AP Lang Multi
AP Lang Multi
AP Lang Multi
2 Carlyle believed that great men, or heroes, shaped history through their personal actions and divine
inspiration. Joshua, a military leader and successor to Moses, led the Jewish people to the Promised Land.
4. The author uses the phrase On the same ground (lines 1213) to set up a comparison between
(A) the aims of mathematics and those of education
(B) conceptually powerful writers and exemplary educators
(C) intellectual challenges faced by writers and those faced by readers
(D) the formulation of solutions and the identification of problems
(E) scientific writing and inspirational writing
5. On the basis of the first paragraph, Thomas Carlyle is best characterized as a writer who is
(A) ambitious, seeking to increase the number of people buying his books
(B) revolutionary, agitating his readers to adopt a radically new worldview
(C) charismatic, enticing his readers to support his views and beliefs
(D) provocative, compelling his readers to reach their own conclusions
(E) masterful, overpowering his readers with a sense of awe and veneration
7. In lines 4748, the author refers to an epoch in the history of their minds to
(A) illustrate the ways in which other intellectuals disagreed with Carlyle
(B) define the meaning of the title Sartor Resartus
(C) question the continued relevance of Carlyles ideas
(D) describe the major impact that Carlyle had on other people
(E) characterize the arduous process of reading Sartor Resartus
9. Which rhetorical strategy does the author adopt in lines 4463 (The character
influences us)?
(A) She goes on the offensive, berating opponents of Carlyle for their absence of wisdom,
judgment, and foresight.
(B) She acknowledges but discredits other arguments, accusing Carlyles critics of
misunderstanding the originality of Carlyles ideas.
(C) She claims that most people do not recognize Carlyles genius, suggesting that only a
discerning few are capable of doing so.
(D) She cites facts to counter opposition to Carlyles eminence, claiming that all of Carlyles
judgments are unassailable.
(E) She gives examples of Carlyles far-reaching influence, noting that even criticism of Carlyle
implies praise.
10. What purpose do lines 6374 (You may own feeling) serve?
(A) They contrast the appeal of a writer who merely confirms his readers views with that of a
writer who boldly challenges them.
(B) They develop an analogy between the kinds of individuals people are attracted to and the
kinds of writing they prefer.
(C) They challenge the idea that writers modify their ideas to appeal to a wide range of readers.
(D) They examine whether relationships based on shared ideas and interests are rewarding to
both parties.
(E) They provide examples from various writers in which the appearance of good and evil
is deceptive.
11. In lines 7583 (When he his opinions), the author develops her rhetorical purpose by
(A) contrasting he and we to set Carlyle apart and show how he is critical of everyone else
(B) inserting dashes to highlight Carlyles most influential ideas and opinions
(C) employing dramatically urgent adverbs to create a surprising conclusion for the reader
(D) delaying the conclusion of the independent clause to build up the readers sense
of anticipation
(E) utilizing the parallel Hear! hear! and Oh! oh! to imitate a chorus of approval for Carlyle
Questions 1224. Read the following passage carefully before you choose your answers.
This passage consists of excerpts from an essay published in the 1940s.
It is the fate of actors to leave only picture postcards
behind them. Every night when the curtain goes down
the beautiful coloured canvas is rubbed out. What
Line remains is at best only a wavering, insubstantial
5 phantoma verbal life on the lips of the living.
Ellen Terry was well aware of it. She tried herself,
overcome by the greatness of Irving as Hamlet and
indignant at the caricatures of his detractors, to
describe what she remembered. It was in vain. She
10 dropped her pen in despair. Oh God, that I were a
writer! she cried. Surely a writer could not string
words together about Henry Irvings Hamlet and say
nothing, nothing. It never struck her, humble as she
was, and obsessed by her lack of book learning, that
15 she was, among other things, a writer. It never occurred
to her when she wrote her autobiography, or scribbled
page after page to Bernard Shaw late at night, dead
tired after a rehearsal, that she was writing. The
words in her beautiful rapid hand bubbled off her pen.
