a mix of irony and sincerity, to military
lyn!, the physical illusionists offer the New York featured them in his floor shows and tours, should songs. (Becket, Mass. 413-243-0745. Through Aug. 27.)
premires of Branches, a nature piece created for also give more coherence than usual to the revue
the outdoor stage at Jacobs Pillow, and Echo in the format. The lineup, accompanied by a big band, is Fire Island Dance Festival
Valley, a collaboration with the banjoists Abigail promising, with Ayodele Casel, Sam Weber, Sarah For a combination of good cause, starry lineup, and
Washburn and Bla Fleck. The program also in- Reich, Caleb Teicher, and the festivals matriarch, scenic backdrop, this annual benefit for Dancers
cludes All Is Not Lost, in which the goofy music Brenda Bufalino, still an exemplar of tap artistry as Responding to AIDS is hard to beat. Hosted by the
video that Pilobolus made with the band OK Go she pushes eighty. (Jazz at Lincoln Center, Broadway actress Cady Huffman, this years shows feature,
is re-created live. (Prospect Park Bandshell, Prospect at 60th St. 212-721-6500. July 14.) among others, James Whiteside dancing to Prince,
Park W. at 9th St. 718-683-5600. July 6.) the Miami City Ballet principals Jeanette Delgado
1 and Kleber Rebello excerpting a Justin Peck piece,
Bryant Park Presents: Contemporary Dance OUT OF TOWN and the postmodern duo of Rashaun Mitchell and
Two Limn dancers, Savannah Spratt and Mark Silas Riener. Acosta Dance, the Havana-based com-
Willis, perform The Exiles, an extended duet de- Jacobs Pillow Dance Festival pany recently founded by the Cuban-born Royal
picting Adam and Eves distraught state after their Jessica Lang Dance dbuted at the Pillow in 2012, Ballet star Carlos Acosta, makes its U.S. dbut with
expulsion from the Garden of Eden. The Moving and has returned nearly every year since. This pro- a duet. (Fire Island Pines, Fire Island, N.Y. 212-840-
Architects, Black Boys Dance Too, and students gram (at the Ted Shawn, July 5-9) includes Glow, a 0770, ext. 229. July 14-16.)
from the Harlem School of the Arts will also per-
form. (Bryant Park, Sixth Ave. at 42nd St. July 7.)
ART
1
a Pollock drip painting on a wall above it. Johnss
White Flag harmonizes with a monogrammed
bedspread. An auction label next to a round gold
Warhol Marilyn estimates the works value, in
facts, many of them demonstrating a naturalistic 1988, at between three hundred thousand and four
MUSEUMS AND LIBRARIES approach to anatomy and an untrammelled expres- hundred thousand dollars. Lovers of art dont often
sive whimsyboth of which were later eradicated reflect on the interests of wealth and power that
Metropolitan Museum by the heavy stylization during the Han dynasty. enable our adventures. But if that consciousness
Age of Empires: Chinese Art of the Qin & Han Examples of the former include a recently discov- is forced on us we may be frozen mid-toggle be-
Dynasties (221 B.C.-A.D. 220) ered terra-cotta strongman with a potbelly; exam- tween looking and seeing. The effect is rather sadis-
Not least among the achievements of Ying Zheng, ples of the latter include a bronze lamp shaped like tic, but also perhaps masochistic. Lawler couldnt
the founding emperor of the short-lived Qin dy- a mythical bird tipping its head back to swallow mock aesthetic sensitivity if she didnt share it.
nasty (221-206 B.C.), was propaganda, some of its own smoke. But, if many of the shows pieces Having landed herself in a war zone between cre-
which still echoes bombastically on the walls of make Qin and Han culture look unexpectedly re- ating art and objectifying it, and between belong-
this show: you wont depart with any confusion latable, its highlights are those that were unmistak- ing to the art world and resenting it, Lawler ca-
about who first unified China. But the chance to ably made long ago and far away, particularly the pers in the crossfire. Her retrospective comes at a
see a platoon of his spectacular terra-cotta war- unforgettable jade burial suit of the Han princess moment when an onslaught of illiberal forces in
riors, half a dozen or so of the thousands that were Dou Wan. Discovered in a cliffside tomb in Hebei the big world dwarfs intellectual wrangles in the
buried with the emperor, who died in 210 B.C., Province, in 1968, the ritual object is made of more little one of art. Who, these days, can afford the
and excavated in the nineteen-seventies, is not than two thousand rectangular panels of jade, sewn patience for mixed feelings about the protocols
to be missed. Fitted together like action figures together with gold. Through July 16. of cultural institutions? Artists can. Some artists
from mass-produced body parts and originally must. Art often serves us by exposing conflicts
equipped with real bronze weapons, the life-size Museum of Modern Art among our values, not to propose solutions but to
sculptures have individually detailed faces of sur- Louise Lawler: Receptions tap energies of truth, however partial, and beauty,
prising charisma. One kneeling archer, with square- In her best-known photographs, Lawler has pic- however fugitive; and the service is greatest when
toed shoes and a mustache, is so striking he may tured works of art as they appear in museums, our worlds feel most in crisis. Charles Baudelaire,
trigger dj vu. Along with the soldiers comes a galleries, auction houses, storage spaces, and col- the Moses of modernity, wrote, I have cultivated
wide-ranging selection of contemporaneous arti- lectors homes. A Mir co-stars with its own reflec- my hysteria with terror and delight. Lawler does
that, too, with disciplined wit and hopeless integ-
rity. Through July 30.
Whitney Museum
Calder: Hypermobility
In the summer of 1922, Alexander Calder was
twenty-three and doing a stint as a merchant ma-
rine. One morning made a cosmic impression. As
he later described it, Over my coucha coil of
ropeI saw the beginning of a fiery red sunrise on
one side and the moon looking like a silver coin on
the other. The story has the elements of a great
Calder sculpture: curving lines, strong colors, or-
ganic shapes, harmonious balance, suspension in
space. Whats missing is a sense of motionas es-
sential to Calders work as metal or paint, as we
learn on the eighth floor of the museum. Among
other engines for joy made between 1930 and 1959
are eight rarely seen motorized pieces. Theyre
turned on, for brief intervals, three times a day
(and twice as often Friday through Sunday), by art
handlers who also activate many non-mechanized
COURTESY OF THE ARTIST, HELEN ANRATHER GALLERY, AND DEREK ELLER GALLERY
sculptures, making them flutter and spin, as the
artist intended. Watching the quivering of the
five-foot-high 1941 stabile Aluminum Leaves,
Red Post, whose clawlike base recalls the gar-
gantuan Calders in public plazas from Seattle to
Grand Rapids, Michigan, is like seeing a new side
of an old friend youve been taking for granted.
Through Oct. 23.
stands sixteen inches high against a crinkly gold Medrie MacPhee non-Latin script. Bodies come apart in inven-
bush, was nicknamed Ram Caught in a Thicket A stalwart midtown gallery joins the swelling tive ways: bones stick out, shoulders melt into
after Isaacs last-minute replacement for sacrifice ranks of the Lower East Side with an inaugu- shrubbery, and feet pop off at the ankles. If this
in the Book of Genesisby Leonard Woolley, the ral show of adroit canvases, in which irregular all sounds like a message from the unconscious,
American archeologist who excavated it, in Iraq, blocks of color cover surfaces from edge to edge. no wonder: Herters day job is as a Lacanian psy-
in 1928. (One of a pair, its mate is in the British MacPhee has been painting in New York since the choanalyst. (Koenig & Clinton, 1329 Willoughby
Museum.) A non-Biblical miracle to consider is late seventies, mining a familiar vein of architec- Ave., Bushwick. 212-334-9255.)
the fact that such a delicate figure, made circa tonic abstraction. But her new work has an inge-
1
2550-2400 B.C., has survived for forty-five hun- nious twist: the compositions combine oil paint Marguerite Humeau
dred years. Through Aug. 27. and salvaged scraps of clothing. Buttons, seams, To conjure the atmosphere of antiseptic horror
and the like remain intact, and the results have in her exhibition Riddles, the French-born,
an irresistible weirdness. A Dream of Peace is London-based artist draws on an unlikely trio
GALLERIESCHELSEA a fractured rainbow of yellows and browns that of references: Sphinxian mythology, archeolog-
sports twin white pockets on its left side. In an- ical finds from the first known mass grave (Site
Ceal Floyer other appealing piece, two teardrop-shaped em- 117, discovered in Sudan, in 1964, which is at least
In her readymade sculpture Domino Effect, from bellishments are placed end to end, forming a sar- eleven thousand years old), and contemporary se-
1
2015, the witty British conceptualist undermines torial infinity sign. Through July 28. (De Nagy, 15 curity technology. Harry I (Eyes), the first sculp-
the metaphorical reference of her title: she lines the Rivington St. 212-262-5050.) ture you encounter, is the shows most forbidding
game tiles up on the floor, with no space between workan imposing metal armature, fitted with
them, so they form a tiny, solid wall along one side glass lion eyes and motion detectors, which hangs
of the gallery. Saw, made the same year, is a joke GALLERIESBROOKLYN from the ceiling. It tracks your movements, as if
with a trompe-loeil twist. It appears that a cartoon ready to swoop. In the next room, a squadron of
burglar is sawing a hole through the gallerys con- Albert Herter bright-white gargoyle heads emit a nerve-wrack-
crete floor; in fact, there is no incision. Instead, a The gallery celebrates its move from Chelsea to ing rumble of white noise. The shows final scene
saw blade is held up by a small plastic mount, and Bushwick with an artist who works in the bor- is the most perplexingplatformlike plastic tanks
the thiefs circle is drawn in dark chalk. From the ough. Forty-five cartoonlike drawings, rendered of artificial blood, guarded by a fragmented Sphinx
artists mesmerizing new video, Plughole, in in nervous ink scribbles and colored with pencil, and spiny asteroids. The installation is provoca-
which a roaring stream of water from a faucet seeks pastel, and marker, depict humanoid figures in tive, but so slick that its critique of todays sur-
a perfect fit in a six-hole drain, to a grid of abstract trios or pairs. Whats consistent throughout is a veillance and remote-warfare technology is obfus-
drawings that trace the keypad path of phone num- sense of dissolving borders. Dense backgrounds cated by its camp. Through July 23. (Clearing, 396
bers in her contacts, Floyer spins everyday materi- involve bushes, clouds, and scraps of invented Johnson Ave., Bushwick. 718-456-0396.)
als into waking dreams. Through July 14. (303 Gal-
lery, 555 W. 21st St. 212-255-1121.)
Carsten Hller
The German artist, who divides his time between
MOVIES
1
Sweden and Ghana, was a scientist first, and his
flashy, high-concept sculptures have more than a
hint of a childrens science museum about them.
In one work in this show, which is titled Reason,
a circle of five mirrored revolving doors is a dizzi- cart in Harvard Square. She also photographed her-
ness-making machine. Dice (White Body, Black OPENING self, intimately, as well as her husband and their
Dots) is an eight-foot cube with black holes in son, and she published a book of photos of her
place of pipsadventurous youngsters and petite A Ghost Story Reviewed this week in The Current home life. Dorfman soon specialized in twenty-
adults are free to climb inside the symbol of random Cinema. Opening July 7. (In limited release.) Lady by-twenty-four-inch Polaroid portraits, which she
chance. Flying Mushrooms, a seventeen-foot-high Macbeth A drama, set in mid-nineteenth-century did mainly on commission in her studio. Her key
orrery with giant red-capped mushrooms in lieu of England, about a young woman enduring a forced theme is self-presentationher own and that of her
planets, has a handle, which visitors can grasp as marriage to an older man. Directed by William subjectsand the profundity of spontaneity and
they walk around its base, sending the toadstools Oldroyd; starring Florence Pugh. Opening July personal style. The depth of her art reflects a life
into orbit. Its a dramatic and surprisingly moving 14. (In limited release.) Spider-Man: Homecoming richly lived, as does the wisdom of her epigram-
reminder that all matter, whether celestial, human, Jon Watts directed this installment in the super- matic musings.Richard Brody (In limited release.)
1
or fungal, is essentially one and the same. Through hero franchise, starring Tom Holland as a high-
Aug. 11. (Gagosian, 555 W. 24th St. 212-741-1111.) school student who attempts to balance his stud- Baby Driver
ies with saving the world. Opening July 7. (In wide In Edgar Wrights propulsive new film, Ansel El-
release.) War for the Planet of the Apes In this gort plays Baby, a young getaway driver who works
GALLERIESDOWNTOWN action film, directed by Matt Reeves, a young girl for the implacable Doc (Kevin Spacey). There
(Amiah Miller) joins with apes to free Caesar are banks to be robbed and cops to be eluded at
1
Maja ule (Andy Serkis), their leader, from a military com- speed; Babys partners in crime include Buddy
A diagonal wall divides the gallery, so visitors pound. Opening July 14. (In wide release.) (Jon Hamm) and Bats (Jamie Foxx). The setting
have to stand in a dim corridorlike space to watch is Atlanta, worlds away from the peaceable En-
ules new video, A Feature Shared by All. The glish village that Wright patrolled in Hot Fuzz
Yugoslavian artist, who lives in New York, set her NOW PLAYING (2007), and although the chases are energetically
fragmentary narrative at an airport where, as news staged, you dont get much sense of the city, and
reports in the piece relay, an apocalyptic swarm The B-Side the diner where Baby falls for Debora (Lily James)
of mosquitoes threatens to feast on passengers. Errol Morriss documentary portrait of the pho- could scarcely be mistaken for a real place. Elgort
But the insects never appearthe videos true sub- tographer Elsa Dorfman is both a celebration of has plenty to do, including some dancelike moves,
ject is the isolation of its women characters, who her art and a study of photography itself. Dorfman, but he radiates less cool than the movie requires;
share information, confusion, and hand sanitizer whos eighty years old, welcomes Morris into her Spacey alone seems attuned to the knowing tone
in a series of absurd, stilted exchanges. In a suc- studio and tells the remarkable story of her acci- of the whole endeavor, with its multiple thefts
cession of shaky shots and in one thrilling, cam- dental career. An educated, idiosyncratic young from heist flicks of the past. The film is best ap-
era-on-a-conveyor-belt moment, ule deftly por- Boston woman who worked in publishing in New proached as a near-musical, with almost every ac-
trays air travel as surreal abjection. On the other York, she returned to her parents house and took tion, in or out of cars, being hustled along by the
side of the dividing wall, a maple leaf hangs from a job in an M.I.T. lab, where a colleague put a cam- kick of a song. Most of the tracks resound within
a string harness near a few unremarkable draw- era in her hands and offered words of encourage- Babys head; he is seldom parted from his iPod, and
ings, a ponderous coda to an immersive treatise ment. Soon she was selling her photos (including the movie begs to be screened on the wall of your
on disorientation. Through July 23. (Company, 88 portraits of such literary friends as Anne Sexton, nearest Apple store.Anthony Lane (Reviewed in
Eldridge St. 646-756-4547.) Audre Lorde, and Allen Ginsberg) from a shopping our issue of 7/3/17.) (In wide release.)
Beatriz at Dinner Its Only the End of the World A New Leaf
Salma Hayek plays the Beatriz of the title, a healer A stellar cast of French actors is mainly left to run Elaine Mays frenzied 1971 comedy, in which she
who lives in Altadena and works, much of the time, lines and hyperventilate in Xavier Dolans tur- co-stars with Walter Matthau, reveals the essence
at a cancer center. One evening, after giving a mas- gid yet occasionally affecting melodrama. Gas- of marital love more brutally than many confron-
sage to a wealthy client named Kathy (Connie Brit- pard Ulliel stars as Louis, a famous thirty-four- tational melodramas. The film opens with a loopy
ton), Beatriz is invited to stay on for a dinner party: year-old gay playwright in Paris, who returns to view of a rich mans caprices, notably the red Fer-
an awkward affair, the highlight of which is Beatrizs his familys modest home in small-town France rari of Henry Graham (Matthau), an effete and
clash of wills with Doug (John Lithgow), the guest for the first time in twelve years, in order to in- idle Manhattan heir. But hes stopped cold by the
of honor. As a real-estate developer with scorn for form his relativeshis mother, Martine (Nathalie newsdelivered in riotous euphemisms by his law-
radical attitudes of any kind, he represents every- Baye); his younger sister, Suzanne (La Seydoux); yer (William Redfield)that hes run out of money.
thing that the heroine holds in contempt, and she his older brother, Antoine (Vincent Cassel); and After a terrifying vision of buying ready-to-wear,
makes her feelings abundantly clear. More often his sister-in-law, Catherine (Marion Cotillard) he accepts a usurious loan from his contemptuous
than not, the film, which is written by Mike White that hes afflicted with a fatal disease. His presence uncle (James Coco) and has to marry rich, fast.
and directed by Miguel Arteta, opts for a scathing opens old emotional wounds and sets the clan at Henry impresses his chosen prey, Henrietta Low-
but easy lampoon of the rich; it grows more intense one anothers throats, stomping off and slamming ell (May), an awkward, desperately lonely heir-
and more ambivalent, however, as it tightens into a doors. The drama is adapted from a play by Jean- ess as well as a botanist, with his bravura displays
two-hander between Hayek and Lithgow. Hers is Luc Lagarce, but Dolan choreographs it unimag- of chivalry. In anticipation of the big day, he, too,
a finely poised performance, making the character inatively, adorning the action with flashbacks and takes up the study of botanyand, most unchiv-
both tranquil in her demeanor and angered by the lyrical interludes. The film mainly declares emo- alrously, the study of toxicology. Having started
statepolitical, ecological, and spiritualof the tional intentions rather than sparking emotional out with the hatred, dependency, and surrender it
world. Though the smiling Doug is lofty, in every effect, and delivers clichs of working-class char- takes most couples years to achieve, Henry and
sense, he is perturbed, despite himself, by the fer- acters. But theres nonetheless a touch of authen- Henrietta are no less suited than regular folks
vid certainty of Beatrizs beliefs. With Chlo Se- tic insight in the connection between Louiss re- for love until death do them partone way or an-
vigny.A.L. (6/19/17) (In wide release.) fined inspirations and the house of rough passions other.R.B. (Film Forum, July 12, and streaming.)
from which he emerged. In French.R.B. (Netflix.)
The Beguiled Transformers: The Last Knight
Sofia Coppolas latest film is set in Virginia, in The Little Hours Michael Bay exhibits an exquisite and oblivious
1864, during the Civil War. Nicole Kidman stars as This clever and gleefully anachronistic comedy visual imagination in this sprawling tale of me-
Miss Farnsworth, who, along with Edwina (Kirsten about young nuns who want to have fun is set in chanical and metaphysical heroism. Mark Wahl-
Dunst), runs a school for young ladies. In this the fourteenth century and loosely adapted by berg returns as Cade Yeager, the Texas inventor
time of conflict, only five students remain, and the writer and director, Jeff Baena, from Boccac- whose fortunes are linked to those of gigantic ro-
their fragile idyll is soon broken; the arrival of a cios Decameron. The torch-tongued, free-spirited bots that collapse into vehicular form. This time,
wounded Union soldier, Corporal John McBur- Sister Fernanda (Aubrey Plaza), the innocent and the futuristic adventure has a medieval founda-
ney (Colin Farrell), constitutes both a thrill and searching Sister Genevra (Kate Micucci), and the tion. When life on Earth is threatened by a plan-
a threat. He requires tender care, which most of privileged, romantic Sister Alessandra (Alison etoid flung by the vengeful sorceress Quintessa
the residents, especially Edwina and the more for- Brie) scare off the rural convents groundskeeper. (Gemma Chan), Cade joins forces with Vivian
ward Alicia (Elle Fanning), are only too happy to Their spiritual leader, Father Tommasso (John C. Wembley (Laura Haddock), an Oxford archeolo-
provide, although the erotically heightened mood Reilly), finds a replacement: Massetto (Dave gist, to seek the doodad that will save the world:
takes a sudden plunge into the farce of Petit Gui- Franco), a randy servant who has been chased out the staff of Merlin. Anthony Hopkins co-stars as
gnol. When Don Siegel filmed the same tale, with of a local castle for sleeping with the lady of the an English lord with mystical connections, who
Clint Eastwood and Geraldine Page, in 1971, the house. When Tommasso brings him to the convent, dispatches Cade and Vivian on their mission. Bay
result was a sweaty fever dream, bordering on hys- the wolf becomes the prey. Further complications decorates the absurd plot with delirious images
teria, yet somehow it cohered; whereas Coppola, ensue when Fernandas uninhibited friend Marta an exhilarating car chase, closeups of robots that
politely shifting the war into the background, pre- (Jemima Kirke) arrives and sparks hard partying, teem with enticing details, and breathtaking tab-
fers to concentrate on the lookhaze-lit and oth- and the big boss, Bishop Bartolomeo (Fred Ar- leaux of cosmic conflictsthat, unfortunately,
erworldlyof this peculiar setup. The girls are re- misen), shows up unannounced. The good-natured breeze by in a flash. Yet the over-all idea is that
splendent in their angel-white finery, as if aided by comedy has only occasional outbursts of wildness; the fate of humanity depends on faith, family, the
invisible servants. The movie is impossible to be- the cheerfully playful ribaldry of the writing and U.S. Army, and the right brand of action figures.
lieve in, and all too easy to laugh at; the wise course, the performances cant quite overcome the mere ef- With Isabela Moner, as an intrepid orphan.R.B.
perhaps, is to lose yourself in its ridiculous beau- ficiency of the filmmaking. With Molly Shannon, (In wide release.)
ty.A.L. (6/26/17) (In wide release.) as a mother superior with a liberal outlook.R.B.
