Sea Missing
Sea Missing
Sea Missing
Workshop You have seen how the literary elements of a poem work together to contribute to
informative text the poems meaning. In this workshop, you will examine a poem of your choice and
will present your findings in an analysis.
Writing
Writing
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KEYWORD:
KEYWORD: HML12N-270
HML11-280
Getting Started
Getting Started
narrow your focus ask yourself:
Once you have an understanding of the What elements dominate the poem?
significant ideas in the poem and how the How do these elements help to communicate the
literary elements help communicate those poems meaning?
ideas, you can decide which of those elements What domain-specific vocabulary, such as specialized
are most significant. literary terms, will I need to define for readers so that
they can understand my analysis?
0%%22%6)%7 Share your controlling idea with a peer. Ask: What words or lines from the poem will help
support my analysis?
YOUR In your Reader/Writer Notebook, develop your writing plan and controlling idea.
Consider these tips as you gather evidence:
TURN
Reread the poem to find lines that contain key imagery.
Think about how your evidence supports your controlling idea. Be prepared to
adjust or revise your controlling idea as you analyze the evidence.
introduction
Start with an attention-grabbing quotation or bold statement.
Introduce the poems author and title. State your controlling idea and key literary elements you will
discuss.
body
Organize ideas so that each new element builds on the preceding ones to create a unified whole.
Cite concrete details, quotations, and other evidence from the text to support your analysis.
Use varied transitions such as in addition, although, and too to link related ideas and create cohesion.
Maintain a formal style and objective tone by avoiding contractions and slang, choosing precise language,
and discussing the poem in a neutral, unbiased way.
concluding section
Restate your controlling idea, and summarize your main points.
Show how the poem relates to broader themes or experiences in life.
Quoting words, phrases, or clauses (up to one The poems speaker describes the wind as
line in length): Integrate the word, phrase, something removed.
or clause smoothly into your sentence,
setting off the quotation in quotation marks.
Quoting more than one line: Use a solidus, The silence is said to sound like the gnashing
a slash mark (/), with a space on both sides of windmills ground / To a dead halt.
to show line breaks.
Quoting more than two lines: An excerpt of Walcott uses abstract imagery to express
more than two lines is usually set off from the speakers feeling of numb isolation.
the text, either centered or indented. The It hoops this valley, weighs this mountain,
excerpt should use the same spacing as the Estranges gesture, pushes this pencil
original. No quotation marks are used when Through a thick nothing now,
excerpts are set off in this way.
YOUR Develop a first draft of your analysis, following the structure outlined in the chart above.
As you write, be sure to follow the rules for excerpting poetry.
TURN
writing workshop 273
literary analysis
Ask Yourself Tips Revision Strategies
1. Does the introduction engage Put parentheses around the If necessary, add an engaging
the audience and introduce the engaging opening. Circle opening, such as a provocative
poem? the title of the poem and quotation or a bold statement. Add
the name of the author. the name of the poem and its author.
2. Does the introduction identify Highlight the controlling If needed, add a controlling idea and
the literary elements and state a idea. Bracket the literary identify the poems literary elements.
controlling idea? elements.
3. Is each point supported by well- Circle each piece of Add concrete details or quotations
chosen and relevant textual evidence. Draw an arrow to from the poem to bolster any
evidence, such as concrete the point it supports. unsupported points.
details and quotations?
4. Does the writing establish and Bracket contractions, slang, Replace informal or biased language
maintain a formal style and and biased language. with precise, objective text.
objective tone?
5. Are varied transitions and Place a check mark next to Add transitions where needed, or
syntax used to link ideas? each transitional word or replace transitions to create variety.
phrase. Draw a star next to Vary the structures of starred
any consecutive sentences sentences.
that have the same
structures.
6. Does the concluding section Highlight the sentence Add a sentence that restates the
restate the controlling idea and restating the controlling controlling idea, or add a sentence
make a connection between the idea. Double-underline that connects the poem to life.
poem and life? the sentence or sentences
connecting the poem to life.
YOUR 0%%22%6)%7 Exchange your analysis with a classmate. As you
read and comment on your classmates essay, focus on the strength
TURN of the controlling idea and evidence. Give concrete suggestions for
improvement, using the revision strategies in the chart.
