IMSLP121912 WIMA.26bf Concerto Score PDF
IMSLP121912 WIMA.26bf Concerto Score PDF
IMSLP121912 WIMA.26bf Concerto Score PDF
CONCERTO
Oboe damore & String Orchestra
OR 004
Walter Ross
(1936-)
Walter Ross was born in Lincoln, Nebraska, USA, in 1936. He began to study the
French horn at the age of twelve and, by seventeen, was performing professionally with
the Lincoln Symphony Orchestra.
Ross began teaching composition and theory in the Music Department at the
University of Virginia in 1967. He established the Charlottesville University and
Community Orchestra, which he conducted for two years. Later, he formed a Baroque
trio sonata ensemble in which he played flute and recorder.
Walter Ross has composed over 150 works, which have been widely performed in over
forty countries. Many of his compositions have been published, recorded and
broadcast. He is, perhaps, best known for his compositions featuring brass and
woodwinds. The influences of his own extensive performance background and diverse
musical training (with composers who stressed bright orchestration and rhythmic
excitement) can be detected in many of his works. Many of his recent pieces are
representative of his current interest in neo-modal, pan-diatonic composition.
He has been a visiting composer at the Aspen Music Festival, a featured composer at
several universities and forums, and a board member of the Capital Composers
Alliance.
In 1997 he wrote a cantata featuring the poetry of Rita Dove, the American Poet
Laureate. Recent choral works include Lux Aeterna to honour the victims of 9/11,
which has been performed upon a number of occasions.
Retired from full time teaching, Walter Ross currently performs on double bass in the
Blue Ridge Chamber Orchestra. In addition to composing, he continues his interest
in chess (in 1969 he won a trophy in the U.S. Open Chess Tournament), astronomy,
and the History of Science.
Concerto
Oboe d'amore & String Orchestra
OR 004
Walter Ross
1998
www.amoris.com
for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
Grazioso
#
Violin I & # C
F
#
Violin II & # C
F
B ## C
Viola
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Violoncello
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Double Bass
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7
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Vn. I
f
##
&
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f
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liricamente
.
13 A
&b .
J
Ob. d'am. J
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20
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26
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AI OR 004
3
32
32
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4
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7
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8
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AI OR 004
10
a tempo accelerando M Allegro scherzando
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AI OR 004
11
. .
188
&b
. .
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f .
pizzicato
##
188
&
Vn. I
#
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.
194
&b
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solo
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##
194
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#
& #
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&b
Ob. d'am. J
F f F
##
200
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12
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w
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214
nb
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f
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f
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AI OR 004
13
228
f . . .
##
228
off the string
. . .
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#
& #
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. . . .
. . . . . . .
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.
P
235
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f
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f F
AI OR 004
14
250
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#
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#
& #
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. .
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&b
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#
257
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#
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264
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264
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AI OR 004
15
> > >
272
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#
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AI OR 004
16
A
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j
6
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n
a tempo 3
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17
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33
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AI OR 004
18
j
39
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53
.
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19
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P
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#
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F p
69
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P
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76
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Vn. II
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j #
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diminuendo p
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.
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diminuendo p
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pizzicato
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p
AI OR 004
20
. . j .
83
Vn. I & #
#
& #
j
Vn. II
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? ## . . .
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H
91
Ob. d'am. &b
J
F
91
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f F f P
#
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f F f P
#
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f F f P
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Vcl.
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j j
98
. j
Ob. d'am. & b . J . .
f F p
# . #
98
.
Vn. I & #
J J
F
##
& . .
Vn. II
F
#
B ## .
J
Vla.
F
. .
? ## .
Vcl. . . .
F F
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Bass
P
AI OR 004
21
I
.
106
Ob. d'am. &b J
P F
##
106
.
Vn. I & J .
P p
## .
&
Vn. II . . .
P p
# .
B # J . . .
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P p
.
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P p
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p
.
.
113
& b . J
Ob. d'am. . J
P F
#
113
Vn. I & #
F p P
##
&
Vn. II .
F P
B ## . . . .
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F P
? ## . . . .
Vcl. . . .
F P
? ##
Bass
p sempre
j U
120 ritenuto
& b . . . j b b 44
Ob. d'am. .
U
divisi
#
n # 44
120
Vn. I & #
P diminuendo
U
##
. n # 44
divisi
&
Vn. II
F P U
B ## n # 44
diminuendo
Vla.
F U
? ## .
Vcl.
n # 44
F
? ##
U
n # 44
Bass
AI OR 004
22
J
j n
tempo primo
b
& b 44 j j
Ob. d'am. J
P F p F p
# 4 j
unison
& 4
Vn. I .
P
# unison
& 44
Vn. II
#
P
B # 44
Vla.
P
?# 4
4
Vcl.
P
pizzicato
? # 44
Bass
p
133
b . j
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AI OR 004
23
L
j 3 j j 3
144
& bb j 3 n
3
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P F
3 3
#
144
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&
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148
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AI OR 004
24
III
Allegro animato
b
Ob. d'am. & b 38
. . .
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9
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f simile
AI OR 004
25
18
b
&b
J
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f
#
18 pizzicato
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#
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bb .
27
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27
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.
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AI OR 004
26
B
j . j
46
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55
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55
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AI OR 004
27
C
. .
72
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AI OR 004
28
99
. . .
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F P
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109
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119
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AI OR 004
29
. . . .
129
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Ob. d'am. . .
f F F p
##
129
j
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##
& # j
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140 F e=e
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149
&
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149
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> P . .
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. . . . . .