(In limited release.) The Young One
The Big Sick Luis Buuels only film set in the United States,
Michael Showalters new film, written by Emily V. My Journey Through French Cinema from 1960, was made in Mexico, and it takes a
Gordon and her husband, Kumail Nanjiani, and Bertrand Taverniers fine new documentary is an fierce look at the depravity of American racism.
co-produced by Judd Apatow, stars Nanjiani as act of homage, both to the movies that he grew up Bernie Hamilton stars as Traver, a black jazz mu-
Kumail, a standup comedian and Uber drivera with and to those that he continues to revere. As sician falsely accused of raping a white woman in a
matchless job description for our times. His on- we gather from his onscreen conversations, how- Southern town. Fleeing a lynch mob, Traver steals
stage routines are pretty funny, if you exclude the ever, he is far too readily amused, and too moved a motorboat and washes ashore at a private game
stuff about cricket; woven into his jokes is a sighing by moral skepticism, to be merely worshipful. The preserve, where he finds uneasy shelter with its
desire to school American audiences in the nice- flavor of private recollection could hardly be stron- white residentsMiller (Zachary Scott), a hate-
ties of Pakistani culture. His parents, living in a ger; Tavernier ushers us back to his wartime boy- filled beekeeper, and Evvie (Key Meersman), a
suburb of Chicago, expect him to marry one of the hood in Lyon, and to the works by Jacques Becker, friendly, barely pubescent orphan girl. Getting
young Muslim women who just happen to drop by Marcel Carn, and Jean Renoir that made such an hold of Millers guns, Traver threatens to kill him
whenever he goes home; Kumail has other ideas, impression on his youthful self. Time and again, he for using the N-word; then, a neighbor named
though, to which the film subscribes with alacrity. alerts us to vital detailsthe extra stories, for ex- Jackson (Crahan Denton) learns of the charges
(The notion that you might not discard everything ample, that were added to the building at the heart against Traver, who has to run for his life again.
for love is intolerable.) The biggest shock comes of Carns Le Jour Se Lve (1939), thus allowing Meanwhile, Miller, unbeknownst to Traver, repeat-
not from a punch line but from a darkening of the Jean Gabin, on the top floor, to tower over the edly rapes Evvie in her bed at night. Buuel bit-
plot, when his ex-girlfriend, Emily (Zoe Kazan), crowd. (Gabin is a hero of this film, as he is of so terly dramatizes the relentless threat of violence
goes to the hospital; while she lies in a coma, Ku- many others.) The documentary guides us through against black Americans, the virtual impunity of
mail, despite their breakup, befriends her parents Chabrol and Godard to Claude Sautet, bestowing their assailants, and the moral rot that white su-
played by Holly Hunter and Ray Romano, who generous handfuls of clips along the way; all but the premacy both depends on and fosters. With his
make a terrific teamand reconsiders the direc- most omniscient of viewers will be left hungering sly look at crude survivalists living among ani-
tion his life should take. The emotional terrain of to track down unfamiliar films or, under Taverni- mals and insects and his jaundiced view of law and
the story is strewn with risks, yet the movie stays ers benevolent aegis, to see the classics afresh. In nature alike, Buuel holds out only glimmers of
light on its feet.A.L. (6/26/17) (In wide release.) French.A.L. (7/3/17) (In limited release.) hope.R.B. (BAM Cinmatek; July 11.)
erside Dr. at 70th St. riversideparknyc.org. July 7 at 6.) teenth Street: Night Class, by Victor P. Corona,
who studied sociology at Yale and Columbia be-
Live at the Archway fore diving into Manhattans art, performance, and
The Archway, in Dumbo, is a seven-thousand- club worlds. He reads from his new book, which
square-foot plaza that sits beneath the southern offers insights into figures like Lady Gaga, Su-
end of the Manhattan Bridge. It was used for stor- sanne Bartsch, and Michael Alig, the infamous
ing scrap metal before its conversion, in 2007, to club kid turned murderer who was recently re-
a public space for performances and events. This leased from prisonfor a summer, he employed
summer, the Archway hosts a weekly series of free Corona as his assistant. (1133 Broadway. rizzolibook
shows and exhibitions: on July 6, the psych-soul store.com. July 13 at 6.)
suspecting, Carta said. Can you imag- dish: couscous, accompanied by lamb at a clam a pop. We just wanted a place to hang
ine if I named this place Casablanca? chops, chicken, kefta (seasoned meat outside and smoke, really, the bartender Wes
Badrigian said, on a recent Sunday evening. Ba-
From the frosted hanging lanterns to patties), or merguez sausage. The cous- drigian, with his jovial Northeastern accent and
the slinky, willow-waisted sta, the cous is so remarkably photogenic handlebar mustache, set a laid-back, cozy tenor,
restaurant evokes a sultry night club topped with a sunlike spread of orchid as he poured terrific takes on the Paper Plane
(bourbon, Aperol, Montenegro, lemon) and the
where the mood is determinedly roman- petalsthat you could be forgiven for Ancient Mariner (rum, grapefruit liqueur, lime).
tic and the lights are dangerously dim. wondering if its beauty is compensatory He grew up in New England, and was pleased that
When, after ordering, a parade of tiny for culinary defects. the establishment reflected his upbringinghe
hails from a line of lobstermen. And it would, in
saucers appearsa cucumber salad mar- Its notthe couscous has a fragrant fact, be easy to believe that you had stumbled into
inated in cilantro, parsley, and lemon warmth and a satiny moisture that, one a favorite watering hole of some quiet fishing
juice; shaved fennel with raisins and night, turned a group of rst-timers into village, were it not for the patrons, who are more
or less the picture of millennial affect common on
cumin; a traditional charred-tomato- converts. I never thought I would like this industrial corner of Bushwick: artfully di-
and-pepper salad called matbuchathey this stu, one man said in disbelief, as shevelled hair, dirty white T-shirts, fading sleeves
are so pretty and unanticipated that rst- he scraped up the last spoonful. His wife, of tattoos. (Its nice to see that some things never
change.) Evenings at Cape House can be rau-
time patrons might wonder if an entre who had been occupied with Instagram- cousa room in the basement hosts bands and
is even necessary. ming each dish, nodded before looking d.j.s that once played Glasslands and Death by
When a magnicent vessel the size up and taking stock of the black-and- Audio, before those clubs were gutted to accom-
modate the offices of Vice Media. But it was an
of a human head lands on your table white mosaic tiles around the restaurant. unusually quiet evening, and Badrigian seemed
soon thereafter, you will be grateful that Do you guys remember the lm Casa- at peace. He pointed to the farthest point of the
you didnt forgo the entre. It is a tagine, blanca? she asked the table. I feel like patio, where two fences resolved at a point that
evoked the hull of a ship, and sighed, dreamily.
containing your choice of meat; lamb Im in its opening scene! (Dishes $28-$42.) From here, the sun literally sets right in front of
arrives in a transporting broth of cumin, Jiayang Fan your eyes.Wei Tchou
COMMENT post-civil-rights-era uplift than Doug- has been from lifting as we climb to
DIGNITY AND THE FOURTH lasss, was also an aront to reactionary raising the drawbridge and bolting the
pieties. Even as Obama tried to win votes, door. Trump may operate a twenty-
ore than three-quarters of a cen- he did not paper over the duality of the rst-century Twitter machine, but he
M tury after the delegates of the
Second Continental Congress voted
American condition: its idealism and its
injustices; its heroism in the ght against
is still a frontier-era drummer peddling
snake oil, juniper tar, and Dr. Tablers
to quit the Kingdom of Great Britain Fascism and its bloody misadventures Buckeye Pile Cure for prot from the
and declared that all men are created before and after. His idea of a patriotic back of a dusty wagon.
equal, Frederick Douglass stepped up song was America the Beautifulnot As a candidate, Trump told his fol-
to the lectern at Corinthian Hall, in in its sentimental ballpark versions but lowers that he would fulll every
Rochester, New York, and, in an Inde- the way that Ray Charles sang it, as a dream you ever dreamed for your coun-
pendence Day address to the Ladies blues, capturing the fullness of the Amer- try. But he is a plutocrat. His loyalty
of the Rochester Anti-Slavery Sewing ican experience, the view from the bot- is to the interests of the plutocracy.
Society, made manifest the darkest iro- tom as well as the top. Trumps vows of solidarity with the
nies embedded in American history Donald Trump, who, in fairness, has struggling working class, with the vic-
and in the national self-regard. What, noted that Frederick Douglass is an tims of globalization and deindustri-
to the American slave, is your 4th of example of somebody whos done an alization, are a fraud. He made coal
July? Douglass asked: amazing job, represents an entirely miners a symbol of his campaign, but
I answer; a day that reveals to him, more dierent tradition. He has no interest he has always held them in contempt.
than all other days in the year, the gross injus- in the wholeness of reality. He descends To him, they are luckless schmoes who
tice and cruelty to which he is the constant from the lineage of the Know-Noth- fail to possess his ineable talents.
victim. To him, your celebration is a sham; ings, the doomsayers and the fabulists, The coal miner gets black-lung dis-
your boasted liberty, an unholy license; your the nativists and the hucksters. The ease, his son gets it, thenhisson,
national greatness, swelling vanity; your sounds
of rejoicing are empty and heartless; your de- thematic shift from Obama to Trump Trump once told Playboy. IfIhad
nunciations of tyrants, brass fronted impu- been the son of a coal miner, I would
dence; your shouts of liberty and equality, hol- have left the damn mines. But most
low mockery; your prayers and hymns, your people dont have the imagination
sermons and thanksgivings, with all your reli- or whateverto leave their mine. They
gious parade, and solemnity, are, to him, mere
bombast, fraud, deception, impiety, and hy- dont have it.
pocrisya thin veil to cover up crimes which Trump is hardly the rst bad Pres-
would disgrace a nation of savages. There is ident in American historyhe has not
not a nation on the earth guilty of practices, had adequate time to eclipse, in deed,
more shocking and bloody, than are the peo- the very worstbut when has any pol-
ILLUSTRATIONS BY TOM BACHTELL
AT CITY HALL theyre the kind of night club (Output, restricted certain instruments. Just to
DANCE OUTLAWS Space Ibiza) where a Corona costs nine really drive home what that exactly meant:
dollars. Many neighborhoods that have saxophones werent allowed, but accor-
been the birthplace of global dance crazes, dions were, she said.
like Morris Heights (break dancing) and Those sections of the law were
East Harlem (salsa), do not have a single changed after a 1986 court challenge,
legal dancing venue. but the rule remained, and was enforced
Espinal, who introduced the latest at- with renewed vigor by Mayor Rudolph
he public is not allowed to applaud tempt to repeal the law, is youthful and Giuliani. Bill de Blasios administration
T in the chambers of the New York
City Council. Just as dancing is illegal,
bearded. His district encompasses parts
of Bushwick, Brownsville, Cypress Hills,
nominally supports repealin an e-mail,
the Mayors oce said that it is work-
its illegal to clap here, the city council- and East New York. Antonio Reynoso, ing on a multifaceted solution. But, in
man Rafael Espinal told a group of cit- who represents parts of Williamsburg the meantime, the law continues to be
izens. You have to do jazz hands. and Bushwick, is a co-sponsor. Were enforced: twenty-seven criminal-court
It was a recent Monday, and the cit- both young Dominicans who represent summonses for unlawful cabarets were
izens, many wearing T-shirts that read North Brooklyn, but were also hardened issued in the rst quarter of 2017.
DANCING IS NOT A CRIME, were only criminals, Reynoso said. Were dance Andrew Muchmore, the owner of
too happy to comply. They had gathered outlaws. Muchmores, a small music venue in Wil-
to argue for the repeal of New York Citys The hearing began at 1 p.m. For the liamsburg, wore a pin-striped suit and a
cabaret law, which dates to 1926 and pro- next ve hours, bar owners, party pro- tie to deliver his testimony. After receiv-
hibits dancing in venues that dont have moters, d.j.s, bachata enthusiasts, and ing a citation for dancing, in 2013,
a cabaret license. The law does not spec- Lindy Hoppers testied in defense of Muchmore, who is also an attorney, led
ify what, exactly, constitutes dancing, but their favorite pastime. The rst speaker a lawsuit against the city that is still mak-
it denes a public dance hall as any room, on a panel of experts was Frankie De- ing its way through the courts. What is
place or space in the city in which danc- caiza Hutchinson, a co-founder of the the dierence between dancing and sway-
ing is carried on and to which the pub- feminist d.j. collective Discwoman and ing, or toe tapping, or head nodding?
lic may gain admission. a prominent gure in New Yorks techno he asked.
Of more than twelve thousand ven- scene. She wore business-casual clothes Rachel Nelson, the tattooed owner of
ues in New York that are licensed to sell with her lavender-and-platinum-blond the Brooklyn bars Happyfun Hideaway
alcohol, fewer than a hundred can legally braids, and spoke about the racist ori- and Flowers for All Occasions and the
allow dancing. Many are strip clubs gins of the cabaret law, which ostensibly gallery-bar Secret Project Robot, spoke of
(Pumps, Private Eyes) or concert venues targeted speakeasies but was also a way the fear that is created by a patron who is
(Terminal 5, the Village Vanguard)or of regulating Harlems jazz clubs. Its text having too much fun and begins to dance.
24 THE NEW YORKER, JULY 10 & 17, 2017
Cabaret violations tend to be handed her brown-eyed, hawklike vigilance child, a young man named Walker, com-
out not by local police but by a task force gives her an outsized presence. People mitted suicide. On that set, she said, I
known by its acronym, MARCH (Multi- dont come to New York out of resigna- was very alone. Just . . . alone. I would love
Agency Response to Community Hot tion, she went on. They come here with to redit the lm, have at it with a Bush
Spots). I love my local police, Nelson a dream. Mine was to be an actress. Hoga Southern brand of lawnmower.
said. They keep me safe. They look cute In front of the Chatsworth, an ornate She pushed her barely nibbled eggs aside.
in their uniforms. I have a great relation- building overlooking the Hudson River, Now that Hunter is fty-nine, moth-
ship with all the precincts Ive ever been she said, I moved to the city in August ers are necessarily a stock-in-trade. Its
in. She said that MARCH seems to be of 1980, and someone I thought was a the sexism of movies, she said. Shielding
activated in two scenarios: when a venue friend had an apartment in this wedding her mouth to impersonate a misogynistic
is in a rapidly gentrifying neighborhood, cake of a building, so I slept on her couch producer, she whispered, Cast her as the
or when it gets on some kind of naughty for a few days. Then she came back from mom. But she rst played a mother in
listsometimes for good reasons, like est, where they hadnt let her go to the the Coen brothers Raising Arizona, in
violence and drugs, and sometimes when, bathroom, and she said, I need my space. 1987, some two decades before she be-
as in the case with art spaces, theres a So I spent the night on the ground in came one. If youve had intimacy in your
cultural misunderstanding. Riverside Park, with my backpack as a life, you can be intimate onscreen, she
Other speakers questioned why in- pillow. She looked over her shoulder. said. I mean, come onI didnt know
spectors need to show up surrounded And, wow, it was not as lush as it is now. how to hold a gun, but I could play a
by ocers in tactical gear. I thought it After couch-surng for three weeks, cop. The intimacy she drew on came
was a counterterrorism raid, like some Hunters luck changed: I got a horror from her elder sister.
Bourne Ultimatum tip, John Barclay lm, The Burning, and suddenly I was After Hunter bombed in a piano
said of the raid that resulted in a caba- making crazy money, like a thousand a recital in Atlanta, at the age of nine, her
ret-license violation for his bar, in Bush- week, so I moved into an apartment on
wick. It was like they found El Chapo Amsterdam with a guy who was also in
in my bar or something. The Burning, Jason Alexanderlater
As the afternoon wore on, a bigger of Seinfeld fame. Though shed found
picture emerged, in which dancing was a support groupall these kids in the
only one casualty of the homogeniza- movie who got slaughtered by some ma-
tion of city life. Greed and culture are niac with scissorsthe scrounging con-
incompatible, Nancy Anello, a self- tinued. She and Alexander lived by Nee-
described nineties club kid, said. She dle Park, and she was red from a waitress
recited a grim list of night-life casual- job for making out with my boyfriend
ties: the Palladium is now an N.Y.U. for behavior. Six years later, after star-
dorm, the Limelight is a gym, Electric ring in Broadcast News, she bought an
Circus is a Chipotle, and Paradise Ga- apartment in the building next to the
rage is now an actual garage. Chatsworth. So it can go, in New York.
Diego La Vargas, a house-music ad- Hunter now lives in Brooklyn and has
vocate, said that the issue is existential. eleven-year-old twins. At a West Side
New Yorkers need to let o steam. Oth- restaurant candidly named Westside
erwise wed be blowing each other up and Restaurant, she ordered fried eggs and dis-
1
throwing each other onto the train tracks. cussed her two summer lms, The Big Holly Hunter
Emily Witt Sick and Strange Weather. In each, she
plays a ercely protective mother, a role in parents didnt grasp how traumatic it was.
THE PICTURES her by now familiar wheelhouse, which I was playing The Flight of the Bum-
THE MOM SLOT she characterized as forthright, strong, blebee, and I totally forgot the ending,
blah blah blah. In The Big Sick, her so I performed the whole piece again
characters daughter spends most of the and I still couldnt remember it. Her face
lm in a coma. Hunter said that, on the was very still. So I played a single note
set, Kumail Nanjianiwho wrote the au- and stood up. And I never really played
tobiographical movie with his once coma- in public again. Could she play in pub-
tose wife, and who stars in itwas the lic now? No. Even having played on-
olly Hunters Georgia twang pierced actor whisperer. Just before Action!, I kept screen in The Piano? No. Should we
H the rumble of trac. When I
started here, thirty-seven years ago, the
draining Kumail of all the information he
had about what it was really like.
keep talking about No! she cried.
Then she laughed.
Upper West Side was grittier and more In Strange Weather, a low-budget Hunter observed that some actors
knockaround, she said. She was strid- indie lm on which, she said, if you shot arent intimate with anyone else on-
ing down West Seventy-second Street, next to a McDonalds, thats where you screen, only with the audience. Bette
wearing a sack sweater and jeans. Hunter ate, she plays a woman who road-trips Davis and Buster Keaton were withhold-
is petite, but her unblinking wariness to New Orleans to discover why her only ing, but they had incredible intimacy
THE NEW YORKER, JULY 10 & 17, 2017 25
with us. One of her early heroes evokes idea was to bring the voices of every East Side, so Im always coming across
that kind of charismatic solitude (as Hun one who came into the lab together, by town, past Trump Tower.
ter does). In the eighties, she recalled, rst recording them individually, and The oms threethousandyear his
there was a bar called Caf Central, not then merging them into this larger col tory, integral to the Hindu and Tibetan
far o, on Columbus Avenue, where, lective chant, the curator Risha Lee Buddhist traditions, would seem to tran
rumor had it, Robert Duvall hung out. said, the other day. Its the largest re scend the squabbles of our twoparty
So Id look through the window. I never corded chant of om that we know of. system. It has variously represented cos
saw him, never met him, never worked This thundering om snowball, ac mic balance, the root of all music, and
with him later. But it was encouraging cumulated during three months of the key to immortality. We have peo
to think, in this whole huge city, that I anxietyproducing headlines, has ab ple trying to enunciate very important
1
somehow had a proximity to him. sorbed just over ten thousand discrete political issues these days, and its equally
Tad Friend oms. The collective version was recently important to listen, Lee said, standing
unveiled as part of the museums show by the Om Lab, holding a marigold. I
VIBRATIONS DEPT. The World Is Sound, played through hope that all New Yorkers are able to try
SONIC HEALING a dozen speakers for visitors seated on to nd a way to listen to each other. No
benches. (The Rubins om, as far as the one is an independent actor in all of this.
curators know, does not include one (Not everyone was so moved. A security
from Ivanka Trump, who claims to med guard, observing a line of prospective
itate twice a day.) omers, shrugged when asked if hed par
On a recent Friday, Cheri Dannels ticipated. Not my thing, he said.)
left her job at 5:30 p.m. and headed The oms recorded at the Rubin were
Iingtpropot
took sidestepping a drum circle, a
rally, a dozen venders hawk
greens (garlic scapes: four dollars a
downtown. I had some trainsignal
problems, so I was late getting to the
Rubin, which was annoying, and I was
uploaded via Dropbox and sent to for
mer interns turned omcutters in Con
necticut and Ohio, who weeded out
bunch), and a psychic on her cell phone, not able to calm myself very well, she unusable chants. Some oms were just
near Union Square, to reach the extreme said. Dannels is a receptionist at a nan background noise, or people screaming
quiet of the Om Lab, a recording studio cial company, and although she once into the microphone, Lee said, from in
on the sixth oor of the Rubin Museum. kept a yoga journal, her practice has side the booth. You cant really rough
Once inside, with the foaminsulated fallen o. But after her rst om, she said, house in here. Though I have seen ve or
door rmly shut, a visitor could revel in I felt an almost vibrational peace, is the six people in here together, oming.
the blissful nonsound. Then, from an best way I can describe it. The passable oms were then sent to
iPad, a recorded trio of monks intoned Unbeknownst to Dannels, the om a sound mixer in lower Manhattan, for
the word om. she recorded was the museums ten editing. The museums Jamie Lawyer had
Two weeks after Donald Trumps In thousandth. (She found this out from just been down to preview the nished
auguration, the Rubin quietly began col the curators later, by email.) Trumps product. Theres this incredible sort of
lecting the oms of stressedout New election, she said, has created tension buzz or thread that really goes through,
Yorkers. Visitors were invited to take a in the street. You never know what youre she said. Its like this really beautiful
seat in a small booth, put on headphones, going to overhear on a street corner, or connective tissue.
and om along with the monks. The in a subway car or a bus. I work on the A visitor asked if there is a right way
to say om. You can start out by doing
auuuummm, Lee said. It goes from the
back of your throat to the top of your
mouth, and comes out nasal. She demon
strated: Nnnnnn. But everyones om is
dierent. Theres a practice of saying om
over and over again, like omomomom.
One saying is, Just as all leaves are held
together by a stem, so all speech is held
together by om.
The Om Lab was dismantled and
placed in storage shortly after a jazz vo
calist visiting from Atlanta chanted its
nal note. But the Rubin hopes to open
the project in a new iteration elsewhere.
The way the piece works, its not a xed
compositionits a piece of software,
Lee said. So, theoretically, you could
drag in an innite number of oms.
Anna Russell
THE FINANCIAL PAGE alleged sexual harassment at the high- as it expanded, Uber was losing enor-
UBER AND OUT est levels at Fox News, but what set Uber mous amounts of money. The burn
apart was the way the company was cel- rate was alarming, Rawley told me.
ebrated for its better-to-ask-forgive- Uber was shedding around three quar-
ness approach to business. Kalanick ters of a billion dollars every three
was praised even as he was dismissive months, following a business strategy
n February 23rd, two venture cap- of obstacles in his path, such as local- that Kalanick showed few signs of
O italists, both early investors in the
ride-sharing company Uber, circulated
government regulations and protests
from his companys drivers. As long as
changing. Amazon and other technol-
ogy giants had pursued this method,
an open letter in response to a female Uber was growing at a brisk pace, be- by which the generous ow of money
engineers published account of sexual havior that could be characterized as from investors was used to subsidize
harassment at the company. Silicon rule-breaking was framed as bold dis- losses and drive competitors out. Ubers
Valley prides itself on pattern recogni- ruption. When the only thing that seventy-billion-dollar valuation was
tion, Freada Kapor Klein and Mitch- matters in the nal analysis is how big predicated on the assumption that
ell Kapor wrote. Here are a couple of youre getting and how fast, which is they would be a monopolist in some
toxic patterns we have observed. De- whats shown to produce these multi- markets, Rawley said. But Lyft and
spite several scandals, they went on, billion-dollar returns, what you get is other smaller competitors maintained
Uber had failed to reform its culture, a culture of looking the other way, of a stubborn hold in many cities, and
and investors in high growth, nan- Ubers costly experiments with driver-
cially successful companies rarely, if less cars are a long way from working
ever, call out inexcusable behavior from out. The H.R. and cultural issues were
founders or C-suite executives. They (a) a real problem, but (b) a really con-
argued that both of these patterns venient excuse to push Travis aside,
needed to change. Rawley said. He added, I think there
Four months later, when Ubers were some real business and strategic
C.E.O., Travis Kalanick, stepped down issues with the way Travis was taking
after other inuential investors de- the company, and the V.C.s and inves-
manded his resignation, Klein and Ka- tors in Uber were starting to grow wor-
pors words appeared to have resonated. ried about it. If Uber had to begin
Kalanick, who helped found Uber, in raising more money, new investors could
2009, built the company into an indis- demand better terms that would have
pensable amenity in many urban areas reduced the value of earlier investors
and one of the most highly valued pri- holdings, a scenario the early investors
vate companies in history. This success were eager to avoid.
was achieved against a backdrop of es- Sunil Paul, an entrepreneur who
calating management concerns and legal started Sidecar, a onetime competitor
problems. In addition to facing allega- that didnt survive Ubers overwhelm-
tions of harassment, Uber is in a war refusing to deal with what ought to be ing force, told me that Ubers board
with its drivers over reducing their fares; an aront to people, Mitch Kapor told members were rattled by the Delete Uber
its ghting an intellectual-property law- me a few days after Kalanick resigned. campaign, during which around half a
suit charging that Uber is using self- He went on, If Uber . . . had fought million consumers were believed to have
driving-car technology stolen from to get complete permission to get where wiped the Uber app from their phones.
Waymo, a part of Alphabet; and the they are, they wouldnt exist today. I The concerns about the corporate cul-
Justice Department is reportedly inves- dont think anyone would dispute that. ture are genuine, and potentially destruc-
tigating whether the company used soft- So the question is: Is there a way to tive to the companys brand. But Paul
ware to evade regulators as it launched innovate in a way that has more mea- didnt think that the worry about ethics
its service in new cities. There was also sured disruption? And, absolutely, I or corporate behavior would ultimately
a leaked videotape of Kalanick scold- think it could be done. dissuade Uber and its investors from am-
ing an Uber driver, and reports of pri- Measured disruption sounds sensi- bitious expansion, with or without Tra-
vacy violations and even espionage. The ble, but it doesnt dazzle venture capi- vis Kalanick. Whatever shape the new
brand came to represent both conve- talists in the way that Kalanicks ruth- strategy takes, it likely wont be measured.
nience and sinister corporate overreach. less growth strategy evidently did. Still, Its not about replacing taxisits about
There are many examples of corpo- for all Ubers success, there was a more replacing cars and creating an entirely
rate behavior that violates rules but urgent problem that caught investors new industry, Paul said. Scandal or not,
GOLDEN COSMOS
bolsters prots, from emissions cheat- attention. Evan Rawley, a professor at thats just the sort of wild promise of riches
ing at Volkswagen to the creation of the University of Minnesota who stud- that investors are eager to get in on.
fake bank accounts at Wells Fargo and ies entrepreneurship, notes that, even Sheelah Kolhatkar
SURPRISE OUTCOMES TO
SCENARIO 5: Two hours after being
red by President Trump, Mueller re-
replacing him with the Presidents pre- unknown evil twin, thus rendering the ference by urging the media to oer a
ferred candidate, Roger Stone. Stone entire investigation invalid. full apology to Michael Flynn, whom
promptly pink-slips Muellers team of SCENARIO 4: In September, returning he pronounces totally innocent of
ace prosecutors and intelligence veter- home after a long day at the Justice everything and also a good guy.
