M

REVISED EDITION
OF THE

NEW UNIVERSAL

MOULDING BOOK
CONTAINING LATEST STYLES OF MOULDINGS
AND

Architectural Designs of Exterior and Interior Finish

In great variety, giving full size of Mouldings, and their exact measurement
in inches on each Moulding.

RAILS, BALUSTERS |AND NEWEL POSTS,

ARCHITF^AVRS,

Front, Interior and Store Doors,

Wood Mantels, Pew Ends, Office Counters,

SCROLL AND TURNED BALUSTRADES,-

BRACKETS AND DRAPERY,

ELEVATIONS OF DOOR AND WINDOW FRAMES.

Entered according to Act of Congress, in the McNALLY &

year 1891, by RAND, Co., in the Office of the Librarian of Congress,
at Washington, D. C.

CHICAGO :

PUBLISHED BY RAND, McNALLY & COMPANY,

Printers, Engravers, and Electrotypers.
1891.
 INDEX.
Balusters, .......
.....
............
og
Bay Windows, '.

Brackets, ' 48 to 53
Chapter on Mouldings, with Illustrations, ^ v {{

......
. i
*
V) v>
Columns and the Orders of Architecture, with yiii ix x
Illustrations, .

Cornice Drapery,
....
Counters, Office or Bank, '

.
-
'47
gO

....;.
Doors, Front and Frame,

......
Doors, Interior Finish,
. . . . . . t t . 73 to 75
65 to 68
Fence,
Frames, Window, ....
.......
.

76 to 79
56

Fronts, Store,
Gate > ..'.. !.'!
... 1
62
56
Glossarial Index,
Wood,
Mantels,
MOULDINGS
..... \
'.'.'.'.
TL i ' T1-;
61

Astragal, 12 and 28
Band, .
18 to 22
Base,
Battens, 28
Bed, .
6,7
Casings, 41, 44
Ceiling and
Crown, ......
Window Stools,

Drop Siding, Flooring and Ship Lap,

.
38
to 5
46

.......
. . !

Eastlake and Queen Anne

Casings for Windows and Doors *42 4
Inside Finish,
Interior Cornice
Lattice,
.....'
and Bead,
Back Band and Transom
39' 40
33* 34
Bar,

O G btops,
Panel and Base, ..... |
15 to 17
10

Pew Back
P G
and Bead Stops, ......
Rail, Wainscoting Cap and Thresholds, 30
3 !

Rabbeted Panel and Base,

Return Beads,
....
Quarter Round, Half Round and Cove,

.....
.' .

23 to 27
8
9

Section of
C!

Sunk Panel,
Water Table
s~*
feprung Cove and Bed, .......
Window

......
-t

"
or Drip
Frames, o
*oe OU
OOj
6
3l
Cap QH
Pew Ends, .

Pickets,
Posts, Newel,
Price List of
...
Mouldings and Stair Work,
!."..'
. '. '. '. '. '.
84 to 87
90, 91, 92

Rail, Outside, Balusters and Posts,

Rail, Stair, .

Stair Plans and Stair

Brackets,

Verandas, .......
Veranda Sawed Balustrade and Rail,
 CHAPTER ON MOULDINGS.
the are frequently met with in great abundance two
MOULDING. A general term applied to all ;

of the most marked are the billet, and a series

contour given to the angles
varieties of outline or
of of grotesque heads placed in a hollow moulding,
of the various subordinate parts and features
or cavities, such as with their tongues or beaks lapping over a large
buildings,whether projections
window jambs bead or torus but of these ornaments there are
cornices, capitals, bases, door and
;

and heads, regular mouldings of

etc. The Classi- many varieties, and the other kinds are incalcula-
the astragal, bly diversified. (Page vii., figs. E, F, K, L.)
cal architecture are, foe fillet, or list;
In the Early English style, the mouldings be-
or bead ; the cyma reversa, or ogee; the cyma recta,
come lighter, and are more boldly cut than in
or cyma; the cavetto, or hollow; the owlo, or quar-
the torus, or the Norman the varieties are not very great,
ter-round; the scotia, or trochilus;
;

