Film Music
Film Music
Film Music
Level: 4
Credit Value: 15
Pre-Requisites: NONE
Module Description
Learning Outcomes
1. Research and analyse selected musical works for film and television using
critical thinking skills
2. Present, evaluate and interpret a variety of secondary sources
3. Communicate accurately and reliably cultural, historical and performance
issues
4. Demonstrate an understanding of the development of the film making process
and the relationship with the process of film music composition
Indicative Content
This module will be delivered through lectures, seminars and music literature
tutorials, and, where possible, film music society presentations to see whole works in
context. Video evidence and documentaries of composers will show examples of the
journey from spotting the score to the final mix, from which students will build a
knowledge base and can implement these in the composition modules.
Assessment
Aggregate Semester
Hand-in
(Yes/No)
Proposal, 1200 words (30%)
Yes Sem 1, Mid
LO1, LO4
Presentation / Seminar, 12-15 minutes
Sem 1,
(70%) Yes
End
LO1, LO2, LO3, LO4
Reference List
Highly Recommended
Cooke, M. (2008) A History of Film Music. Cambridge: Cambridge University Press
Davis, R. (2010) Complete Guide to Film Scoring, 2nd ed. Boston: Berklee Press
Publications
Jewell, R.B. (2007) The Golden Age of Cinema - Hollywood, 1929-1945. Oxford:
Blackwell Publishing
Prendergast, R.M. (1992) Film Music: A Neglected Art, 2nd Revised Edition. New
York: W.W. Norton & Co
Recommended
Adams, D. (2010) The Music of the Lord of the Rings Films: A Comprehensive
Account of Howard Shore's Scores. California: Carpentier
Bhatt. M. (2008) The Golden Age of Indian Film Music. Finetune Publishers
Franklin, P. (2011) Seeing Through Music: Gender and Modernism in Classic
Hollywood Film Scores.
Oxford: OUP
Goldmark, D. (2007) Tunes for 'toons: Music and the Hollywood Cartoon. Berkeley:
University of California Press
Goldmark, D. and Taylor, Y. (2002) The Cartoon Music Book. Chicago: A Cappella
Books
Horn, P. and Schriever-Klassen, S. (2005) Bollywood: The Passion of Indian Film
and Music (includes 4CDs). Hamburg: edel classics GmbH
Kompanek, S. (2004) From Score to Screen. London: Music Sales Ltd.
Larson, R.D. (1996) Music from the House of Hammer: Music in the Hammer Horror
Films, 1950-1980. Maryland: Scarecrow Press
McCreary, B. (2011) Battlestar Galactica: Piano Solo Arrangements. USA: Hal
Leonard Publishing Corporation
Mera, M. and Burnand, D. (2006) European Film Music (Ashgate Popular and Folk
Music Series). Aldershot: Ashgate Publishing Limited.
Miller Marks, M. (1997) Music and the Silent Film: Contexts and Case Studies, 1895-
1924. Oxford: Oxford University Press
Redner, G. (2010) Deleuze and Film Music: Building a Methodological Bridge
Between Film Theory and Music. Bristol: Intellect
Slobin, M. (2008) Global Soundtracks: Worlds of Film Music (Music Culture).
Middletown, CT: Wesleyan University Press
Smith, S.C. (1991) Heart at Fire's Center: The Life and Music of Bernard Herrmann.
Berkeley: University of California
Background Reading
Davidson, J. W. (ed.) (2004) The Music Practitioner: Research for the Music
Performer, Teacher and Listener. Aldershot, Surrey: Ashgate