THE NEW YORKER, JULY 10 & 17, 2017 33
girls in her family, was expected to begin
ANNALS OF CULTURE work as a secretary directly after high
school. Though my father practiced law,
IF YOU PRICK US
he had attended law school just after
serving in the First World War, when a
liberal-arts degree was not yet a pre-
What Shakespeare taught me about fear, loathing, and the literary imagination. requisite. A good thing, too, since my
grandfather, a ragpicker, would have had
BY STEPHEN GREENBLATT diculty mustering the will or the means
to pay even the modest tuition fees then
required. My grandparents were not in-
dierent to learning, but they were poor,
and for them any learning that was not
vocational was necessarily religious. The
highest status in their cultural world
came not from wealth or power but from
the possession of Talmudic knowledge.
Theirs was an insular community in
which sexual selectionfor Darwin, a
central motor of mammalian evolution
had for centuries favored slender, near-
sighted, stoop-shouldered young men
rocking back and forth as they pondered
the complex, heavily annotated, often es-
oteric tractates of Jewish law.
None of this was part of my upbring-
ing: most of it had been abandoned when
my grandparents ed tsarist Lithuania,
in the late eighteen-eighties, and settled
in Boston. But the heavy Talmudic vol-
umes left a residue, an inherited respect
for textual interpretation thatreshaped
into secularized formled people like
me to embrace the humanities, an arena
in which the English Department held
pride of place. When I began to take
classes at Yale, I could not understand,
let alone emulate, the amused indier-
ence of many of my classmates. I felt
Shakespeare imagined his way into the humanity even of his villains. within me what in 1904 Henry James,
observing immigrants in New York, re-
proved as the waiting spring of intelli-
Iteachattended university in a very dierent
world from the one in which I now
and live. For a start, Yale College,
uously Irish, Italian, or Polish names were
at a disadvantage. For Jews, there was a
numerus clausus, not even disguised by
gence, signalling the immensity of the
alien presence climbing higher and
which I entered in 1961, was all male. the convenient excuse of geographical higher. I did not feel alienI was born
Women were not matriculated until ve distribution. And the whole system was in this country, as my parents had been,
years after I had received my B.A. de- upheld by a signicant number of lega- and I donned my Yale sweatshirt with-
gree. Among the undergraduates, there cies, along with a pervasive air of privi- out a sense of imposturebut I seized
were only a handful of students from lege and clubbiness. To display too much upon the opportunity Id been granted
Asia, Africa, and the Middle East, and interest in ones studies or a concern to learn with an energy that seemed
very few African-Americans, Asian- for grades was distinctly uncool. This slightly foreign.
Americans, or Hispanics, unless one was still the era of what was called the I had a particularly intense engage-
counted a couple of prep-school-educated gentlemans C. ment with my freshman English-
heirs to grand South American fortunes. I picked all this up within days of ar- literature course. Midway through the
The Yale that I attended was over- riving in New Haven, but Yale was for year, the professor asked me if I would
whelmingly North American and white, me an unfamiliar country whose cus- be interested in being his research assis-
as well as largely Protestant. It was di- toms I knew that I could never master. tant, helping him prepare the index for
cult for the admissions oce to identify Neither of my parents had gone to col- a book he had just completed. Ecstatic,
Catholics, but applicants with conspic- lege. My mother, along with the other I immediately agreed. In those days,
34 THE NEW YORKER, JULY 10 & 17, 2017 ILLUSTRATION BY GREG CLARKE
research assistants were required to apply be homogeneous, Eliot told an audi- that confounds Shylocks murderous plan.
for their jobs through the nancial-aid ence at the University of Virginia in 1933, The Jew who had insisted upon the let-
oce, where I dutifully made an appoint- the year that Hitler came to power and ter of the law is undone by the letter of
ment. I was in for a surprise. the prospect arose of a mass outpouring the law; it is what is called poetic justice.
Greenblatt is a Jewish name, isnt it? of refugees seeking protection from the But, all the same, you feel uneasy.
the nancial-aid ocer said. I agreed growing menace. Where two or more What, exactly, are you applauding and
that it was. Frankly, he went on, we cultures exist in the same place they are smiling at? How are you supposed to
are sick and tired of the number of Jews likely either to be ercely self-conscious view the Jewish daughter who robs her
who come into this oce after theyre or both to become adulterate. Perhaps father and bestows the money on her
admitted and try to wheedle money out it occurred to him that it was already far fortune-hunting Christian suitor? Do
of Yale University. I stammered, How too late to prevent two or more cultures you join in the raucous laughter of the
can you make such a generalization? from existing in the United States. What Christians who mock and spit on the
Well, Mr. Greenblatt, he replied, is still more important is unity of reli- Jew? Or do you secretly condone Shy-
what do you think of Sicilians? I an- gious background, he added, and then locks vindictive, malignant rage? Where
swered that I didnt think I knew any Si- made his point more explicitly: Reasons are you, at the end of the harrowing scene
cilians. J. Edgar Hoover, he continued, of race and religion combine to make in the courtroom, when Portia asks the
citing the director of the F.B.I., has sta- any large number of free-thinking Jews man she has outmaneuvered and ruined
tistics that prove that Sicilians have crim- undesirable. whether he agrees to the terms she has
inal tendencies. So, too, he explained, Eliots powerful early poetry had al- dictated, terms that include the provi-
Yale had statistics that proved that a dis- ready made this undesirability clear. In sion that he immediately become a Chris-
proportionate number of Jewish students Burbank with a Baedeker: Bleistein tian? Art thou contented, Jew? she prods.
were trying to get money from the uni- with a Cigar, he conjured up the pri- What dost thou say? And what do you
versity by becoming research assistants. mal ooze from which he saw those crea- think the Jew actually feels when he an-
Then he added, We could people this tures emerging: swers, I am content?
whole school with graduates of the Bronx A lustreless protrusive eye
Back in my undergraduate days, when
High School of Science, but we choose Stares from the protozoic slime I began to ask these questions, I came
not to do so. Pointing out lamely that I At a perspective of Canaletto. to a decision. I wasnt going to allow my-
had gone to high school in Newton, Mas- The smoky candle end of time self to be crushed by the bigoted nancial-
sachusetts, I slunk away without a job. aid ocer, but I wasnt going to adopt
Declines. On the Rialto once.
The conversation left me shaken. De- The rats are underneath the piles.
my parents defensive posture, either. I
cades later, I recall it with a blend of out- The jew is underneath the lot. wouldnt attempt to hide my otherness
rage and wonder inected by my recog- and pass for what I was not. I wouldnt
nition of the fact that African-American On the Rialto once: Eliot did not nish turn away from works that caused me
students have had it much worse, and the thought, but I did. In the course of pain as well as pleasure. Instead, insofar
that other ethnic groups and religions that freshman year, I read Shakespeares as I could, I would pore over the whole
have now replaced Jews as the focus of The Merchant of Venice, with its echo- vast, messy enterprise of culture as if it
the anxiety that aicted my interlocu- ing question, What news on the Ri- were my birthright.
tor. What was particularly upsetting to alto? Encountering the play at the mo- I was determined to understand this
me at the time was that the experience ment I did, together with T. S. Eliot, birthright, including what was toxic in
appeared to conrm my parents worst seemed only to reinforce my parentsgrim- it, as completely as possible. Im now an
fearsfears that had struck me, when I mest account of the way things were. English professor at Harvard, and in
was growing up, as absurdly outdated recent years some of my students have
and provincial. For my parents, the world here is something very strange about seemed acutely anxious when they are
was rigidly divided between us and
them, and they lived their lives, it seemed
T experiencing The Merchant of Ven-
ice when you are somehow imagina-
asked to confront the crueller strains of
our cultural legacy. In my own life, that
to me, as if they were forever hemmed tively implicated in the character and reex would have meant closing many
into an ethnic ghetto. actions of its villain. You laugh when of the books I found most fascinating,
Shortly after my encounter with the Shylocks servant, the clown Gobbo, con- or succumbing to the general melancholy
nancial-aid ocer, T. S. Eliot, the great- templates running away from his penny- of my parents. They could not look out
est living poet in the English language pinching master. You smile when Shy- at a broad meadow from the windows
and a winner of the Nobel Prize, came locks daughter, Jessica, having escaped of our car without sighing and talking
to Yale. Catching the excitement of the from her fathers dark house into the about the number of European Jews who
impending visit, I began to read him with arms of her beloved, declares, I shall be could have been saved from annihilation
an avidity that has continued into the saved by my husband. He hath made me and settled in that very space. (For my
present. But that meant that I quickly a Christian. You shudder when the im- parents, meadows should have come with
encountered the strain of anti-Semitism placable Shylock sharpens his knife on what we now call trigger warnings.) I was
in Eliots early poetry and prose, a strain the sole of his boot. You applaud the res- eager to expand my horizons, not to re-
no less ugly for being typical of his con- olution of the dilemma, when clever Por- treat into a defensive crouch. Prowling the
servative milieu. The population should tia comes up with the legal technicality stacks of Yales vast library, I sometimes
THE NEW YORKER, JULY 10 & 17, 2017 35
felt giddy with excitement. I had a right which he recast in Armeno-Turkish (that I suspect is that Eremya was a gifted
to all of it, or, at least, to as much of it is, Turkish written in Armenian charac- poet who spent his life in an ethnically
as I could seize and chew upon. And the ters) and set in Istanbul. In his version, complex world and that he did what
same was true of everyone else. The Jewish Bride, the Jewish girl, gifted poets do.
I already had an inkling of what I now Mrkada, having fallen in love with Dimo,
more fully grasp. My experience of min- wishes to escape from the connes of ast year was the ve-hundredth an-
gled perplexity, pleasure, and discomfort
was only a versioninformed by the ac-
her Jewish world: The bed smells like
poison, my homeland is as a prison. The
L niversary of the creation of the Vene-
tian ghetto. The Venetians had some un-
cidents of a particular religion, family, resourceful Dimo arranges for a boat to certainty and disagreement about how to
identity, and eraof an experience shared transport them, and the girl, slipping mark this anniversary, and one could see
by every thinking person in the course away under the cover of darkness, dis- why. Starting in 1516, Jews, who had pre-
of a lifetime. What you inherit, what you guises herself as a man, with her curly viously lived in the city wherever they
receive from a world that you did not golden hair hidden beneath a sable cap. chose, were required by law to reside and
fashion but that will do its best to fash- Eluding the Jewish search parties, the to worship in a small, poor area, the site
ion you, is at once beautiful and repellent. lovers manage to reach the Christian of a former copper foundry. (The Vene-
You somehow have to come to terms with principality of Walachia, where, in a sol- tian word for such a foundry was geto.)
what is ugly as well as what is precious. emn procession, Mrkada enters the ca- There they were permitted to run pawn-
The task derives from the kind of thedral and formally converts: shops that lent money at interest. They
creatures that we are. We arrive in the could emerge during the day to engage in
They gave her the name Sophia the Pure.
world only partially formed; a culture that She renounced the Jewish abracadabra.
a limited number of occupationsinclud-
has been in the making for hundreds of ing buying and selling old clothes, labor-
thousands of years will form the rest. In this version, as in the Greek source, ing on Hebrew books in print workshops,
And that culture will inevitably contain the wailing Jewish mother is mocked by teaching music and dance, and practicing
much that is noxious as well as bene- a chorus of Christian girls who invite medicine. But at night they were obliged
cent. No one is exemptnot the Jew or her to imagine her little grandson: to scuttle back to the ghetto, where they
the Muslim, of course, but also not the were shut in behind locked gates, guarded
Your daughter has already become
Cockney or the earl or the person whose pregnant. by men whose salaries the Jews themselves
ancestors came to America on the She is already nourishing a grandson for were required to pay. Jewish physicians
Mayower or, for that matter, the per- you. were permitted to go out during the night
son whose ancestors were Algonquins . . . The little half-bred Albanian, to attend to their Christian patients; no
or Laplanders. Our species cultural birth- His face is rather on the Jewish side. one else could leave until morning.
Yet his eyes are ocean-blue.
right is a mixed blessing. It is what makes Croak, you jealous witch! This is hardly an arrangement to cel-
us fully human, but being fully human ebrate in the twenty-rst century, but it
is a dicult work in progress. Though But then something strange hap- was an early attempt in modern history
xenophobia is part of our complex in- pens. The focus shifts to the mothers at a form of modus vivendi that would
heritancequickened, no doubt, by the grief, which is given remarkably intense permit Venetians to live in proximity to
same instinct that causes chimpanzees expression: an intensely disliked but useful neigh-
to try to destroy members of groups not bor. The usefulness was not universally
They have torn away from my bosom my
their ownthis inheritance is not our only one,
acknowledged. At the time, in Italy and
ineluctable fate. Even in the brief span My only daughter, my blossomlike delicate elsewhere, itinerant preachers were stir-
of our recorded history, some ve thou- one, my soul. ring up mobs to demand the expulsion
sand years, we can watch societies and I have become a childless mother, I, this of the Jews, as had been done recently
individuals ceaselessly playing with, re- poor woman. in Spain and Portugal and, centuries ear-
. . . My life is destroyed, not only my home.
shuing, and on occasion tossing out The skies oppress me, heaven, the world
lier, in England. A scant generation later,
the cards that both nature and culture are a jail, and likewise my day. Martin Luther, in Germany, urged the
have dealt, and introducing new ones. To others my tears are an amusing sight. Protestant faithful to raze the Jews syn-
agogues, schools, and houses, to forbid
Ithenpoem
seventeenth-century Venice, a Greek
was published that celebrated
elopement of a Jewish heiress with
And it is with this threnody of despair
and the mothers deathconveying, with
full force, the profound misery of the
their rabbis on pain of death to teach,
and to burn all Jewish prayer books and
Talmudic writings. At the time that the
a handsome Greek Orthodox baker who person and the community sustaining ghetto was created, there were people
comes to her house to sell bread. The the lossthat the poem ends. still living who could remember when
poem ends, after the girls conversion It is dicult to know how Eremyas three Venetian Jews, accused of the rit-
and wedding, with a raucous anti-Semitic transformation of the story came about. ual killing of Christians for their blood,
chorus that mocks her distraught mother. Some scholars have suggested that he were convicted of this entirely fantasti-
The seventeenth-century poet Eremya released, in the concluding section of his cal crime and burned to death. In Ven-
Chelebi Kmrjian, an erudite Chris- poem, the grief that he and his fellow- ice, locking the Jews up at night may
tian who spent his career in the Otto- Christians knew they would feel if one have given them a small measure of pro-
man Empire, took up the same plot, of their own converted to Islam. What tection from the paranoid fears of those
36 THE NEW YORKER, JULY 10 & 17, 2017
with whom they dealt during the day.
The ghetto was a compromise forma-
tion, neither absorption nor expulsion.
It was a topographical expression of ex-
treme ambivalence.
Shakespeare could in principle have
heard about it, when he sat down to write
his comedy; the ghetto had been in ex-
istence for some eighty years and there
had been many English travellers to Ven-
ice. Indeed, there is evidence that the
playwright took pains to gather informa-
tion. For example, he did not have his
Jewish characters swear by Muhammad,
as fteenth-century English playwrights
did. He clearly grasped not only that Jew-
ish dietary laws prohibited the eating of
pork but also that observant Jews often
professed to nd the very smell of pork
disagreeable. He marvellously imagined Use your indoor gun.
the way that a Jewish moneylender might
use the Bible to construct a witty Mid-
rashic justication of his own prot mar-
gin. He had learned that the Rialto was
the site for news and for trade, and that By contrast, a Venetian observer in of plot, he pursued the idea of equality
Shylock would conduct business there. Renaissance London was struck by the before the law. Venice, as a commercial
But Shakespeare seems not to have un- xenophobia of the English. Foreigners entrept with wide-ranging trading part-
derstood, or perhaps simply not to have in London are little liked, not to say ners, depended upon the liberty of
been interested in, the fact that Venice had hated, so those who are wise take care strangers. In order to protect property
a ghetto. In whatever he read or heard to dress in the English style, Orazio rights and preserve condence, its legal
about the city, he appears to have been Busino wrote in his diary, and make system had to treat contracts as equally
struck far less by the separation of Jews themselves understood by signs when- binding upon Christians and others, cit-
and Christians than by the extent of their ever they can avoid speaking, and so they izens and aliens. The Jew, as we see in
mutual intercourse. Though Shylock says avoid mishaps. the dispute over the lapsed bond, has to
that he will not pray with the Christians For an Elizabethan, Venice signied be formally regarded as someone who
or eat their nonkosher food, he enumer- an astonishing, even bizarre cosmopoli- possesses full legal standing in the eyes
ates the many ways in which he routinely tanism. Hence Shakespeare could not of the court. When Portia, disguised as
interacts with them. I will buy with you, imagine Shylocks house set apart in a the learned judge, enters the courtroom
talk with you, walk with you, and so fol- locked ghetto; he emphasized, instead, to adjudicate the case between Antonio
lowing, he declares. To audiences in En- that it was on a public street. If the and Shylock, she begins by asking,Which
glanda country that had expelled its en- Jews daughter should fail to lock the is the merchant here? And which the
tire Jewish population in the year 1290 and doors and close the casements, she would Jew? Though the line often elicits laugh-
had allowed no Jews to returnthose ev- be able to watch the Christians parade ter, from a legal perspective it insists upon
eryday interactions were the true novelty. by in carnival masks and listen to the the courts impartiality.
In The History of Italy (1549), the drum / And the vile squealing of the wry- Shylock drives the point home. You
rst English book on the subject, Wil- necked fe. And, when the play depicts have among you many a purchased slave,
liam Thomas went out of his way to re- Shylock reluctantly going out at night he argues in the trial scene, which you
mark on what he called a liberty of to dine with the Christians, it probably treat like animals simply because you
strangers particular to Venice: did not occur to the playwright that in bought them. This sounds like the be-
No man there marketh anothers doings, real life the Jewish usurer would need a ginning of an abolitionist manifesto, and
or . . . meddleth with another mans living. If special permit to do so. Such permits for a brief moment it seems to teeter at
thou be a papist, there shalt thou want no kind were not part of the English imagina- the edge of one:
of superstition to feed upon. If thou be a gos- tion of Venice; they were part of the Ve-
peler, no man shall ask why thou comest not to Shall I say to you
[the Catholic] church. If thou be a Jew, a Turk, netians attempt to negotiate with their Let them be free, marry them to your
or believest in the devil (so thou spread not thine xenophobic inheritance. heirs.
opinions abroad), thou art free from all control- Although he may not have learned Why sweat they under burdens? Let their
ment. . . . And generally of all other things, so about the ghetto, Shakespeare, too, par- beds
thou oend no man privately, no man shall oend Be made as soft as yours.
thee, which undoubtedly is one principal cause ticipated in the attempt to negotiate with
that draweth so many strangers thither. a xenophobic inheritance. At the level Why, yes, modern audiences might
THE NEW YORKER, JULY 10 & 17, 2017 37
want to shoutlet it be so. But the point hope is that money, sexual desire, and in- ish usurer for the boundaries of native
here is not liberation from bondage: tense legal pressure, rather than outright and alien, us and them, to remain intact.
violence, will eventually suce to absorb Shakespeare managed to register Shy-
You will answer the strangers, or at least signicant num- locks mordant sense of humor, the pain
The slaves are ours. So do I answer you.
The pound of esh which I demand of him bers of them, into the surrounding Chris- that shadowed his malevolence, his pride
Is dearly bought. Tis mine, and I will have it. tian community. Only conversionin in his intelligence, his little household
the case of Shylocks daughter, her mar- economies, his loneliness. We come to
The legal principle upon which Shylock riage to a fortune-hunting Christian; in know these qualities for ourselves, not
insists has nothing to do with tolerance the case of Shylock himself, conversion as mere concepts but as elements of our
or human rights. It is strictly a defense under the threat of executioncan dis- own experience. Theres good reason that
of property ownership. sipate hatred and save the play from most people think the Venetian mer-
The narrowness is important. Out- bloodshed. The Merchant of Venice re- chant in the plays title is the Jew.
side this carefully demarcated sphere, there sists attempts to bring it into the En-
is no underlying trust, no assumption of lightenment, let alone to make it recog- t once aggressive and defensive, pu-
shared values, and no presumed equality.