some variety of and in arches, jambs of doors, windows, etc.,

round; each of these admits of
form, and there is considerable difference
in the they are very commonly so arranged that if they
are circumscribed by a line drawn to touch the
manner of working them between the Greeks
and Romans. are represented on page v. most prominent points of their contour it will be
They
The mouldings in Classical architecture are fre- found to form a succession of rectangular
recesses, as a, b, c, d, e they generally consist
quently enriched by being cut
into leaves, eggs ;

of alternate rounds
and tongues, or other ornaments, and sometimes
the larger members have running patterns of and hollows, the
honeysuckle or other foliage carved on
them in latter very deeply
low relief; the upper moulding of cornices is cut, and a few small
fillets sometimes
occasionally ornamented with a series of project-
;

also splays are

ing lions' heads.
-.,

fused there is con-

In middle age architecture, the diversities in ;

the proportions and arrangements of the mould- fsiderable inequali-

'
of
ings are very great, and it is scarcely possible to ty in the sizes
do more than point out a few of the leading and the round mouldings, and the larger ones are
In the Norman distance apart as to
most characteristic varieties. very usually placed at such a
style themouldings consist almost entirely of admit of several smaller between them these ;

rounds and hollows, variously combined, with an large rounds have frequently one or more nar-
to a
admixture of splays, and a few fillets (page v. fig. , row fillets worked on them, or are brought
at Haddenham,
C); the ogee and ovolo are seldom to be found, sharp edge in the middle, as
and the cyma recta scarcely ever in early work ; Great Haseley, etc., (figs. D, G and M, page vii.);
very few mouldings of any kind are met with, the smaller rounds are often undercut, with a deep
and it is not till the style is considerably ad- cavity on one and the round and hollow
side,
vanced that they become numerous as they in- ; members constantly unite with each other with-
crease in number, their size is, for the most part, out any parting fillet or angle. The ornaments
proportionably reduced. One of the most used on mouldings in this style are not numerous,
marked peculiarities of Norman architecture is and they are almost invariably placed in the hol-
the constant recurrence of mouldings broken in- lows; the commonest and most characteristic is
to zig-zag lines it has not been
; very clearly that which is known by the name of the tooth-
ascertained at what period this kind of decora- of four small
ornament, which usually consists
tion was first introduced, but it was certainly not to form a pyramid, but it
plain leaves united so as
till some considerable time after the commence- is sometimes worked differently, and
at the west

ment of the style when once adopted, it became

; door of St. Cross Church, Hampshire, and the
more common than any other ornament, and it is chancel-arch of Stone Church, Kent, is composed
frequently used in great profusion it may be ; of small bunches of leaves these ornaments are
;

made to produce great variety of effect by chang-

commonly placed close together, and several
the
ing the section of the mouldings and placing the series of them are frequently introduced in
zigzags in different directions (figs. and B, page A same suit of mouldings ; the other enrichments
v. About the same time that consist chiefly of single leaves and flowers, or
of
; fig. J, page vii.).
the zigzag appeared, other ornaments of various to the
running patterns of the foliage peculiar
kinds were introduced among the
mouldings, and style.
 CHAPTER ON MOULDINGS.

GRECIAN OVOLO. ROMAN OVOLO.

Temple at Corinth. Theatre of Marcellus, Rome.

CAVETTO.
SCOTIA, TROCHILUS, OR CASEMENT. Theatre of Marcellus, Rome.
Baths of Diocletian, Rome.

CYMA REVERSA OR OGEE.

Temple of Antonlus and Faustinas, Rome.
CYMA RECTA.
Theatre of Marcellus, Rome.

QUIRKED OGEE. '*

Arch of Constantine, Rome.

NORTH HINKSEY, BERKS.

1FFLEY, OXFORDSHIRE. ARCH, CHOIR, PETERBOROUGH CATHEDRAL.

