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Shot List

This document contains a shot list for a film project set in Ogden Forest. It describes 25 shots ranging from establishing shots of the forest setting to close-ups of characters. The shots follow two characters and a dog as they walk through the forest along a path, find an mysterious camera, and are stalked by an antagonist revealed at the end. The shot list provides the camera angle, shot type, and location for each shot in the scene.

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65 views3 pages

Shot List

This document contains a shot list for a film project set in Ogden Forest. It describes 25 shots ranging from establishing shots of the forest setting to close-ups of characters. The shots follow two characters and a dog as they walk through the forest along a path, find an mysterious camera, and are stalked by an antagonist revealed at the end. The shot list provides the camera angle, shot type, and location for each shot in the scene.

Uploaded by

api-344596921
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Niall Armstrong

Shot List
Shot number
1.

2.

3.

4.

5.

6.

7.

8.

9.

Description of the scene, camera angle and location


The shot zooms onto the bridge, at Ogden, where we see
two boys and a dog standing, stationary, in the middle of
the bridge.
This shot is called an establishing shot as it establishes
the scene and introduces where my thriller will be set.
The location of this shot is at Ogden, but is not actually
in the forest yet.
The next shot focuses on the entirety of Ogden, looking
at the trees and the reservoir.
This shot is an extreme wide shot which is there to
outline the serenity of the forest.
The location of this is at Ogden, again.
This shot zooms right onto the bridge, where we can see
the two characters clearly in conversation.
This shot is an over the shoulder shot which gives the
impression that the two are talking.
The location is still on the bridge at Ogden.
The shot changes, where we see Person 2 replying to
Person 1.
This shot is a mid shot of Person 2 which shows him
talking back to Person 1.
The location remains to be on the bridge they havent
moved.
Shot reverse shot has been utilised here. The camera
has reversed onto Person 1, whom is talking to Person 2.
This shot, again, is a mid shot and shows Person 1
replying.
This shot is filmed on the bridge at Ogden.
The shot still focuses on Person 1 but from a larger
distance.
The shot is a wide shot, and in the framing is Person 1
still.
This is filmed on the bridge, still.
This shot sees the pair finally walking towards the
entrance of the forest.
This shot is a tracking shot which follows them, from
behind, into the forest.
This is filmed on the, on the bridge, but further towards
the entrance.
This shot shows the pair, walking through the forest, but
we see they have taken an alternative route.
This shot is a wide shot, to show the audience how they
have chosen to walk in unison.
This shot is filmed on a path, further into the forest.
Again, this shot shows the two characters carefully

Niall Armstrong

10.

11.

12.

13.

14.

15.

16.

17.

walking on the same path.


This shot is another wide shot, which displays he two still
walking in unison.
This is filmed in, still on the same path as the previous
shot.
The camera angle switches to focus upon Person 2, as he
starts to speak.
This shot is a close up, to grasp the emotion on Person
2s face.
The location of this shot is further into the forest.
This shot is of both of the characters, in dialogue.
This type of shot is called a two shot, where the
audience can see both of characters clearly in the frame.
This shot is located further into the forest. Filmed in the
same spot as the previous shot.
Again, we can see both characters in the frame, as they
begin to walk again.
The shot Im using for this is a two shot.
This is shot in the forest, on the same path as before.
The camera angle alters, but we can still see the pair
walking past.
I have opted to use a mid shot for this, as I want to
present them walking past.
This shot, again will be filmed on the path that they
began walking on at the start of the forest.
This shot shows both of the characters, in the frame,
having to walk extra warily.
This shot is a two shot, which illustrates both of them
walking carefully.
This shot is filmed further into the forest, as they have
kept walking since previous shots.
This shot shows both characters walking towards, what
seems like a camera on the side of the path.
This is a tracking shot from behind, which shows them
walking on the path with the dog.
This shot is filmed on the path that they have been on
since entering the forest.
This shot shows Person 2 noticing the camera and
picking it up, eagerly.
This shot is a mid shot, so it can show the camera in a
bit of detail.
This filmed on the path in the forest.
This shot shows Person 1 wanting to inspect the camera
for himself.
This shot is as two shot and clearly shows the two
characters interested in the camera.
This shot is filmed in the same place as the previous

Niall Armstrong

18.

19.

20.

21.

22.

23.

24.

25.

shot.
This shot presents Person 2 wanting to turn the camera
on and investigate further.
This shot is a wide shot.
This is filmed in exactly the same place as the last 2
shots.
This shot shows Person 2 attempting to turn on the
camera.
This shot is a mid shot from behind, to potentially
capture the camera turning on.
This is filmed in the forest.
This shot is where we see the camera actually turning
on.
This is an over the shoulder shot which shows the
camera, magically turning on.
This is filmed in the forest.
This shot shows Person 2 still rummaging through the
cameras content.
I have chosen a two shot because I want to capture the
pairs facial expressions, whilst looking at the camera.
This is filmed deep in the forest.
This shot shows the dog barking, which signals that the
dog can hear or see something.
This is a mid shot from behind to show the reaction of
the two characters when the dog barks.
This is filmed in the forest.
This shot is from the perspective of the antagonist, and
he is staring at the two characters.
This shot is POV.
This is filmed slightly off the path and into the actual
forest.
This shot shows the dog continuing to bark, further
reinforcing the idea that the dog can hear something.
This is a wide shot, so we see what the characters are
doing in this period of uncertainty.
This is filmed in the forest.
This shot finally reveals the antagonist, who comes from
behind a mist of trees, with wicked intentions.
This is a wide shot, so it captures all of the characters in
the frame.
This is filmed in the forest.

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