As soon as the formal legal issue shifts
nize the full tragic weight of centuries of
racial and religious hatred. In its formal
A nitive and protective, the Venetian
ghetto proved to be a remarkably dura-
unexpectedly from a civil to a criminal design, it steadfastly remains a comedy. ble arrangementit was abolished, under
matterthat is, to a Jews attempt to take Yet that formal resolution has not Napoleon, only with the fall of the Sere-
the life of a Venetian ChristianShy- dened the plays actual impactnot nissima in 1797. Whats more, it served
lock is no longer regarded in the eyes of now, not when I rst read it as a college as a powerful model throughout Italy,
the court as Antonios equivalent. Instead, freshman, and probably not even in the rest of Europe, and the world, both
he is, as the plays dominant society has Shakespeares time. As I grasp more fully in bricks and mortar and, when these
always viewed him, irreducibly alien. after a lifetime of immersion in Shake- were formally pulled down, in the minds
The Merchant of Venice seems to speare, the uncomfortable experience I and hearts of those on either side of the
oer a pessimistic vision, then, of the had when I was seventeenthe trou- towering imaginary walls. My parents
prospect of mutual tolerance. On the city bled identication with the plays villain, lived much of their lives behind such
streets and in the rule-bound arena of even in the midst of my pleasurable ab- walls; I have to concede that they were
the criminal court, the two faiths are mor- sorption in its comic plotdid not nally never happier than when they were safely
tal enemies. Shylock tries to destroy his depend on my particular identity or his- ensconced there. But the same Shake-
Christian enemy legally by enforcing the tory. The cunning magic of the play speare who did not grasp that a ghetto
letter of the bond; Portia succeeds in de- was the disturbance it arouses in every- existed in Venice had no patience with
stroying her Jewish enemy by outwitting one. If Shylock had behaved himself walls, real or imaginary, and, even in a
him at his own hairsplitting game. True, and remained a mere comic foillike play consumed with religious and eth-
she doesnt stick a knife into him, and Don John the Bastard, in Much Ado nic animosity, he tore them down.
that is important, both for the imagined About Nothingthere would have He did so not by creating a lovable
world of the play and for the preserva- been no disturbance. But Shakespeare alienhis Jew is a villain who connives
tion of its theatrical genre. The comedys conferred too much energy on his Jew- at legal murderbut by giving Shylock
more theatrical vitality, quite simply more
urgent, compelling life, than anyone else
in his world has. The lines reverberate
across the centuries: You call me misbe-
liever, cutthroat dog, /And spit upon my
Jewish gabardine, /And all for use of that
which is mine own; This patch is kind
enough, but a huge feeder, / Snail-slow in
prot, and he sleeps by day / More than
the wildcat; Hath not a Jew eyes? Hath
not a Jew hands, organs, dimensions, senses,
aections, passions?; If you prick us, do
we not bleed? If you tickle us, do we not
laugh?; I would my daughter were dead
at my foot and the jewels in her ear!;
Why there, there, there, there! A dia-
mond gone cost me two thousand ducats
in Frankfort! The curse never fell upon
our nation till now; I never felt it till now;
Some men there are love not a gaping
pig, / Some that are mad if they behold
Kinky. a cat, / And others when the bagpipe
sings ithnose / Cannot contain their urine. controversial production of the play last versive comments, this is a playwright
The life that sweeps across the stage month, in Central Park, audiences chor who could depict on the public stage a
here includes, as well, sudden glimpses tled at a Trumplike despotbut were twisted sociopath lying his way to su
into parts of an existence that the plot then brought up short by the horror of preme authority. This is a playwright who
by itself did not demand. When Shy what befalls him, the carnage born of could have a character stand up and de
lock learns that his daughter exchanged selfsteeling righteousness. What leads to clare to the spectators that a dogs obeyed
a turquoise ring for a monkeya tur disaster is Brutuss ideological decision to in oce. This is a playwright who could
quoise ring that she stole from him, and think of Caesar not as a human being at approvingly depict a servant mortally
that had been a gift from his dead wife, all but, rather, as a serpents egg, and wounding the realms ruler in order to
Leah, his anguish is unmistakable. Thou therefore to kill him in the shell. stop him from torturing a prisoner in the
torturest me, he tells the friend who Even after a lifetime of studying name of national security. And, nally,
brought him the news. It was my tur Shakespeare, I cannot always tell you this is a playwright who almost certainly
quoise; I had it of Leah when I was a precisely how he achieved penned the critical lines we
bachelor. I would not have given it for this extraordinary lifemak nd preserved in the Brit
a wilderness of monkeys. Are such ing. I sometimes picture ish Librarys manuscript of
glimpses enough to do away with hatred him attaching his charac an Elizabethan play about
of the other? Not at all. But they begin ters like leeches to his arms Sir Thomas More. (The
an unsettling from within. Even now, and allowing them to suck play was probably banned
more than four centuries later, the un his lifeblood. In the case from performance by the
settling that the play provokes remains of Shylock, it is wildly un censor.) The lines speak
a beautiful and disturbing experience. likely that Shakespeare had movingly to one of our most
Shakespeare himself may have found ever encountered a Jewish pressing contemporary di
it disturbing. He set out, it seems, to write usurer, but he may have lemmas. Shakespeare de
a straightforward comedy, borrowed from been drawing on his fathers money picts Thomas More confronting an angry
Giovanni Fiorentinos novella Il Pec lending and, for that matter, on his own. mob that demands the expulsion of
orone (The Big Sheep), only to nd It is also possible that in his family there the strangersthe foreignersfrom
himself increasingly drawn into the soul had been a recent, painful, unresolved England. Grant them removed, More
of the despised other. Shylock came per experience of conversion, from Cathol tells the mob:
ilously close to wrecking the comic struc icism to Protestantism, an experience Imagine that you see the wretched
ture of the play, a structure that Shake that would have deepened his engage strangers,
speare only barely rescued by making the ment with his characters plight: Art Their babies at their backs and their poor
moneylender disappear for good at the thou contented, Jew? What dost thou luggage,
end of the fourth act. say? I am content. Plodding to the ports and coasts for
transportation,
It wasnt the only time in his work that And that you sit as kings in your desires. . .
this excess of life had occurred. The play he conferral of life is one of the es
wright is said to have remarked that in
Romeo and Juliet he had to kill Mer
T sential qualities of the human imag
ination. Since very few of us are endowed
What had you got? Ill tell you: you had
taught
How insolence and strong hand should
cutio before Mercutio killed the play, and with great genius, it is important to un prevail,
How order should be quelled; and by this
he ran a similar risk with characters like derstand that the quality of which I am pattern
Jack Cade, Aaron the Moor, Malvolio, speaking is to some degree democrati Not one of you should live an aged man,
and Caliban. Indeed, the ability to enter cally shared. Ideologies of various kinds For other ruans, as their fancies wrought,
deeplytoo deeply, for the purposes of contrive to limit our ability to enter into With self same hand, self reasons, and self
the plotinto almost every character he the experience of another, and there are right,
Would shark on you, and men like
deployed was a signature. It accounts for works of art that are complicit in these ravenous shes
the startling vividness of Adriana, the ne ideologies. More generous works of art Would feed on one another.
glected wife in The Comedy of Errors; serve to arouse, organize, and enhance
Bottom the Weaver, in A Midsummer that ability. Shakespeares works are a Such language isnt a substitute for a
Nights Dream; Rosencrantz and Guil living model not because they oer prac coherent, secure, and humane interna
denstern, in Hamlet; Cornwalls brave tical solutions to the dilemmas they so tional refugee policy; for that, we need
servant, in King Lear; and many others. brilliantly explore but because they constitutional lawyers and adroit diplo
It helps explain the strange illusion that awaken our awareness of the human mats and wise, decent leaders. Yet these
certain of his characters have lives inde lives that are at stake. words do what they can to keep before
pendent of the play in which they appear. What Shakespeare bequeathed to us our eyes the sight of the wretched strang
And it contributes to the moral and aes oers the possibility of an escape from ers, / Their babies at their backs and their
thetic complexity that characterizes so the mental ghettos most of us inhabit. poor luggage, / Plodding to the ports and
many of his plays. Consider, for example, Even in his own world, his imagination coasts for transportation. For a long mo
the fact that for centuries critics have de seems to have led him in surprising di ment in dramatic time, the distance be
bated whether Brutus is the hero or the rections. At a time when alehouses and tween natives and strangers collapses;
villain of Julius Caesar. In Oskar Eustiss inns were full of spies trolling for sub walls wobble and fall; a ghetto is razed.
THE NEW YORKER, JULY 10 & 17, 2017 39
A REPORTER AT LARGE
Irulesnislature
session after session, the Texas leg-
has sought to impose strict
on voter identication, with the
that she is a Republican, and voted for
Ken Paxton, the Texas attorney gen-
eral, who has made voter fraud a sig-
try, based on a new majority, and we
have to have this out.
putative goal of preventing election nature issue. he most contentious item on Dan
fraud. A 2011 law required voters to pre-
sent a U.S. passport, a military identi-
In April, Judge Ramos issued her
opinion: the Texas voter-I.D. law was
T Patricks list of priorities for the
2017 session was the bathroom bill,
cation card, a state drivers license, a intentionally designed to discriminate S.B. 6, which would bar transgender
concealed-weapon permit, or a Texas against minorities. Almost simultane- people in public schools and govern-
election identication certicate. The ously, a panel of federal judges in San ment buildings from using rest-room
same law excluded federal and state gov- Antonio ruled that three of the states or locker-room facilities that did not
ernment I.D.s, as well as student I.D.s, thirty-six U.S. congressional districts correspond to the sex listed on their
from being used at polling stations. In were illegally drawn in order to disem- birth certicates. It would also over-
2014, a federal judge, Nelva Gonzales power minorities. turn any local antidiscrimination ordi-
Ramos, in the Southern District of Texas, Evan Smith, of the Texas Tribune, nances that permit transgender citi-
struck down the law, calling it an un- has closely followed thirteen legislative zens to choose which bathroom to use.
constitutional poll tax. Texas appealed, sessions. He noted that, even as Dan In 2016, a similar bill was signed into
but the appeal was rejected, in part be- Patrick and his Republican allies slashed law in North Carolina. In response, mu-
cause there was no actual evidence of government services, they allocated eight sicians such as Bruce Springsteen and
voter fraud. (The Supreme Court re- hundred million dollars for border se- Pearl Jam cancelled concerts in the state,
fused to hear the case.) The appeals curity. White people are scared of and sporting associations, including the
court sent the case back to Judge Ramos, change, believing that what they have N.B.A. and the N.C.A.A., dropped plans
asking her to determine if the law was is being taken away from them by peo- to hold events there. Governor Pat Mc-
intentionally discriminatory. If Ramos ple they consider unworthy, he told me. Crory, who supported the law, lost his
said yes, it could trigger federal moni- But all theyre doing is poking a bear bid for relection, in part because of the
toring of the states election laws under with a stick. In 2004, the Anglo popu- national outcry. Dan Patrick contends
the Voting Rights Act. lation in Texas became a minority. The that his bill will have no economic eect
The question of voter fraud became last majority-Anglo high-school class on the state of Texas, and that the only
a national issue after the 2016 Presiden- in Texas graduated in 2014. There will people opposed to it are journalists and
tial election. Gregg Phillips, a former never be another. The reality is, its all the secular left. At a prayer rally on
ocial of the Texas Health and Human over for the Anglos. the capitol steps, in February, he de-
Services Commission, gave Trump the Texas leads the nation in Latino clared, They dont want prayer in pub-
false idea that he would have won the population growth. Latinos account lic schools, theyre not pro-life, they see
popular vote if illegal votes were dis- for more than half the 2.7 million new nothing wrong with boys and girls show-
counted. Phillips, the founder of a group Texans since 2010. Every Democrat in ering together in the tenth grade, or a
called VoteStand, tweeted that three Texas believes that, if Latinos voted at man being in a womens bathroom. At-
million unqualied voters had cast bal- the same rate in Texas as they do in torney General Paxton, who was also
lots in the election. He refused to pro- California, the state would already be present, added, This is a spiritual war.
vide proof, though he told CNN that blue. The dierence between Texas The bathroom bill was drafted after
he had developed algorithms that could and California is the labor movement, the superintendent of schools in Fort
determine citizenship status. Trump Garnet Coleman, a Houston member Worth announced, in April, 2016, that
soon demanded a widespread investi- of the Texas House, told me. In the transgender students could henceforth
gation into voter fraud. nineteen-sixties, Cesar Chavez began use the rest room or the locker room
In February, 2017, while Judge Ramos organizing the California farmwork- that corresponded to their gender iden-
was still considering the Texas voter-I.D. ers into a union; that kind of move- tity. This was in accordance with fed-
law, a resident of a Fort Worth suburb ment didnt happen in Texas, a right- eral guidelines. The superintendent
was found to have voted illegally: Rosa to-work state. Labor unions create a additionally instructed teachers and
Maria Ortega, a thirty-seven-year-old culture of voting and political partici- administrators to refer to students as
THE NEW YORKER, JULY 10 & 17, 2017 51
scholars, rather than as boys and girls. tions. Even in the Texas Senate, there its meaningin Texas, at leastas
At the rally, Patrick called for his res- were doubts about the need for such a nearly every Republican in the legis-
ignation, suggesting that this sort of bill. How are they going to enforce lature claimed to be unimpeachably
policy would represent the end of pub- it? Chuy Hinojosa asked me. Would conservative. What distinguished this
lic education and ignite a mass revolt a woman have to raise her dress? group was that the members were all
by parents. I believe it is the biggest As S.B. 6 made its way through the vociferously anti-Straus. The declared
issue facing families and schools in legislature, I noticed a new sign out- mission of the group is to amplify the
America since prayer was taken out of side a bathroom in the Austin airport. voice of liberty-minded grassroots Tex-
public school, he concluded. It said all genders. ans who want bold action to protect
The business community in Texas life, strengthen families, defend the Bill
ercely opposed S.B. 6, and produced n March 2nd, I returned to the of Rights, restrain government, and re-
a report suggesting that its passage
could cost the state up to eight and a
O capitol to have lunch with the
speaker of the House, Joe Straus. It
vitalize personal and economic free-
doms in Texas.
half billion dollars. (PolitiFact deter- was the hundred-and-eighty-rst an- As he watched the conference, Straus
mined that this gure was hyperbolic.) niversary of the day that Texas became shot me a weary look.
A month after the Texas legislature independent of Mexico, and the be- We moved to the dining room,
began the 2017 session, the Super Bowl ginning of the high holy days among which had Audubon bird prints on the
was held in Houston, and the National Texas historians. The climax comes on wall. The thing that concerns me is
Football League intimated that, were March 6th, the anniversary of the fall the near-total loss of inuence of the
S.B. 6 to pass, the championship might of the Alamo, where, in 1836, some two business community, which allows re-
not be held in Texas again. Governor hundred and fty Texians gathered ally bad ideas like the bathroom bill
Abbott, who had been keeping his to block the advance of the Mexican to ll the void, Straus said, as we sat
head down as the legislature debated forces. down to plates of delicious crab cakes.
the issue, told the N.F.L. to mind its The capitol rotunda was lled with C.E.O.s have stopped coming to the
own business. schoolchildren wearing frontier bon- capitol to engage directly, he contin-
Bathrooms have been an issue in nets and Davy Crockett coonskin hats, ued. They now work only through
Texas before. At my rst Willie Nel- getting ready to perform Marty Rob- lobbyists.
son concert, in Austin, in the nineteen- binss song Ballad of the Alamo. Kids Straus comes from a longtime Re-
eighties, I was in the mens room when from the Texas School for the Deaf publican family in San Antonio. One of
a dozen women barged in and laid siege would sign as the other children sang. his ancestors founded the L. Frank Sad-
to the stalls. It was actually a rather jolly Four retirees representing Bualo Sol- dlery Company, which made saddles,
moment. There were similar episodes diersthe black cavalrymen who made harnesses, and whips. Teddy Roosevelt
at other Texas events, and, in 1993, Gov- their mark in the Indian Warshad and the Rough Riders stopped in San
ernor Ann Richards signed a potty come to present the state colors. A tall Antonio in 1898 to equip themselves
parity bill, which mandated that, in man wearing a top hat paced about, with L. Frank gear on their way to ght
new sports and entertainment facili- preparing to recite the letter that Wil- in the Spanish-American War. The com-
ties, there be two toilets in womens rest liam Barret Travis, the lawyer who led panys slogan was The horsenext
rooms for every one in the mens. the Texian forces at the Alamo, wrote to woman, Gods greatest gift to man.
The debate over S.B. 6 was a much during the battle. (I shall never sur- When Joe Straus is not in Austin,
grimmer matter. Although a dozen other render or retreat, he declared, in one he is an executive in the insurance and
states have similar bills pending, Pat- of the most famous passages in Texas investment business. He entered that
ricks legislation embodied the mean- history. Victory or death.) industry after a spell in Washington,
ness and the intolerance that many On the House oor, resolutions were where his wife, Julie Brink, worked
Americans associate with Texas. In oered to honor the sacrice of the in the Reagan White House and on
Austin, the bill was being sold as a way heroes of the Alamo and to commend George H. W. Bushs 1988 Presidential
to protect women against sexual pred- notable citizens. A member proposed campaign. During that period, Straus
ators who might pose as transgendera that the breakfast taco become the o- served in the Commerce Department.
problem that scarcely exists. Laws al- cial state breakfast item. He is trim and dapper, like an ac-
ready on the books protect women from I met Straus in his oce. He switched count executive on Mad Men, and is
being accosted or spied on. The spon- on a closed-circuit TV to watch a press the most prominent Jewish politician
sors of the bill claimed that S.B. 6 was conference by a new group of a dozen in Texas history. In campaigns, his op-
not meant to discriminate against trans- cultural conservatives, the Texas Free- ponents have mentioned his religion,
gender Texans, although the law would dom Caucus, which is led by Matt to little eect. This is his fth term as
do just that. The only remedy for trans Schaefer, a state representative from speaker, which ties the record. Its a
people would be to change their birth Tyler, in East Texas. The group, which surprise to many observers that the la-
certicates, a costly and time-consuming models itself on the similarly named conic and even-tempered Straus has
process. The bill proposed ning schools body of far-right House Republicans persevered. Evan Smith told me, All
and state agencies up to ten thousand in Washington, had formed, in part, the things they said about himHed
ve hundred dollars per day for viola- because the term Tea Party had lost show up at a gunght with a butter
52 THE NEW YORKER, JULY 10 & 17, 2017
knife, He cant make a stthey were Meanwhile, he was pressing his own that requires wrestling opponents to
all wrong. Joe Straus is so much tougher legislative agenda, which included se- have the same sex listed on their birth
than he appears. curing additional funds for public certicates.
His speakership has focussed on schools, improving Child Protective In February, the Trump Adminis-
providing the workforce and the infra- Services, and devoting more resources tration withdrew the protections that
structure that Texas businesses need, to mental healtheven though the President Obama had instituted for
by protecting public education, build- state budget had been hit because of transgender students in public schools.
ing roads, establishing more top-tier the fall in oil and gas revenues. On March 6th, the U.S. Supreme Court
universities, and expanding job train- Before the session began, Straus refused to hear the case of a trans-
ing. Perhaps his biggest victory was in spoke out against the bathroom bill. gender student from Virginia, Gavin
2013: in the middle of a devastating Ive become more blunt than ever, he Grimm, who had sued to be allowed
drought, he ushered through a two- told me. He frequently urges business to use the boys bathroom at school.
billion-dollar revolving loan fund for leaders to remain rm in their oppo- That left the issue up to individual
state water projects. sition to such legislation. I try to be states, at least for now.
With each session, Straus has watched diplomatic but clearthat if you give Dan Patrick said that the Texas bill
the Republican Party drift farther away in on the bathroom bill to preserve a would be a model for the rest of the
from the compassionate conservatism tax break, theres another equally awful nation. On March 7th, the bill had its
of the Governor Bush era and become idea right behind it. rst public hearing before the State
increasingly dominated by Christian Aairs Committee. Transgender Tex-
ideologues, such as Patrick, for whom s the bathroom bill was moving ans, along with their families, came to
economic issues are secondary. Al-
though Democrats and non-Tea Party
A through the Texas legislature, Mack
Beggs, a seventeen-year-old transgen-
the capitol to speak, as did preachers,
business leaders, and moral crusaders
Republicans alike see Straus as a brake der high-school student from Euless, of all types. More than four hundred
on the controversial cultural agenda Texas, won the girls state wrestling people signed up to testify at the hear-
being pushed by Abbott and Patrick, championship, in the hundred-and- ing. The bills author, Senator Lois
he worries that his supporters have ten-pound weight class. He had been Kolkhorst, a Republican from Bren-
unreasonable expectations. I can only taking testosterone supplements as he ham, said that it was designed to nd
do so much to keep the focus on scal transitioned to male, and he had won the balance of privacy, decency, respect,
issues and away from the divisive stu, fty-six matches in a row. Although and dignity, to protect women, chil-
he told me. A few loud and fanatical he wants to wrestle boysbecause dren, and all people.
people occasionally unsettle the ma- Im a guy, he told ESPNthe Uni- Dana Hodges, the state director of
jority of Republicans, who are really versity Interscholastic League, which a right-wing Christian organization
mainstream. oversees the athletic programs in Texas called Concerned Women for America,
Unlike Patrick, who decides which public schools, recently adopted a rule was the rst to testify in favor of the
bills come to the oor in the Senate,
Straus has to exercise inuence by art-
fully appointing committee members,
who can dull the fangs of fearsome bills
(or let them languish until theres no
time to consider them). Sometimes
he thinks that his moderation, along
with the relative centrism of the Texas
House, is being used as a foil for the
Senate radicals. The condence that
people seem to have in the House to
serve as a stopper only enables the Sen-
ate to run hotter than it ever has be-
fore, he said.
Straus believed that most Republi-
cans in the House didnt want to vote
for the bathroom bill, but, like their
conservative colleagues in Washing-
ton, they worried about being chal-
lenged from the right in primaries. If
it gets to the oor, it could be a close
vote, Straus observed. I cant imag-
ine anyone really wanting to follow
North Carolinas example, but I cant
guarantee thats not going to happen. It ruins the effect if I say who it is. Can you just come down?
COMIC STRIP BY EMILY FLAKE
bill. She cast the issue as a matter of argued, were misplaced: I used the ways many bills must pass through in
womens safety. I myself was the vic- womens rest room for twenty-three order to reach the oor. Unlike a lot of
tim of being videotaped by a hidden years, and I used the mens rest room other state legislatures, the Texas leg-
camera placed in a womens bathroom for ten years. I have not once seen any islature still follows a tradition of award-
stall by a man, she said, her voice trem- genitalia. ing important posts to members of the
bling. She held up a plastic coat hook A woman in a short-sleeved black minority party. This is true even in Dan
that, she said, was embedded with dress identied herself as Jess Herbst, Patricks Senate.
the kind of miniature camera that had the mayor of New Hope, a tiny town Thompson once told me that, when
been used to spy on her. Under ques- north of Dallas, in a rmly Republi- she was a girl, African-Americans were
tioning, she acknowledged that a non- can section of the state. A few weeks not welcome in the capitol. Now she is
transgender man had hidden the cam- earlier, Mayor Herbst had written to the longest-serving woman and black
era inside her stall, and that he had her constituents to tell them that she person in Texas legislative history.
been punished under existing laws. was taking hormone-replacement ther- Among her many accomplishments is
Kolkhorst also conceded that she knew apy and transitioning to female. She a hate-crimes act, passed in 2001, that
of no crimes committed in Texas bath- had received overwhelming support, includes protections for homosexuals.
rooms which had been attributed to she told the committee. I just want to She has also fought against racial
transgender people. But her intent, she be able to use the womens room and proling and passed measures to help
said, was to prevent nefarious people not have someone ask me at the door low-income Texans pay their utility bills.
from taking advantage of inclusive bath- for my papers, she said. Armando Martinez, a forty-one-
room policies. (Crimes against trans- The testimony continued until year-old Democratic member from the
gender people, meanwhile, are routine; nearly ve in the morning. The com- Valley, is a reghter and a paramedic.
according to Texas Monthly, a quarter mittee voted to support the bill, 81. He showed up on the rst day of the
of all transgender Texans have been session with a bandage on his head; on
physically assaulted.) n the evening of April 6th, I went New Years Eve, hed been hit by a stray
Dan Forest, the lieutenant gover-
nor of North Carolina and a strong
O to the capitol to watch the legis-
lature struggle to fulll its mandatory
celebratory bullet. Martinez led a bill
to prohibit the reckless discharge of
advocate of that states bathroom bill, duty to pass a budget. House mem- a rearm.
came to Austin to testify that no busi- bers had been at it all day, and, yet Dr. John Zerwas, a Republican an-
nesses had actually left his state be- again, the discussion would go on until esthesiologist from Richmond, Texas,
cause of the bill, and that its economy the early morning. The air-condition- is the chair of the Appropriations Com-
had been hurt by less than one tenth ing was merciless; one of the mem- mittee. A business conservative in the
of one per cent of North Carolinas an- bers showed me the long johns pok- Straus mold, he is deeply respected in
nual G.D.P. (The Associated Press, ing out from under his shirt cus. I the legislature, and Straus selected him
after examining public records and in- saw 5-Hour Energy shots arrayed on to craft the House version of the bud-
terviewing business leaders who said some desks. get. The main dierence between the
that they had cancelled projects be- Desperation suuses the chamber Houses budget and the Senates was
cause of the bill, estimated that North on Budget Nightthe last stand for that Zerwas proposed dipping into the
Carolina would lose nearly four bil- bills that have not been funded. The Rainy Day Fund. The fund, which is
lion dollars over a dozen years.) On trick is that, in order to get the money amassed largely from oil and gas taxes,
March 30th, the North Carolina leg- for your legislation, you have to take it is designated for emergencies. It is pro-
islators, assailed on many fronts, par- from somewhere else. The members jected to grow to twelve billion dollars
tially repealed their bill. were on guard, lest their own bills be by 2019, which is more than the annual
In Austin, the vast majority of wit- raided. More than four hundred amend- budget of a dozen other states. Patrick
nesses spoke against the bathroom bill. ments to the budget were awaiting their maintains that the fund should not be
One of them was Colt Keo-Meier, a turn. One baing amendmentoered used for ongoing expenses, but Zer-
transgender psychologist, who is cur- by Valoree Swanson, a freshman Free- was wanted to take two and a half bil-
rently enrolled in medical school at the dom Caucus member from a suburb lion dollars out of the pot, in part to
University of Texas at Galveston. He of Houstonwould prevent state funds nance health care and public schools
wore a white lab coat, and a stetho- from being used to renovate bathrooms Joe Straus priorities.
scope around his neck. He said, If you in order to allow or enable a man to An incident in the afternoon had
pass this bill, my gender identity will enter a womens restroom facility. suggested how the budget ght would
be further invalidated, as I will not There are some extraordinary peo- play out. A freshman member, Briscoe
be able to continue attending medical ple in the House. Senfronia Thomp- Cain, presented an amendment to shut
school in the state of Texas. I would son is a seventy-eight-year-old former down an advisory panel on palliative
not be able to enter the mens rooms teacher from Houston. Known as Ms. T., care. Normally, freshmen keep quiet,
legally. Keo-Meier, who has a full beard, she is in her twentieth term, and is one but Cain is an assertive member of the
added, Look at meI would not be of the few Democrats with real power: insurgent Freedom Caucus. Thirty-two
able to enter the womens rest rooms she chairs the Local and Consent Cal- years old, he is proudly bratty, like Mat-
safely. Concerns about voyeurism, he endars Committee, one of the gate- thew Broderick in Ferris Buellers Day
THE NEW YORKER, JULY 10 & 17, 2017 55
O. This amendment seeks to get ment or gender transitioning opera- sponsibility Index, a powerful weapon
rid of what Ive kind of nicknamed the tionsomething that has never actually against less than ultra-radical Repub-
advisory death panel, Cain said, using happened. Cains battle cry: Dont Cal- licans. It is produced by Empower Tex-
a term for end-of-life counselling that ifornia my Texas! ans, a group led by Michael Quinn Sul-
is popular among the far right. livan, who is known by his initials,
Soon afterward, Zerwas came to the caught the eye of Pat Fallon, a Re- M.Q.S. Some members pronounce it
microphone and stood there, giving
Cain what Jonathan Tilove, in his blog
IDallas-Fort
publican member from Frisco, in the
Worth area. He lives in a
Mucus.