 CHAPTER ON MOULDINGS.
The decorated mouldings are more diversified shallow, hollows; these sometimes occupied so
than the early English, though in large suits large a space as to leave but little room for any
rounds and hollows continue for the most part to other mouldings; the hollows and round members
often very deeply cut, not unfrequently unite without any line of sepa-
prevail; the hollows are
but in many instances, especially towards the end ration, but the other members are parted either

of the style, they become shallower and broader; by quirks or fillets; the most prevalent moulding
ovolos are not very uncommon, and ogees are isthe ogee, but rounds, which are often so small
either by as to be only beads, are very abundant, and it is
frequent; splays also are often used,
themselves or with other
mouldings; fillets very usual to find two ogees in close contact,
members
are abundant, with the convex sides next each other; there is
placed upon larger
especially in the early part of the style,
and a also an undulating moulding, which is common
round moulding, with a sharp projecting edge in abacuses and drip-stones, peculiar to the per-
on it, arising from one-half being formed from a pendicular style, especially the latter part of it;
smaller curve than the other, is frequently used; and another, indicative of the same date, which
this is characteristic of decorated work, and is is concave in the middle and round at each
very common in string-courses; when used hori- extremity, occasionally used in door jambs, etc.
is

zontally the larger curve is placed uppermost; In perpendicular work, small fillets are not placed
there is also another moulding, convex in the upon larger members as in decorated and early
middle and concave at each extremity, which, English; splays also are much less frequent than
though sometimes found in the perpendicular in the earlier styles, but shallow hollows are

style, may be considered as generally

character- used instead. The ornaments used in the mould-
istic of the decorated. Fillets are very frequently ings are running patterns of foliage and flowers;
used to separate other members, but the rounds detached leaves, flowers, and bunches of foliage;
and hollows often run together, as in the early heads, animals and figures, usually grotesque;
English style H, page vii.). The enrich-
(fig. shields, and various heraldic and fanciful devices;
ments consist of leaves and flowers, either set the large hollow mouldings, when used in arches
separately, or in running patterns, figures, heads, or the jambs of doors and windows, sometimes
and animals, all of which are generally carved contain statues with canopies over them.
with greater truth than at any other period (figs. In Normandy and the adjacent parts of France,
I, P, Q, R, page vii.); shields, also, and fanciful end of the decorated style, the
as late as to the
devices, are sometimes introduced; the varieties
mouldings do not differ materially from those of
of foliage and flowers are very considerable, but
England, although there is often less variety in
there is one, the ball-flower, which belongs espe-
large suits, the same members being many times
cially to this style, although a few examples are
repeated; it is also very usual when capitals and
to be found of earlier date; this is a round hol-
bases are applied to the round mouldings in the
low flower, of three petals, enclosing a ball.
jambs of doors and windows, etc. so as to con-
,

(Figs. N and O, page vii.) vert them into shafts, to find that no change is
In the perpendicular style, the mouldings are made in their forms above the capitals, while, in
generally flatter and less effective than at an England, the mouldings above and below the
earlier period; one of the most
striking character- capitals are seldom the same.
istics is the prevalence of
very large, and often
 CHAPTER ON MOULDINGS.

X ST. EBBE'S, OXFORD. (Beak Head.)

E-ABBAYE AUX DAMES, CAEN. (Segmental Billet.) M SOUTH DOOR ROLVENDEN CHURCH, KENT. Circa 1200.

N DOOR BLOXHAM, OXON. Circa 1280.

O STRINGCOURSE, KIDDINGTON, OXON. Circa 1300.

0-DOOR, PAUL'S CRAY, KENT. Circa 1230.

P-ST.ALBAN'S HERTFORDSHIRE. Circa 1180.

H-MERTON COLLEGE CHAPEL. A. D. 1277. Q-ST. FRIDESWIDE'S SHKINE, OXFORD CATHEDRAL.

I-SOUTHWELL MINSTER, NOTTS. Circa 1290. H-WEST END OF NAVE, ST. MARY'S, OXFORD. A. D. 1488.
 COLUMNS AND THE ORDERS OF
ARCHITECTURE.