274 unit 1: the anglo-saxon and medieval periods
,%!2.(/7 Add a Controlling Idea Although Roberts essay introduces the poet
and title of the poem, it does not include a clear controlling idea. His controlling
idea should connect the stylistic elements (imagery of absence and loss) to the
meaning of the poem (the expression of the agony of the land-bound sailor).
YOUR Use the feedback from your peers and teacher as well as the two
Learn How lessons to revise, rewrite, or try a new approach to your
TURN essay as needed. Evaluate how well you conveyed your controlling idea
and addressed what is most significant for your specific purpose and
audience.
In the editing stage, you review your analysis to make sure that it is free of
grammar, spelling, usage, syntax, and punctuation errors. Mistakes can distract
your audience from focusing on your ideas.
In the last full stanza, Walcott uses the images of objects found in the house
(silent cupboards and sour laundry), again using synecdoche.
[The quotation fragment is integrated into the sentence and set off by quotation marks.]
marks.
Commas and periods are set inside the closing quotation mark.
Question marks and exclamation points are set inside the quotation mark
only if the quotation itself is a question or exclamation; if the question
mark or exclamation point applies to the overall sentence rather than the
quotation, the punctuation is set outside the end quotation mark.
Semicolons, colons, and dashes are always placed outside the closing
quotation mark.
As Robert edited his essay, he realized he had incorrectly punctuated a quotation.
The comma should be set inside the closing quotation mark.
YOUR Correct any errors in your analysis. Make sure that you connect your
evidence to your controlling idea. Edit carefully and make sure you have
TURN punctuated quotations correctly. Then, publish your final essay where
your audience is likely to see it.
literary analysis
score common core traits
Development Has an engaging introduction; includes a controlling idea with an
insightful analysis of the poem; supports main points with significant, relevant
evidence; ends powerfully
6 Organization Arranges ideas in an effective, logical order; uses varied transitions and
syntax to create cohesion and link ideas
Language Consistently maintains a formal style; effectively uses precise language;
shows a strong command of conventions
5 concluding section
Organization Arranges ideas logically; uses transitions and syntax to link ideas
Language Maintains a formal style; uses precise language; has a few errors in conventions
Development Has a weak introduction and a controlling idea that does not relate to
the writing task; lacks specific evidence; has a weak concluding section
Read the task carefully. Then, read it again, noting the words that tell the
topic, the audience, and the purpose.
writing task
The plots of most stories and novels are set into motion by the conflict, or problem,
Topic
experienced by the main character. Think of a conflict from a story or novel you have
Audience
read. Then, write an analysis explaining to classmates whether the conflict is internal or
external and how it affects the plot and theme of the work. Purpose
Once you have decided on a work of fiction and identified its main conflict,
ask yourself these questions:
Is the conflict external (caused by outside forces, events, or characters) or
internal (caused by the characters opposing needs, emotions, or desires)?
How does the conflict move the action forward?
How is the conflict resolved?
What theme does the author suggest through the resolution of the conflict?
Begin your draft by writing your controlling ideaa statement about the conflict
and its effect on the plot and theme of the fictional work. Then, do the following:
Organize your response in sequential order, discussing the events as they occur
in the work.
Provide evidencedetails from the textto support your controlling idea.
Elaborate on how each piece of evidence supports your controlling idea.
Conclude your essay with a discussion of how the resolution affects the theme.
Revising Check your draft against the task. Does your draft clearly state a controlling
idea about the conflict and its effect on the fictional work as a whole? Does it provide
sufficient evidence? Do you end with an insight into the fictional work and its theme?
Proofreading Find and correct any errors in grammar, usage, syntax, and spelling.
Make sure that your paper and any edits are neatly written and legible.
Checking Your Final Copy Before you submit your paper, examine it once more to
make sure that you are presenting your best work.
YOUR As a Speaker Deliver your speech to a friend, making sure to
o
incorporate the verbal and nonverbal techniques described d on
o
TURN this page. Use your friends feedback to make adjustmentss too
your presentation and to improve your speaking skills.
As a Listener Evaluate a classmates delivery of his or her
analytical speech. Consider the speakers point of view and d
whether it is well-supported with evidence from the poem. m.
Listen carefully to see if you can follow the line of reasoning
g
among the speakers ideas, and note any places you feel lost. st.
Consider whether the speaker emphasizes his or her pointss with w
an appropriate tone and word choices.