Sullivan is tall and friendly. He likes
for the Austin American-Statesman, wealthy, intensely conservative bed- to talk about the Boy Scouts (he was
jokingly called the morem pellis hispi- room community that was all cow pas- an Eagle Scout), the Aggies (he was
dus distentione nervorum: the hairy ture when I was growing up nearby. in the A. & M. Corps of Cadets), and
eyeball. Many young legislators, like Fallon, are his three children. A right-wing zealot,
Its fascinating to watch the chore- not originally from Texas. I asked him he is sometimes described as the most
ography of the members when deep how he came to live in the state. He powerful non-elected political gure
political chords are struck. The Free- said that, after playing football for Notre in Texas. Several years ago, Sullivan
dom Caucus members gathered with Dame, he joined the Air Force, and and I had lunch, and he told me, Im
Cain at a microphone in the front of was stationed in Texas. They asked not there to get a seat at the table.
the chamber; the traditional Repub- me my state of residence, and I said, Im there to get rid of the table. In
licans, along with some Democrats, Massachusetts. The payroll ocer in- other words, he wants to destroy the
stood beside Zerwas at a microphone formed me that Massachusetts has a government.
in the rear. It was the Texas version of 5.6-per-cent income tax, but theres no Empower Texans is funded largely
the Montagues versus the Capulets. income tax in Texas. So I said, Im a by a reclusive Midland oilman named
Would you please describe for me Texan! Tim Dunn, an evangelical Christian
what a death panel is? the mighty This term was his third. So far, hes who hopes to create in Texas an ex-
chairman of appropriations demanded. best known for co-authoring a bill, in ample of small government that could
A death panel is whereby a group 2013, that reasserted the right of stu- be replicated by other states and
of individuals unrelated to the person dents and employees at public schools countries. Even people who hate
in the hospital decide whether or not to say Merry Christmas rather than Dunns politics consider him the most
that person should live or die, Cain Happy Holidays. eective moneyman in the state. He
replied. Have you got an amendment? I has steadily pushed Republican law-
Have you ever understood, really, asked Fallon. makers farther right, eliminating
what palliative care is? Zerwas asked. Yeah, its No. 152, in which we de- the kind of middle-ground gures
Mr. Zerwas, being in your profes- fund the portion of the Travis County who support Joe Straus. Dunn has
sion, I am sure you could inform this Public Integrity Units investigation made it a mission to bring down the
body better than I could, of insurance fraud and mo- Speaker.
Cain replied. tor-vehicle tax fraud. The While Fallon and I were talking,
The old warhorses in unit has been under attack Jonathan Stickland approached the
the House knew, if Cain for years, because it also ad- front microphone. Stickland, a mem-
did not, that Zerwas had dresses crimes committed ber of the Freedom Caucus, is gener-
lost his rst wife to brain by state ocials. Of course, ously supported by Empower Texans.
cancer. He wore a ring on anything attacking Aus- He is a former pest-control technician
his right hand in her mem- tina spore of the Califor- from Bedford, near Arlington, who
ory. Zerwas said, You nia fungus that is destroy- now calls himself an oil and gas con-
could probably ask fty, ing Americais popular. sultant. Stickland is plump, with an
sixty, seventy, a hundred Who would do the in- imposing beard, narrow-set brown eyes,
members in this House vestigating, then? I asked. and an occasional broad smile reveal-
who have had somebody with a seri- The attorney general, Fallon ing beautiful teeth. He made news in
ous illness who has dealt with this responded. the 2015 session by posting a sign out-
particular issue. Ken Paxton, I reminded Fallon, side his oce:
Zerwas forced Cain, several times, was under indictment for securities
Representative
to admit having made false or unin- fraud. (He has pleaded not guilty.) Jonathan Stickland
formed statements. You know about I would prefer it not be that way, FORMER FETUS
this, and I dont, Cain nally said. Fallon said. But he hasnt been District 92
My apologies. The amendment was convicted.
withdrawn. Fallon ranks high on the conserva- Sticklands amendment was to de-
Cain later saved face when he oered tive report cards, compiled by watch- fund the states feral-hog-abatement
an amendment that would block the dog groups, by which modern right- program, which kills thousands of the
Texas Department of Criminal Jus- wing legislators live and die. One rampaging beasts each year. Stickland
tice from paying for a sex reassign- of the most feared is the Fiscal Re- called the program ridiculous and a
56 THE NEW YORKER, JULY 10 & 17, 2017
waste of money. It has not worked,
and it never will work! he declared,
infuriating rural lawmakers, who con-
sider wild pigs a nearly existential
menace. They converged on Stickland
from all sides. Everything came to a
dead stop.
A brass rail circumscribes the cham-
ber; only members, pages, and clerks
can go inside. I was hovering around
the rail, and Speaker Straus came over
to say hello. He seemed totally at
ease: smiling, hands in his pockets.
He said, I guess all the hogs are going
to move to Arlingtonwhich is partly
in Sticklands district. Straus was in
no hurry to impose order. He looked
at the scrum of lawmakers around
Stickland. Just think, he said. These
are the people responsible for spend-
ing two hundred and eighteen billion
dollars.
At the rear microphone stood Drew
Springer, a Republican from North
Texas, whose districttwice the size
of Marylandis copiously supplied
with wild pigs. He proposed attaching
an amendment to Sticklands amend-
ment. It would cut nine hundred thou-
sand dollars in funds for roads and Protective Services and therapy for like Rome surrounded by the Goths.
highwaysthe same amount as the disabled children. Paxton, the attor- Republican politicians bridle at the
hog-abatement programbut only in ney general, would lose more than disdain. Its great to be out of the
Sticklands home town. The measure twenty million dollars from his bud- Peoples Republic of Austin, Gover-
passed, with undisguised enthusiasm. get for lawsuits; that money would be nor Abbott declared recently, at a Re-
Stickland pulled his amendment down, redirected to foster-care programs. publican dinner in Bell County. Once
but then charged toward Springer. They None of these changes had become you cross the Travis County line, it
met in the middle of the chamber, nose law yetthey had to be ratied by the starts smelling dierent. And you know
to nose. Stickland is known to carry a Senate rst. what that fragrance is? Freedom. Its
concealed weapon, so I was a little wor- The exhausted Democrats and Re- the smell of freedom that does not
ried. But other members separated the publicans made a deal: the Democrats exist in Austin, Texas.
men, and Straus reluctantly gavelled agreed to provide only nominal oppo- This tirade was apparently triggered
the House to order. sition to the defunding of Planned Par- by a local ordinance that requires a
I left before the budget was passed, enthood, which was going to happen permit to cut down a heritage tree
long after my bedtime. By dawn, it in any case; in return, the bathroom one whose trunk diameter exceeds
was clear that Dan Patrick and the amendment was pulled from consid- nineteen inches. When Abbott was
Tea Party had suered one defeat eration. Other controversial amend- attorney general and living in Austin,
after another in Joe Strauss House. ments were placed in Article 11 of the he was infuriated when he had to com-
Earlier in the session, Patrick had de- budget, a kind of wish list of things to pensate the city before cutting down
manded an up-or-down vote on sub- be debated in the future. Legislators a pecan tree that stood in the way of
sidizing tuition for private schools, call Article 11 the graveyard. But in his future swimming pool.
and it was crushed, 10344. A pro- the Texas legislature the dead have been Many residents of Austin dont
posal to zero out money for the known to walk. mind its image as a lonely liberal out-
Texas Commission on the Arts was post. Im part of a group that puts up
brushed aside. he relationship between the cap- statues in Austin, and our most recent
Governor Abbott s enterprise
fund, which he used to lure businesses
T itol and the city of Austin is an-
tagonistic.The city has long been known
work was a bronze replica of Willie
Nelson. At Nelsons request, it was un-
to the state, would be emptied, and its as a blue dot in a red state. It sees it- veiled, in 2012, on April 20thNa-
budget of forty-three million dollars self as standing apart from the vulgar tional Marijuana Day. He stood in
would be dispersed between Child political culture of the rest of Texas, front of his giant likeness and sang
THE NEW YORKER, JULY 10 & 17, 2017 57
Roll Me Up and Smoke Me When My wife, Roberta, has a close friend, oted, racist mentality that has emerged
I Die. a writer, who is married to a professor. in Texas, which he calls the epicenter
On the Sunday after Trump was They are Jewish, and they have a black of the Tea Party. Trump is simply the
elected President, about a hundred and lives matter sign in their yard. As most visible manifestation of that men-
fty people gathered on the capitol the sanctuary-cities bill, S.B. 4, was tality, he told me. Its been percolat-
steps and marched down Congress Av- being debated in the capitol, an un- ing up in the Republican Party for the
enue. A small group of Trump sup- signed letter was left at their front door. past decade.
porters was staging a counter-protest. It threatened the lives of their children, Another Democratic lawmaker, Ana
According to news reports, one man by name. Is this Austin? Roberta cried. Hernandez, of Houston, recalled com-
was especially conspicuous: Joseph ing to this country as a child: I re-
Weidknecht, a laid-o sheet-metal
worker, who is six feet six and weighs
three hundred and fty pounds. He
IvotenHouse.
April, S.B. 4 progressed to the
Among Republicans who
in Texas primaries, the hottest
member the constant fear my family
lived with each day, the fear my par-
ents experienced each day, as their two
was wearing a make america great issue is immigration. Many state leg- little girls went to school, not know-
again cap and carried a sign that said islators who otherwise might not sup- ing if there would be an immigration
proud to be deplorablea ref- port the bill seemed intimidated by the raid that day.
erence to Hillary Clintons derogatory political environment, and it was ap- Behind the scenes, the Republican
remark about Trump supporters. A parent that Straus and his team had and Democratic caucuses met for
number of the anti-Trump marchers, no battle plan. Meanwhile, Patricks hours, trying to nd a way to dodge
some wearing Guy Fawkes masks, counterparts, frustrated by their losses Schaefers amendment. The Repub-
ripped the sign out of his hands, in the budget battles, began adding licans came to us and said, Some of us
grabbed his hat, and tried to set his amendments to make S.B. 4 even are going to have a hard time voting
shirt on re. I can handle myself in a tougher. Matt Schaefer, of the Free- against it, Wu told me. Knowing that
brawl, Weidknecht later told the Aus- dom Caucus, amended the bill to allow the law would inevitably be challenged
tin American-Statesman. But when police ocers to question a suspects in court, Republicans oered to shelve
they brought out the lighters I was gen- immigration statusa show me your the amendment if the Democrats
uinely scared for my life. papers provision. Law-enforcement made some minor concessions. But
A small woman wearing a hijab authorities in Texass major cities had the Democrats took too long to agree
forced herself between Weidknecht and loudly opposed such an idea, saying on terms, and the Republicans with-
the people assaulting him. She was that it would make immigrants less drew the oer.
Amina Amdeen, a nineteen-year-old likely to report crimes. Art Acevedo, After sixteen hours of emotional de-
student at the university, who had im- Houstons police chief, said that the bate, the House passed S.B. 4 with the
migrated to the U.S. from Iraq when number of Hispanics reporting rape in show me your papers amendment. A
she was ten. She stood there like a his city was already down forty-three week later, Governor Abbott signed it
mountain, trying to stop the violence, per centapparently a result of Trumps into law, on Facebook Live. Citizens ex-
Weidknecht said. The police arrested crackdown on undocumented immi- pect law-enforcement ocers to enforce
six of the protesters. grants. Schaefers amendment was sim- the law, he said. Citizens deserve law-
I do not stand for what he stands ilar to a 2010 Arizona law that had breakers to face legal consequences.
for, Amdeen remarked. But I know been partly struck down by the U.S. As usual, the Texas legislature passed
his fears and concerns are valid. I love Supreme Court. anti-abortion bills. One bans the safest
this country so much, and I dont like This is something that Texans in and most common procedure for second-
what I see coming. our district have been asking for, trimester abortions: dilation and evacu-
In February, two weeks after the Schaefer said. This is good policy. ation. Supporters of the legislation call
Trump Administration began its at- Gene Wu, the Democratic House this a dismemberment abortion. The
tempts to block Muslims from enter- member from Houston, who was born law also requires health-care facilities to
ing the U.S., anti-immigrant posters in China, spoke against the bill, tear- bury or cremate aborted fetuses.
started appearing outside buildings fully comparing it to the 1882 Chinese In addition, the legislature passed sev-
at the University of Texas at Austin. Exclusion Act, the countrys rst major eral bills to reform the agencies oversee-
imagine a muslim-free amer- anti-immigration law. This topic is ing abused and endangered children
ica, one said. Around this time, a painful for me, because Im an immi- one of Governor Abbotts priorities. In
mosque was rebombed in Victoria, grant, he said. My parents are immi- the rst seven months of the states scal
two hours southeast of Austin. Sid grants. I represent a district lled with year, the number of foster children spend-
Miller, the states agricultural commis- immigrants. As he spoke, supportive ing two or more consecutive nights in
sioner, told the BBC that he worried Democrats surrounded him. Some are hotels or government oce buildings
about America becoming a Muslim here as refugees. Some are here as cit- had risen to three hundred and fourteen.
country. (Muslims account for about izens. Some are here without papers. The new legislation gave raises to the
one per cent of the U.S. population.) But they are all my people. underpaid caseworkers, but in some ways
He previously advocated dropping For Wu, the sanctuary-cities bill was it was yet another anti-government mea-
nuclear bombs on the Muslim world. the natural culmination of the big- sure. The bill partially stripped the state
58 THE NEW YORKER, JULY 10 & 17, 2017
of responsibility for its wards, handing the House, H.B. 2899, was a thought- the mid-nineties, he made a fortune
them o to contractors. Abbott said that ful proposal. Although it would not from alternative hormone-replacement
Janis Graham Jack, the federal judge who mandate bathroom use based on biolog- therapies and the sale of controversial
had ruled that Texass foster-care system ical sex, H.B. 2899 would impede the en- supplements, such as colloidal silver,
violated childrens rights, should dismiss forcement of local nondiscrimination or- which he recommends for treating
the case before her, because the new leg- dinances, and it would not stop businesses colds and the u, and for promoting
islation completely transforms the sys- or lawmakers from imposing bathroom pet health. Colloidal silver can cause
tem in ways that will make it better. bans in the future. argyria, in which a patients skin per-
Child-welfare advocates have criticized On May 21st, the House began de- manently turns the color of a blue jay.
the new legislation, saying that private bating the measure. Once again, hours In 1986, Hotze signed the man-
groups may not have the ifesto of an evangelical
expertise to take over case- Christian group called the
management duties, partic- Coalition on Revival,
ularly when dealing with which endorses the idea
troubled children. I expect that the ultimate cause
the Texas Child Protective of all disease, deformity,
Services and the Texas De- disability, and death is the
partment of Family and sin of Adam and Eve. As
Protective Services to strive for government: We
for, achieve, and to accom- deny that any nal au-
plish No. 1 ranking status thority outside the Bible
in the United States of (e.g., reason, experience,
America, Abbott said, as majority opinion, elite
he signed the legislation. opinion, nature, etc.) ought
On April 6th, the hog- to be accepted as the stan-
abatement funds were ap- dard of government for
proved, despite Jonathan any individual, group, or
Sticklands attempts at sab- jurisdiction.
otage. And a new law al- In the aughts, Hotze
lowed the hunting of wild hosted a show on the
pigs from hot-air balloons. talk- radio station that
Weve got a problem here, Patrick now owns in
and we are willing to x it, Houston. He recently re-
Mark Keough, a Republi- leased a couple of songs
can from the Woodlands, perhaps they should be
told the Texas Observer. called lamentations
We have that Western, swashbuckling, of anguished testimony ensued. Half a such as God Fearing Texans Stop
cowboying type of way to deal with dozen female members wandered into Obamacare:
things. Texans already could legally the mens bathroom just o the House
shoot pigs from helicopterseven with oor. Were feeling like making trouble What would Sam Houston do?
What would Davy Crockett do?
machine gunsbut who knew that it today, one of the women, Gina Hino- I know what Im going to do.
was ever against the law to shoot pigs josa, a Democrat from Austin, told re- Im going to ght Obamacare,
from balloons? porters. Its that kind of mood. Im going to defeat Obamacare.
Speaker Straus continued to sideline Shortly before dawn, the House com-
the bathroom bill. He remained certain mittee members retired without a vote, Hotzes main cause is attacking ho-
that most Republicans in the House eectively killing the measure. At the mosexuals, or homofascists, as he calls
didnt really favor the measure, though last minute, several lawmakers had as- them. The homosexual political move-
they also didnt want to be seen as op- serted their conservative bona des by ment will force churches, schools, busi-
posing it. He asked Governor Abbott to signing on as co-sponsors of the doomed nesses, and individuals to accept, to
stand with him against the measure. Ab- legislation. It was the most desirable out- arm, and even celebrate those who
bott is better known as a business con- come imaginable. participate in anal sex, he has said.
servative, like Straus, than as a cultural There were still eight days left in the Sodomy, he went on, will be man-
conservative, like Patrick, but he showed session. dated to be taught to the children in
little interest in choosing a side, because the schools at an early age, starting in
he was bound to create enemies in ei- ne of the major forces behind the kindergarten. It goes without saying
ther case. Finally, Abbott blandly stated
that he favored a bill to protect privacy
O bathroom bill, and a big supporter
of Dan Patrick, was Steve Hotze, a
that homosexuals want to make Texas
a clone of California.
in bathrooms. He signalled that a bill Houston physician and a longtime ul- In 2014, Dan Patrick ran for lieu-
then headed for a committee hearing in traconservative kingmaker. Starting in tenant governor, and Hotze became
THE NEW YORKER, JULY 10 & 17, 2017 59
one of his chief fund-raisers. In a video Trump garnered fty-two per cent of In an e-mail, Patricks oce de-
endorsement, he stood next to Patrick the vote in Texas, compared with sixty- scribed Hotze as a longtime supporter,
and said, Dan Patricks leadership will ve per cent in neighboring Oklahoma. but added, The Lieutenant Governor
keep Texas the most conservative state Texas is more purple than many Amer- does not agree with everything that
in the country. Patrick added, The icans realize, and thats what keeps con- any of his supporters say or do. Straus
Democrats understand that, if they can servatives in the state on edge. told me, Steve Hotze exists on the
take Texas, we will never have a Repub- Hotze runs a political-action com- fringes. Mainstream Republicans dont
lican in the White House again. They mittee called Conservative Republi- take him seriously. Hotze, meanwhile,
will control the country. Theres not an- cans of Texas. He also maintains the has been campaigning to have Straus
other Texas to move to, folks. This is it. groups Web site, and on May 16th he removed as speaker.
Patrick was referring to the fact that, wrote of the bathroom bill, There are On May 20th, Tom Mechler, the
as Texass liberal cities have burgeoned, Texas legislators . . . who would allow chairman of the state Republican Party,
the state has grown markedly less red. perverted men and boys, who sexually resigned, citing personal reasons. He
All of its major urban areas except Fort fantasize that they are women, to enter issued a letter pleading for party unity.
Worth are Democratic and have been womens and girls bathrooms, showers A party that is fractured by anger and
for decades. Dallas went for Obama in and locker rooms. He implored his backbiting is a party that will not suc-
both elections. In Houston, Americas readers to pray with him: ceed, he said. He also warned that
most diverse city, the countrys rst In the Name of Jesus, I prophesy and de- the Republican Party had failed to at-
openly lesbian big-city mayor was suc- clare: May all the individuals serving in the tract voters outside the white demo-
ceeded by the citys second black mayor. state legislature, and their sta, who support, graphic, and was therefore destined
promote and practice sodomy and other per-
(Harris County, however, which en- verted, sexually deviant lifestyles, who support for electoral oblivion. If we do not
compasses Houston, has Republican the killing of unborn babies, and who hate Gods continue to make eorts to engage in
judges in the courthouse.) San Anto- Law and Gods Word, receive just retribution the diverse communities across Texas,
nio has always been a progressive strong- from God for their evil actions. . . . May they our state will turn blue, he warned.
be consumed, collapse, rot and be blown away
hold, though it often votes Republican as dust from their current positions because of He urged the next chairman to re-
in statewide races. In the 2016 election, their wicked works, thoughts and deeds. shape the Party in the image of mod-
ern Texas.
Soon after Mechlers resignation,
Rob Morrowthe former Travis County
Republican Party chairman with the
motley-fool hatannounced his can-
didacy for the statewide position. His
priorities had not changed since he had
been drummed out of oce. In a state-
ment for the press, he declared, I like
big titties. I am a proponent of booby-
liciousness. In the past several years I
have shared on social media the pics of
over 500 extremely hot, busty women.
He concluded by saying, I am for hav-
ing bikini contests at the Alamo every
4th of July. Case closed.
Nevrez, a Democrat from the border Services reforms, adding fourteen hun- bill in the special session and threaten
town of Eagle Pass, had threatened his dred new caseworkers, he said. We to veto any amendments?
life. Poncho told me he would get me made tremendous progress on mental- Straus agreed, but noted, The leg-
on the way to my car, Rinaldi wrote, health reforms and funding. Texass islature is not obligated to act upon his
adding that he made it clear that I decrepit hospitals were going to be up- agenda items within the thirty-day pe-
would shoot him in self-defense. graded. A health-care plan for retired riod. And the Governor would have
teachers had been saved. Enormous cuts the option to call as many thirty-day
he next day, the capitol was sub- to higher education had been averted. sessions as he would like.
T dued. In the House chamber, do-
cents were again leading school tours.
These were issues a little bit under
the radar, because theyre not sensa-
So the bill could stay in commit-
tee and not get voted out?
