The document provides a sensory matrix that lists potential sensory triggers in each sense (sight, hearing, touch, smell, taste, vestibular system) that could occur in an art classroom. For each trigger, it suggests possible solutions to reduce sensory overload, such as allowing natural light, using headphones, providing alternative materials, avoiding strong smells and flavors, instructing slow movements, and preparing materials in advance. The matrix aims to identify sensory triggers and offer accommodations so students can fully participate in art activities while managing their sensory needs.
The document provides a sensory matrix that lists potential sensory triggers in each sense (sight, hearing, touch, smell, taste, vestibular system) that could occur in an art classroom. For each trigger, it suggests possible solutions to reduce sensory overload, such as allowing natural light, using headphones, providing alternative materials, avoiding strong smells and flavors, instructing slow movements, and preparing materials in advance. The matrix aims to identify sensory triggers and offer accommodations so students can fully participate in art activities while managing their sensory needs.
The document provides a sensory matrix that lists potential sensory triggers in each sense (sight, hearing, touch, smell, taste, vestibular system) that could occur in an art classroom. For each trigger, it suggests possible solutions to reduce sensory overload, such as allowing natural light, using headphones, providing alternative materials, avoiding strong smells and flavors, instructing slow movements, and preparing materials in advance. The matrix aims to identify sensory triggers and offer accommodations so students can fully participate in art activities while managing their sensory needs.
The document provides a sensory matrix that lists potential sensory triggers in each sense (sight, hearing, touch, smell, taste, vestibular system) that could occur in an art classroom. For each trigger, it suggests possible solutions to reduce sensory overload, such as allowing natural light, using headphones, providing alternative materials, avoiding strong smells and flavors, instructing slow movements, and preparing materials in advance. The matrix aims to identify sensory triggers and offer accommodations so students can fully participate in art activities while managing their sensory needs.
Fluorescent lighting Allow student to use natural light Sight by window or a lamp Make covers for lighting Videos with flashing or fast-moving Students may turn away or take a images break Distraction outside classroom Move student away from window or door Distraction inside classroom Move student to area with less (posters, visual images, etc.) visual stimulus Alarms and drills Inform students ahead of time Hearing about scheduled alarms and drills Practice drill routines Students talking and working Offer sound-lessening headphones Quiet space available to continue work Bell ringing Inform students that bell will be ringing in a minute Equipment Humming Seat student away from equipment
Painting on hands with paintbrush Carefully demonstrate, explain
Touch procedures and allow practice Using papier mache Allow student to use brush or gloves Using clay Allow student to use gloves or tools Proximity of other students Provide alternative seating Discuss strategies for managing personal space issues Smell from materials (paint, glue, Avoid, limit or provide alternative Smell markers, etc.) options of materials Offer nose clips or mask Allow a break Perfumes or air fresheners Avoid use of perfumes and air fresheners Seat student by open window
Materials that resemble food in taste Use non-toxic materials
Taste or smell (paste, play-doh, paint, Mix and store materials in non- scented markers) food containers
Food or drink in art room No food or drink allowed
Putting supplies/materials in mouth Reinforce appropriate behavior and
procedure Activities involving movement Instruct students to use slow and Vestibular System purposeful movements Activities are organized and may be introduced/practiced prior Student movement during studio Students must move quietly time Only one student per table up at a time Overstimulation Prepare materials in advance
Effectiveness of Sensory Integration Therapy (Vestibular & Proprioception Input) On Gross Motor Functioning in Developmental Delayed and Spastic Diplegic CP Children