tmpC145 TMP
tmpC145 TMP
tmpC145 TMP
April-June 2014
Volume 6 Issue 2 Rs 50
A
n allegation is not proof of guilt. This is an Attention TV news anchors
axiom that seems to be honoured only in the breach in India, and and reporters! /
especially in West Bengal. This is the opening sentence of the first J. V. Vilanilam
editorial in The Telegraph dated January 9, 2014. The media has largely backed Connecting stakeholders in
retired Supreme Court Justice Asok Kumar Gangulys denial of the allegation healthcare / Pradeep Nair
that when he was a judge he had harassed a law intern. Yet, the powers-that- and Harikrishnan Bhaskaran
be in political circles across the country, including those with vested interests, Private FM, community
succeeded in forcing him to resign as chairperson of the Human Rights radio stations have a case/
Commission in West Bengal. Mr. Ganguly said that he put in his papers to Ankuran Dutta and
preserve his dignity against the hostile attitude of the state government. The Anamika Ray
latter has been proceeding on the assumption that Mr. Ganguly is guilty even
View from the Northeast: /
before anything has been proved against him, states the same editorial. Nava Thakuria
Who is the intern? No one knows who she is, where she lives and what she
does. She charged the judge with sexually harassing her in a hotel room. If her History of Kannada
charge was true, why did she take the vehicle arranged by the judge to travel Journalism /
back from the hotel, instead of asking the hotel to book her a car? Why, instead Mrinal Chatterjee
of going to the police or instigating legal action, did she raise the issue through A real woman at last /
a blog which has much less credibility than an FIR? Ranjita Biswas
The term sexual harassment will need to be looked at from a different Bollywood & stereotypes /
perspective in the Asok Kumar Ganguly case. Media coverage, especially in Fatima Siddiqui
the press, traces his impeccable professional record, which leads any intelligent
and objective person to conclude that the phrase sexual harassment has not Adultarated TV and our
once been used against the erudite man. outdated laws /
Edara Gopi Chand
On January 4, 2014, www.ibn.in.live stated in a report that a PIL had been
filed by Padma Narayan Singh before the Supreme Court alleging that Mohun Remembering Khushwant
Singh / Suchitra Sen / Ila
(Continued on page 3) Pathak
When the United Nations General Assembly declared May 3 to be World Press Freedom Day, the objective was
to remind governments of their duty to respect and uphold the right to Freedom of Expression enshrined in Article
19 of the Universal Declaration of Human Rights. When I received the call from the journalist, I was reading a
news report in The Times of India, about the controversial editing of BJP prime ministerial candidate Narendra
Modis interview to Doordarshan. Prasar Bharati CEO Jawhar Sircar, the report said, had acknowledged that
certain portions were apparently edited. What was more significant in the report was Sircar drawing attention
to this long traditional linkage between the ministry and the news division which has continued unabated even
after Prasar Bharati was born. He also hinted at the Information & Broadcasting Ministry having failed to give
the public broadcaster the autonomy it had sought. The I & B Minister later said that the ministry has an
arms-length relationship with Prasar Bharati.
I did not find it particularly surprising, considering that in a recent report, Reporters Without Borders, a non-
profit body, had ranked India 140 out of 180 countries surveyed for the freedom it gave the media. We have all of
course heard about a leading publishing house withdrawing a book, about the clampdown on social media, about
Twitter accounts sought to be blocked, etc. Quite ironical when you think that in todays world where there are no
bars to communication, you should be actually encouraging young people, regardless of gender and ethnicity, to
play a proactive role in advancing press freedom and finding ways to express its importance.
Press freedom is about so many issues, it is impossible to put it all down in an edit piece. But certainly, the
freedom has not been valued or used well. Accuracy, fairness and balance have taken a beating in recent years.
Youngsters from journalism schools are finding it difficult to cope up with the pressures on the ground; there is
a great deal of attrition. There is not enough mentoring happening. Editors do not find time to spend with young
reporters. It is again ironical that when todays youngsters have good opportunities to train or apprentice, there
has not been an appreciable improvement in the quality of journalism. In the mad scramble for news and bytes,
checking, condensing and clarifying have taken a back seat, as a veteran journalist told me recently.
World Press Freedom Day is also a time to spare a thought about the detention and imprisonment of journalists
around the globe, individuals who have been sent to jail simply for doing their jobs. In India, of course, the
situation is far, far better. But we must salute journalists who venture into the back of beyond or inhospitable
terrain to bring news to the reader or viewer.
The Daily Mirror in Sri Lanka printed a mirror image of its front page on May 3. The lone legible sentence on
the page read: Only true freedom of the press can turn things the right way around. Celebrating World Press
Freedom Day 2014! The objective was to raise questions about the state of press freedom in that country. Its time
we raised questions about ours.
Sashi Nair
[email protected]
T
he recent Supreme Court ruling that upholds the constitutionality of Section 377 of
the Indian Penal Code (IPC) is rather surprising in a progressive democracy such as
India claims to be. The judgment has re-established the now out-dated 19th Century
Judeo-Christian moral and ethical standards, according to which non-procreative and penile Mukesh Rawat
non-vaginal sexual intercourse were deemed to be against the order of nature and hence
punishable - sometimes even with death.
The apex court in its judgment cited public morality as a valid ground for retaining the said section. In this
context, it is interesting to note that while moving the draft constitution, Dr B.R. Ambedkar in an attempt to
address the question whether public morality can be a ground on which fundamental rights can be curtailed, said,
Popular morality or public disapproval of certain acts is not a valid justification for restriction of the fundamental
rights. Popular morality, as distinct from a constitutional morality derived from constitutional values, is based on
shifting and subjecting notions of right and wrong.
Public morality by itself cannot be a valid ground for restricting the fundamental rights guaranteed to citizens by
the Indian Constitution. By adhering to popular morality, the states actions are directly guided by the utilitarian
ethos under which the minority is always subjugated. Adherence to popular morality may give precedence to
various draconian practices that no democracy can be proud of. Popular morality may in the future manifest itself
in the form of a demand to persecute the minority (especially during communal uprisings). Today, it is against
homosexuality; tomorrow it may be against atheists. In such a scenario, will the state still adhere to popular
morality and compromise the liberty of the minority?
It is appalling to see that heterosexual couples have practically been excluded from the ambit of this section
and homosexuals are the ones who are targeted by virtue of their association with the proscribed acts. In Lohana
Vasantlal Devchand vs State, Grace Jayamani vs E. Peter and Govindrajulu in re (1886) 1 Weir 382, the courts have
interpreted Section 377 IPC to limit its application to sexual acts indulged in by partners of the same sex. Section
377 IPC, in its wordings, not only punishes same-sex sexual acts but also all other forms of penetrative sexual
intercourse other than penile vaginal intercourse between a consenting adult male and a consenting adult female.
This includes any person who has sexual intercourse with his wife of the nature of anal sex, finger vaginal/anal,
object vaginal/anal (even done by self for simple pleasure) and even sexual intercourse using a contraceptive,
because use of contraceptives, by default, cannot be in accordance to the order of nature.
The contentious section of the IPC is not only about the discrimination faced by the LGBT (lesbian, gay, bisexual,
transgender) community but rather is a classic example of the overreaching authoritarian hands of the state that
entangles the common citizenry in as much as it allows the state to encroach upon the privacy and dignity of an
individual.
Section 377 IPC is also an outright discrimination against the homosexual community because sex between
men and men or women and women can never be penile-vaginal. Thus, all forms of sexual intercourse between
members of the LGBT community, under Section 377 IPC, are offences which may even invite a ten-year
imprisonment as punishment. Furthermore, by retaining Section 377 IPC, the state in effect dictates the methods
of sexual intercourse which its citizens can adopt. This is nothing less than a majoritarian dictatorship where
the sexual orientation of the heterosexual majority gets a constitutional stamp of validity, whereas that of the
homosexuals is discriminated against.
A
lmost immediately after the Supreme Court pronouncement, many voices were heard both against and in
support of the judgment. Thankfully, the loudest were those that stood up for the LGBT cause and considered
the SC judgment retrogressive. The editorial in the Indian Journal of Psychiatry (IJP), The Reversal of Gay
Rights in India, found that the judgment had disregarded the responsibility that the courts have to protect the rights
of all citizens. It encouraged medical professionals to raise their voices against the flawed verdict and recognise
that minority groups needed to be viewed with respect and not prejudice. Moreover, in a recent announcement on
its website, the Indian Psychiatric Society (IPS) has
observed: Based on existing scientific evidence
and good practice guidelines from the field of
psychiatry, Indian Psychiatric Society would like
to state that there is no evidence to substantiate
the belief that homosexuality is a mental illness or
a disease. Numerous medical and mental health
professionals outside of the IJP and IPS support
this view.
Unfortunately, the judgment has only given
rise to further discrimination against LGBT people
as well as incidents of violence. It is obvious that
most of the malicious responses are drawn from
personal prejudices due to religious beliefs or from
a complete lack of understanding about sexuality.
However, articles from respected medical
practitioners, who used cultural and scientific
arguments to label homosexuality as unnatural,
reinforce the fear that unless the laws against the
LGBT communities change, the Apex Courts
stance will encourage more unethical practices in
the medical and mental health sector.
Dr Indira Sharma, former president of the Indian
Psychiatric Society, was recently quoted as saying
that she felt homosexuals were unnatural and
that bringing these topics out in public was making
people uncomfortable. Dr Sharmas refrain that
Photo: WFS
A
ccording to a 2010 estimate, there are 688751 registered sex workers in India and 379000 in Delhi; the
figure for the transgender population is pegged at around 14 lakh. In all likelihood, their numbers are
much higher now. So its time both these groups are counted as citizens, asserts Geetanjali Babbar, the
young social activist whose organisation, Kat Katha, is assisting sex workers in Delhi to register as voters.