In the rotunda, a high-school orches- tional, but theyre issues that are going Straus smiled.
tra was playing a piece for woodwinds. to make a big dierence in Texas lives,
I went up to the second oor, where Straus said. What we didnt achieve he session was the most fractious
the acoustics were better. The orches-
tra was from Kountze, a little East
was to begin xing the school-nance
system, which everybody knows is a
T in memory, and the bad feelings
stirred up in the capitol will linger long
Texas town that had the distinction, disaster. after the lawmakers return home. Im-
in 1991, of electing Americas rst Mus- Straus said that some schools in dis- migrant communities are fearful, law-
lim mayor. The musicians were arrayed tricts that had been strongly aected by makers are vengeful, and hatemongers
in the center of the rotunda, atop the the downturn in the oil and gas econ- feel entitled to spread their message.
seals of the republic and the ve na- omy might have to be closed. We had And the bitter battle among Texas Re-
tions of which Texas had once been a plan to bridge that, he noted. Un- publicans isnt over. Governor Abbott
part: Spain, France, Mexico, the United fortunately, the Senate had other pri- called a special session, to reconvene on
States, and the Confederacy. I was orities. He attributed the failure to July 18th, and set forth a list of twenty
moved by the thought that the long Patricks xation on vouchers. items that he said required action. Most
and bloody history of Texas had ar- I asked Straus about the clash be- of them could have been passed in the
rived at this moment, with small-town tween business and cultural conserva- regular session; none of them were a pri-
kids bringing the many voices of the tives. He quoted William H. Seward, ority for him before the session began.
state into harmony. Lincolns Secretary of State, who de- In addition to the bathroom bill, his list
Speaker Straus was waiting in his scribed the forthcoming Civil War as of demands included education vouch-
chambers, seated on the couch in his an irrepressible conict. The preju- ers, caps on state and local spending,
shirtsleeves, under a painting of Here- dices unleashed by the election of Don- and new abortion restrictions. He also
ford cattle. He looked far more relaxed ald Trump had poured kerosene on the asked for a thousand-dollar raise for
than I thought was warranted, given already volatile world of Texas politics. public-school teachers, which the local
that Governor Abbott was poised to Straus, referring to the bathroom bill, school boardsnot the statewould
call a special session that would likely said, We came very close this session likely have to pay for. I expect legisla-
focus on Patricks must-pass bills. But to passing a sweepingly discriminatory tors to return with a calm demeanor,
Straus seemed satised. He boasted policy. It would have sent a very neg- and with a rm commitment to make
that the priorities of the Househis ative message around the country. Texas even better, he said. Straus was
prioritieshad mostly been accom- Thats still possible, right? I asked. not intimidated. He told me, Were
plished. We did the Child Protective Couldnt Abbott put forward his own under no obligation to pass anything.
THE NEW YORKER, JULY 10 & 17, 2017 63
FICTION
64 THE NEW YORKER, JULY 10 & 17, 2017 PHOTOGRAPH BY INA JANG
ghi opened his eyes to a faint The accident had happened while ine that happening for real, though.
workaholics. They
W the curtain and peeked outside.
Sitting with his back angled against
hang around up the cold wall and gazing out the win-
dow was his way of getting out of the
there, and even house. When his mother-in-law was
the idea of big at home, she spent her time either in
his wifes room or in the garden. Ini-
sky crumbles. tially, all shed done was trim back a
few of the more overgrown branches.
Andrea Cohen But, gradually, she had been making
her way along the fence and farther
into the center.
Oghi thought that his wife did this on gone, Oghis mother-in-law criticized Sometimes, when he saw her out
purposethat she went into her room the therapist. That money-grubber, there, Oghi felt a chill run through
just for show, the moment she saw his just sitting there, letting his mind wan- him. He didnt know why at rst, but
headlights. Shed slip back into bed der, not even pretending to work. The after a while he understood. She wasnt
after Oghi fell asleep. In the morning, therapist was paid by the hour. The so much caring for the plants as in-
Oghi would get ready for work quietly, longer Oghi talked, the more overtime specting them. The rst thing she did
so as not to wake her. he received. was uproot them. Some were dead, but
He often used to go out drinking Each time the pastor came to visit, others were just waiting for spring.
with friends, chewed over old memo- Oghis mother-in-law handed him a After uprooting one, she would peer
ries with them, sang karaoke in bars thick oering envelope. It was clear into the hole it had left. Then she would
that employed pretty young hostesses, that this money came out of Oghis ac- dig a little deeper and crouch down to
took o on long drives. Now he did counts. One of Oghis rm resolutions inspect again. Did she think that there
none of that. The only people he saw, had been never, ever to give money to was something there besides pebbles
other than his mother-in-law, were the a religious organization. In the past, and tiny rootlets? She examined each
physical therapist who came to the hed sponsored several children through hole in turn, as if looking for something,
house once a week and the pastor, who international charities, like Save the and when there was nothing to be found
came to pray over him every two weeks. Children and UNICEF. When it was she plopped the uprooted plant back
The physical therapist handled discovered that one of the other orga- into its hole.
Oghis body with a soft, practiced nizations hed contributed to was em- At some point, she began digging a
touch. Once, while listening to the bezzling donations, hed questioned the hole in the remotest corner of the gar-
therapists gentle commands to raise usefulness of indirect philanthropy, but den, which Oghi could see only when
his hand, take a deep breath, relax his it hadnt stopped him from donating. he pressed his face right up against the
muscles, Oghi burst into tears. The So the idea of giving money to a pas- glass. It was winter, and the ground was
therapist said, Itll be O.K., and con- tor who was not poor, who hadnt been hard and the shovel heavy, so it was not
tinued to massage him. What he said prevented from learning to read or easy work. But even the hardest ground
wasnt true, but it calmed Oghi down. forced to labor on a coee plantation will give if it is struck in the same place
After the session, Oghi conded ev- since childhood, struck Oghi as a ter- over and over, and so, little by little, his
erything to the therapist through his rible waste. But that week, as the pas- mother-in-law was able to dig up the
rattling jaw: his days of misery, his days tor leaned down to clasp Oghis hands, dirt. The hole shed dug was deep enough
of hopelessness, and his days devoid Oghi struggled to whisper the words only to plant a small sapling. Oghis
of even that. The therapist responded hed been practicing: Please get me wife would have been able to tell from
to some of it with silence and some of out of here. The pastor raised his head, the size of the hole alone the type of
it with noncommittal platitudes. Even- looked around quietly, and chuckled at sapling or plant intended for it, but he
tually, Oghis mother-in-law barged Oghis mother-in-law, who had at just had no idea. On days when the physi-
into the room, complaining that the that moment stepped into the room. cal therapist or the pastor was expected,
therapy session was dragging on too Seems our brother is eager to get his mother-in-law covered up the hole
long. The therapist quietly packed up outside and enjoy some fresh air. with a tarpaulin.
his equipment and left. After he was His mother-in-law nodded and Was she planning to dig up the
THE NEW YORKER, JULY 10 & 17, 2017 69
entire garden? Was she searching for had to close his eyes to keep the dirt of mood and stop talking, he put up
something hidden there? Oghi won- from falling into them. with her griping afterward about what
dered these things when he saw his You have to turn the soil over if the doctor had said. The doctor had
mother-in-law staring far more intently you want to be able to plant in the told him that he would have to un-
into the holes in the ground than at spring, she said. Otherwise, itll dergo skin transplants and dental
the plants. Did it have something to all die. treatment, in tandem with his mus-
do with his wife? She was always writ- She seemed to know that Oghi cular treatments. That was the only
ing things down and, in her room, she had been watching her in the garden. way that Oghi would regain the abil-
had left many notebooks lled with He nodded. He knew nothing about ity to speak properlywithout the
what looked to Oghi like meaningless gardening. uncontrollable drooling and the rat-
scribbles. When Oghi tried to imag- But those plants arent the real tling jawand get out of the house
ine the answers to his questions, the problem. without disgusting everyone. Natu-
chill returned. Oghi nodded again. The biggest rally, the doctor had said the way you
His mood grew more and more bit- problem after the accident was, as al- used to, instead of without disgust-
ter. It was hard for him to imagine a ways, Oghi. His recovery, that is. ing everyone.
future with his useless legs and his Im talking about money. Its time Im guessing that in your current
monstrous face covered in regenerated we settled some accounts. state youll live at least another twenty
skin. The people who had come to see She went into the living room. Oghi years, the doctor added.
him in the beginning had all disap- waited. A long time passed, but she Oghis mother-in-laws eyes had
peared. They would come again if he did not come back. Maybe she was swept up and down Oghis body. Twenty
asked them to, but friendship was im- telling him to do his own math. Oghi years would take him nowhere near
possible. He was the object of their found it disconcerting that he had to the average life span, and yet at that
pity now, and they had to watch what keep feigning ignorance, despite his moment it yawned forward like an
they said around him. When he thought suspicion that she was up to some- eternity.
about how his visitors had exchanged thing. After that day, she kept bring- Thats a long time! A really long
a few token formalities with him be- ing up money and then dropping timetwenty years! His mother-in-
fore rushing out the door, he felt a the subject again. It was as if she law seemed to feel the same way that
surge of nausea. was giving Oghi time to come to his he did about it. No guarantee Ill live
own objective understanding of his to see the end of it, she added.
he day that the hole in the garden situation. That wasnt true. She looked healthy.
T was big enough to bury a safe,
Oghis mother-in-law came into his
She brought it up the day that he
went to the hospital in an ambulance
Healthier than Oghi. At least she could
pee comfortably.
room and stood next to his mattress, for his regular checkup. Since he never Ive added up the nursing bills,
brushing the dirt from her hands. He knew when shed have a sudden change household utilities, hospital visits,
and so on, and calculated your mini-
mum cost of living for a month, she
told him when they got home. While
other people can expect their wages
to go up every year, we no longer
have that luxury. And I didnt take
into account things like ination or
whether loan interest rates will go
up. . . . Even without all that, your
monthly expenses are a whopping
She stuck a calculator right in front
of his eyes. See that? If you see it, say
you see it.
Oghi looked at his mother-in-law.
She was holding the calculator so close
to his eyes that he couldnt read the
numbers. She glared. It seemed that
she had no intention of moving the
calculator until she got a response. Help-
lessly, he nodded.
But whats more important is not
how much we are spending but how
much we can spend. To know that,
I have to know how much we have
The secret to looking good is to be good-looking. in total.
She kept saying we. Even though erything that Oghi had believed was his stomach, Oghi told the therapist
she clearly meant Oghis assets. his no longer was. And all he had left all about what his mother-in-law was
I added up the value of the house was this useless, tattered body and the up to. The therapist didnt react, but
and the savings accounts that are in mattress it lay on. Oghi could tell that the man was
your and my daughters names. Its not shocked. The proof was in his heavy
much. You owe too much on the house. ife in the care of his mother-in- silence. Oghi didnt realize until the
At this point, youd be better o sell-
ing the house to pay o the loan, es-
L law continued. She brought him
rice porridge and slowly increased the
therapist rolled him back over that he
had interpreted Oghis words as sim-
pecially when you consider how much number of pills that he took after eat- ple moans of pain. Nor that his mother-
interest youre paying. I really think ing. Instead of going to the bank or to in-law had opened the door and was
that would be best. I also added in your the insurance oce, she went to the watching them.
pension. orist and the ower market. She com- You sure are groaning a lot. Is the
There was something she didnt plained that she had no money, but pain worse today? the therapist asked
know. He had not retired. The school she kept bringing home plants, which when he noticed Oghis mother-in-law
had given him sick leave. Unless he all looked the same to Oghi. He as- standing there.
led for retirement, he wouldnt lose sumed that she intended to plant them Oghi said that it was. It really did
his job. The dean had assured him of in the soil shed dug up. The garden sound as if he were groaning when his
that when he visited Oghi in the hos- also began lling up with trees that jaw swung unnaturally like that.
pital. The dean had told him to hurry were already sizable, their roots cov- When the session ended, the ther-
up and get better and come back to ered in balls of dirt. apist said goodbye with a touch more
work. He had said that Oghi could When the physical therapist, whose kindness than usual and urged him to
teach again as soon as his body healed. visits had become few and far between, get better soon. Oghi wondered if that
That as long as he could get around in saw the garden, he was astonished. was some sort of signal, if perhaps the
a wheelchair and talk without drool- Did you plow up the entire gar- man had understood him after all, but
ing, he could teach. At a time when so den? All by yourself ? he asked Oghis when he heard the therapist and his
many people were being forced into mother-in-law. mother-in-law talking, he realized that
early retirement, Oghi had a job that It was my daughters favorite place. it was goodbye for good.
he could keep for the rest of his life, Come spring, it has to bloom, she said. After the therapist left, his mother-
even if all he could do for now was lie Oghi waited for the physical ther- in-law went back out to the garden.
in bed. He had felt very moved by the apist to come into his room, then he Oghi opened the curtain and watched
deans encouragement. pulled out the pills that hed hidden her amid the unplanted trees. The trees,
Oh, by the way. His mother-in- under his pillow. Look at this. This is bare of any leaf or ower, balanced on
law paused on her way out the door, as what she has me taking. Eight pills at their dirt-covered roots. The holes for
if something had belatedly occurred to a time. Isnt it too much? the saplings looked dark and deep. Most
her. About your school. I submitted The therapist looked surprised. of the holes were the right size for sap-
your resignation. Its simply going to That is a lot. I tell you, its a real lings, but the hole in the remotest cor-
take too long for you to make a full problem these days. A while back I ner of the garden was especially big
recovery. had pink eye and went to the eye doc- and deep. He didnt see anything that
She slammed the door behind her. tor for it. All I had was a little mu- looked big enough for it.
Oghi was relieved that he was already cus, but he had me taking six pills at His mother-in-law held up a sap-
at on his back and could not fall a time. First time I ever got full from ling and started to remove the plastic
any farther. He had just lost the only taking pills. that covered its roots but then stopped
place he could return to. No, he hadnt The therapist laughed as if it were and looked over at Oghis window. She
just lost it. He had lost it in the ac- some big joke. Oghi lowered his voice, stared at him for a long time. His gut
cident. Perhaps even before that. It but the therapist couldnt understand told him that his mother-in-law knew
was hard to gauge, but maybe hed his croaking. He had no choice but to what had happened that day in the car.
been going along all this time obliv- speak a little louder. Come to think of it, she had never once
ious of the fact that hed lost every- They make me so drowsy, I cant mentioned the day of the accident to
thing long ago. take it. him. She had never even asked about
His wife had known. Shed known You need your rest. Thats the only it. His mother-in-law turned her cold
how close he was to losing everything. way to beat the pain. gaze back to the plant. To put his crazy
Shed blamed herself for it. She had Do they really help? thoughts to rest, Oghi told himself that
been so angry that Oghi didnt think Of course. Its much better to take she just really liked plants. He could
he could ever change her mind. She them than to hold on to them like this. not think why that might be.
had pushed him. She had made him Oghi gave up trying to convince (Translated, from the Korean,
risk danger and charge at fate. And she him and instead asked the therapist to by Sora Kim-Russell.)
had been right. Except for one thing. take him to the hospital. The therapist
It was not her fault. Oghi had brought said he would nish the days session NEWYORKER.COM
it all upon himself. Because of that, ev- rst and rolled Oghi over. As he lay on Hye-young Pyun on the role of suspense in ction.
BOOKS
RUSH
The disturbing genius of the conductor Arturo Toscanini.
BY DAVID DENBY
hat is the most familiar piece of For many years, Arturo Toscanini was the Philadelphia Orchestra, with Tos-
W classical music? The most thor-
oughly roasted chestnut? A piece so
the pinnacle of musical excitement for
classical-music lovers in this country
caninis white face and hands emerg-
ing from solid black in Robert Hup-
overplayed that it has passed into the and also for many casual listeners, who kas mystically glamorous album photo-
automatic schlock-recognition zone of enjoyed the sensation of having their graphs. Toscaninis way with music
every American? Surely it is the nal, pulse rate raised. He was at the center by Beethoven, Berlioz, Brahms, Verdi,
galloping section of Rossinis William of an American experiment in art and Wagner, and Debussy could make the
Tell Overturethe Lone Ranger music, commerce that now scarcely seems cred- work of other conductors seem daw-
the musical image of righteousness on ible: late in the Depression, in 1937, RCA, dling, nerveless. He famously stuck to
horseback. The music seems almost a which owned two NBC radio networks, the score, ending arbitrary practices
joke. But there was one conductor who created a virtuoso orchestra especially and interpretive excesses. He drove to
rode this piece as if his life, and the lives for him, and kept it going until 1954. The the climax; lyrical details were suavely
of his players, depended on it. NBC Symphony gave concerts in New caressed but pressed into the onward
I remember my parents calling me York that were broadcast on national rush. The sound he produced with any
out of my bedroom. The year was 1952, radio, and then, starting in 1948, on na- orchestra was lean, transparent, surg-
so I must have been eight. On our tele- tional television. ing, radiant. Architecture with pas-
vision, a tiny black-and-white screen RCA hyped Toscanini, and the media sion was what the young pianist Ru-
sunk into a large mahogany console, responded gratefully, some would say dolf Serkin heard in a performance of
an old man with a full head of white shamelessly: Toscanini was widely the Brahms Second Symphony. Other
hair and an elegantly clipped mustache proled and photographed, lionized celebrated conductors, including Bruno
was beating time with his right arm and domesticated by Life and count- Walter, Pierre Monteux, and, at times,
and leading a furious performance of less other publications. His NBC years Wilhelm Furtwngler, acknowledged
the horse music. I certainly knew the were probably the high-water mark of that he was the greatest of conduc-
tune (The Lone Ranger TV series classical musics popularity in America. torssome said incomparable. Hav-
began running in 1949), but I didnt Some of that popularity was doubtless ing played the cello in the rst per-
know it could sound like thisthe skit- swelled by the excruciating and often formance of Verdis Otello, in 1887,
tering string gures played with amaz- condescending music explainers ubiq- Toscanini is also the invaluable link
ing speed and clean articulation, the uitous on the radio, in books, in schools, between the nineteenth century, when
entire piece brought o with precision all eager to sell great music to the masses. so much of the operatic repertory was
ABOVE: TODD ST. JOHN; OPPOSITE: POPPERFOTO/GETTY
and power, the muscular timpani strokes Still, it was not unusual for earnest written, and the modern opera house.
outlining phrases and asserting a blood- middle-class children to struggle with In the nineteen-thirties and during
raising pressure under the crescendos. an upright at home, to sing Handel in the war period, admiration for him
You can easily see this performance a school chorus, to play Mendelssohn went well beyond music. Opera, always
right now, exactly as I did, on YouTube: in the school orchestra. At the time, central to the culture of Europe, be-
Arturo Toscanini conducting the NBC both amateur and professional musi- came at that time a matter of nation-
Symphony in the televised concert of cians, listening to the NBC Symphony alist bluster and political maneuvering.
March 15, 1952. If you listen with good broadcasts, did their best to play along. After 1931, Toscanini refused to con-
headphones, the sound, though hard- RCA issued dozens of recordings duct in Italy, resisting Mussolini, who
edged, is solid and clear, and the as- made by Toscanini and the orchestra dangled honors and ocial posts; he
tonishing performance comes through. (most of them from broadcasts), as was thereafter reviled in the Fascist
Toscanini was then two weeks shy of well as selected performances made press. Hitler pleaded with him to honor
his eighty-fth birthday. with the New York Philharmonic and holy German art and preside over the
72 THE NEW YORKER, JULY 10 & 17, 2017
For generations, the Italian maestro was the most electrifying gure in classical music. Why did critics turn against him?
THE NEW YORKER, JULY 10 & 17, 2017 73
Wagner rites at the Bayreuth Festival. ness. He oered a maximum of line, a in scathing contempt for radio listen-
When Toscanini turned him down, his minimum of texture; he was all ath- ers in the Toscanini era. It incensed
recordings and broadcasts were banned lete, no philosopher. Beethoven and them that classical musicfor a brief
in Nazi Germany. Instead of going to Verdi formed his aesthetic, and he never periodbecame part of mass culture.
Bayreuth, he worked in 1936 and 1937 moved into the twentieth century, Why does all this matter? Why does
with the newly formed Palestine Or- ignoring the dazzling rhythmic and one tempo or another, one way or an-
chestra (later the Israel Philharmonic), harmonic explorations of Stravinsky, other of balancing an orchestra or
an ensemble largely composed of Jew- Bartk, Schoenberg, Berg. molding a phrase arouse worship or
ish refugees. Toscanini did not make The critic and composer Virgil condemnation? Toscaninis historical
speeches; he stuck to business. But his Thomson complained of a lack of per- importance is beyond debate, but can
sentiments were widely known, and he sonal culture in Toscanini, which al- we still experience the excitement and
became a lodestar for anti-Fascists. legedly resulted in a streamlining of more, the sense of exaltation that he
After the war, Isaiah Berlin pronounced the classics. Theodor W. Adorno, the once produced? The rejection of him
him the most morally dignied and Marxist philosopher and theorist of after his death represents a shift in mu-
inspiring hero of our timemore than twelve-tone music, appalled by Tos- sical taste. The question is whether that
Einstein (to me), more than even the caninis radio concerts and his employ- shift is also a retreat from public art.
superhuman Winston. ment by corporate America, tagged
In recent decades, however, Toscani- him as a proponent and victim of n celebration of Toscaninis hun-
nis musical reputation has faded badly.
Some of his old fans have shifted their
commodity-fetish capitalism. In eect,
Adorno said, Toscanini turned every
Ihistorian
dred-and-ftieth birthday, the music
Harvey Sachs has brought out
loyalty to the work of other conduc- piece into a chestnut. Picking up from an enormous new biography, Toscanini:
torsto Furtwngler, say, whose soul- Adorno, the music historian Joseph Musician of Conscience (Liveright).
ful expressiveness and spontaneity have Horowitz, while acknowledging Tos- Its a days-and-nights book, a detailed,
been held up as musically and emo- caninis greatness in Understanding sobersided, but very engaging and at
tionally superior to Toscaninis ery Toscanini (1987), ridiculed his tem- times gripping chronicle of music and
propulsiveness. In the revisionist view, perament and public persona, casting society, all of it devoted to the unending
Toscanini rushed through passages that him as the false messiah of the mid- drive and conscientiousness that made
other conductors would turn into con- dlebrow music-appreciation racket. Toscaninis performances so riveting
templation or mystery or sheer loveli- Both Adorno and Horowitz indulged and, to some, so repellent. Some of that
drive can be heard in a new twenty-
CD set, Toscanini: The Essential Re-
cordings, issued by Sony Classical, which
has taken over the old RCA catalogue.
The collection, also timed for the
hundred-and-ftieth birthday, includes
symphonies by Haydn, Mozart, Beetho-
ven, and Brahms; orchestral pieces by
Mendelssohn, Berlioz, and Strauss; com-
plete operas by Verdi and Puccini; and
the Wagner opera excerpts that Toscanini
conducted to such hair-raising eect.
Listening again to many of Toscaninis
recordings (including those not in the
new collection but easily available from
music sites or on YouTube) has been, for
me, both a thrilling and an alarming ex-
perience. Enthusiasms from decades ago,
long folded into the back drawer of mem-
ory, came roaring back. Some of the per-
formances, bursting from speakers and
headphones, stagger belief.
Consider one of the most familiar
yet daunting of all monuments, Bee-
thovens Ninth Symphony. Before re-
hearsing the work in London, in 1939,
Toscanini wrote to Ada Mainardi, his
longtime mistress and musical-political
condante, That rst movement of
You start Monday! the ninth always makes me despair,
and he quoted some lines of Dantes the states expense, a local conserva- as an organic work, with sets, costumes,
about the damned passing through the tory. In 1886, he was serving as chorus staging, and musical direction all sup-
gates of Hell. Dante and Beethoven! master for an Italian opera company porting a dramatic idea of the piecea
Its enough to make you quake! At on tour in Rio de Janeiro. A Brazilian notion then revolutionary. When Tos-
the beginning of that movements re- conductor opped, and Toscanini, at canini nally brought the La Scala com-
capitulation, Beethoven, returning to the age of nineteen, took over a per- pany to Vienna, in 1929, the twenty-
the blunt opening bars, splits open the formance of Aida, leading the opera one-year-old Herbert von Karajan
heavens in waves of convulsive sound. from memory. That season, he con- attended a performance of Verdis Fal-
In any conductors performance, this ducted seventeen other operas with the sta, and later recalled, From the rst
should be an apocalyptic moment; Tos- same company. In his early twenties, bar, it was as if I had been struck a blow.
canini does better. In his 1952 render- he rushed from one small I was completely discon-
ing with the NBC Symphony, he un- city to anotherBrescia, certed by the perfection that
characteristically departs from the score. Verona, Turin, Novara, and had been achieved. The
Rather than instructing the kettledrums so onpulling together rag- agreement between the
to play through the passage with con- tag companies with their music and the stage perfor-
tinuous rolling thunder, as other con- mixture of amateur and pro- mance was something to-
ductors do (including Furtwngler and fessional musicians, and pro- tally inconceivable for us.