20 With dashes and notes of exclamation she tried to give
them the very tone and stress of the spoken word. It is
true, she could not build a house with words, one room
opening out of another, and a staircase connecting the
whole. But whatever she took up became in her warm,
25 sensitive grasp a tool. If it was a rolling-pin, she made
perfect pastry. If it was a carving knife, perfect slices
fell from the leg of mutton. If it were a pen, words
peeled off, some broken, some suspended in mid-air,
but all far more expressive than the tappings of the
30 professional typewriter.
With her pen then at odds and ends of time she has
painted a self-portrait. It is not an Academy portrait,
glazed, framed, complete. It is rather a bundle of loose
leaves upon each of which she has dashed off a sketch
35 for a portraithere a nose, here an arm, here a foot,
and there a mere scribble in the margin. The sketches
done in different moods, from different angles, some-
times contradict each other .
Which, then, of all these women is the real Ellen
40 Terry? How are we to put the scattered sketches
together? Is she mother, wife, cook, critic, actress,
or should she have been, after all, a painter? Each part
seems the right part until she throws it aside and plays
another. Something of Ellen Terry it seems overflowed
12. Which of the following statements is best supported by information given in the passage?
(A) Terry never focused on one career; she was skilled at so many things that she did not excel
in any one thing.
(B) Terry was so clever an actress that her portrayal of a role seemed to change every night.
(C) Shaw encouraged Terry to become a play-wright by carefully tutoring her in creating plots
and characters.
(D) Because Terry lacked confidence in certain of her skills, she never fully realized she was a
person of rare talents and gifts.
(E) Because Terry did not have natural talent for either writing or acting, she struggled to learn
her crafts and became great through sheer willpower.
15. The passage implies that the primary enemy of the beautiful coloured canvas and the
wavering, insubstantial phantom (lines 3 and 45) is the
(A) cost of producing plays
(B) whims of critics
(C) passage of time
(D) incredulity of audiences
(E) shortcomings of dramatists
16. The phrase a verbal life on the lips of the living (line 5) suggests that
(A) performances live only in the memories of those who witness and speak of them
(B) actors do not take the trouble to explain their art to the public
(C) the reviews of critics have a powerful influence on the popularity of a production
(D) dramatists try to write dialogue that imitates ordinary spoken language
(E) audiences respond to the realism of the theater
17. What is the relationship of the second and third sentences (lines 25) to the first sentence
(lines 12)?
(A) They are structurally less complex than the first.
(B) They are expressed in less conditional terms than the first.
(C) They introduce new ideas not mentioned in the first.
(D) They clarify and expand on the first.
(E) They question the generalization made in the first.
19. The effect of italicizing the words nothing, nothing (line 13) is to
(A) emphasize Terrys sense of frustration
(B) indicate a sarcastic tone
(C) suggest the difficulty of writing great parts for actors
(D) link a clear sense of purpose to success in writing
(E) imply that Terrys weakness in writing is her tendency to exaggerate
20. The words bubbled off (line 19) and peeled off (line 28), used to describe the way Terry
wrote, emphasize
(A) polish and sophistication
(B) thoughtfulness and application
(C) bluntness and indiscretion
(D) mystery and imagination
(E) ease and spontaneity
21. Which of the following stylistic features is used most extensively in lines 25-30 ?
(A) Inversion of normal subject/verb/object order
(B) Repetition of sentence structure
(C) Periodic sentence structure
(D) Sentence fragments for emphasis
(E) Use of connotative meanings that add complexity
24. The author suggests that Shakespeare, Shaw, and Ibsen could not fit (line 46) Terry
chiefly because
(A) the parts they created did not allow Terry to make use of every aspect of her talents
(B) their dramatic talents were focused on plot rather than on character
(C) Terry was better at conveying certain kinds of characters and emotions than she was at
conveying others
(D) their plays were set in historical periods different from the one in which Terry lived
(E) the speeches they wrote for their female characters were written in accents and dialects
different from Terrys
Questions 2537. Read the following passage carefully before you choose your answers.