The different orders of columns in Classical an imitation of a piece of bark placed by a

architecture (and they have been the models for builder between the echinus and the abacus, and
those of all other styles) are five in number: which curled upon drying into this pleasing
The Doric A, page ix.), Ionic and Corinthian
(fig. shape.
(Figs. B and C, page ix.), and the Tuscan and The principal moulding of this Order is also an
Composite (figs. D and E, page ix.), which are ovolo, though very nicely curved.
only varieties of the Doric and Corinthian. These The flutes are separated by small fillets and the
columns are so important an architectural feature lower base mouldings consist sometimes of two
that the exact proportions of their several parts
scotiae, separated by small fillets and beads,
are settled, and vary according to the order. above which a large torus.
is
The Doric is the oldest and simplest of the The Corinthian Order is the lightest and most
three Greek Orders. Its flutings are not separated
ornamental of the Grecian Orders. It is said
by a fillet, but by a sharp edge. The moulding that Callimachus, a Corinthian sculptor, on ob-
below the abacus of the capital is an ovolo, but
serving some acanthus leaves, which had grown
little curved in section, though quirked on the
up around a basket left
Below the ovolo are a few plain fillets.
top.
upon a grave and had
The Grecian Doric has no base, or rather, all bent over after reach-
the columns stand on oue base; but the Roman
ing the top, took it as
Doric has a separate base for each column, con- a model for a stone
sisting of a plinth, torus and astragal. The ovolo 1

capital. However it is
is in section a full
quarter-circle and is not probably an imitation
quirked. of older Egyptian capi-
tals of the same kind which still exist.

The column was higher and more slender

Ionic
than the Doric. The Corinthian was taller and
more slender than the Ionic. Its distinguishing
feature is its capital, which consists of
astragal, fillet and apophyge, and a bell and
horned abacus. The abacus consists of an ovolo,
fillet and casetto.

Rows of leaves encircle the bell. The base has

two scotiae between the tori, which are separated
The distinguishing feature of the Ionic Order by two astragals.
is its four spiral projections, called volutes. One The various mouldings connected with the
tradition is that they are an imitation of the curls Orders, were, in their design and execution, such
of an Ionian maiden ; another that they simu- as only the Greeks, the most artistic people of
late ram's horns, and still another that they are the world, could produce.
E-Composito Capital and Entablature. IX P Corinthia
THE ORDERS OF ARCHITECTURE,

TUSCAN WITH DETAILS

 ABRIDGED GLOSSARIAL INDEX.