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. . . . . . . . . . .
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AI OR 004
30
156
&
Ob. d'am.
# # # f solo j
156
& .
Vn. I
### J j j
j
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162
&
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162
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#
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pizzicato
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F
AI OR 004
31
175
Ob. d'am. & J
f
###
175
tutti
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##
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181
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. . . . .
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pizzicato arco
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f f
AI OR 004
32
195
&
Ob. d'am.
f F f j
195
### j j j j j j j
&
Vn. I J J
F f
### j j j j j j j j j j
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202
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J J
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p
209
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B # #
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AI OR 004
33
216
Ob. d'am. &
F p
### . . . .
216 simile
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234
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AI OR 004
34
K
b
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arco
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j
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254
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j
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AI OR 004
35
.
276
. . . . . .
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276
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AI OR 004
36
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AI OR 004
37
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AI OR 004
38
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AI OR 004
39
j j
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AI OR 004
40
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AI OR 004 www.amoris.com
for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
11 j
liricamente
Grazioso A
1
.
2
&b C
F
( violins )
. .
16
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f F P p F
.
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F P
Allegro scherzando
2
D
# j
poco ritenuto subito pi mosso
n#
50
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F P p
Copyright Amoris International
AI OR 004 www.amoris.com
2
54
#
&
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E
59
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AI OR 004
3
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167
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F crescendo
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178 ( violins )
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AI OR 004
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CONCERTO
Oboe d'amore & String Orchestra
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AI OR 004
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AI OR 004
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AI OR 004
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AI OR 004
for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
Grazioso
#
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AI OR 004 www.amoris.com
8
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for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
5
Grazioso ( violins )
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#
&
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f
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.
>
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f
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j
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AI OR 004
3
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F
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132
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140
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AI OR 004
4
2 " 2
ritenuto a tempo accelerando
1
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1
B# ##
#
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171
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176
.
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f
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O
##
218
B
#
arco
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f
AI OR 004
5
off the string
B ##
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. . . . . . . . . . .
f
P
1
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B ##
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f
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AI OR 004
6
II
Andante amabile
B # 44
P
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5
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P p F f F
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24
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B # # 43
28
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33
1
B ## j
37
AI OR 004
7
E
j . ###
B ## J
42
J
F p
j
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8
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&
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poco ritenuto G a tempo
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AI OR 004
8
2
ritenuto tempo primo
1 U
J
B ## n # 44
124
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j
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f P
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AI OR 004
9
j
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24
J
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AI OR 004
10
E
j ## j
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116
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AI OR 004
11
#
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p F
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f
AI OR 004
12
tutti
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272
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p
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crescendo f
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AI OR 004
13
j
pizzicato R
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374
J J
F
arco
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f
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J J J # J J
F f F
S
B#
tutti
400
F f
2 j
# j
409
AI OR 004 www.amoris.com
for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
A
? ##
11
F P
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16
J
p P F
j .
B
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21
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AI OR 004
3
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AI OR 004
4
( upper strings )
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226 off the string
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AI OR 004
5
II
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P F
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AI OR 004
6
j
E
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p
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89
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AI OR 004
7
J tempo primo
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128
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AI OR 004
8
pizzicato
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AI OR 004
9
10 ( oboe d'amore )
j
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AI OR 004
10
tempo primo
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n # 3 . . .
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AI OR 004
11
O
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F F f
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?#
405
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413
J
> > >
AI OR 004 www.amoris.com
for Jennifer Paull
CONCERTO
Oboe d'amore & String Orchestra
Grazioso
5 6 7
pizzicato
? ## C
( violins )
?
&
F
? ##
9
F
A 10 B 6 2 arco
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34
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66
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#
f
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12
13
14
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2
L
1
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AI OR 004
3
('cellos )
arco
?# .
151
3
f
5 2 3
ritenuto a tempo accelerando
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157
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.
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217 arco
f
AI OR 004
4
5 . .
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6
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256
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261
3
? ##
266
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AI OR 004
5
II
Andante amabile
1 1
? # 44
pizzicato
p F
1
A
4
( oboe d'amore )
?#
7
&
j ?
.
5
P F P
1
C
2 U
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21
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Grazioso D
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pizzicato
28
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34
3 E a tempo
### 1
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40
. ?
&
J
( strings )
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5
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56
AI OR 004
6
17
F poco ritenuto G a tempo
? ### n#
19 pizzicato
61 18
& .
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( violins )
p
? ##
82
('cellos )
5 H
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89
1 2
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6
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99
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111
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n # 44
117
tempo primo
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128
p
('cellos )
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P P
U
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153
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AI OR 004
7
III
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18 19
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1
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arco pizzicato
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98
J
F p
2
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107
AI OR 004
8
E
3
? # # j j J J # # # >
117 arco
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F crescendo f
pizzicato
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4 4
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136
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154 ( oboe d'amore ) pizzicato
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f f F
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p p
AI OR 004
9
tempo primo
3
J
nn # 3 . . .
e=e
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n
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4
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245 ( oboe d'amore )
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9
11
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. . .
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. . . . .
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284
J
f
M
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292
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1 j
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300
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F
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308
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14
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324
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?
&
P
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nn#
343
AI OR 004
10
P subito pi mosso
? # . . . . . . . . . .
349 tutti pizzicato (10)
3
?#
arco
359
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f f
Q
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pizzicato
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369
J
F
R
3 3
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arco solo tutti
382
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f
S
4
?#
1
396
tutti solo tutti
1
J J
f F f
2 1
j
?#
409
J
> > >
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AI OR 004
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