How can these otherwise forgotten citizens ensure their vote? What are their rights as voters? Whats the buzz
in the citys red light area, and in the colonies of east Delhi, home to many transgenders? Are they rooting for clean
governance, better implementation of laws and civic facilities like everyone else? Geetanjali and Pradeep Kumar
of Pahal, an organisation that works for the welfare of transgenders, have a finger on the pulse of these hitherto
marginalised voters living at the fringes of mainstream society. Whereas Geetanjalis group is interacting with the
sex workers in the brothels on GB Road, Pradeep and his team at Pahal are reaching out to the transgenders to
find out more about their expectations from political leaders. They have undertaken this exercise as part of the My
Space, My unManifesto campaign that has been initiated nationwide by the Delhi-based ComMunity the Youth
Collective, along with 42 youth organisations across 15 states. Together, they are creating a Youth Manifesto that
will reflect young Indias vision for the nation.
Kat Katha, which runs a school for children of sex workers in addition to providing tailoring lessons as
vocational training to some women, has helped 70 of them to get voter identity cards. Besides this, its activists have
been making concerted efforts
to engage them in conversations
about politics and governance.
Explains Geetanjali, Sex workers
want to be treated like regular
women, who dream of a better
life, especially for their children.
They want to be seen as citizens
with a say in the development of
their city. The unfortunate reality,
however, is that no politician has
ever felt the need to find out what
they want.
And what is it that they aspire
for? Geetanjali has a fair idea,
Their focus is chiefly on securing
improved living conditions, schools
for their children, old age pension
and greater social security.
Photos: Pahal
R
ecent reports about the large-scale use of mobile phones and the Internet to search
specifically for and view scenes of rape and forced sex should awaken us to the increasing
vulnerability of women and children to sexual abuse due to the misuse of new media. Bharat Dogra
This is no longer about moral policing; it is a concern about the very real possibility of harm
to women and children.
It has been reported recently, quoting Google Adwords, that mobile phones were used nearly four million
times a month on average over the past year for searches with the keyword 'rape'. Other search keywords used on
a significant scale were 'gang rapes', 'raped to death' and 'little girls raped,' apart from searches naming specific
relationships. If such data doesn't alert us to the need for caution and prevention, what will? Even very liberal
societies are deeply worried.
Recent efforts by the Government of Iceland to protect children from Internet porn have evoked widespread
interest. It was reported that the small country is drafting strict measures to protect children from "a tide of
violent sexual imagery. Halla Gunnarsdttir, political advisor to the minister of Interior, Iceland, says about the
prevailing situation: "When a 12-year-[old] types 'porn' into Google, he or she is going to find very hardcore and
brutal violence. There are laws in our society. Why should they not apply to the Internet?" Halla asks and adds
that the new measures would help existing laws which are very vague.
In a research paper titled 'Pornography, prostitution and women's human rights in Japan', Seiya Morita has
presented specific evidence on how higher exposure to pornography led to increase of sexual crimes, "Graphs of
the spread of pornographic videos in Japan and the reported incidence of violent sexual crime (rape and indecent
assault) show that there is a clear correlation between the two. These show that until the 1980s, when pornographic
videos began to be distributed, the reported number of violent sexual crimes had decreased, as had that of general
violent crimes. After the mid-1980s, the downward trend in violent sexual crimes became weaker, and there was a
clear upward trend in the 1990s, in contrast with the continuing downwards trend of reported incidents of general
violent crimes.
"In a nationwide survey (in Japan) carried out from October 1997 to the end of January 1998, covering persons
suspected by police in rape and indecent assault incidents, 33.5 per cent of all respondents answered in the
affirmative to the suggestion that when watching a pornographic video, you also had wanted to do the same
thing. In the case of suspected persons who were juveniles, about 50 per cent answered in the affirmative. Only
the most bigoted person can believe that sexual crimes are unrelated to the spread of pornographic videos which
eroticize any and all sexual crimes (rape, gang rape, sexual harassment, molestation, sneak shows, confinement of
women, etc) and make them entertainment for men."
While such carefully organised studies have not been attempted in India, there is a lot of sporadic and anecdotal
evidence, media reporting of sexual crimes, statements by offenders and police officers investigating the cases,
which indicate that many offenders are in the habit of watching degraded porn, and in some cases it was even
reported that they had watched porn just before committing the crime.
Of course, this doesn't mean that anyone who watches porn rushes to commit a sexual crime. The conclusion
can only be a more nuanced one - that among the millions now watching degraded forms of porn, these are likely
to be thousands or at least hundreds whose personality may be influenced in such a way that they are much more
likely to commit sexual crimes, including rape. Different individuals are likely to respond differently, but overall,
the risk factor remains high.
Th risk has also increased due to 'improvements' in technology. In a paper titled The use of new communications
and information technologies for sexual exploitation of women and children, researcher Donna M Hughes
reports: "Viewers can interact with DVD movies in much the same way they do with video games, giving them
S
angeeta (name changed) knows exactly what that young journalist (Tehelka) must have felt because she has
been struggling with a similar situation for over a year now. The only difference is that while the Tehelka case
has riveted the nation, she continues to fight for justice away from the spotlight.
It took nearly two years for Sangeeta, now in her early 40s, a development professional based in Bhubaneswar, to
speak out against the harassment she was experiencing at her workplace. Convincing other women to raise their
voice against violence is not as difficult as it is to speak out for oneself, remarks the woman, who was working
as an advocacy coordinator for a VAW (Violence Against Women) project of a well known non-governmental
organisation in the area, when she was sexually abused by her project coordinator, who was also the secretary of
the organisation.
In 2009, Sangeeta had been based in Sundergarh District when she was promoted to the Bhubaneswar office. I
was happy and overwhelmed when I got this position. I hail from a small village and it was for the first time that
I was going to set up base in the state capital. From where I come, rarely do women get an opportunity like this,
she says.
For Sangeeta, the man who sexually harassed her, and his wife, were like elder siblings. On the request of the wife,
who is also associated with the NGO, she began staying in a room on the office premises. As this office functioned
as a liaison unit for the organisations work in the state, the
man involved would come regularly to Bhubaneswar despite
being in charge of a project in Rayagada, states Sangeeta.
The problem began in the mid-2010, when he started
sharing details of his personal life and his feelings with
Sangeeta. He talked about how he was being mentally and
physically tortured by his wife. He used to single me out and
pass suggestive remarks. Once he asked me to download some
information from the Internet that included beauty and health
tips. Later on he said that these were for me. You should follow
these to look good, he said. On another occasion, he told me to
learn massage techniques so that we could use them on each
other. He took advantage of the fact that I did not have any
fixed timings and stayed on the premises. When the staff left
for the day he would try to take liberties with me and when I
tried to avoid him, he would get angry, she recollects.
Photo: RG/WFS
W
hile the pattern was similar across Asia with regard to press and TV news (20 per
cent in both), women were better represented in radio news across the region (21 per
cent). Ammu Joseph
The exceptionally poor representation of women as news subjects on Indian radio is all the
more significant considering that radio news is a monopoly of the state/public broadcaster, All
India Radio (AIR). Neither private nor community radio stations in the country are at present legally permitted
to air news and current affairs.
The latest GMMP survey also found that only about one-third (34 per cent) of the news stories in the Indian
broadcast media radio and TV were presented by women. The corresponding figure for Asia was considerably
higher at nearly half (48 per cent). Again, there were marginally more female announcers on television (public
and private) than on radio in India.
After decades of male leadership, AIR was briefly headed by a woman, Noreen Naqvi, between 2009 and
2011. However, according to employment figures received last year from the public broadcasting corporation,
Prasar Bharati, women constitute only 10 per cent of AIRs employees (in news and non-news positions). So,
it is not surprising that women are not well represented at leadership levels: 28 per cent in senior programme
management, 38 per cent in senior administrative posts and none in engineering.
Clearly Indias only radio news broadcaster has a long way to go towards enhancing gender equality and
womens empowerment in radio, the theme of World Radio Day 2014. As the state/public broadcaster it surely
has a special responsibility to set an example by developing, adopting and implementing gender-related policies
and strategies for radio sooner rather than any later.
Privately owned FM radio stations have proliferated in urban centres across India over the past couple of
decades. Womens voices are regularly audible on most of them, thanks to female radio jockeys and listeners
responding to call-in programmes. However, with programming invariably dominated by popular music and
inane chatter on trivial topics, the tremendous potential of the medium is largely squandered.
However, FM radio appears to be more open to women than the state/public broadcaster, even in socially
conservative small cities and big towns. A proper, industry-wide survey is certainly overdue perhaps the
Association of Radio Broadcasters of India (ARBI), currently headed by a woman, will commission one soon but
the fact that at least four of the approximately ten large- and medium-size FM radio networks in the country are
led by women and the reported trend towards more women occupying key leadership positions in such networks
are encouraging.
So is their involvement in awareness campaigns around issues such as womens safety and breast cancer.
According to Nisha Narayanan, COO of Red FM, a leading local radio network, there is interest in diversifying
programming in terms of both format and subject matter, but the present financial and regulatory regime acts as
a constraint. If the expected expansion of the FM sector is accompanied by some relaxation of current restrictions,
she believes local radio content can become more dynamic and relevant.
Although there is no evidence of any existing policies on gender equality and womens empowerment in
the FM sector, at least one company has adopted a detailed policy on sexual harassment at the workplace and
established the legally required compliance committee. This is more than many other Indian media houses have
done. Perhaps ARBI can be persuaded to take the necessary first steps towards developing and promoting gender-
related policies and strategies for the Indian commercial radio sector.
Both public and private sector radio may have much to learn from the community radio sector in this respect.