Herbert von Karajan), he had the tim- ducing performances the Falsta was Toscaninis
pani peak at each of the three crescen- likes of which had never favorite opera, but he also
dos in the passagereleasing, all three been heard in such places. revealed the structural in-
times, an almost frightening charge of In 1898, he became the prin- tegrity and dramatic distinc-
energy, as if the atom were being split cipal conductor at Italys tion of the mid-period Verdi
again and again. And throughout the premier opera house, La Scala, in Milan, worksRigoletto, Il Trovatore, La
passage Toscanini holds to his rapid a company that he left (sometimes in Traviatathat were considered tired
tempo for the entire movement. Play- disgust) and returned to again and again. and old hat when he was young. After
ing with this kind of speed and force, Sachs had fresh access to musical Toscanini, people stopped condescend-
the musicians of the NBC Symphony archives in Milan and New York; he ing to Verdi. One of the more remark-
reach the limits of what human beings has researched opera productions and able reissues in the Essential Record-
are capable of. But what is conveyed by administrative intrigues from the late ings collection is a 1944 performance
this assault on possibility? Toscaninis nineteenth and early twentieth centu- of the nal act of Rigoletto, recorded
despair? Rage? Deance of what has ries, and made heavy use of Toscani- at a Red Cross fund-raiser held at Mad-
to be? Deance of death, then? nis letters (which he edited in 2002) ison Square Garden with the combined
The same heartrending stir and and reminiscences in old age. When forces of the NBC Symphony, the New
upset, the same questions, are produced Toscanini was young, a night at the York Philharmonic, and a star cast sur-
by the extraordinary recording of the opera was an occasion for sinful fun. rounded by eighteen thousand people.
Verdi Requiem from 1951. In the Dies T he lights were on during perfor- On paper, it sounds like a circus. It wasnt.
Irae section, the subject is most cer- mancesit was a place of social inter- The strictly disciplined but buoyant
tainly death. The trumpets, summon- course. Orchestra players could be lazy, and expressive performance culminates
ing the souls to judgment from the cor- favored singers would decorate their in a storm scene that must have torn
ners of the earth, begin to sound, at arias with additional high notes and through the roof of the old Garden.
rst quietly and then with greater and take encores, and audiences responded Producing performances like this
greater insistence, and, as the rest of with ovations and catcalls, and shouted could be tough on orchestras, and on
the brass enter, and then the chorus, at the singers or at the conductor. New Toscanini himself. Sachs recounts in
Toscanini can be heard above the din works were produced all the time (as great detail Toscaninis rehearsal meth-
(just barely) screaming, Piu forte! (or late as the nineteen-twenties, thirty-ve ods, which were notorious. He was
perhaps Tutta forza!), an enraged old to forty per cent of La Scalas repertory usually gentle with singers, particularly
man confronting the ultimate and de- was new), and were received with vo- singers learning a new role, but with or-
manding more of it. But there is no ciferous approval or disapproval. At La chestras he could be a terror, singling
more. We have reached the end of Scala and elsewhere, Toscanini gave out individuals and sections, breaking
human will, human desire, and fear. In twenty-four premires, including of batons, ripping his handkerchief, de-
all my artistic life, Toscanini told an- Leoncavallos Pagliacci and Puccinis stroying his watch, throwing things, and
other conductor, I have never had one La Bohme, La Fanciulla del West, shouting in his hoarse voice, Pezzi di
moment of complete satisfaction. and Turandot. somari che siete perdio! Vergogna, matti!
Wherever he was, Toscanini did his Vergogna! (What a bunch of dunces
e was born in 1867, in Parma, a best to throttle the enjoyable high jinks; you are, by God! Shame on you, you
H small city midway between Bolo-
gna and Milan that in the late nine-
or, rather, he killed one kind of plea-
sure and created another. Any opera
crazy idiots! Shame!) During a perfor-
mance at La Scala in 1902, he was so
teenth century had ve opera houses of worth performing had to be treated not upset by the audiences shenanigans that
one sort or another, and he attended, at as a collection of arias and choruses but he stormed o the podium and bashed
THE NEW YORKER, JULY 10 & 17, 2017 75
his head through a glass door. There is his work with the Philharmonic speak music and appeared in various shows. In
something both comical and impressive of a mastery beyond anything they had September, 1937, the network turned over
about a time in which performance ever encountered. The Essential Re- auditions for the new orchestra to no
was a life-and-death matter. Sachs re- cordings collection has a few examples less an eminence than Artur Rodzinski,
ports that the insulted musicians al- of extreme renement without any loss the music director of the Cleveland Or-
most always forgave himthey knew of vitality. There is the extraordinary chestra, who selected the best players
he sueredand many are on record as Beethovens Seventh, recorded in 1936, from the sta orchestra and added young
saying that playing with him was the a performance that the conductor James string and woodwind players from around
greatest experience of their lives. Levine considers to be the most per- the country, raiding other orchestras,
fect orchestral recording he knew of. including his own. He rehearsed the
hat comes through in Sachss (Its certainly more relaxed, with sweeter musicians for weeks. Toscanini nally
W long chronicle is the extent of
Toscaninis role, witting and unwitting,
string tone, than the driving, almost
angry Seventh that the NBC Sym-
showed up in December, 1937. Samuel
Antek, a violinist in the orchestra, re-
in transforming the way that classical phony recorded in 1951.) The collection called how the rst rehearsal began:
music was produced and consumed in also includes two Rossini overtures with
He was dressed in a severely cut black al-
the twentieth century. In his seventy the Philharmonic, LItaliani in Algeri paca jacket, with a high clerical collar, formal
years as a performer, he moved opera, and Semiramide, that are breathtak- striped trousers, and pointed slipperlike shoes.
as Sachs says, from entertainment to ingly nuanced in their shading of color As he stepped up to the podium, by prear-
culture.The nineteenth-century con- and emphasis. Sachs reports that, when ranged signal, we all rose like puppets sud-
denly propelled to life by pent-up tension. . . .
ductora necessary time beater, pre- Toscanini took the Philharmonic on He looked around, apparently bewildered by
siding over a mixed lot of playersby tour in 1930, European audiences and our unexpected action, and gestured a faint
degrees metamorphosed, in the most critics were astonished by the virtuoso greeting with both arms, a mechanical smile
talented examples, into a spiritual men- playing in every section, the evenness lighting his pale face for an instant. Somewhat
embarrassed, we sat down again. Then in a
tor and charismatic culture god. The of stroke, the dynamics seamlessly rough voice he called out, Brahms! He looked
mechanical reproduction of music, matched from one phrase to the next. at us piercingly for the briefest moment, then
which became popular with such nov- By 1936, Toscanini had grown tired raised his arms. In one smashing stroke, the
elties as a foggy four-minute record- of presenting every program four times baton came down. A vibrant sound suddenly
gushed forth from the tense players like blood
ing of Caruso singing Celeste Aida, for the Philharmonics subscription con- from an artery. . . . So! So! So! he bellowed.
from 1902, gave way to complete re- certs, and he resigned, returning to Milan Cantare! Sostenere! [Sing! Sustain!]
cordings of symphonies and operas and vowing never to be the music di-
transmitted through every available rector of an orchestra again. Thats when This kind of hero worship goes be-
medium. We are now immersed: the the capitalist miracle occurred. The fol- yond irony. The NBC Symphony Or-
entire recorded history of music lies lowing year, the head of RCA, David chestra, with its ninety-two players, never
open, much of it free, to any listener Sarno, sent an emissary asking Tos- had the weight of the New York Phil-
who has the curiosity to discover it. canini to come back and conduct a hand- harmonic or the rounded, dark, burnished
But if Adorno and Horowitz are de- picked ensemble. Like the Hollywood sound of, say, the Berlin Philharmonic.
scriptively correct in asserting that Tos- studio bosses, Sarno, born in Eastern What it had was phenomenal accuracy,
canini became part of advanced con- drive, and brilliance. It was the ideal in-
sumer patterns in the monopoly phase strument for Toscaninis temperament.
of late capitalism, and the rest of that There was a serious problem, how-
Marxist bad news, Toscanini never saw ever, with the way the orchestra sounded
himself in world-historical terms. As in its early recordings. RCA, asserting
a nineteenth-century man charging pride of place, staged the concerts in
through the twentieth century, he cer- 30 Rockefeller Plaza, its corporate head-
tainly welcomed stardom and wanted quarters, transforming Studio 8-H
his concerts broadcast in America and the same 8-H that later became the
Europe. The quintessential performer, home of Saturday Night Liveinto
he seized on every opportunity to make Europe and with little formal educa- a notional concert hall. Seats were set
music under the best conditions. tion, became a hard-driving entrepre- up for fourteen hundred people, and
For years, he was known principally neur in America. A businessman and tickets were given away on a rst-come,
as a man of the theatre, but in 1926 he an inventor, he was eager to be recog- rst-served basis. It was a lovely ar-
began conducting the New York Phil- nized as a patron of culture. In the event, rangement, but 8-H, built to produce
harmonic, and became its music direc- Toscanini demanded, and got, complete clarity, rather than resonance and warmth,
tor in 1929. He was over sixty; he had control over repertory and soloists, and was never the right venue for classical
trained the La Scala musicians in the the right to approve or veto any record- music. The orchestra performed some
nineteen-twenties and taken the com- ings that came out of the broadcasts. concerts in Carnegie Hall, but the early
pany on tour as a concert orchestra, but Live music was all over the radio in recordings made in 8-H often sound
this was the rst time that he had an the thirties. NBC had a large sta en- boxy, dry, and at, even a little coarse,
orchestra of his own. Those who heard semble that played light classics and dance with blaring trumpets and insucient
76 THE NEW YORKER, JULY 10 & 17, 2017
solidity in the lower strings. This isnt
always a bad thingthe recordings are
markedly intimate. The sound doesnt
bloom, but you hear everything (which
Toscanini apparently liked). The com-
plete Verdi Otello, starring Ramn
Vinay, Herva Nelli, and Giuseppe Val-
dengo, recorded at two 8-H concerts in
December, 1947, has been proposed by
Levine as an outstanding candidate for
the title of Greatest Opera Recording
Ever Made. Tender and angry, in close-
miked, unresonant sound, the perfor-
mance is shockingly candid, the ulti-
mate musical portrait of betrayal and
marital turmoil. But the experience of
listening to it, I have found, cant be
repeated more than once in a decade.
Its just too much.
he creation of the NBC Symphony The craziest part is that I dated Thing One years ago.
T was celebrated at the time as a vic-
tory for American culturethe New
World coming into its own musically
but Sachs also sees it as a product of
Europes disintegration in the author- in the staterooms. Hollywood couldnt tus as such. . . . The performance sounds
itarian nineteen-thirties. A good por- have staged it any better. His heart was like its own phonograph record.
tion of the book is devoted to the in Italy, but he was comfortable living This comes o as witty in a kind of
social and what might be called the in the Riverdale section of New York wrathful Marxist way until you hear
geographic structure of musical high City, conducting the NBC Symphony the sort of broadcast Adorno would
lifeToscaninis restlessness, the end- until he lost concentration at a concert have caught in his American exile
less ocean voyages, the meetings with in April, 1954. He died three years later, and hear it, as you now can, in sound
celebrities, the shuing of family and just short of his ninetieth birthday. that does some justice to the perfor-
mistresses, the frequent retreats to Lago Adorno was another of Europes mance. For a revelation is at hand. A
Maggiore for a peace that was beyond dispossessed, suering the breakup of series of early Toscanini performances
his reach. But, throughout the hard European culture under the assault of with the NBC Symphony, recorded in
work and the periods of respite, the at- Fascism and Nazism. He settled in the dead 8-H, have been restored down
mosphere in Europe grows menacing. New York in 1938, around the same to the noise oor of the recording sys-
Back in 1931, in Bologna, Toscanini time as Toscanini, and he wrote sev- tem by the audio engineer Paul How-
had been set upon by Fascist thugs on eral times about the conductors radio ard, and are available on YouTube in a
his way to a performance. They are ca- broadcasts and recordings, which he process he calls Toscanini/3D sound.
pable of anything, he later said on the took as a sign of further cultural dis- Howard tells me that he painstakingly
telephone to Ada Mainardi. (The se- integration. Adorno was understand- removes clicks, hiss, and a cloudy pa-
cret police recorded his calls.) Prom- ably furious at Toscaninis indierence tina of eects from earlier attempts at
ises no longer exist. They dont remem- to what he considered the necessary improvement. The result? A restored
ber today what they said yesterday. Its direction of music post-Mahlerthe Beethoven Symphony No. 3 (Eroica)
shameful! Toscaninis ultimate choice movement toward the twelve-tone from 1939 is very recognizably a per-
exile in the New Worldwas shared composition of the Second Viennese formance by the eager young NBC
by many others. Reading of such anti- School, including the work of Ador- Symphony. The sound is lean, under-
Fascist or Jewish friends as Stefan Zweig, nos friend Alban Berg. (Sachs tells us weight in the lower strings, unrever-
one gets a glimpse of the anguished, that Toscanini was enraged after hear- berant; but individual sections and in-
hesitant, but nally precipitate aban- ing some of Bergs masterpiece, Lulu.) struments are clear and beautiful, and
donment of Europe in the thirties by Toscanini, as far as Adorno was con- the orchestra brings o Toscaninis ap-
many people of spirit. In 1939, Toscanini cerned, had literally joined what he proachsharpened attacks and impe-
was briey back in Europe to conduct called the culture industry. His per- rious speedwith breathtaking accu-
at the Lucerne Festival. In September, formances lacked spontaneity: There racy and exhilaration. Some awlessly
after war broke out, he and his wife is iron discipline. But precisely iron. functioning fetish! A relentless old
scrambled to get out of France on the The new fetish is the awlessly func- man leads a young American orches-
ocean liner Manhattan, quadrupling up tioning, metallically brilliant appara- tra, and danger is in the air.
THE NEW YORKER, JULY 10 & 17, 2017 77
Bernie Gunther is the brainchild of
BOOKS Philip Kerr, a prolic and uncommonly
versatile Scottish writer, who claims to
PAUL IS DEAD
is absolutely true, because my father told
me so)that brilliant, mutilated Chris-
tian is the unnamed patron of The King-
Emmanuel Carrres The Kingdom explores the creation of Christianity. dom. An amazingly various book, it nar-
rates the authors crises of religious faith
BY JAMES WOOD in the nineteen-nineties; combines con-
ventional history and speculative recon-
struction to describe the rise of early
Christianity; deftly animates the rst-
century lives and journeys of Paul, Luke,
and John; and attempts to explain how
an unlikely cult, formed around the death
and resurrection of an ascetic lyrical rev-
olutionary, grew into the established
Church we know today. Can one be-
lieve that such things are still believed?
Nietzsche asked, scornfully. And yet they
are still believed, Carrre replies.
Fortunately, Emmanuel Carrre lacks
Kierkegaards anguished Northern mas-
ochism. In matters of appetite, he is pleas-
ingly French: sensuous, libidinousthe
healthy lover of pagan Mediterranean
pleasures that Nietzsche admired and
Camus incarnated. He is French in an-
other way, too: he likes reason, argument,
evidence, and the virtues of the secular
state. Carrre was born in 1957 into a
privileged and intellectual family. (His
mother, Hlne Carrre dEncausse,
is a distinguished historian and the
permanent secretary of the Acadmie
Franaise.) Though Carrres wife jok-
ingly suspects him of being Catholic
around the edges, he comes from a mi-
lieu that was likely to be interested in
theology only, in Borgess words, as a
ierkegaard relates a chilling parable to believe? Christs kingdom is like that, branch of fantastic literature.
K in The Sickness Unto Death. An
emperor summons a poor day laborer.
Kierkegaard says.
The French writer Emmanuel Car-
Yet by the late nineteen-eighties, after
launching a fairly successful literary ca-
The man never dreamed that the em- rre doesnt mention Kierkegaard in his reera book about Werner Herzog; a
peror even knew of his existence. The latest book, The Kingdom (Farrar, few well-received novelshe had be-
emperor tells him that he wants to have Straus & Giroux), but the Danish phi- come depressed and unproductive: I
him as his son-in-law, a bizarre announce- losopherthe Danish Christian luna- could no longer write, I didnt know how
ment that must strike the man as some- tic, one might sayhovers over the book to love, I knew I wasnt particularly lik-
thing he would never dare tell the world, as Gods face is said to have hovered over able. Just being me became literally un-
for fear of being mocked; it seems as if the waters during the creation of the bearable. Inuenced by his eccentric
the emperor wanted only to make a fool world. The Kierkegaard whose work is godmother Jacqueline, who was a mys-
of his subject. Now, Kierkegaard says, scarred by the great offense of Chris- tic, a poet, and, above all, a devout Cath-
suppose that this event was never made tianity, by its shocking challenge to rea- olic, he read Augustines Confessions
a public fact; no evidence exists that the son and empirical evidence; who claimed and the Gospel of John. That gospel
emperor ever summoned the laborer, so that modern philosophy amounts to the spoke to him so powerfully that he began
that his only recourse would be blind premise I think therefore I am, while to read a daily extract and write com-
faith. How many would have the courage Christianity equals the premise I be- mentary on it. Broken, vulnerable, and
stripped of his intellectual pride, he be-
The puzzle of a small sects against-all-odds triumph fascinates Carrre. came accessible to my Lord.
82 THE NEW YORKER, JULY 10 & 17, 2017 ILLUSTRATION BY NICK LITTLE
It was a fairly short fever. Nowadays Carrre works himself and his own fact, Carrre is much more cautious than
an agnostic, Carrre spends the early stories into these books, partly because Renan, who thickly painted a lyrical
sections of this book reviewing his al- he is a good postmodernist, who is portrait of Jesus as a beautiful utopian
most three years as a committed Chris- suspicious of concealed or invisible dreamer.)
tian. What shocks him is the extremism third-person narrators. He likes inter- Carrre brings to life, in this way, the
of his faith. He was drawn to theologi- vening frames. As he puts it in The dustiest of old school assignments. I
cal stringency, melodramatic all-or- Kingdom, When Im being told a remember dreading having to plot
nothings, and obnoxiously proud circu- story, I like to know whos telling it. St. Pauls travels through the ancient
larity. He is appalled to nd in his old Thats why I like narratives in the rst world (complete with pencilled maps
notebooks such remarks as this: The person, thats why I write in the rst of Corinth, Damascus, Jerusalem,
sole argument that can allow us to admit person and would even be incapable of Philippi, Athens, and so on). But Car-
that Jesus is the truth and life is that He writing anything dierently. Its a laud- rre is like some brilliantly improper
says it, and since He is truth and life, He able intention, except that it is almost teacher, the one you were lucky enough
must be believed. And this: An atheist contradicted by his habit of inhabiting to enjoy before he got red, a whirling
believes that God does not exist. A be- the minds of his biographical subjects. eccentric who feels free to compare Paul
liever knows that God exists. One has an But Carrre is also easy to forgive, be- to Philip K. Dick, ecclesiastical author-
opinion, the other knowledge. cause he is such engrossing and charm- ities to the Bolsheviks, and prayer to
Carrre has become celebrated for ing companywitty, restless, intellec- yoga, and who throws in references to
his propulsive, original, free-ranging nar- tually bold, confessional, shame-proof, the martial arts, his enjoyment of por-
ratives, which frequently mix memoir, simultaneously shallow and deep. nography, A Funny Thing Happened
biography, and ction in rather blithely on the Way to the Forum, Gogol and
measured proportions. I Am Alive and hat appeal is powerful in The King- Dostoyevsky, and Mel Gibsons dodgy
You Are Dead, his fantastically engag-
ing book about Philip K. Dick, pub-
T dom, and the tension between rst-
and third-person narration is better
Christ movie.
Heres how Carrre imagines the
lished in 1993, tells the life of the science- resolved than in his earlier work. Here tradition of the Eucharist (the Church
ction writer from within, as if he were Carrres autobiographical interventions service that commemorates Christs
writing a novelization of Dicks life. (Car- seem not showy or superuous (as they Last Supper) might have originated.
rre calls him Phil throughout.) There can in Limonov) but necessary. For He describes Pauls visit to Philippi, a
are no references and very few named one thing, it has become exceedingly rare city half populated by Macedonians
sources, yet the material appears to rely to encounter crises of faith as experienced and half by Roman settlers. He lightly
on the established record, and is clearly by a secular intellectual, and Carrres amplies four fairly reticent verses from
built from the same archival labor that oscillation between orthodox fervor and the Acts of the Apostles, our only source.
a conventional biographer would per- wistful agnosticism holds undeniable These tell us of Pauls arrival and min-
form. The same goes for Carrres pre- fascination. Instead of surreptitiously c- istry in Philippi, and the hospitality
vious book, Limonov (2011), which de- tionalizing his story of the rise of early shown him by a woman named Lydia,
scribes the rebellious life and career of Christianity, he proceeds like a free- a dealer in purple cloth. No doubt
the Russian writer and troublemaker lanceand slightly obeatscholar. His there arent many Jews, Carrre writes,
Eduard Limonov, who lived in poverty inquiry into the lives and testimonies of because theres no synagogue. But there
in New York, prospered in Paris, and re- Paul and Luke, and their journeys through is a little group that gathers outside the
turned to Russia, where, once an oppo- the far-ung extremities of the Roman walls on the banks of a river, to cele-
sition leader, he has since become a erce Empire, is scrupulously thorough, and brate the Sabbath in an informal way.
supporter of Vladimir Putin. Limonov relies on an enormous amount of read- Its members arent Jews, they only have
vibrates with borrowed energy: Carrre ing, gently summoned. But because Car- a vague knowledge of the Torah. He
uses, essentially, a present-tense version rre is not a Biblical scholar, and doesnt goes on to liken this group to people
of the novelists best friend, free indirect want to be one, he allows his imagina- who do yoga or Tai Chi in places where
style, to inhabit and animate the vio- tion to linger and play. He likes to psy- there arent any teachers. He reckons
lently short-circuiting mind of his per- chologize, to reconstruct scenes and ep- that ten or twenty people gathered for
petually unappeased protagonist. It is a isodes, to speculate when the historical supper at Lydias house. Pauls charisma
hard book to put down, perhaps because record is thin. Still, he tells us when hes was so great, Carrre suggests, that they
it has a certain uneasy moral short- doing this, and the lack of historical ev- all start to believe in the resurrection
circuiting of its own: again, there are no idence turns out to be his ally, encour- of this Jesus whose name they didnt
references, so fact and ction are allowed aging him to speculate obviously rather even know a few days ago. In doing
to trade uniform and mufti; and Car- than to novelize silently. (There is good so, he continues, it doesnt occur to
rres pumped-up admiration of Limon- French precedent for this kind of inter- them that they are betraying Judaism,
ovs often cruel escapades seems, at times, vention: he often cites the nineteenth- which they adopted with a zeal that
like the wan intellectuals envy of bloody century scholar Ernest Renan, whose bi- was as vibrant as it was ill-informed.
warfare. (Masha Gessen, in The New ographical narrative, Vie de Jsus, dared On the contrary, they thank God for
York Review of Books, noted numerous to ll in Jesus lost years, between his having sent them such a learned rabbi.
errors of fact.) youth and the start of his ministry. In They still observe the Sabbath, and they
THE NEW YORKER, JULY 10 & 17, 2017 83
build into their ritual a new meal of
Paradise Lost, by David S. Brown (Harvard). This incisive bi- At one point in the meal, Paul gets up,
breaks a piece of bread, and says its the body
ography of F. Scott Fitzgerald attempts to distance the writer of Christ. He raises a goblet lled with wine
from the literary world of appers, romancers, and boozers and says its Christs blood. In silence, the bread
with which he is often conated. Brown, a historian, sees Fitz- and the wine are passed around the table, and
gerald as an essentially conservative social critic who was dis- everyone eats a piece of bread, drinks a mouth-
mayed by the collapse of older moral codes before the grow- ful of wine. In memory, Paul says, of the last
meal that the savior ate on this earth before
ing cultural inuence of moneymakers and movie stars. Yet, being crucied. Afterward, they sing a sort of
despite Browns insistence on the rigor of Fitzgeralds think- hymn about his death and Christs resurrection.
ing, the book suggests that he was ensnared by the very social
trappings he disdained. In his story, like those of his best- Such writing is somehow both pa-
known characters, a man of great potential is destroyed by tiently secular and glowingly devout,
wealth and beauty. aided by John Lamberts luminous trans-
lation. I was put in mind of Jos Sara-
Abandon Me, by Melissa Febos (Bloomsbury). I had a one-word magos novel The Gospel According to
list of things I needed: everything, the author of this bold col- Jesus Christ, which reimagines Jesus
lection of memoiristic essays states. This hunger, in her tales life and death with similarly persuasive
of childhood, drug addiction, and erotic passion, fuels both authority. Carrre bears down on the fer-
self-invention and self-destruction. Febos, the adopted daugh- vid and slightly kooky atmosphere of the
ter of an often absent sea captain, grows up keenly aware that early Church. He is interested in the un-
identity is complex: She is Puerto Rican, but not really. In- likelihood of the sects eventual triumph.
dian, but not really. Gay, but not really. In the mesmerizing Local Jews might well be hostile to an
title essay, she gets to know her troubled birth father, begins upstart group that espoused such beliefs
an obsessive relationship with a married woman, and explores as the notion that the Messiah was God
her Native American heritage. At times, the determined lyri- made esh, or that we will be spiritually
cism of the prose lapses into false profundity, but the sheer and physically restored to eternal life in
fearlessness of the narrative is captivating. a heavenly kingdom. Some Greeks treated
Pauls ministry with amused tolerance
Jane Welsh Carlyle and Her Victorian World, by Kathy Cham- they were aristocrats of the spirit, wealthy
berlain (Overlook). This compelling portrait of Jane Carlyle, in their own philosophers and gods, look-
the wife of the essayist Thomas Carlyle, illuminates the out- ing down on oddly single-minded par-
wardly decorous but often inwardly tempestuous lives of Vic- venus.The Romans mainly left the Chris-
torian women. Contemporaries admired her for her intellect, tians alone until Nero (the emperor
and her sharp and evocative letters later won praise from Vir- between 54 and 68 A.D.) began to per-
ginia Woolf. But she was sickly, depressive, and stymied; she secute them in Rome; Tacitus suggests
never published her own work and subordinated herself to her that Nero used them as scapegoats for
husbands career. Chamberlain examines Janes romantic friend- the great re of Rome, in 64. But Taci-
ship with the novelist Geraldine Jewsbury and her patronage tus adds that the Christians, devotees of
of a German governess and writer who made intimate obser- what he calls a most mischievous su-
vations of the Carlyles. For Jane, such female friendships were perstition, were likely convicted not be-
essential bonds of survival formed in enclosed spaces. cause they started the re but because
of their otherworldly beliefs and prac-
Do I Make Myself Clear?, by Harold Evans (Little, Brown). ticestheir hatred of humanity.
