Existentialism in MATAMORPHOSIS
Existentialism in MATAMORPHOSIS
Existentialism in MATAMORPHOSIS
In Franz Kafkas short story, Metamorphosis, the idea of existentialism is brought out in a subtle, yet
definite way. Existentialism is defined as a belief in which an individual is ultimately in charge of placing
meaning into their life, and that life alone is meaningless. They do not believe in any sort of ultimate power
and focus much of their attention on concepts such as dread, boredom, freedom and nothingness. This
philosophical literary movement emerged in the twentieth-century, when Kafka was establishing his
writing style in regards to alienation and distorted anxiety. A mirror to his own personal lifestyle, this story
follows the short and sad life of a man unable to break out of the bonds society has placed on him. These
bonds are not only evident in the work place, but at home too. Being constantly used and abused while in
his human form, Gregors lifestyle becomes complicated once he becomes a giant insect and is deemed
useless. Conflicts and confusion arise primarily between Gregor and his sister Grete, his parents, and his
work. Each of these three relationships has different moral and ethical complications defining them.
However, it is important for one to keep in mind that Gregors metamorphosis has placed him into a
position of opposition, and that he has minimal control over the events to take place. Conflicts will also
occur between family members as they struggle with the decision of what to do with Gregor. In the end
they all come to the agreement that maintaining his uselessness is slowly draining them and they must
get rid of him.
Grete is a character who appears to have the most tolerance for Gregor shortly after his metamorphosis.
After the first couple months, Gretes compassion and understanding of her brothers condition began to
diminish. With the hope that he may return back to normal quickly fading, and Gretes new job taking up
much of her time, she no longer had room to take care of her useless brother. In this way, Grete was
going through her own metamorphosis. Although not as physically evident as Gregors, she was entering
adulthood and was beginning to take on the ideals and lifestyle typical of her society:
But even if the sister, worn out by her job, ceased to ten to him as
she used to, there was no need for the mothers intervention or for
Gregor to be at all neglected. (40)
Ironically, the individual that was the most compassionate at the beginning of his metamorphosis
becomes the least compassionate in the end. With a statement as simple and blunt as:
We have to try to get rid of it. (46)
Grete convinces her parents into coming to some sort of finalization and Gregor loses all will to live. He
dies that very night and it would not be harsh to assume that this is due to the cold, societal reasoning of
his sister. Kafka uses Grete to prove that unconditional love does not exist, or at least, cannot uphold
itself. Grete cannot maintain Gregors life once she becomes sure that all her time and care will amount to
nothing.
The arrival of the head clerk at the Samsa household is proves to be a rather intense moment for both
family members and Gregory newly transformed. The head clerk is a clear symbol of Gregors workplace
and the kind of atmosphere he works in. Kafka uses this character to his advantage by annoying the
reader with long obnoxious speeches while Gregor struggles to just make it to the door of his room. The
threats and pressure put on Gregor causes him to disregard his present condition as a large bug and
worry more about getting to work instead:
Mr. Samsa, the head clerk... and neglectingI just mention this
in passingyour professional responsibilities in an outrageous
manner. (13)
His work only values him as they would a machine. The boss stands on a desk to talk down on them,
showing his superiority to his employees. Gregor works long hours and deals with a long commute. All of
this is done to pay off a debt that is not even his. I this way his family exploits him for their own personal
gain. His family proves to be greedy, self-centered individuals who only valued Gregor while he was able
to support them. They back up the efforts of the head clerk to coax him out of bed for fear that he may
lose his job. Gregor understands that his worth in the family only comes from the money he brings in, but
he only knows this at a subconscious level. He refuses to see his family as being at fault and focuses his
dislike on the head clerk.