Even though it is relatively new in India officially sanctioned only in 2006 community radio (CR) has traditionally
I
s it a coincidence that three recently released Hindi films, Highway, Gulaab Gang and
Queen have spunky women at the core? They are the protagonists and not arm candies of
macho heroes. More importantly, their characters have strong elements of individuality,
something that was missing in Bollywoods standardised heroine profile. Ranjita Biswas
In Imtiaz Alis Highway, a poor little rich girl, Veera (Alia Bhatt), is inadvertently abducted
by a gang leader - truck driver Mahabir Bhati (Randeep Hooda) on the eve of her wedding; she is driven across
highways in north India to escape the police. But while on the road, Veera discovers a path less trodden which
she had secretly dreamed of even when she was caught up in a life of inane luxury. She finds the courage to rebel
at last. In contrast, Gulaab Gang, reportedly modelled after a sarpanch (Panchayat leader) in Bundelkhand has
Madhuri Dixit in a come-back role, taking on the powerful in the rural backwaters by leading a gang of assertive
women.
But it is Vikas Bahls Queen with Kangana Ranaut in a sparkling performance that is making waves. Queens
or Ranis transformation from a meek and happy about-to-be married girl after she is ditched by her fianc is
something to watch and enjoy. She makes the unusual decision of going on the long-planned honeymoon - alone!
There the adventure begins, in Paris, in company with a half-Indian housemaid with lots of attitude, and then
in Amsterdam where she befriends an unlikely group of young male travellers. Seeing her become an assertive
woman with a mind of her own is like watching a butterfly emerging from the chrysalis.
Whats happening to the so-called role-model Bollywood actresses? Where are the good girls who follow the
diktat (dictates) of society and family without question? The fact is, silently, the image of the woman is changing
in popular media though you would not think so going by the endless saas-bahu (mother-in-law-daughter-in-law)
intrigues that dominated the small screen for long. The woman portrayed now might click with a niche audience,
but she exists side by side with item-number churning heroines. Why does the urban woman today relate to
Queen so readily, you ask women smitten by Ranauts Rani, and you get a ready answer - she is like us only.
It is to the credit of the script writers too that they are projecting women as real and contemporary instead of
being moulded on calendar images of the bharatiya nari (ideal of Indian womanhood). For years, the audience
of Hindi films was used to seeing the heroine, despite her body-hugging clothes and running around the trees
with the hero in pursuit, falling in line as soon as she was domesticated by marriage. Look at films of the 1960s
and 70s and you will see her abandoning the trousers and salwar suits for the good old sari as soon as marriage
vows hovered in the background. Buckets of tears, devotional songs, etc were thrown in for good measure as if
to establish that she was the traditional (whatever that means) family-girl. Rebels were not tolerated; she had to
be taught a lesson if she deviated. Of course, there were directors who were more realistic in their treatment of
women characters. Actresses like Nutan and Waheeda Rehman portrayed those roles but they were in a minority
compared to the great mainstream films playing to the gallery.
There was also a clear distinction between the heroine and the vamp, the good girl and the bad girl. The vamp
always smoked, bared flesh and was punished for her aberrations. The good one was the mealy-mouthed nice
girl. The image of an ideal daughter/ wife/ daughter-in-law was recycled in different avatars with only a change
of name and location. In the book Gender Relations and Cultural Ideology in Indian Cinema, Indubala Singh writes
how popular cinema has drawn heavily upon Indian mythology for popular appeal. It mainly shares the interests
and values of male chauvinism, dramatizing male fantasies of the female. Hence a woman is shown as either an
angel or a monster.
Sometime afterwards, in the 90s especially, the border between the heroine and vamp disappeared. The heroine
dressed as boldly, gyrated as provocatively as the bad girl of yore. Some critics felt that post-globalisation and
consumerism with mass production, the heroines became more ornamental than real women. She might be
dancing away in snow-covered Switzerland or Austria, but basically still clung to the Indian males fantasy about
the gharelu (home-centred) homemaker.
From that stage, progressing to heroine-centric films, and making money despite the dominance of the Khan
clan and other heroes, is a good sign indeed. The debate over whether cinema imitates life or its the other way
round will perhaps go on, but the mothers choice. Instead, she surfs (2010) she does not have qualms
fact remains that todays young the matrimonial websites to find about using her sexuality on two
educated urban woman can relate her dream partner and rejects those smitten goons to achieve her goal
to Ranis chutzpah despite the she doesnt approve of. of finding her absconding husband
betrayal, and emerge as a person The perfect laddoo (sweet) and punishing him. No One Killed
in her own right. Even when the maker Shashi Godbole (Sridevi) in Jessica (2011) based on a real life
wimpy lover-boy wants her back, Gauri Shindes English Vinglish story found her playing a relentless
she does not jump with joy. She (2012) cannot take the jibes for fighter, Sabrina Lal, who strives
now sees that he is just not worth her disastrous spoken English to bring her sisters killer to book.
it. by husband and children alike. In contrast is her bigger than life
This change has been subtle On a trip to America to attend a portrayal of southern siren Silk
rather than a jump-cut. In the wedding, she enrols in a crash- Smitha in Dirty Picture (2011),
hit film Cheeni Kum (2007) Nina course on spoken English. In the portraying the late actress trying
Verma (Tabu) is into software process of being on her own, she to take on the male-dominant film
development. When she goes to enjoys a freedom she never enjoyed industry. It was followed by the
London for a holiday, she falls in back home and makes her point to phenomenal success of the thriller
love with a man 30 years older to the family. Kahaani (2012) where she fakes
her (Amitabh Bachchan) and defies The nuances of the changing pregnancy to track her husbands
conventions to marry him. woman were waiting to be killer in Kolkata and succeeds.
Then there was Shruti (Konkona portrayed in popular Hindi Clearly, the audience is ready for
Sen Sharma), a radio programme cinema when a perfect foil was women-centric films. Filmmaker
producer (Life in a Metro, 2007) found in Vidya Balan who cocked Kiran Rao (Dhobi Ghat), a member
in Anurag Basus film, yet to be a snook at the so-called image of of the Mumbai chapter of WIFT
married and on the wrong side of a pliant woman. She has blazed a (Women in Film & Television that
30. She is desperate to settle down, trail with roles that go against the recognises the achievement of
yet she is not ready to go by her grain. In Vishal Bhardwajs Ishqiya women in films and television) said
in an interview: " there is a certain
amount of effort by filmmakers
to create interest in films where
women are at the centre of stories,
or at least [to] give them interesting
conflicts and character sketches."
Savvy scriptwriters, directors and
ready-for-the-challenge actresses
have combined to usher in the long-
awaited change in attitude towards
the heroine in Bollywood. It could
be just the beginning. <
T
here has always existed a close relationship between the written word and cinema. Films,
like literature, have the power to create and establish images and stereotypes in the minds
of the people. It is being constantly argued today that movies perpetuate stereotypes
and that people have taken these stereotypes for granted for such a long time that they have Fatima Siddiqui
become numb to the injustice being done to those who are being stereotyped.
Indian Cinema has often been accused of stereotyping the image of minority groups such as Muslims, Parsis,
Christians and Sikhs. Shiv Vishwanathan, a prominent psychologist, believes that "the idea of stereotype is
largely to present it playfully in films. However, the way most communities, rituals and languages are shown, it
creates differences." He adds that the Indian film industry has worked at creating stereotypes related to language,
accent, pronunciation, looks and other idiosyncrasies of a particular community, and that comedy is created in
Hindi movies by making fun of the distinct mannerisms of ethnic groups.
The Parsi Community constitutes a meagre 0.002 per cent of the total population of India. Yet, there has never
been a dearth of Parsis in the Indian film industry, be it on-screen or off-screen. Mumbai, where the Hindi film
industry is based, is also where a large population of Parsis is concentrated. Despite the fact that there has been a
considerable amount of Parsi influence on the industry, Parsi characters in movies remain stereotyped. The men
are generally depicted as foolish and eccentric, wearing the kippah (cylindrical black cap) and white coats and
driving vintage cars. Parsi women are inevitably shown wearing pastel-coloured saris with sleeveless blouses and
are generally loud-mouthed. They all speak with a distinctive accent. The exceptions are a few recent movies such
as Pestonjee (1987), 1947: Earth (1998), Being Cyrus (2005), Parzania (2007), Ferrari ki Sawari (2012) and Shirin
Farhad Ki Toh Nikal Padi (2012), which try to overcome the clichd portrayal of the community and deal with
serious concerns.
Similarly, characters from the Christian Community are portrayed as loose and immoral. The drunkard
hero, the forward heroine, the do-gooder elderly lady, cross-dressing vamps and cabaret dancers and English-
speaking, skirt-wearing teachers are the standard Christian characters in Hindi cinema. One of the most popular
Christian heroes is Anthony Gonsalves in the movie Amar Akbar Anthony (1977). The character helped perpetuate
the image of a Christian man as an alcoholic rogue. Then there are the Roberts and Peters who are sidekicks and
mafia minions. If the female lead character happens to be a Christian, her persona is usually based on Julie from
the eponymous 1975 movie, a girl who did not shy away from pre-marital sex. It received a lot of criticism from
the Anglo-Indian community for portraying Christians as dysfunctional and licentious.
There are only a handful of Hindi films which have done justice to the Christian Community by portraying them
realistically. Prahaar (1991), Baaton Baaton Mein (1979), Albert Pinto Ko Gussa Kyon Aata Hai (1980), Khamoshi
- The Musical (1996) and Kal Ho Na Ho (2003) are the few that have helped the audience perceive Christians in
a realistic light. In Basu Chatterjees Baaton Baaton Mein and Saeed Akhtar Mirzas Albert Pinto Ko Gussa Kyon
Aata Hai, for instance, the protagonists are presented simply as representatives of urban Indian society, facing the
challenges that people of that strata would face, irrespective of creed.