This passage is taken from a book that examines Canadian book clubs.
So pronounced is the book-club phenomenon
that the format has spread to other venues and media,
the most famous of these being the book club
Line component of Oprah Winfreys television talk show.
5 Staged like an actual book-group meeting, with
invited discussants and a cozy living-room setting,
the Winfrey show can boost a featured title to instant
bestsellerdom and turn authors into stars. There
are now book clubs online, in bookstores, and
10 functioning as consumer focus groups for publishers.1
Colleges, bookstores, and resorts have recently
begun to develop readers retreats.2 Newsletters,
magazines, newspapers, and published guides advise
readers how to find, establish, and manage successful
15 clubs.3
The widespread popularity of these reading groups
has even occasioned a form of book-club backlash.
In a newspaper opinion piece titled Why I Wont
Join the Book Club, one contributor expressed alarm
20 that reading was becoming another scheduled activity
to be slotted in like the trip to the gym and the
grocery store; self-improving readers pop books as
they would vitamin tablets. But books are not about
schedules, author Stephanie Nolen argues; rather,
25 they are about submerging yourself about getting
lost, about getting consumed.4 Considerable attention
was garnered by another article, detailing the darker
side of some New York City reading groups.
Headlined Book-Club Lovers Wage a War of Words
30 when reprinted by the Globe and Mail, it could
equally well have been titled When Book Clubs Go
Bad: No longer just friendly social gatherings with
a vague continuing-education agenda, many of
todays book groups have become literary pressure
35 cookers, marked by aggressive intellectual one-
upmanship and unabashed social skirmishing. In
2 For example, Vancouver bookseller Celia Duthie is developing such retreats at a country inn. There are
discussion periods and visits by authors and, most importantly, time to read. See Keyes, Out of the Woods.
3 Some popular guides are Greenwood et al., The Go on Girl!; Jacobson, The Reading Group Handbook; and Saal, The
New York Public Library Guide to Reading Groups. A new entry to the field, developed with a particular eye to the
needs of Canadian clubs, is Heft and OBrien, Build a Better Book Club.
26. In context, the author places the term book club in quotation marks in lines 3 and 9
in order to
(A) show that these are humorous examples
(B) highlight how formal some of these clubs are
(C) reveal that the book clubs that appear online or on television are unsatisfactory
(D) suggest that the term is being broadened beyond its original meaning
(E) imply that many book club members do not like the term
5 Daspin, Book-Club Lovers Wage a War of Words. The piece originally appeared in the Wall Street Journal.
28. According to lines 2326, Stephanie Nolens primary criticism of book clubs is that they
(A) are too programmed
(B) do not offer enough variety
(C) cause readers to be anxious
(D) overlook many classics
(E) forego quality for quantity
37. The information in footnote 2 is different from that in footnote 3 in that footnote 2
(A) is critical while endnote 3 is neutral
(B) assumes that readers do not like research while endnote 3 assumes that readers
like research
(C) is concerned with local book clubs while endnote 3 relates to global issues
(D) primarily provides an illustration of a phenomenon while endnote 3 primarily lists
resources
(E) relates mostly to marketing while endnote 3 relates mostly to cultural conflicts in
book clubs
Questions 3850. Read the following passage carefully before you choose your answers.
This passage is excerpted from a nonfiction book published in the late twentieth century.
Climatologists speak of thunderstorms pregnant
with tornadoes, storm-breeding clouds more than twice
the height of Mount Everest; they speak of funicular
Line envelopes and anvil clouds with pendant mammati and
5 of thermal instability of winds in cyclonic vorticity,
of rotatory columns of air torquing at velocities up to
three hundred miles an hour (although no anemometer
in the direct path of a storm has survived), funnels that
can move over the ground at the speed of a strolling
10 man or at the rate of a barrel-assing semi on the turn-
pike; they say the width of the destruction can be the
distance between home plate and deep center field and
its length the hundred miles between New York City
and Philadelphia. A tornado, although more violent
15 than a much longer lasting hurricane, has a life
measured in minutes, and weathercasters watch it
snuff out as it was born: unnamed.