Going well beyond the typical style guides proscriptions against The gure who is chiey responsible
the passive voice, clich, and so on, this polemic on writing both for the spectacular growth of Chris-
takes the view that the oppressive opaqueness of much con- tianity and for the kind of erce moral
temporary prose is a moral issue. Contemptuous of politi- atmosphere that might have led to Tac-
cians, C.E.O.s, and marketers who use words not for com- itus gibe is Paul, who lies at the center
municating ideas but concealing them, Evans rewrites of this bookfar more so than Jesus
health-insurance policies, governmental reports on terrorism, does. For several reasons, perhaps. We
and even Jane Austen, in order to demonstrate the virtues of know more about Paul than about Jesus.
concision and clarity. Human life is at stake, he claims. Gen- Paul is Christianitys great and early ideo-
eral Motors could have recalled vehicles with faulty ignition logue, the man who shaped its legacy,
switches more quickly had managers not been imprisoned by who took a cluster of strange parables
a lexicon of assurance, which favored convoluted euphemisms and sometimes gnomic statements and,
over precise statements about risks. emphasizing the apocalyptic, built them
84 THE NEW YORKER, JULY 10 & 17, 2017
into a theology. And Pauls fanaticism who follow the Way. As Luke relates in thinks, is the hidden fear behind Pauls
draws Carrres religious admiration, even Acts, Saul was on his way to Damascus, admonition to the Galatians:
as it repels and alienates his French hu- to arrest those blasphemers he could nd
The person he once was had become a mon-
manism. Paul and Luke, who consume and bring them back to stand trial in Je- ster to him, and he had become a monster to the
most of the authors attention, would rusalem, when a light blinded him, and person he once was. If the two could have met,
seem to correspond to the two wings of he fell to the ground. Jesus voice asked the person he once was would have cursed him.
Carrres complicated temperament: Paul, him, Why are you persecuting me?, He would have prayed to God to let him die, the
the Jewish convert to Christianity, the and then told him to go into the city and way the heroes of vampire movies make their
friends swear theyll drive a stake through their
urgent believer in resurrection, salvation, await his orders. Pauls conversion was hearts if theyre ever bitten. But thats what they
and the end of the world, has something momentous. During the next twenty say before it happens. Once contaminated, their
of that proud religious unreasonableness years, this incandescent missionary vis- only thought is to bite others in turn, in partic-
which Carrre exhibited when he was ited Christian churches and communi- ular those who come at them with a stake to make
making his daily commentary on the ties from Corinth to Antioch; and when good the promise they made to the person who
no longer exists. I think that Pauls nights must
Gospel of John. Luke, a physician of he could not reach them he wrote to have been haunted by a nightmare of this kind.
Greek cultural origin who travelled with them, setting down the epistles that form
Paul and is assumed by Church tradi- (with the Gospels) the core of the New Rampant speculation, outrageous psy-
tion to have chronicled Pauls ministry Testament. These letters are, as Carrre chologizing, insouciantly unscholarly be-
in Acts of the Apostles, seems a milder explains, the oldest Christian texts (they haviorbut diabolically plausible. Car-
gure. Carrre splits himself between predate the Gospels by twenty or thirty rre is not afraid of Pauls reconverting
these two evangelists, mapping a hal- years), and perhaps the most modern from Christianity to Judaism (what might
lowed geography that also represents one Biblical texts, the only ones whose au- be considered the orthodox anxiety) so
of the abiding struggles within the Eu- thor is clearly identied and speaks in much as fearful of conversion generally.
ropean tradition: Athens and Jerusalem. his own name. We are hardly surprised when he adds
Jesus was an event within Judaism; it I can feel my eyes glazing overalas, what we have all been thinking: that he
was not especially scandalous that a young I am back in school againbut sud- is really talking about himself. He quotes
Jewish radical went about proclaiming denly the reader wakes up, because Mon- a friend, who tells him, When you were
himself the Messiah, ambiguously call- sieur Carrre, at the blackboard with his a Christian, what you feared the most
ing himself the son of Man, and quar- maps and dates, is shaking things up. was becoming the skeptic that youre
relling with the rabbis about aspects of Pauls letters, he says, are like those which only too happy to be now. But who says
the law. But it was another thing entirely Lenin wrote to various factions of the you wont change again? Once a con-
to claimas Paul didthat Jesus came Second International from Paris, Ge- vert, always convertible.
to earth to wash away an original sin neva, and Zurich before 1917. More in- What makes The Kingdom so en-
contracted by humans in Eden; that this teresting still, Monsieur Carrre has got grossing is this element of personal strug-
Jesus was crucied by the Romans, was hold of a detail in the Letter to the Ga- gle, our sense that the agnostic author is
buried, and rose from the dead; and that latians, in which Paul warns the congre- looking over his shoulder at the armies
he would soon come again, in a rescue gants not to believe rival teachings by of faith, as they pursue him to the wall
mission that would usher in a new eter- impostors: Even if I came to preach of rationality. That struggle plays out
nal kingdom. In place of the intimate, something other than what I have here over the two scandalsthe two
familial struggle of the Jews and their preached, you shouldnt believe me. And great oenses, to use Kierkegaards fa-
God, Paul invokes a strict theology of suddenly the classroom is awake, be- vorite wordat the heart of the Chris-
sin and salvation. Kierkegaard, at his cause Monsieur Carrre is making early tian message. The rst is epistemologi-
most Protestant-masochistic, says that Christianity sound like . . . science c- cal, and has to do with the claim that
Christianitys singularity lies in its un- tion. In a sparkling, unexpected digres- Jesus is God made esh, and that he died
derstanding of sin; if thats true, it was sionthere are many such in this book and rose again from the dead. The no-
Pauls singularity rather than Jesus. The he mentions Dicks fascination with the tion of a fully human god, who shares
new theology transfers Judaisms healthy Stalinist show trials, in which the vic- human weaknesses and frailties without
involvement in this life onto a palpitat- tims were forced to deny what they had any diminution of divinity, is so outra-
ing anticipation of the next; the present believed their whole lives, and to de- geous that Christians anxiously police
becomes eternitys duller portal. nounce their earlier selves as unrecog- Christs full humanity. Yes, he got angry,
nizable monsters. And then he wheels and he could be intolerant, enigmatic,
aul was born Saul, in Tarsus (now in back to Paul. This terrorof the split even faltering in strength; he died, hu-
P Turkey), perhaps a few years after
the birth of Jesus, whom he never met.
self, the self who has turned from one
pole to its oppositewas largely un-
manly, on the Cross. But dont for a mo-
ment suggest that he slept with Mary
He was a devout student of Judaism, and known in the ancient world, Carrre Magdalene, or that he spent his teen-
was sent to Jerusalem for schooling with maintains, until Pauls conversion. But age yearswell, doing what other teen-
one of the most eminent rabbis of the because violent, sudden conversion had age boys are known to do a great deal
age. Filled with piety, Saul became an happened to Paul, he must have dreaded, of. The legend about the Virgin Mary is
eager persecutor of the early Christians, more or less consciously, that it could designed, in part, to obscure the outra-
who were known at this time as those happen to him again. This, Carrre geousness of Jesus humanity. (Carrre,
THE NEW YORKER, JULY 10 & 17, 2017 85
in full-on French secular mode, correc- Dick vibrates with a profoundly uneasy what he deeply admires; he is repelled
tively reminds us that Mary had sex. She respect. by an ideal he cannot quite dislodge.
might have come, lets hope so for her, I nd Carrres ambivalence, both in Athens or Jerusalem: Which will win?
maybe she even masturbated.) that book and in The Kingdom, mov- Carrre writes about the episode in the
But, to the extent that Jesus human- ing because I spent much of my child- Odyssey when Odysseus has to decide
ity is outrageous, then so is his divinity. hood, in Durham, around and inside its between staying on Calypsos paradisal
For if Jesus is the Son of God, then God great Romanesque cathedral. When I island (where he has spent seven years)
changedyou could say that God con- realized, in my teens, that I did not be- or returning home to Ithaca. Calypsos
verted. The distant, unnameable, venge- lieve in God, I had to wrestle with an charms are intense: she oers eternal
ful Yahweh of the Hebrew Bible becomes unhappy idea: that this great building, pleasures, and she reminds our hero that
the approachable Father who washes which for centuries had housed genera- Penelope, his wife back home, cannot
away all our sins. As both Jack Miles and tions of believers, was a monument to possibly rival the beauty of an immortal
Harold Bloom have suggested, the Yah- an error. Could that be so? Can one say goddess. Odysseus concedes as much,
weh of the Hebrew Bible cannot also be that a cathedral is a mistake, exactly? One but still he chooses to go home; he
the father of Jesus Christ; either Christ shouldnt, and yet the world views and chooses the mortal and the mutable over
represents an almost incomprehensible beliefs of the faithful twelfth-century the deathless and the eternal. Carrre re-
break with that world or Yahweh com- masons who cut and laid those stones minds us that this decision is often seen
mitted suicide on the Cross. And this are, when compared with mine, as dis- as a pinnacle of ancient wisdom: The
Man-God, this impossible incarnation tantly magical as Harry Potters. (The life of a man is better than that of a god,
of Yahweh, died and was resurrected! rst two Harry Potter movies used for the simple reason that its real. Au-
Paul puts this amazing fact at the cen- Durham Cathedral as a location.) thentic suering is better than deceptive
ter of his teaching, and insists that if The second great scandal of Chris- bliss. Eternity is not desirable because
Christ was not raised from the dead then tianity is the radical challenge it poses its not part of our common lot. Against
empty, too, your faith. If for this life only to conventional morality. In the tradi- this, there is the radical eschatological
we have hoped in Christ, we are the most tion of Kierkegaard and Dostoyevsky, mysticism of Jesus and, especially, of Paul,
pitiable people of all. Carrre does not Carrre emphasizes the punishing who says that the only thing to expect
believe in the Resurrection, but he once sacrice of self that Jesus teaching en- from this life is to be delivered from it,
did, and the fact that others do intrigues, joins. Classical and Jewish thinking had and to go to where Christ reigns. There
fascinates, troubles, and moves him. And promoted the Golden RuleHillel said is an unsolvable dierence, Carrre says,
so he cannot help admiring Pauls mag- it was the essence of the Torahbut between Pauls ideal and that of Odys-
nicent unreasonableness. There is a cer- had never said, Love your enemies. seus. Each one calls the only true good
tain type of mind, he writes elsewhere And not only love your enemies but also what the other condemns as baneful il-
in this book, that is attracted to radical Be perfect as your heavenly Father is per- lusion. Odysseus says that wisdom al-
doctrines. The more opposed it is to fect. This overriding command cannot ways consists in turning your attention
common sense, the more that proves its be a worldly imperative; it is impossi- to the human condition and life on earth,
truth. The harder it is to believe, the more ble. It is the shocking inversion of health Paul says it consists in tearing yourself
deserving you are. Paul personied this that Nietzsche railed against, and per- away. Odysseus says that, regardless of
type of mindwhich could be called fa- haps the hatred of humanity with how beautiful it is, paradise is a ction,
naticism. Luke, as I imagine him, didnt. which, Tacitus says, Christian were and Paul says thats the only reality. Paul,
charged. Everything natural and human carried away, goes as far as congratulat-
question haunts this book, and it is turned upside down. With only slight ing God for having chosen what is not
A is surely the secret reason that Car-
rre wrote his biography of Philip K.
exaggeration, Carrre summarizes this
outrageous benevolence:
to invalidate what is.
These are eloquent words, but for most
Dick: Is Christianity just science ction, of us this is no choice at allbecause we
Love your enemies, take joy in being unhappy,
a branch of fantastic literature? He cant prefer being small to being big, poor to rich, sick
were never in a position to choose, and
leave Dick alone, partly because Dick to healthy. And whereas the Torah posits the el- because, anyway, we dont accept the al-
was a writer of fantastic literature who ementary, evident, and veriable truth that its ternatives. Of course, eternal life does not
eventually came to believe that God was not good for men to be alone, Jesus said: Dont exist; we do not choose, because we hap-
speaking directly to him, as he had spo- desire women, dont take a wife, if you have one, lessly inhabit, what is over what is not. If,
keep her so as not to harm her, but it would be
ken to men like Moses and Muhammad. better if you didnt have one. Dont have children
in Kierkegaards parable, we got the call
For Dick, God supplanted the extrater- either. Let them come to you, take inspiration to see the emperor, we would ignore it,
restrials. In a speech in France, late in from their innocence, but dont have any. Love in the way we learn to ignore the phone
his life, he told a bemused audience of children in general, not in particular, not like call oering us a free vacation at a Flor-
sci- fans that hed had direct contact men have loved their children since time began: ida resort. But for Carrre the dierence
more than those of others, because theyre their
with the Programmer, as Carrre puts own. And evenno, above alldont love your-
is unsolvable. He once went to the pal-
it. There are certain atheists who have selves. It is human to want ones own good: dont. ace, and he heard the awful news; and he
no compunction about dismissing fer- cant quite put it out of his head, even
vent believers as victims of delusion and You can feel both the attraction and the thoughindeed, precisely becauseno
hallucination. But Carrres book about recoil in Carrres stridency. He fears one else believes him.
86 THE NEW YORKER, JULY 10 & 17, 2017
in his voice and the stories he tells.
POP MUSIC Moreland was born in 1985 in
Longview, Texas. His family relocated
AMERICAN ANYONE
to northern Kentucky when he was
young, and he grew up near the Ohio
River, not far from Cincinnati. North-
John Morelands roots and rebellion. ern Kentuckys regional identity is not
quite Southern and not quite Midwest-
BY AMANDA PETRUSICH ern; instead, its blankly pleasant in a
way that makes all futures seem pos-
sible. It is a place from which anything
or anyone could credibly come.
Moreland grew up on punk and
hardcore records, and internalized a
strong do-it-yourself ethos early on.
When youre eighteen and your fa-
vorite bands are eighties hardcore
bands, how do you nd somebody like
Guy Clark? Its kind of a complicated
path, he told American Songwriter, in
2015. His father introduced him to
folk and country music, though he
didnt become a fan of those genres
until he caught Steve Earles video for
Rich Mans War, a protest song, on
television.
Moreland released his rst record,
Endless Oklahoma Sky, which he
made with the Black Gold Band, in
2008; Big Bad Luv, which was re-
leased this spring on 4AD, is his sev-
enth. Morelands decision to sign with
an independent label known for issu-
ing albums by underground bands like
the Cocteau Twins and the Pixies seems
like an acknowledgment of his punk-
rock youtha deliberate and willful
disregard for expectations. Musically,
There are no heroes or villains in his songs, just folks doing the best they can. Moreland mostly forgoes punks an-
tagonism. Rather than struggling
heres something about the twang try artisthis work is just as indebted against heartache, his best tracks are
T and drawl of country music that
feels particularly well suited to the
to folk and rock musicbut he seems
to draw from the same winsome, mel-
almost shrugging. (One is titled Amen,
So Be It.) He appears less plainly ag-
way we like to tell the American nar- ancholic well as Hank Williams, who, grieved about his pain than many of
rative. Country began as a rural genre, in 1949, wrote Im So Lonesome I his peers are; musicians like Sturgill
born in isolated Southern enclaves; its Could Cry, still the high-water mark Simpson, Jason Isbell, and Chris Sta-
rst stars yodelled or sang their way for spiritually ruinous country an- pleton draw from comparable sources
out of obscurity, then revelled in re- thems. (Elvis Presley, in his Aloha but write more vexed and obviously
lating the tale, disclosing everything from Hawaii TV special, in 1973, re- cathartic songs. Moreland doesnt buck
theyd gained and lost along the way. ferred to it as the saddest song Ive against anything. He takes sadness, sur-
Country musicians have shouldered ever heard in my life.) Moreland, like veys it, and puts it aside.
much of the work of establishing a na- Williams, writes easy, sauntering mel- Yet Moreland is still ercely pres-
tional identity in song. Gratitude, pride, odies that evoke the sensation of drift- ent in his work. It is as if, just by lis-
and swashbuckling self-determination ing downstream in a ramshackle ski. tening to him, a person is taken into
synchronize nicely with pedal steel. Yet he imbues them with moments his condence. That trustthe neg-
So does a deeply embedded sense of of deep compunction. The dissonance ligible distance between what More-
grief. in Morelands songs lies not in their land feels and what he singscan
John Moreland, a songwriter from structurethere are no hard angles create a beguiling intimacy. He is con-
Tulsa, Oklahoma, is not only a coun- or jagged bitsbut in the ruefulness fessing, but expects no absolution.
88 THE NEW YORKER, JULY 10 & 17, 2017 ILLUSTRATION BY KRISTIAN HAMMERSTAD
This quality makes him an obvious seems to say; its going to hurt no mat-
descendant of Townes Van Zandt, ter what you do. Its no use, he sings.
who was equally resigned to a certain God bless these blues.
amount of suering. At times, he also
reminds me of Bruce Springsteen he title of Morelands new record
they share the same gruness of tone,
warmth, and knack for making a
T is a tweak of Big Bad Love, a
collection of short stories, from 1990,
straightforward song into something by the Mississippi-born writer Larry
revelatory. Brown. Browns narrators are lonesome,
Moreland is expert at leading a full uncompanionable types, yet they yearn
band. Sallisaw Blue, which opens for more. This cant be living, one
Big Bad Luv, is a rollicking, honky- says. I drink too much Old Milwau-
tonk song, heavy on piano and har- kee and wake up in the morning and
monica; it feels destined for roadhouse it tastes like old bread crusts in my
jukeboxes, where it will play in perpe- mouth. They lurch down country roads,
tuity while patrons order more beers. shing lukewarm cans of beer from
But he does something singular when front-seat coolers, worrying about
hes alone with an acoustic guitar. money or never nding the best per-
Break My Heart Sweetly, from his son to love. Such is the price of seek-
2013 album, In the Throes, is a dev- ing. Theres a neon sign that says Big
astating ballad about not knowing how Bad Love, Moreland sings. And a
to get over someone. I guess I cant noose hanging down from the heavens
let go til you wreck me completely, above. If you want one, expect the other.
break my heart sweetly, drape me in Big Bad Luv, much like Browns
blue, he sings, strumming along. He book, is about wanting. Morelands songs
performed the song on The Late are populated by gures in comparable
Show with Stephen Colbert in 2016, states of tumult: broken men metabo-
wearing a crimson T-shirt, glasses, and lizing loss, trying to gure out what love
a scraggly beard. His voice slipped and means and how much anyone can rea-
splintered a little each time he sang sonably expect of it. Moreland seems
the word heart. For performers ac- to regard this existential duress almost
customed to dark and cramped rock fondly. It is, at least, fodder for the work,
clubs, network-television performances enabling, as he puts it, the living I have
can elicit a funny stiness, but More- earned on love gone wrong.
landwho barely looked up as he There is something gloriously Amer-
playedwas so arresting that, when ican about turning pain into business
he nished, you could practically hear in the end, everything is grist for the
the audience exhale. mill. If we dont bleed, it dont feel like
As a lyricist, Moreland is uninter- a song, he oers, on Old Wounds.
ested in indictments; there are no he- The idea is to take your hits and keep
roes or villains, he suggests, just folks goingdont slow down to survey the
making their way through the world damage. Slumming I-40 with Ameri-
the best they can. (Youve been fall- can songs, Moreland whoops. They
ing short of golden, Ive been every can bury our bodies in American wrongs.
kind of wrong, he admits, on Every The only unforgivable American sin, it
Kind of Wrong.) The question that seems, is to give up on yourself.
nags him isnt so much how to reason This is Morelands rst release since
through the grand mystery of human getting married, and he can be defen-
relationsI dont own anything, you sive, in interviews, about being labelled
dont know shit, he sings on Sallisaw a hopeless depressive. Im a real per-
Blue, dispensing with the idea of a son who is sad sometimes, and happy
neat resolutionbut how to make other times, and thats how it is, he
peace with the fact that people usually told Rolling Stone, earlier this year. But
muck things up in the end. Navigat- even the most sanguine moments on
ing heartbreak can feel a little like being Big Bad LuvLove aint a sickness,
mired in quicksandthe more you though I once thought it was, he sings
struggle, the deeper you sinkwhich on Lies I Chose to Believe, nodding
makes Morelands approach to heal- toward explicit growthbetray the
ing feel kind. Dont worry about it, he battles it took for him to get there.
THE NEW YORKER, JULY 10 & 17, 2017 89
rately, to let Lee see the woman shes
THE THEATRE becoming as her disease progresses. But
even a fatal illness cant change the sweet
COME BACK
man, C is pure spirit.
Whats surprising, given that we
never see the face of the deceased, and
A Ghost Story and Okja. that his hands are covered, is how ex-
pressive Aeck manages to be, supply-
BY ANTHONY LANE ing a jolt to his statuesque calm and his
yearning motions alike. The loveliest
and the loneliest sight in the lm is a
wide shot of a grassy eld, with a pale
sun above and, in the bottom right, the
small white spectre, plodding along, the
hem of his sheet dragging behind like
the train of a wedding dress. Not that
he is lost. On the contrary, he is head-
ing home from the morgue, toward the
single-story house that he shared with
M. And there he will stay.
We talk of being haunted by a fatal
mistake, but Lowerys lm is prompted
by geographical woe: ghosts linger in
one place because it contains some-
body they love and can no longer have.
Whatever M does, C is right there,
gazing upon her, unsuspected, and
largely unstirred. On rare occasions, he
David Lowerys lm nds unexpected depths of pathos in the act of haunting. wields the powers of a poltergeist
causing the lights to icker in fury, say,
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Ask the kids how they want their backpacks. Put it down slowlythe mothers are
Jason Newport, Durham, N.C. very protective of their young.
Nicholas Pigg, Okemos, Mich.
Did I mention I quit my job today?
Mark E. Hoffman, Birmingham, Ala.