Sikhs, despite a strong presence in the country, have for long been portrayed as loud, uncultured and violence-
loving. According to well-known film critic Anupama Chopra, the reason for the Punjabification of Bollywood,
as she calls it, is that "Hindi films are larger than life, robust... they're all about vivaciousness and masti (laidback
entertainment and fun), which is the classic Punjab stereotype. Movies like Singh is King (2008), Son of Sardar
(2012), Singh Saab The Great (2013), Dil Bole Hadippa (2009), Gadar Ek Prem Katha (2001), etc continue to follow
popular stereotypes and distort the authenticity of Sikh traditions. It is only recently and only in a handful of
movies like Monsoon Wedding (2001), Pinjar (2003), Khamosh Pani (2003), Veer Zara (2004), Khosla Ka Ghosla
(2006), Rab Ne Bana Di Jodi (2008), Rocket Singh (2009), Bhaag Milkha Bhaag (2013), etc that Sikhs have been
portrayed somewhat authentically.
Muslims are the largest minority religious group in India. Hindi cinema has been accused of fostering mistrust
and suspicion of Muslims. Many Hindi films propagate the idea that Muslims are more faithful to their religion
W
hile non-fiction and reality television programming have proved to be popular, in 2009-10, fiction still
continued to be the staple diet for Indian viewers. Hindi general entertainment channels have also
targeted regional language channels. The regional general entertainment channels are also showing high
viewership figures in 2009. The genre of news has also lost ground to the Hindi general entertainment channels
in the race for ratings.
Another trend discernible in entertainment programming in 2010 is that viewership volumes are now coming
from middle- and small-town India, as a result of the demography of television becoming more heterogeneous.
Out of 134 million television owning households, 70 million are in rural areas, according to the TAM Annual
Universe update in 2010. Rural India is embracing new technologies such as DTH and mobile telephones. As a
reflection of these newer audiences, characters are sometimes being portrayed in a more realistic fashion, themes
are including social issues such as female infanticide, child marriage and so on, and many of the stories are set
in non-metro India. Viewership ratings suggest that programmes which have more progressive characters with
aspiration are finding a resonance with the audience. It is predicted that in the next decade, rural audiences for
television will be truly large.
A lot of daily soaps have lead female characters. In general, the portrayal of women has changed over the
decade 1990-2000. Sadly, the emergence of private broadcasters had not led to a more emancipated portrayal of
women on television in the decade.
While serials such as Tara on Zee
in 1993 permitted a more realistic
portrayal of Indian women in the
1990s, things changed for the worse
in 2000. Despite having female
lead characters, one media analyst
commented that the spate of soaps
especially on the Hindi channels
had actually been regressive: In
the 1980s, while the tele-woman
was striving to break traditional
moulds, New Millennium television
is hell-bent on taking the big leap
backwards and transforming
the country into a nation of
Photos: WFS
G
ender gaps in development can be identified through the disparity between males and
females in various demographic indicators. According to the 2001 Census, in India, the
child sex ratio (CSR), an indicator of the status of girls, stood at 927 girls per 1000 boys
for the 0-6 year age group. Governments both at the Centre and in the states have made efforts
to improve the number of girls through various policies, laws, programmes and schemes. Ruchi Gaur
According to the 2011 Census, Haryana, one of the richest states in India, had the lowest CSR
of 830 girls per 1000 boys. It was the first state in North India to start unique incentive-based
schemes such as Apni Beti Apna Dhan (My Daughter, My Wealth) in 1994 and Ladli (Beloved
Daughter) in 2005. A study was conducted in six districts of Haryana Kurukshetra, Sonipat,
Jind, Rewari, Gurgaon and Faridabad to evaluate the benefits of Ladli and the achievement of
objectives as planned by the state administration. The beneficiaries and functionaries involved
in implementation of these schemes were interviewed. Here are some significant findings:
There was some difference of opinion among the functionaries about the final amount to
be disbursed. This is actually an important piece of information that functionaries need to
provide beneficiaries
The study indicates that the beneficiaries believed that the scheme would help delay the
age of marriage Sarita Anand
They were of the opinion that the cash grant could be utilised for their daughters dowry.
They perceived the incentive given as a kind of gift or kanyadaan (gifts given at the time of marriage). It is
important to mention that some of the grassroots functionaries themselves specified that the amount could be
utilised for dowry or kanyadaan, reinforcing the need for training for the functionaries to change their mindsets
and re-orient them towards the need for such schemes and the consequences of fewer women in society
The schemes guidelines do not mention the role of the media in popularising the plans and building an
environment conducive for promoting the birth of girls. It is important for the media to highlight reports about
people taking anti-dowry stands, as dowry is the major reason why daughters are considered a liability to the
family.
The daughter's right to family property should also be emphasised. Instances of daughters taking care of their
old parents should be publicly
applauded and well recognised in
society, as people perceive that only
sons can look after parents in their
old age.
The visibility of such schemes
is very important to enhance
effectiveness. Publicity and more
sensitive and efficient service
delivery of the schemes should go
Photos: Ladli
M
uch of the content on television today is film-based, be it films, film trailers, film songs,
film clips, 24-hour film channels, etc. While films as media are highly influential
media, the importance of a robust policy to govern the telecast of film content through
a universal medium such as television need not be overemphasised. However, the only
provisions available presently to regulate the pervasive film content on private TV channels Edara Gopi
are that (i) no programme should contravene the provisions of the Cinematograph Act, 1952 Chand
and (ii) only the film content certified as suitable for unrestricted public exhibition (U) by the
Central Board of Film Certification (CBFC) shall be carried on television. Regarding telecast of films certified
as U/A (requiring parental guidance for children below 12 years) on television channels, private broadcasters
received a questionable breather when the Bombay High Court in 2006 ruled that U and U/A films belong to the
same class of films; namely, for unrestricted public exhibition. On Doordarshan channels, since the beginning,
only U-certified films are eligible for telecast and the same policy continues. Despite the legal position, much of
the film content beamed on television today is adult-themed. Lets analyse how and why.
Need for separate norms, ratings this legal and policy vacuum, CBFC efforts at self-regulation have
When it comes to certification is resorting to re-certification of failed to put in place a systematic
of films, there is a great deal of adult films for telecasting them, scheme of content ratings and
difference when the film being prescribing the timings for such their mandatory display as part
certified is meant for (i) limited films. In many countries, there are of film and non-film programmes
theatrical exhibition (ii) home video separate norms for classifying films on television. The recent Mukul
consumption and (iii) universal meant for television and home Mudgal Committee Report on
television viewing. Accordingly, video. Also, there are established revamping the Cinematograph
the certification norms for the film TV content rating systems and Law is also silent on the crucial
content meant for home video the relevant rating (such as G, matter.
and television have to be more PG-12) is displayed alongside for
specific and stringent compared to guiding the audience. In India, Need for policy to protect minors
those that apply to certification of while the government is not at Even after about two decades of
films meant for theatrical release. all bothered to facilitate such the Cable Networks Regulation Act,
However, presently in our country, viewer-friendly measures, even except for some vague provisions
there are no such separate statutory broadcasters associations like the as part of programme and
norms for certifying films for home Indian Broadcasting Foundation advertisement codes, which were
video and television. In fact, amid (IBF) with their much-touted also never seriously implemented,
T
he term anchor originated in the US with the revered newsman Walter Cronkite of
the Columbia Broadcasting System (CBS). In the UK, newsreader or newscaster is J. V. Vilanilam
preferred to anchor. The audience of broadcast news attaches great importance to the
style of presentation. News readers (by whatever name they are called in India, the UK or the USA) must be
pleasant and look relaxed and stress-free on the screen. They should never appear extra-formal, tense, searching
for breath or words, demure (shy) and over-happy. The current trend in the US and the UK is to be informal, but
not to the point of lightness or flippancy. No newsreader should show disrespect or levity.
Some news anchors tend to be extra-formal. Although they lighten the news with informality at times, they
generally show more seriousness than fits the occasion or news content. They should not try to be too informal
or too stiff and serious. Nevertheless, a certain formality is preferable to informality in the interests of credibility.
Some newscasters forget to put on a serious look even when the content they present is quite serious death,
destruction, serious accident or environmental disaster. It is necessary to adjust ones attitude according to the
content and importance of the information presented, to maintain credibility. This requires the readers familiarity
with the contents of his/her presentation.
Newsreaders, newscasters and news anchors anywhere in the world should have, in addition to credibility, the
following:
Authority
Believability
Clarity
Good voice and good looks
Personality
Professionalism
Warmth
Does the clause about appearance mean that newsreaders/ newscasters/ presenters should have film star looks?
Should they necessarily be young? Does age matter, provided they have many of the other qualities listed? The
answer lies in people like Walter Cronkite, Howard K. Smith, Barbara Walters, Mike Wallace, Eric Sevareid, John
Chancellor, Tom Brokaw, Dan Rather, Peter Jennings, Katie Couric and others who were held in high respect,
although they were not young at the prime of their careers. They graduated from newspaper, radio and TV news
reporting to news-anchor positions. They attained TV stardom in their mid-40s and mid-50s.
These experienced journalists have proved their news sense and were selected for their on-screen presence,
professionalism, clarity, authority, experience and educational attainments. Should there be twin news presenters?
A male and a female? Double-headed presentations with Man-Man, Man-Woman, Woman-Woman pairs are
possible, although the last mentioned is rare. Man-Woman combinations were tried as newsreaders by some
Indian channels, but later discontinued.