Abacus, the flat member at the

top of a capital, Corbel, a projecting stone to carry a weight, usu-
originally a square tile, and in the classical ally carved. In Norman work the corbels are
styles always square: this form is retained in often made into grotesque heads, and the eaves
French Gothic, and in Norman; but in English of the roof are carried
Gothic
by a row of corbels
it is usually round, sometimes octagonal. called a corbel table. In the early English
the semicircular space at the end of a style the corbels are often carved into the form
Apse,^ called a mask or a buckle, but heads are also
building. In Roman Basilicas the tribune. In
Christian churches of the twelfth century the commonly used, or foliage. In the decorated
chancel generally terminated by an apse, style they are often the heads of a king and a
bishop, especially those carrying the drip-stone
Ball-flower, an ornament peculiar to the decorated over a door, or a window. In the perpendicu-
style.
lar style the moulding is often continued, and
forms a square or round termination, called a
Barrel-vault, resembling the inside of a barrel;
drip-stone termination.
called also Wagonheaded and Tunnel.
Crocket, an ornament peculiar to the Gothic
Bar-tracery, that kind of window-tracery which styles, usually resembling a leaf half opened,
distinguishes Gothic work, resembling more a and projecting from the upper edge of a canopy
bar of iron twisted into various forms than or pyramidal covering. The term is supposed
stone.
to be derived from the resemblance to a shep-
Basilica, the name herd's crook. It is not used in the Norman
applied by the Romans to their
public halls, either of justice, or exchange, or style.
other business; used as churches, and afterward
Cruciform Churches. In the western parts of the
served as models for churches.
Roman Empire the Latin form was adopted,
Battering, sloping inward from the base. i.e., the nave long, the choir and transepts
short; in the eastern, the Greek form, i.e., the
Battlement, a notched or indented parapet, origi- four arms of equal length.
nally used on castles, but afterward employed
as an ornament on churches, Crypt, a vault beneath a church, generally
especially in the
perpendicular style.
beneath the chancel only; used sometimes for
exhibition of relics.
Billet, an ornament much used in Norman work.
Decorated English Style, the second Gothic style.
Byzantim Style. The term
includes the styles of "Windows, showing geometrical tracery.
architecture which prevailed in the
Byzantine Early English Style, the first Gothic
Empire from the foundation of Constantinople, style.
A.D. 328, to its final conquest
by the Turks! Elizabeth, the style of the Renaissance, and a
The plan of these buildings was generally that mixed style.
of a Greek cross, with a large
cupola rising from
the center, and a smaller one over each of the Entablature, the horizontal block of stone or
arms of the cross, and sometimes two on the masonry, lying across the top' of two columns,
nave: arches, round or horseshoe. found in classical architecture; but by degrees
the arch substituted for it.
Chamfer, a sloping surface forming the bevelled
Facia, a broad band, or face used in
edge of a square pier, moulding: the two ends fillet,
of the chamfer are often classical architecture, sometimes by but
itself,
ornamented, and these
ornaments are called chamfer-terminations. usually in combination with mouldings.
or Clearstory, the upper a small square band used on the face of
Fillet,
Glere-story, story of a
church, as distinguished from the triforium or mouldings.
blind-story below it. in which the openings Finial, the ornament which finishes the top of a
though resembling windows, are usually blank pinnacle, a canopy, or a spire, usually carved
or blind, not glazed. into a bunch of foliage.
Clustered Pillar, a pillar formed of a cluster of end wall of a building sloping
Gable, the to a
small shafts, or made to
appear so, and a dis- point.
tinguish] ng feature of the Gothic styles. In
classical and Norman architecture the columns Oablets, small gables.
are plain and not clustered, and this is often
Gargoyle, or Gurgoyle, a projecting water-spout,
the case in French Gothic also.
often ornamented with grotesque figures.
Coping, the sloping termination of a wall or but- This term is applied when
tress, to throw off the water: when
Geometrica^ Tracery.
forming the the openings are of the form of trefoils, quatre-
top of a buttress, it is also called a gablet or foils, sphericai triangles, etc. This kind of
little gable.
tracery came into use in the time of Edward I.
 ABRIDGED GLOSSARIAL INDEX
Gothic, the style of architecture
which flourished Romanesque, the French term for the debased
in the western part of Europe from the end
of Roman styles, including the Norman style.
the twelfth century to the revival of the classi- Spherical Triangle, a triangular opening with
cal styles in the sixteenth. curved sides, used in clere-story windows, as at
or door- Cranford; and in the tracery lights of other
Jambs, the sides of a window opening,
windows, as at Merton and York.
way.
which are an Gothic feature.
Lancet Window, a window the lights of Spire, essentially
of the form of a surgeon's lancet, chiefly used Squinches, the small arches across the angles of a
in the thirteenth century, but occasionally at
all
square tower to carry an octagonal spire.
periods. At first they are single, then two
solid SUme Churches, first built about A.D. 680.
three, or more together separated by
in thick-
masonry, which is gradually reduced Sunk-chamfer Moulding, a feature of the deco-
ness until mere mul'ions are produced; several rated style.
lancets are then grouped under a single arch.
Tooth-ornament, an ornament resembling a row of
Mask or Buckle, an ornament used on corbels in teeth, sometimes called Dog's Tooth and Shark's
the thirteenth and fourteenth centuries; when Tooth. M. de Caumont and the French anti-
looked at in front it often resembles a buckle,
quaries call it Violette, and it often bears con-
but the shadow of it on the wall is the profile siderable resemblance to that flower when half
of a human face.
expanded; it occurs in Anjou in work of the
Monastery, in early times a church with three twelfth century; in England it is rarely used
or four priests attached, often called Minister. before the thirteenth, when it is so abundant
as to form one of the characters of the early
Mullion, the vertical bar dividing the lights of a
English style. In France it is used freely in
window; it occurs in very late Norman work,
but is essentially a Gothic feature. Normandy, but scarcely at all in the Domaine
Royale.
Niche, or Tabernacle, a recess for an image.
Transept, the portion of the building crossing the
Norman Style, commences in the last quarter of nave, and producing a cruciform plan.
the eleventh century, and ceases during the last
Transition, The period of a change of style,
quarter of the twelfth.
during which there is frequently an overlap-
Oculus, a term applied to the large circular window ping of the styles, one building being in the old
at the west end of a church, common in foreign style, another in the new, at the same period.
churches, but not usual in England. The last quarter of each century was a period
of transition, or change from the style of that
Ogee, amoulding formed by the combination of a
round and hollow. century to the style of the one which came
after. This term is chiefly applied to the great
Parapet, the low wall at the top of a building change from the Norman, or Romanesque, to
forming the outline against the sky, at first the Gothic style, but may also be applied, in a
solid, then often divided into battlements, after- minor degree, to each of the subsequent
ward pierced with ornamental open-work. changes of style.
Pier-arches. The main arches of the nave or Transom, the transverse horizontal piece across
choir resting on piers are so called. the mullions of a window; it occurs sometimes
in early English, and decorated work, but is
Pinnacle, a sort of small spire usually terminating far more common in the perpendicular style.
a buttress.
Tribune, the semicircular space at one end of the
Plinth, the projecting member forming the lower In churches copied
basilica, for the judges.
part of a base, or of a wall. from the basilicas, it was retained as the
Pointed. First, middle, and third pointed styles, apse.
synonymous with the more generally received
names of early English, decorated and perpen- Triforium, or blind-story, the middle story of a
dicular. large church, over the pier-arches and under
the clere-story windows; it is usually orna-
Pointed Arch. This is usually a Gothic mented by an arcade, and fills the space formed
feature,
or a mark of transition to it, but it occurs also by the necessary slope of the aisle roofs.
in earlier work, before the
change of style, as Tudor-flower, an ornament belonging to the per-
at Fountains Abbey,
Malmesbury.
pendicular style, but not confined to the Tudor
Porch, a projecting structure to protect a doorway. period.
Quoins, corner stones. Turrets, small towers.
Renaissance", Style of the, in England called Eliza- Twelfth Century.Vide Norman.
bethan, or Jacobean.
Tympanum, the space between the flat lintel of a
Rib, a projecting band or moulding on the surface
of a vault. doorway and the arch over it, usually filled
with sculpture
CROWN MOULDINGS.
CROWN MOULDINGS.
CROWN MOULDINGS.
CROWN MOULDINGS,
CROWN MOULDINGS.
SPRUNG COVE AND BED MOULDINGS.
BED MOULDINGS
RETURN BEADS.
QUARTER ROUND, HALF ROUND AND COVE. 9
10 O G STOPS.