Did the head clerk himself have to come, and did the whole
Innocent family have to be. (12)
Because of the need to comply with the rules of society, Gregor feels he must keep his job as a sales
man, despite the treatment he suffers from. Having never missed a day of work previously, it is appalling
to consider the speeches of the head clerk as true. For something as simple as missing the beginning of a
single day of work to receive reprimands such as this:
I see your incredible obstinacy and have completely lost any
desire to intercede on your behalf. (14)
Conflict arises when Gregor exposes himself and rushes after the head clerk to scare him out of his
house. This is one of very few instances where Gregor (as a person inside an insect shell) actively, and
with purpose, rebels against the circumstances he disagrees with. Once Gregor comes to terms with the
severity of his condition the thought of work, which was previously so prominent in his mind, disappears.
Existentialism requires an individual to rise above the depressive conditions of humanity through personal
articulation. The metamorphosis of Gregor allowed him to recognize the fact that he was being
suppressed by society. His exterior form caused his family to question their own lifestyles and re-adapt,
shunning that which was useless to them. Kafkas book, Metamorphosis, causes readers to question their
own lives to this very day in regards to living with purpose and intent. Doing so may cause conflict as one
fights against the will of society, but with it comes liberation and a whole new understanding of
existentialism.
KAM KI CHEZ
The main point which stood out to me in Existentialist theories was the idea that the
meaning of life is found through free will, choice, and personal responsibility. We
and we alone, are the ones who determine our final destiny. We have the power to
alter our essence of nature as a whole and make choices based on our own instinct.
This is quite similar to the message Kafka was trying to portray in his story. Gregor
transforms from a human to an insect, symbolizing his feeling of alienation in his
own family, and feeling trapped in his own life. His separation from all human
contact, leaves him in complete control of his own personal morals and decisions.
He has been left with only his own free will to determine his fate, while he feels
trapped within his own body. When Gregors room was being reorganized for
example, his family planned to remove all the paintings from the wall. It was
Gregors personal choice to stand up for his rights as an individual by clinging onto
the picture before they had a chance to remove it completely. He stood his ground
by protesting his personal freedom being taken from him.
Another parallel between both Existentialism theory and Kafkas text was the idea
that an individual is at its best when struggling against their own individual nature.
The existentialisms believe that although life is not always pleasant and satisfying,
it has importance and meaning nonetheless. Existentialism states further that we
are constantly searching for the true meaning of our personal journey in life, and
the suffering and pain we endure is what enhances our discoveries. Kafka depicted
Gregor as a weak and helpless bug, being trod on and controlled by humans. He is
constantly engaged in a battle with himself. Although Gregors life appeared to
become more painful and worthless as time went on, his suffering left him wiser and
stronger as an individual. He had the chance to observe human life, from an insects
perspective, and analyse the selfish nature of all humans, especially his family.
Gregors struggle, and death, left his family to be reborn.
In conclusion, I can say that my understanding of Kafkas novella was enriched after
relating it to the theories of existentialism. The idea that human destiny is
determined by an individuals personal choices and personal responsibly related to
the way Gregor was forced to live. As well, the idea that although life is not always
optimally satisfying, it has meaning and significance. The knowledge and ideas from
both these pieces helped be better understand each of them in an entirely new
light.
Next
Existentialists believe that when someone tries to impose her/his beliefs onto
another, the latters individualism is compromised and destroyed. In the novella,
Gregor is forced to get out of bed at unspeakable hours to get to work to support his
family. When he arrives at work, he is forced to be subjected to the torment of
traveling, to the worries about train connections, the bad meals at irregular hours,
an intercourse with people that constantly changes (12). He undergoes such barren
actions not because they are beneficial to his being, but solely because someone
else enforced those rules upon him. The result of this is a largely disgruntled
Gregor, who is now a carbon copy of countless others who are forced to heave
themselves to work every morning. In the novella, Gregor is no longer an individual.
He is portrayed as an average working man supporting his family. Perhaps if earlier
in life he had been exposed to a more supportive and thoughtful environment, he
would have a job in a field he really enjoyed. Maybe then he wouldnt need to get
up at five.
Notable existentialists agree that life is never optimally satisfying, but nonetheless
meaningful. Gregor Samsas life, tragic in its mundaneness, was not satisfying.