Newsreaders need not be actors and models. Acting debases the news and lowers credibility. But some of our
newsreaders do not know what they are really reading. Nor do their listeners understand what they hear. This
applies to some TV presenters and panellists too. Maybe because of their station managers directions, they do
speed-reading. Some moderators of discussion too do this. Why do they speak so fast? Perhaps to save time for
commercials. I would like to refer here to Malayalam newsreaders in particular. Many of them use English words
in their news bulletins. I would like to make a couple of suggestions for the consideration of the Malayalam TV
news editors who prepare or okay the material given to newsreaders:
M
obile communication technologies such as smartphones, tablets and cloud computing Pradeep Nair
have revolutionised the way healthcare providers, practitioners, patients and other
stakeholders interact in a healthcare system. In developing countries like India,
the growth rate of mobile devices has outpaced that of personal computers. According to a
report by the Telecom Regulatory Authority of India (TRAI) on the Indian Telecom Services
Performance Indicators, JanuaryMarch 2013, released in August 2013, there are more than
867.80 million mobile phone subscribers in India, with an urban subscriber share of 60.11 per
cent.
Another report by FICCI and KPMG published in 2012 states that there are approximately
150 million Internet users in India. Of these, about 87.1 million used mobile devices to access
the Net as of December 2012.
The data assumes importance since it reveals that approximately 58 per cent of the total
Internet user base in India takes the mobile route. More importantly, this number is set to Harikrishnan
increase at a rapid pace in coming years. This means that with a penetration rate in excess of Bhaskaran
70 per cent for the country, mobile phones have now crossed over from the realm of being
an elitist contraption to become a mass communication device. India is also slated to develop into the biggest
smartphone market by 2017, next only to China and the US.
With the price of new mobile communication gadgets such as smartphones and tablets falling steadily
and various manufacturing rivals entering the fray to get a share of the rapidly growing market pie, mobile
communication technologies and gadgets are rapidly proliferating. Moreover, with service providers vying with
each other to offer cheap data transfer plans on a platter, healthcare professionals are now even more encouraged
to use these devices, making them an inseparable part of present-day health communication.
The ease of access, along with the tablet computers unprecedented versatility, promises that smartphones and
tablets are not likely to be left underutilised like their earlier counterparts pagers and iPods. The healthcare sector
in both developing and developed countries is currently witnessing a ubiquitous adoption of mobile devices with
unbelievable versatility in terms of memory, wireless Internet access, high-resolution colour screens and camera
capabilities. The devices currently have every communication possibilities you can imagine, but still fit in your
pocket.
Mobile-based health (mHealth) practices are generally referred to as the use of mobile and wireless devices
(cell phones, tablets, etc) to improve health outcomes, healthcare services, and health research. These practices
are offering new possibilities to address problems in accessibility, quality, effectiveness, efficiency and cost of
healthcare. Mobile communication technologies are very helpful in monitoring the health conditions of a patient
from anywhere and integrating the updates into patient care. The photo-capturing and editing facilities available
on mobile phones help practitioners to click images of manifestations of chronic diseases and use them to consult
experts by sharing the images through MMS.
Physicians are using mHealth to monitor patients. Cardiologists too monitor their patients with the help of
such wireless technologies. Similarly, endocrinologists make use of the facility to keep in touch with their diabetic
patients, giving them timely healthcare tips and reminding them about medicine dosages.
The new mobile communication technologies are helping medical practitioners monitor patients recovery and
mobility after specific treatment procedures, and then automatically synchronise the data with the patients health
records. In some branches of medical capability, providing the potential combination of features which
science such as orthopaedics, tools for continuous, interactive increase their versatility, their
on smartphones and tablets have communication from any location; use and importance change from
begun to replace some traditional for example, telephone calls, text, model to model depending on the
methods. The image handling multi-media messaging, video kind of healthcare intervention
capacity of the new touch-based and Internet access via Wireless being carried out.
tablets and specialised apps help Application Protocol (WAP) There is an extraordinary
orthopaedists to carry out digital or mobile broadband Internet. opportunity for public healthcare
templating and make accurate Secondly, mobile devices are systems to use these new
measurements on their smartphone portable because of their small size, communication tools to help reach
screens. low weight and rechargeable, long- public health goals. But effective
Mobile technologies have a life battery power. Finally, most of strategies are required. New media,
number of key features that give the mobile devices and smartphones especially mobile communication
them an advantage over other have sufficient computing power technologies, are very tactic and
information and communication to support multimedia software require strategic planning for
technologies, in particular activities applications. correct and effective use. While
within healthcare and public health Though most of the popular working out a strategy to reach out
domain. Firstly, mobile devices have mobile communication gadgets to all stakeholders in a healthcare
wireless cellular communication have a set of popular features or system, it is important to know the
T
his is All India Radio. The news, read by..., goes the introduction to the radio news
bulletin which most middle-aged English-speaking Indians are familiar with from
childhood. The radio is an important tool for disseminating news. The first radio
news broadcast in India took place on July 23, 1927. It was by a private company. Since 1930,
news has been aired by the public broadcaster, then known as the Indian State Broadcasting Ankuran Dutta
Service, which was named All India Radio (AIR) in 1936.
From 27 news bulletins in 1939-40, AIR today puts out more than 510 bulletins daily, which
works out to about 52 hours in 82 languages and dialects in the home, regional and external
services. Of these, 89 bulletins are broadcast daily from the countrys capital in the home
service in English, Hindi and other Indian languages. The 44 Regional News Units (RNUs)
prepare and broadcast 355 daily news bulletins in 67 languages. This includes news bulletins
mounted exclusively on FM Gold channel from 22 AIR stations. In addition to the daily news
bulletins, the News Services Division also mounts a number of news and current affairs-
based programmes on topical subjects from Delhi and some other RNUs every day.
In India, AIR has a monopoly over the news and current affairs programmes on the
airwaves. Government cannot clearly justify why private FM channels and community radio
stations are prohibited from airing news and programmes on current affairs. On the other
Anamika Ray
hand, out of 828 private TV channels, apart from the Doordarshan network in India, almost
half, that is 406, were news and current affairs channels as of March, 2013. Not only are these channels private and
individual profit-making mechanisms, but a few are run by foreign companies.
Again, in the case of registered print media, about a lakh of newspapers and periodicals are published in
the country in different languages and dialects, with more than 400 million circulation. Recently, the Union
Government set up a special mechanism to monitor the content of all television channels. But who is monitoring
the content in the large number of newspapers? A good number of newspapers either intentionally or by mistake
carry misleading information and incorrect interpretations of facts.
Questions also arise regarding cable television. There are thousands of cable television operators in India
and most of them regularly broadcast news and programmes on current affairs without proper licenses. Are the
contents of these news channels regulated by any government agency? If private, foreign and cable TV companies
are allowed to telecast news, newspapers are permitted to publish news, and thousands of websites can freely
publish news and even unedited visuals and sound bytes, why does the government prohibit private FM radio
and community radio stations from broadcasting news and current affairs programmes?
When FM radio was launched in Guwahati, there was a surge in demand for FM sets and mobile phones and
car music systems with FM facility. However, the trend has declined and a few FM stations have since closed
down. The reason is that, after a point, it is irritating to listen to only music and banter from radio jockeys, with no
important information being made available. Many listeners want to tune in to informative channels while driving
to work in the mornings, for instance. Also, the listeners hope that they would be treated to informative, educative
as well as entertaining programmes from community radio services, and that a platform would be created for the
voiceless to air their views, were dashed by the governments policy.
Interviews with representatives of all the operational community radio stations in Bangladesh have shown that
the government there was very flexible about framing the policies for community radio stations. It was also of the
view that the most popular radio content in most of the community radio stations is the news bulletin. In some remote
areas of Bangladesh, community and current affairs programmes in bulletins of All India Radio in exactly
radio stations work as the only countries like the US, Spain, Italy, [the] same format (unaltered) on
bridge between the community and Greece and Australia. In fact, many such terms and conditions as may
the rest of the world. They too have stations are solely news channels, be mutually agreed with Prasar
news bulletins - not only regional, including specialised ones for Bharati. No other news and current
but also separate bulletins for community radio. affairs programs are permitted
international and national affairs. In India, the second phase of under the Policy. This again clearly
Apart from Bangladesh, other the Policy Guideline for FM Radio indicates the monopoly of news on
neighbouring countries like Nepal Services (2008) clearly mentions the airwaves by the public service
and Sri Lanka are also making in Paragraph 10 that no news broadcaster. It is indeed astonishing
their radio services more relevant and current affairs programs are that government is so rigid about
to listeners by providing news permitted under the policy. In FM stations broadcasting their own
and current affairs programmes. Phase-III (2011), Paragraph 11 of the news reports.
Thousands of radio stations have policy says, the permission holder The policy does say that
been allowed to broadcast news will be permitted to carry the news broadcasts pertaining to some
Myanmar refugees' dilemma who were targeted by the then specially about medical care and
Though Myanmar citizens who Buddhist military rulers. But even education for their children. Yet
took refuge in various countries with a quasi-democratic regime in they are reluctant (read scared) to
following the turmoil in their Naypyidaw, the new administrative go back to their native places in
own nation have slowly started capital, the influx to India continues, Burma," he says.
returning home, either because of with people coming simply in search Asylum seekers from Mynamar
the improved political situation of a better life. in New Delhi face even more trouble
there or because they are being Mizoram is one of the India's as they are physically dissimilar
made to feel unwelcome by their few Christian-dominated states. and their culture, religion and
host countries, people from the The Chin and Mizo people, who language are different too. New
Chin Province, adjacent to the State share an ancestry, have similar Delhi gives shelter to more than
of Mizoram, are yet to join the physical appearance, food habits 8000 registered Burmese refugees,
exodus. and accents. Yet, life is not easy but it is actually home to another
Nearly 100000 of them, mostly for them. Most asylum seekers 10000, half of them women and
Christians, landed in Mizoram in hire themselves out as cheap daily children, who have travelled over
the wake of the 1998 Burma riots. wage earners on construction sites, 2200 km from Mizoram to enrol
Statistics reveal that the Chin agriculture fields, markets and in with the office of United Nations
province is one of Myanmars local Mizo households. "Our people High Commissioner for Refugees
poorest. frequently face rights violations (UNHCR). India is yet to adopt a
Initially, the refugees were either here (Mizoram), says Pu Win, a specific refugee protection policy,
political activists or student leaders Chin activist. The Chin are worried resulting in persistent confusion
M Sc Electronic Media (5 years Integrated) Plus Two (with Physics, Chemistry & Mathematics)
The programmes combine the aesthetics of media and the technicality of science. They equip students with skills
for journalism and for producing audio, video and animated programmes. Students also learn web designing,
e-learning, public relations, advertising, development communication, game development and social media. The
degree programme on Science and Technology Communication is similar to that of Electronic Media except for a tilt
towards Science. It also has components of M Sc (Environmental Science). Application forms may be downloaded
from the University website: www.annauniv.edu or got in person from the university ofce. For details, please <
contact: 044-22358242/32/41/45 or email: [email protected].