103

93 104

94 105

95
106

96
107

97 108

1O9
98

110
99

111
100

112
1O1

113
102
 P. G. AND BEAD STOPS 11

125
114

126
115
96*1%

127
116

128
117

129
118

119 130

131
120
D
132
121

133
122

134
123

135
124
ASTRAGAL MOULDINGS.
 NOSINGS. 13

159

156

162

164
14 NOSINGS.

172

173

174

175

176

t
177

178
 PANEL AND BASE MOULDINGS. 15

180

181

183

184
PANEL AND BASE MOULDINGS.
PANEL AND BASE MOULDINGS. 17
18 BAND MOULDINGS.
 BAND MOULDINGS. 19

236

231
BAND MOULDINGS.
BAND MOULDINGS.
2a BAND MOULDINGS.

271
264

272

270
RABBETED PANEL AND BASE MOULDINGS.
RABBETED PANEL AND BASE MOULDINGS.
RABBETED PANEL AND BASE MOULDINGS. 25
26 RABBETED PANEL AND BASE MOULDINGS.
 RABBETED PANEL AND BASE MOULDINGS.

1 324 I 331

L_ ,
332

327

328

329
ASTRAGAL AND BATTENS.
NOSINGS.
30 PEW BACK RAIL, WAINSCOTING CAP AND THRESHOLDS.

Pew Vack $ail,Plne,Walnut

Cherry or Oak.

Pew back ail,Pine, Walnut,

Cherry or Oak,
 SUNK PANEL MOULDINGS.

385 391

Xxl
379
32 LATTICE, BACK BAND, AND TRANSOM BAR MOULDING,

395 396 397

398 399 401

8 'Lattice
/i6xl%

1H x 24 8
402
/i x

404

Transom bar Moulding.

INTERIOR CORNICE. 32
INTERIOR CORNICE AND BEAD MOULDINGS.
 SECTION OF WINDOW FRAME. 35

Hanging Stile.

419

Outside Casing.

420

421 422

Section of Box

Winaow Frame

Back lining-
made from Com- ^Pulley Stile .

mon Lumber.

93
35x4
Slop.