I know here a grandfather, a man as bald as if a
cyclonic wind had taken his scalpsomething wit-
20 nesses claim has happened elsewherewho calls
twisters Old Nell, and he threatens to set crying
children outside the back door for her to carry off.
People who have seen Old Nell close, up under her
skirt, talk about her colors: pastel-pink, black, blue,
25 gray, and a survivor said this: All at once a big hole
opened in the sky with a mass of cherry-red, a yellow
tinge in the center, and another said: a funnel with
beautiful electric-blue light, and a third person: It was
glowing like it was illuminated from the inside. The
30 witnesses speak of shapes: a formless black mass, a
cone, cylinder, tube, ribbon, pendant, thrashing hose,
dangling lariat, writhing snake, elephant trunk. They
tell of ponds being vacuumed dry, chickens clean-
plucked from beak to bum, water pulled straight up
35 out of toilet bowls, a wife killed after being jerked
through a car window, a child carried two miles and set
down with only scratches, a Cottonwood Falls mother
(fearful of wind) cured of chronic headaches when a
twister passed harmlessly within a few feet of her
40 house, and, just south of Chase, a woman blown out of
her living room window and dropped unhurt sixty feet
away and falling unbroken beside her a phonograph
record of Stormy Weather.
40. Compared with that of the rest of the passage, the diction of lines 18 (Climatologists
survived) is
(A) informal and straightforward
(B) technical and specialized
(C) subjective and impressionistic
(D) speculative and uncertain
(E) understated and euphemistic
42. Which of the following is true of the comparisons in lines 1114 (they say Philadelphia)?
(A) They emphasize the unpredictable nature of tornadoes.
(B) They exaggerate the danger of tornadoes in order to make people cautious of them.
(C) They use technical terminology in order to ensure accuracy of description.
(D) They draw on familiar information to particularize an aspect of tornadoes.
(E) They clarify the distinctions between the language of climatologists and that of
weathercasters.
43. The first sentence of the passage (lines 114) employs all of the following to convey the power
and variety of tornadoes EXCEPT
(A) abstract generalization
(B) the jargon of climatologists
(C) metaphor
(D) parallel construction
(E) varying degrees of formality
44. The passage implies that unlike hurricanes, tornadoes are not given human names because
(A) there are too many of them
(B) their destruction is not as great as that of hurricanes
(C) they last too short a time
(D) they move too erratically to be plotted
(E) they can appear in any area of the world
45. When the passage moves from the first paragraph to the second, it also moves from
(A) overview to illustration
(B) analysis to argumentation
(C) narration of the past to analysis of the past
(D) assertion to definition
(E) objective presentation to ad hominem argument
46. The phrase as bald as if a cyclonic wind had taken his scalp (lines 1819) does all of the
following EXCEPT
(A) describe the grandfather with an image related to the cyclone
(B) suggest a lighter tone for the paragraph
(C) particularize the first of several sources of information mentioned in the paragraph
(D) suggest the power of the tornado
(E) express concern about the condition of the grandfather
47. In context, the image of being up under Old Nells skirt (lines 2324) is meant to suggest
(A) safety
(B) confusion
(C) domesticity
(D) familiarity
(E) imprisonment
48. Which of the following best describes the images in the last sentence of the passage
(lines 3243)?
(A) A disdainful rehearsal of other peoples experiences
(B) A random listing of repulsive or frightening occurrences
(C) A thorough review of absurd legends
(D) A series of increasingly detailed and implausible events
(E) A chronological account of major storms
49. The second paragraph of the passage relies especially on the use of
(A) cautionary advice
(B) colorful anecdotes
(C) self-deprecating humor
(D) extended analysis
(E) terrifying juxtapositions