T
he Vikatan Group is 86 years old if we consider 1928 as its beginning when S.S. Vasan took charge of
a humour magazine and built it into a successful weekly. How has the journey been over the years
especially in the past two decades after the advent of the Internet boom?
Vikatan is 88 years young Think nothing but happiness and joy for all (customers), a loose translation of the
motto that has been driving the Vikatan Group for these past nine decades, continues to be relevant in all spheres
of activity that we do today. That customer is King and all we do is with their happiness in mind is relevant today
and, say, for the next 88 years?
In the past two decades, we have been consolidating even as we grow. Consolidating our position as market
leader in every sphere we have got into, and growing strong on the grouting of that very position. Even as we hear
ever-louder voices about the irrelevance of the printed word, we have expanded our magazine portfolio from two
to 12 magazines.
More than a decade ago, television was supposed to have wiped us off, but we are editorially and distribution-
wise stronger and deeper than ever before; Our engagement with the audience has become more frequent and rich
through various activations like Aval Vikatan Jolly Day and Chutti Vikatan Color Galatta.
Less than a decade ago, with the onset of the Web and free content, traditional media was yet again written off.
With the launch and growth of vikatan.com in 1997 and even as we supposedly committed hara-kiri in 2005 by
going pay, Vikatan has struck frightfully close to its simple philosophy
that customer is king deliver value to them and they will pay showing
the world that going pay on the Internet is not taboo rather, the only
way out.
Yet again, social media and YouTube are supposed to spell the death
knell for the traditional media company. But with more than one million
likes and over 100000 daily people talking about us across social clusters,
Vikatan has yet again shown that if you understand the medium well
enough, you can get the message across quite clearly.
TV and the Internet boom has only helped us adapt better, in getting
brand Vikatan to all parts of the globe at the same time, reaching out
to ever new customers to satisfy and keep happy. Whether in the
outskirts of Madurai or in downtown Manhattan, Vikatans job is to
spread happiness. Tell me, how many brands and companies can make
good business out of spreading cheer? We can!
H
ow is it working as deputy head of Graphics for Thomson Reuters, the worlds largest international
multimedia news provider?
This role for Thomson Reuters is a new challenge for me. The shear volume of journalists and stories
published on a daily basis means there is a lot of content compared to a newspaper. Part of my role is to work
with editors and journalists to prioritise and plan content as well as execute it. With around 2800 journalists in 200
bureaus around the world this is not an easy task. However, this also means we have huge resources to tap. Not
only in numbers and geographically, but also in specialisms. The company also manages a lot of financial data,
which is a great resource. When we do produce content there is a much bigger audience, which also excites me.
Graphics and data are an area the company is very passionate about and were continuously looking to grow and
expand the use of graphics within the organisation. All of these factors make this an exciting role for me and the
challenge of the job and ambition of the organisation is something I thrive on.
Photos: WAN-IFRA
When and how did your interest Swati Chakrabarti, deputy art director, HT Media, Mumbai, goes about explaining
in infographics develop? Can you an information graphic.
explain how you nurtured it and
let it blossom? Singapore. I worked for Reuters graphics my way.
After graduating from college, for four years covering a range of I think the editorial culture
where I studied general Art & breaking news, features and sports and attitude towards graphics
Design, I found myself looking at topics before being introduced to a changed a lot in the two years I was
different degrees and universities. role with the South China Morning there. Initially the appreciation
One option that intrigued me Post. This role was where I pushed for infographics was not as
was the Information Graphics my limits and knowledge even sophisticated and the primary
and Newspaper Design course further with the freedom and trust role of graphics was to look good
at Newcastle College, England. I was given there. My interest in and the substance and quality
After an interview with the course infographics evolved from an early of information was secondary.
leader, I left knowing this was what interest in the Arts and has continued Changing this perception, along
I wanted to pursue. to develop through the years with with other bad graphic expectations
After graduating I worked in each opportunity I have been given. was one of my priorities to address.
the British press and my interest To stay inspired, I follow the work I wanted to show that graphics can
continued to grow as I developed my of other departments around the have just as much impact through
skills. I also spent this time watching world. the story they tell, by keeping
what other newspapers were them clear and easy to understand,
doing and following competitions At the South China Morning Post rather than being embellished with
and annual information graphics you are said to have played a key unnecessary artwork. This proved
competitions by the likes of SND role in transforming the use and to be a challenge, but by the end of
and SNDE. In those days, annual quality of graphics in the paper my time there, graphics that told a
awards publications were where and successfully guided the team strong story in a clean and clear way
you would go to see other work to a number of awards. Can you say were the norm and editors trusted
being showcased. Today, with something about it? our opinion on visual storytelling.
social media and the growing Being introduced to the role Positive feedback internally
graphics community, there is a lot at the South China Morning Post and externally led to an increase
more access to work being done was very interesting to me as they in appetite for graphics in the
around the world. were looking for someone to come paper. This in turn gave us more
Five years later it was time for in and help strengthen and build editorial space on the news pages
a change and I accepted a job with graphics through the paper. This and greater opportunities, which
Reuters News Graphics Service was especially intriguing because it resulted in some award-winning
who had recently relocated to was my first opportunity to shape work.
What have been some of your You still continue to learn everyday, a publication. Well-trained and
most satisfying moments while at dont you? How do you bring experienced photographers have
work? pleasure to work such as yours, the expertise to capture incredible
I'm very lucky to have had a which is often not quite easy? emotion in photographs and also
number of satisfying moments, Absolutely. There should never have the ability to know when and
particularly over the past few come a point where you know where to be in order to capture the
years and driven mostly by new everything. You should constantly best pictures. Having a reporter
challenges. At the SCMP I had the learn from your mistakes and also who is also familiar with a camera
opportunity to be able to shape the from the work and practices of and knows the fundamentals of
whole landscape of information others. For me, pleasure comes taking good pictures is also a huge
graphics at a major publication, in creating or directing a graphic advantage as it allows them to
which was something I had worked that tells an interesting story to capture moments as they happen
towards from the start of my career. the reader. A graphic that analyses on location or in breaking news
To have done that successfully an issue or reveals something that situations where they may be the
is something I am very proud of, would otherwise not have been only member of staff on the scene.
given the responsibility it carried. noticed such as a trend.
Being recognized for my work India is a reading society; has a
by Malofiej and SND was also very Do you think that if a paper has reading culture. The scope for
special. It is always rewarding to to be visually appealing you must infographics and making pages
work very hard on projects you have staff photographers with the interesting is huge?
are passionate about and have requisite expertise? In other words, India still has a healthy appetite
them appreciated by your peers. would you rather have a reporter for printed press and newspapers
It was personally gratifying but to double up as photographer? across India aren't as rich in
also good for the department to I dont think this is a factor graphics and intelligent design as
be recognised on an international that will determine whether other regions. This creates huge
stage for our work. Finally, the a newspaper can be visually potential for information graphics
most recent challenge in my career appealing as a whole. There are and quality design. The fact India
has been with my recent return many things that can determine if has a reading culture also presents
to Reuters. This new role brings a newspaper is visually appealing. the challenge of opening people's
new responsibility, which has been However, I think it is important minds to processing information
satisfying in its own right. to have both of those skill sets at visually. This must start with
M. Venkatakrishnaiah, considered
by many as the Father of Kannada
Journalism.
Grassroots appears
2610 publications, including 493
daily and 573 weekly newspapers.
According to the figures released
by IRS (Indian Readership survey)
Q-3 2010, the top five most read
Kannada daily papers were: Vijay
Karnataka( average issue readership:
in print again
34.25 lakh), Prajavani (29.10 lakh), Dear Reader,
Samyukta Karnataka (11.31 lakh), With increasing printing costs, the Press Institute of India,
Kannada Prabha (11.15 lakh), and a non-prot organisation, was compelled to stop publication
Udayavani (8.90 lakh).
of the printed edition of Grassroots with effect from January
Radio 2013 and make it an e-journal. However, due to repeated
The first private radio requests from readers and development agencies, Grassroots
broadcasting station in India was set has appeared in print once again, starting with the April 2014
up in Mysore in Karnataka, when issue. Existing subscribers will receive a copy. Those who wish
Akashvani (meaning voice from the
sky) was set up on September 10,
to subscribe, kindly note: the annual subscription amount is
1935. In 1957, the word Akashvani Rs.180. Payment by (at par) cheque or DD favouring Press
was chosen as the official name of Institute of India can be sent to the Director, PII-RIND,
All India Radio. Karnataka was RIND Premises, Second Main Road, Taramani CPT Campus,
the first state to have a private FM Chennai 600 113.
radio station. Radio City FM started Director and Publisher
broadcasting in Bangalore on
July 3, 2001. By mid-2013, besides
Prime Minister Manmohan Singh being presented a memento by Malayala Manorama editor-in-
chief Mammen Mathew as Defence Minister A.K. Antony looks on during the groups valedictory
function of its 125th anniversary in New Delhi.