Inside Casing.

424
30 SECTION OF WINDOW FRAME.

425

Outside Casing.

Mind Stop.

426

427

430

Pulley Stile.

429

94

Stop.

Window Sill.

Ik x 5J4
WATER TABLE OR DRIP CAP. 87

431

434

435

Jn ordering "Water Table, state if square or

54 round edge is wanted.

 CEILING AND WINDOW STOOLS.

LT ~=" "L
Ceilingfor Wainscoting,, 1
in Pine, Walnut, Cherry or Ash. '

438

440

441

Window Sloolfor'BricK, "Building.

Window Stools furnished any width and thickness desired.

442^'

443

Window Stools.
 INSIDE FINISH.

445

447

449

554

451
454

455

13-16x5*4

456

457

13-16x5}^

458

459

13-16
 CASINGS. 41

460

461

463

464

465

1 13-16x5

Casings on this Page Suitable for Pilaster Finish.

42 EASTLAKE AND QUEEN ANNE CASINGS FOR WINDOWS AND DOORS,

466

13-16x44

467 468 469 470 471

13-16x654 18-16x54 18-16x44

EASTLAKE AND QUEEN ANNE CASINGS FOR WINDOWS AND DOORS.

472
13-16x5%

473
13-16x5%

13-16x5%

475
13-16x5%

477
13-16x5%
44 CASINGS.

478

13-16

482

481

480

479

13-16x4/5
13-16x5^
13-16x6^
BASE 45

487
490

13-16x7^
46 DROP SIDING, FLOORING AND SHIP LAP.

Flooring ; in Walnut, Cherry or Ash.

491

DROP SIDING.

492 493 494 495

L J~L L _TL
 CORNICE DRAPERY.
2045
48 BRACKETS.
 BRACKETS. 4'J

1807 1808

1809 1810 1838

1814
1813
1815

1812 1816 1817

50 BRACKETS.
BRACKETS. 51
BRACKETS.
VERANDA SAWED BALUSTRADE AND RAIL.

Toot Hail for Sawed Balustrade S3.00 per "hundred feet.

1713
1714 1715
 OUTSIDE RAIL, BALUSTERS, AND POSTS. 55

1601

fine Sail for Outside.

5V2 in. wide $13.75 per Tiundredfeet.
'1 " . 17.50 .. . ..

Sl.OO per hundredje.et.

1666 1667 1668

1639 1665 164O

 PICKETS, GATE, AND FENCE,

_
2365 2367 2368 2369 2370

2376

2377 2378
 VERANDAS.

1750

1752
1753

I
58 BAY WINDOWS.

fo|~- '^]o|^
R

1780 1781

1782
1783
 PEW ENDS AND PULPITS.

2229

2259 2260 2261

2262 2263 2264

60 OFFICE OR BANK COUNTERS.

2200

2201
 WOOD MANTELS. 61

2131

ITanteis maile of Pine, Oak, Cherry, Walnut, or

JfaTiogany,
 STORE FRONTS.

left. 452 Eight.

465
453

M-M-H
Left. Right,
 STORE DOORS. 63

421 Dropped from list. 429 430

431 432 444 445

 DOORS.
204 206

205
INTERIOR DOORS AND FINISH
INTERIOR DOORS AND FINISH
INTERIOR DOORS AND FINISH.

324
INTERIOR DOORS AND FINISH
FRONT AND VESTIBULE DOORS.

829 330
FRONT AND VESTIBULE DOORS.

331 332
FRONT AND VESTIBULE DOORS.

327 328
FRONT AND VESTIBULE DOORS.

333 334
FRONT DOORS AND FRAME. 73
FRONT DOORS AND FRAME.

342 343
FRONT DOORS AND FRAME. 75
76 WINDOW FRAME.

Frame No. 585

WINDOW FRAME.

Frame No. 571

78 WINDOW FRAME.

Frame No. 57O

 GOTHIC WINDOW FRAMES. 79

Window No. 55 Window No. 57

Frame No. 557 Frame No. 558
 STAIR RAILS

PRICE PER FOOT.

1401

1402
Thickness of Rails varies from 1% to 2%, proportionate to width.
 STAIR RAILS, 81

1403

Thickness of Rails varies from 1^ to 2%, proportionate to width.