Moreover, his death was anticlimactic. There was no long description, no
lamentation. Gregors head involuntarily sank down altogether, and his last break
issued faintly from his nostrils (49). To the reader, this is very unsatisfying.
However, it still has meaning. He was given no special attention in life and,
ultimately, in death. It would seem illogical for Kafka to write a long passage
detailing each iota of information about his passing. Gregors quiet death reflects
his quiet life. His continuous labour for his family, albeit monotonous, was very
meaningful. This is especially evident after he was no longer able to care for them.
His life and death meant something as they were instrumental to his parents and
sisters metamorphoses.
There are other examples of existentialism in the text. In a broader sense, Gregors
situation is an existentialist contradiction. Poor Gregor has no access to the
backbone of existentialism: free will, choice, liberty, truth. The Metamorphosis is a
layering of existential notions, quotations and messages. A solid knowledge of the
philosophy will clarify the questions raised from the novella, as numerous as they
are.
Nexr=t
Existentialism focuses on the nature of choice, and that the choices that are made
will have some sort of consequence or outcome on certain situations. After studying
existentialism it is clear that Franz Kafakas novella The Metamorphosis, used a lot
of existentialism when creating the character Gregor Samsa. Gregor may appear to
have little choice in his decisions that occur throughout his life as a cockroach,
although prior to him becoming a cockroach he worked as a salesman. It was a long,
and dreary job that he despised. During this stage in Gregors life he had choices all
around him, but he decided to maintain his job day after day. So maybe Gregor
being turned into a cockroach in the first place is because thats what he wanted.
He hated his job and pretty much his life entirely. So what was the point for him to
live as a human anymore? You can really tell by the description of his room, proper
for a human being, only somewhat to small, lay quietly between four well-known
walls. Above the table, on which an unpacked collection of sample cloth goods was
spread out,(pg1) he lived in very uncomfortable conditions and was in very
enclosed spaces. This leads me to think that it was not some destiny or fate that led
Gregor to becoming a cockroach, but it was through actions. Whether they were
accidental or intentional.
Imp
Beginning with its first sentence, The Metamorphosis deals with an absurd, or
wildly irrational, event, which in itself suggests that the story operates in a
random, chaotic universe. The absurd event is Gregors waking up to discover
he has turned into a giant insect, and since its so far beyond the boundaries
of a natural occurrenceits not just unlikely to happen, its physically
impossibleGregors metamorphosis takes on a supernatural significance.
Also notable is the fact that the story never explains Gregors transformation.
It never implies, for instance, that Gregors change is the result of any
particular cause, such as punishment for some misbehavior. On the contrary,
by all evidence Gregor has been a good son and brother, taking a job he
dislikes so that he can provide for them and planning to pay for his sister to
study music at the conservatory. There is no indication that Gregor deserves
his fate. Rather, the story and all the members of the Samsa family treat the
event as a random occurrence, like catching an illness. All these elements
together give the story a distinct overtone of absurdity and suggest a universe
that functions without any governing system of order and justice.
As Gregor becomes accustomed to his new body, his mind begins to change
in accordance with his physical needs and desires. Yet hes never able to fully
bring his mind and body into harmony. Gregor gradually behaves more and
more like an insect, not only craving different foods than he did when he was
human, but also beginning to prefer tight, dark spaces, like the area under his
sofa, and enjoying crawling on the walls and ceiling. (Through these details,
the story suggests that our physical lives shape and direct our mental lives,
not the other way around.) But Gregors humanity never disappears entirely,
and he feels conflicted as a result. This conflict reaches its climax when Grete
and the mother move the furniture out of Gregors room. Gregor initially
approves of the idea because it will make his room more comfortable for him
physically. Without furniture, hell be able to crawl anywhere he pleases. But
realizing that his possessions, which represent to him his former life as a
human, provide him emotional comfort, he suddenly faces a choice: he can be
physically comfortable or emotionally comfortable, but not both. In other
words, his mind and body remain opposed to one another. Gregor, unable to
relinquish his humanity, chooses emotional comfort, leading him to
desperately cling to the picture of the woman in furs.
ALIENATION