K
hushwant Singh wrote his own epitaph many years ago:
Waste not your tears on him, he was a sod
Writing nasty things he regarded as great fun S.R. Madhu
Thank the Lord he is dead, this son of a gun.
True, he revelled in being nasty, in saying exactly what he thought of other people, alive
or dead. He didnt care if he made enemies in the process. He said: I have never been a very tactful person. I am
a voyeur and a gossip, also very opinionated. He added that these were good qualities for a writer who wanted
to be read.
No wonder he was frequently at the receiving end. Khushwant says that he once got an abusive letter from
Canada in Gurmukhi. But the address on the envelope was in English. It merely said Khushwant Singh, bastard,
India. He says the P & T Department knew the address of the only bastard in India and delivered the letter
promptly to his home in New Delhi. He said about TamBrams that they were high in self-esteem and short in
temper and unable to laugh at themselves. They were also obsessed with bowel movements!
Writer Khushwant became a journalist in 1969 when he was invited to edit the Illustrated Weekly of India. Its
circulation and fortunes were dipping, and Khushwant was expected to reverse both. He succeeded sensationally.
One of the first things he changed was the style and content of the Letters to the Editor page. His predecessor A.S.
Raman printed many letters praising him; Khushwant used only letters of abuse. Praise bores readers, he said,
they love to read abuse. Its rumoured that some of these letters were fake. No matter, they were fun to read.
I was a subeditor with The Times of India when Khushwant joined the Illustrated Weekly of India (IW) as editor.
His work style and lifestyle were a favourite topic of conversation and gossip in The Times of India building. He
walked to office every morning and started work by 8 am before the sweepers had arrived. He would leave around
1 pm for the health parlour of the Taj Mahal Hotel. He quickly acquired a reputation for affability, particularly
with youngsters, for a sense of humour, for being tough with deadlines.
Khushwant turned the magazine upside down. Earlier, it was a prudish family magazine. His emphasis,
in his own words, was on sex, Scotch and scholarship. He introduced a column that was to prove one of the
most popular in Indian journalism -- With Malice Towards One and All.
Khushwant got cartoonist Mario Miranda to create a special logo for the
column an incandescent bulb with Khushwant inside it, armed with a
pen and a bottle.
He ran a series of cover stories on Indias communities a thundering
success. (He was passionately committed to inter-religious harmony.)
Another popular series was on nature. He was particular about jokes. The
magazine was in the habit of lifting jokes from Readers Digest and other
magazines. Readers carped about this, and Khushwant asked readers
Photo: Internet
to submit their own jokes. But the result was pathetic. Khshwant said
I gave you readers a chance and you have failed. Now well go back to
doing what we have always done, and you must hold your peace.
Khushwant remarked that journalism was more rewarding than
literature. As a literary figure he was hardly known to the public despite
The one and only Khushwant Singh. books like his critically acclaimed Train to Pakistan. But the IW, he said,
I
n the late 1970s, when I was struggling to give up my full-time college job to entrench myself deep in journalism,
I wrote to Khushwant Singh and he wrote right back in his scrawling hand. I had proudly attached some
clippings of my published pieces for him to comment on. He neatly sidestepped any comment on my writing
but at the end of a brief letter, he wrote, I can slog, can you? I had asked him how he managed to wear so many
hats and also edit one of the most outstanding English weeklies in the country with such great lan. This was
his answer: Take it or leave it. It lay hidden between the lines of the brief note. I had lost the note long ago but
those five words pushed me through the years when I felt I could no longer survive in the rat-race where Page 3
was more important than Page 1 or 2 or 4 or 5 or 20; or, when an editor said he could not use my piece because
the colour of the photograph of the artist I interviewed clashed with the colour of the half-page ad that had been
slotted for the same page under the story. Khushwants column, With Malice Towards One and All, brought a
smile in my darkest hour.
Some years later, the grapevine spread that Khushwant Singh was editing a book on man-woman relationships
with sex as the predominant feature, with eminent journalists and writers contributing their take. This writer
asked him if she could contribute a chapter. He wrote back promptly to say that the slots were all filled and there
was no space for a new writer or chapter. I was deeply disappointed because I felt it would have led to a learning
experience. But perhaps he had guessed that a conservative journalist like me had neither the courage to write
openly about sex nor the gift for ribaldry and acidic humour, and thus rejected my request. In hindsight, it turned
out to be a good decision because the book turned out to be a much criticised piece of work. Khushwant had
edited it, not written it, so he could not be blamed except in the choice of writers. The Internet makes no mention
of the book today.
In one of his syndicated columns, he sidesteps humour to mourn the sudden death by suicide of Indrani Aikath
Gyaltsen in 1994 who he came to know closely after she began corresponding with him to get his feedback on her
novel. It was a moving account of a young friend he lost and this found its way to his book Women and Men in My
Life (Harper Collins, 1995.) Her suicide was traced to her having plagiarised the second of her three novels, Cranes
Morning from English novelist Elizabeth Goudges The Rosemary Tree (Holder and Stoughton, 1956.)
On October 3, she wrote a short letter to Khushwant Singh, who she considered her mentor. I am still in a
very bad frame of mind, she wrote. Afraid to live, afraid to die. But you are right. Only I can help myself." In his
column, Khushwant Singh talked about her radical character, who was born extremely rich, walked out of marriage
and relationships to finally marry a rich tea-planter, who
was a chain-smoker and a woman he might never forget.
There was anything but malice in his touching tribute.
He wrote that she was thoroughly bored with the life of
being the wife of a tea planter. He nurtured her through
her first novel which she mailed to him part by part as she
finished each chapter. It was very powerful, he wrote. The
correspondence blossomed over friendship and Khushwant
Photo: Internet
S
uchitra Sens childhood is shrouded in mystery. Some say she studied in Shantiniketan. She grew up in
distant Pabna, miles away from Bolpur in Birbhum District in West Bengal. During her time, daughters of
middle-class Bengali families did not go to boarding school. But then, her maternal uncle B.N. Sen lived in
Bolpur with his family and she would often come to stay with them. For some time during her early childhood,
she lived with her maternal uncles family in Patna. She was born in Pabna, originally in the northern parts of
undivided Bengal and now in Bangladesh, on April 6. She was the fifth among three brothers and five sisters. Her
fathers name was Karunamoy Dasgupta and her mothers name was Indira. Her nickname was Krishna. When
she was admitted to Pabna Girls High School, her father entered Roma as her name in the admission form. She
was noted for her beauty right from the time she was a child.
In 1947, it was perhaps Suchitras beauty that heralded
an early marriage to Dibanath Sen, son of an extended joint
family that migrated to Calcutta. Suchitra is perhaps the first
Indian actress in Bengal to have made her film debut after
marriage and motherhood. The year of her birth is somewhat
clouded because some sources trace it back to 1931 while
others say the year was 1934. Nitish Roy, assistant director in
one of her earliest films, christened her Suchitra in 1952.
Suchitras career in films began with Shesh Kothai (1952),
which was never released. The following year, she did two
films that brought her into the limelight among filmmakers
in Bengal who discovered a beautiful actress full of promise
and raring to go. One of them was Bhagaban Sri Krishna
Chaitanya directed by the legendary Debaki Kumar Bose
and the other was Sare Chuattar, a rollicking comedy and her
first partnering with Uttam Kumar. In the former film, she
portrayed the young bride of Sri Sri Chaitanya Deb while in
the latter, she, along with Uttam Kumar, defined the younger
pair that formed the sub-text in the film. They went on to
become icons of Bengali romantic melodramas for more than
twenty years creating a distinct genre.
Their films were famous for the soft-focus close-ups of the
stars, particularly of Suchitra, and lavishly mounted scenes
of romance against windswept expanses and richly decorated
interiors with fluttering curtains and such mnemonic objects
as bunches of tuberoses, etc. Some popular films of the pair
include Shap Mochan (1955), Sagarika (1956), Harano Sur
(1957), Saptapadi (1961), Bipasha (1962) and Grihadah (1967).
Photos: SC
T
ogether, both of us have been aware of Prof Ila Pathaks work with the Ahmedabad
Womens Action Group (AWAG) since 1981 when she attended the first National
Conference of Women's Studies at the SNDT Women's University's Juhu campus that
resulted in the formation of the Indian Association of Women's Studies. Ilaben, as she was
fondly called, brought her own energies and perspective to the women's movement. She had
been an untiring worker right from the beginning as is clear from her life. A master's degree
in law, a PhD in English Literature and a senior position in the NCC were indicative of her
capacity to achieve the goals she had set for herself. Her devotion to working for women's
rights and development was reflected in her writings and action through AWAG and the
innumerable institutions she was associated with.
Ilaben began her career as a university teacher of English Language and English Literature
Sonal Shukla
at HK Arts College, Ahmedabad and as a freelance journalist who wrote on womens concerns.
In the early 1970s, she started her crusade against misogyny in Gujarati plays rife with double-meaning sentences
full of crude and crass jokes/ puns that degraded women and objectified womens bodies. In 1981, Ilaben with
her young colleagues/ students such as Dr Ila Joshi, Aditi Desai (theatre artiste), Sofia Khan (now a human rights
lawyer) established a womens rights organisation, AWAG (acronym, pronounced Awaj, meaning Voice). AWAG
energetically raised its voice against sexism in advertisement, media and textbooks. The members blackened
sexist advertisement at public places and staged a dharna (protest) against Putra Kameshti Yagna (on the phallus) to
be aired on All India Radio and got the broadcasting cancelled. Her tireless work resulted in the Government of
Gujarat appointing a committee under her leadership to examine the portrayal of sex stereotypes and subordinate
status of women in the school textbooks in which she involved us also. The mandate for evaluation of the textbooks
was decided within the framework of equality, development and peace.