82 STAIR RAILS.

1420

1407

Thickness of Rails varies from

1* to a*, proportionate to wi dth.
 STAIR RAILS. 83

PRICE PER' FOOT.'

1421
Thickness of Rails varies from 13 to 2%, proportionate to width.
84 NEWELS.
bli NEWELS.
 NEWELS.

m
 BALUSTERS.

1201 1202 1205 1204 1215 1206 12O7 1235

1216 1217 1218 1219 122O

12O8 1221
 STAIRS AND STAIR BRACKETS.

1193

1192

Stair Brackets,

8 to 10 in. long,

Walnut 10 c(s.,Pine 6 cts. each.

ckets for Stairs,

4 in. widet
Trice per foot, Walnut'10 cts., Pine 6 cts.

1578
90
 PRICE LIST OF STAIR WORK.
Fancy Turned Balusters. Plain Octagon Staved Newel Posts.

"We turn all our Stair Balusters 2 ft. 4 in. and Prices for Plain Octagon Staved Newel Posts,

2 ft. 8 in. and keep these lengths always in Black Walnut, Cherry, Oak or Ash, similar to
long,
stock. Are prepared to furnish, on short notice, Cut No. 1302:
any length or styles desired. Odd lengths cost 7 inch Octagon Newel Posts, with Cap $5.5
extra.
" " "
Prices for Fancy Turned Cherry or Black Wal-
9 6.00
" " " " "
10 6.25
nut Balusters, similar to Cut No. 1201: " "
" " "
11 6.50
\YZ inch Balusters.. $0.10 " " " " "
" " 12 .... 7.00
1* - 14
" " For Mahogany Posts, add $1.00 each; for Raised O. G.
2 -14
Panel, add $1.50 each.
" " 18
2>4;
" " 20
2% - --
Octagon Sunk Panel Newel Posts.
For Balusters like No. 1202, add 2 cents each.
Sunk Panel Newel Posts, Fancy
Prices for
Prices for Oak or Ash Balusters, similar to Cut
Moulded, Black Walnut, Cherry or Oak or Ash,
No. 1201:
similar to Cut No. 1303:
\YZ inch Balusters $0.09
Sunk Panel
" " 12
8 inch Posts, with Cap $8.50
1% 9
" " " " "
2 " "
12 9.00
" " " " "
" " 10 9.50
2% 15
" " " " "
" " 11 10.00
2^ 17
" " " " "
For Balusters like No. 1202, add 2 cents each. 12 10.50
For Circle Top Panel add $1 25 .

" Posts like "

No. 1305. 4.50
Fluted and Octagon Balusters. " " "
No. 1304.. 3.00
Prices for Octagon Cherry or Black Walnut
Balusters, similar to Cut No. 1205 :
Fancy Turned Newel Posts.
\% inch Fluted or Octagon, each $0 20 Prices for Black Walnut or Cherry,
2 " " similar to
20
" " " " CutsNos. 1300 or 1301:
2M . .24
5 inch Newel Posts, with Cap, each. $4.00
6 " " " " " "
Fluted Balusters. No. 1204. 1 rent more 4.50
; Mahogany ' " " " " "
costs about double price. 7 Walnut only 5.00
Prices for Oak or Ash Balusters, similar to Cuts
No. 1204 or 1205: ROPE MOULDINGS.
1% inch Fluted or Octagon, each
f 19 PineorWhiteWood
" Cherry or Walnut.
19 Per Per ft.
" " " "
ft. (lineal). (lineal).
2M .23 %, Vz and % inch. $0.05 3d%inch_$0.08
"
25 1 inch. 1 inch. 10
Fluted Balusters, No. 1204, 1 cent more. 12
.... .14
Balusters for Outside Balustrade. .-.. .18
.... .25
Prices for Pine or Whitewood:
...- .30
3x 3, 14 inches, each
.$0.10 .... .35
" "
16
" "
- .11 45
18
" . .12 .60
20 " "
"."."_'_"_ - .13
4x4,14 ."
. .14
" " Circles from three to four times the price of straight;
16
- .15 cut right and left.
" "
18 ;tion below.
" " .16
20 "
.
" 22 " "
....
" " .19
24
.21
 ::

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