In 1982, Prof Pathak spearheaded AWAGs participatory action research project to bring out the precarious
condition of the homeless and miserable tribal migrant works near the railway tracks of Ahmedabad City, who
eked out a subsistence by collecting coal fallen from engines on the tracks. She started income-generation activities
for them based on tribal art and beadwork. The same year, when a tribal woman in Sagbara Village of South
Gujarat was gang-raped, it was Ilaben who activised the government machinery and took the case up to Amnesty
International. As a result, all the rapists were punished and a tribal woman got justice at her dwelling place.
Ilaben took leadership for the movement against the Patan PTC College gang-rape of students by male teachers
backed by powerful politicians. She supported Manipur's Irom Sharmila's agitation against the Armed Forces
Special Powers' Act. Ilaben raised her voice against all forms of injustice without fearing the consequences. Her
courageous and consistent work among victims of communal riots post the demolition of the Babri Masjid in 1993
and among Muslim refugees after the Gujarat riots in 2002 symbolised her secular humanism.
Ilabens command over the language came handy to coin catchy and hardhitting slogans in Gujarati, such
as Silence is not a virtue, break the silence of oppression, Putting up with injustice is not a virtue, fight for
justice. She gave great emphasis to documentation, research and training and AWAG always provided material
Photo: VP
Women Development Cell of
Gujarat University that had to
perform the twin tasks of prevention
of sexual harassment and
promotion of gender sensitisation
in the university and its affiliated Ila Pathak, pictured against a captivating backdrop.
colleges. Ilaben was also a governing
board member of the Centre for four books based on a compilation of Economics, SNDT Womens
Social Studies, Surat. She played of her articles promoting womens University, Mumbai, and a member of
an important role in all women- striving for dignity and struggle for the advisory board of the Department
centred activities at the Gujarat empowerment. < of Womens Studies of the National
Vidyapeeth. She was president Council of Education, Research and
of the India Chapter of Womens Training, Delhi. Sonal Shukla has
International League for Peace and been active in the women's movement
Freedom. She was an active member (Vibhuti Patel is a member of the since 1980 and has been a columnist
of the Movement for Secular Womens Research and Action in two Gujarati dailies, writing
Democracy. In 2012, Ilaben was Group, Mumbai, and president, on women's issues for over three
honoured for her work among poor WomenPowerConnect, Delhi. She is decades.)
and oppressed women and for her professor and head of the Department
G
ujaratmitra enjoys the status of being one of the oldest newspapers published in India and being the oldest
newspaper in Gujarat. It completed a glorious run of 150 years of its existence on 13th September last year.
Despite several ups and downs, financial crises, and the ever-changing political scenario during all these
years, the paper managed to survive all odds and come up an unscathed winner.
Gujaratmitra was started in 1863 by a Parsi, Dinshaw Ardeshir Talyarkhan, as a weekly newspaper. It was named
Suratmitra. Due to its growing popularity even outside Surat, within a year of its inception, on 11th September,
1864, the name was changed to Gujaratmitra. Since 1870, its ownership changed several hands.
In 1893, Uttamram Umedram Reshamwala joined
Gujaratmitra as its sub-editor. In 1920, Uttamram
bought over the newspaper. Since then, it has remained
in the Reshamwala family. Uttamram managed
Gujaratmitra efficiently up to 1929; gradually, it became
an inseparable part of the life of the people of Surat
and South Gujarat. In 1929, Uttamram breathed his last
and Champaklal Reshamwala, his eldest son, became
chief editor and owner. Please continue to uphold the
policy of neutrality and non-alignment. Look after the
newspaper well. Those were the words uttered by the
first of the Reshamwala editors, Uttamram Umedram
Reshamwala, during his last days.
Champaklal achieved an important landmark
when he transformed the weekly Gujaratmitra and
Gujaratdarpan into a daily newspaper on 15th November
1936. Gujaratmitra was thus established as a daily. Sadly,
six months later, Chamaklal died an untimely death. His
younger brother Pravinkant Uttamram Reshamwala,
was compelled to quit college studies and take on the
burden and responsibility of running the newspaper.
Pravinkant nurtured the publication and successfully
focused on strengthening the newspaper by providing
balanced views, powerful editorials, columns on various
subjects by authoritative writers, in-depth coverage, etc.
The newspaper was soon on a strong footing.
It survived four devastating floods caused by River
Tapi between 1959 and 2006. Each time, the floodwaters
caused colossal loss to machinery, stock and property.
The flood in 2006 ravaged the entire plant and the store
at Gujaratmitra Bhavan was submerged in about 12 feet
The cover page of the special issue brought out to mark of water for more than five days. For over a month, the
150 years of Gujaratmitra. newspaper was published with outside help. Each of
in Asia-Pacific indexes three times more than TV on demanding and the most difficult exercise
ROI, and five times more on brand impact. The recent because it needs an idea it needs The Idea.
formation of OneIndia has ignited speculations of a INK endorses innovation in newspaper advertising
fresh print war. by creative agencies, media agencies, newspaper
(Courtesy: exchange4media.com) publishers, advertisers and all those, who are involved
with it. It aims to raise the standard of crafts associated
Living Media, Hearst Corp ink with creating finest newspaper advertising.
(Courtesy: exchange4media.com)
deal
Living Media India (LMI), the holding and the ET Panache launched in
magazine publishing company of the India Today
Group, has entered into a joint venture agreement with
Mumbai
Hearst Corporation, USA, to publish, both print and The Economic Times has launched ET Panache, a
digital, magazines, primarily in the lifestyle domain, lifestyle and leisure accompaniment to the main
for the Indian market. The magazines published by the newspaper. The club class of lifestyle products, ET
joint venture will include Hearst and other publishers Panache is ETs stylish nod to bigwigs, honchos, top
titles. LMI has been a licensee of Hearst brands. guns be it in India Inc, sports, politics, Bollywood.
Sanjay Thapar has been brought on board as chief ET Panache is their world, a reflection of their pursuits
executive officer to lead the LMI-Hearst joint venture. and their leisure, a mirror to their choices and their
In this role, he will report to Ashish Bagga, Group thoughts. From the opulence of their homes to the
CEO, India Today Group. All editorial and business wheels they drive, from their lavish bashes to their
staff of the Lifestyle group will be supervised by secret getaways, from power dressing and exotic
Thapar. foods to executive health and wellness, this six-page
Hearst Corporation is one of North Americas supplement will cover it all.
largest diversified media and information companies. Lists, recommendations, reviews, opinions, great
Its major interests include ownership of 15 daily and 34 finds and more constitute the staple for ET Panache,
weekly newspapers, including the Houston Chronicle, even as it delves in-depth into the rarefied universe of
San Francisco Chronicle, San Antonio Express-News and upscale travel, dining, wellness and style. The paper
Albany Times Union; hundreds of magazines around will be available along with The Economic Times every
the world, including Good Housekeeping, Cosmopolitan, Wednesday, Thursday and Friday.
Elle and O, The Oprah Magazine; 29 television stations; (Courtesy: exchange4media.com)
ownership in leading cable networks, including
Lifetime, A&E, History and ESPN; significant
holdings in the automotive, electronics and healthcare
Venu is executive editor,
information industries; a 50 per cent stake in the global Amar Ujala
ratings agency Fitch Group; Internet and marketing M.K. Venu, who resigned from The Hindu last year,
services businesses; television production; newspaper has joined the Amar Ujala Group of Publications as
features distribution; and real estate. executive editor. Venu will look after the news flow
(Courtesy: exchange4media.com) of Amar Ujala currently and is planning to expand the
digital leg of the newspaper. Amar Ujala is venturing
First ever Dainik Bhaskar INK into the digital medium in different languages. Venu
has brought in Sujay Mehdudia as senior associate
Awards announced editor. He will be responsible for the economic and
Entries are now open for the first ever Dainik political verticals, with a lot of focus on economy,
Bhaskar INK awards, an initiative by exchange4media trade, investment and foreign trade.
group. The first edition of the Awards will recognise Prior to joining to Amar Ujala, Mehdudia had
work done between January 1 and December 31, 2013. worked with The Hindu for more than 17 years.
The Awards have been instituted to reward creativity (Courtesy: exchange4media.com)
in newspaper advertising and to recognise the
talent behind it. The Awards seek to raise the profile
and standard of print advertising in India and to
Dainik Bhaskar ropes in
reward strategic thinking, innovation, creativity and Agarwal for Bihar, Jharkhand
effectiveness in all media in this sector. In its inaugural The Dainik Bhaskar Group has brought on board
year, the Dainik Bhaskar Awards will be presented in Y.C. Agarwal as part of the core editorial team for its
21 categories. Bihar and Jharkhand editions. Agarwal has joined the
INK demonstrates the power of print in reaching Group as managing editor of Bihar and Jharkhand. His
out and touching the consumer and acknowledges appointment reflects the Groups constant endeavour
the fact that newspaper advertising is the most
to enhance the editorial content and bring in more bridal wear, the magazine will feature latest trends in
freshness and a new appeal in the publication. The destination events, honeymoon hotspots, spectacular
appointment will further strengthen the leadership soirees, and more.
team of Dainik Bhaskar in Jharkhand, particularly of Fashion magazine Harpers Bazaar was launched
the recently launched Patna edition. in India in February 2009, when the India Today
Agarwal brings with him 42 years of experience Group partnered with Hearst Magazines. US-based
in the Indian media industry. Prior to joining Dainik Hearst Magazines International is a unit of Hearst
Bhaskar, in his earlier assignments, Agarwal was Corporation and encompasses 290 magazines and 147
overall in-charge of Hindustan Media Ventures in websites in 34 languages and 81 countries. Major titles
Bihar, Jharkhand and Uttar Pradesh. include Cosmopolitan, Elle, Esquire, Good Housekeeping,
(Courtesy: exchange4media.com) Harpers Bazaar, Popular Mechanics, and Seventeen.
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