Rotherweird - Chapter 1

Old History
February 1558. St Jamess Palace, London.

One for sorrow: Mary Tudor, a magpie queen dress black, face
chill white, pearls hanging in her hair like teardrops stands in the
pose of a woman with child, her right palm flat across her swollen
belly. She knows that what she carries is dead, if ever a baby at all.
This cannot be true.
On the polished table lies a single parchment, a summary by
her private secretary of ten reports from different corners of the
realm. A courtier lurks in the darkness, faceless, a smudge of lace
and velvet. The palace has the atmosphere of a morgue.
I have seen the reports myself, your Majesty.
You think them cause for celebration?
English boys... English girls. We are blessed with a golden generation.
All born within days of each other you do not think that a
matter for concern?
Some say it is a matter for wonder, your Majesty.
They are the Devils spawn.
Unnatural creatures, she thinks, sent to mock her barren state
and sap her faith, their gifts in science, philosophy, alchemy and
mathematics grotesquely developed for minds so young. Prodigies
such an ugly word. She glances down the unfamiliar names: seven
boys, three girls.
Place them where they can do no harm, she adds.
Your Majesty.
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r othe r we i r d | 2
Find us an unforgiving island and maroon them there. They
may not be taught or cosseted.
Your Majesty.
The courtier withdraws. He knows the queen is dying; he knows
from the ladies of the Privy Chamber that the pregnancy is false.
He must find a sanctuary where these children can learn and
mature beyond the jealous royal gaze. He will talk to Sir Robert
Oxenbridge, a man of the world and Constable of the Tower of
London, where the gifted children are presently held.
He scuttles down the dim corridors like a rat after cheese.
Sir Robert watches the children playing on the grass near their
billet in the Lanthorne Tower, and then surveys the strange miscellany of objects gathered from their rooms abaci, sketches of
fantastical machines, diagrams of celestial movement, books beyond
the understanding of most of his adult prisoners, let alone these
twelve-year-olds, and two wooden discs joined by an axle wound
around with string.
The Yeoman Warder picks up this last object. Designed by one
of the girls. Its a merry conceit, but requires much practice. He
raises his wrist and lowers it in a languid movement and the conjoined discs miraculously climb and sink, higher each time, until
they touch his fingers.
Sir Robert tries, but under his inexpert guidance the wooden
wheels jiggle at the end of the string and stubbornly decline to
rise. He is nonetheless captivated.
But there is this, adds the Yeoman Warder, holding out a board,
on which are pinned the bodies of two bats, slit open to reveal
their vital organs. Threads and tiny labels crisscross the corpses.
Not pretty, but then, the path of medical advancement rarely
is, replies Sir Robert, without complete conviction.
He is different, Master Malise. Remember, one serpent in the
Garden was enough. The Yeoman Warder points to the lawn below
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a n dr e w ca l d e cott | 3
and Sir Robert sees the difference the boy stands aloof, not from
shyness but a natural arrogance.
He recalls the queens opinion that they are the Devils spawn,
but the playful inventiveness of the discs-on-a-string decides him,
and the thought that when the old queen passes, the new dispensation will not favour banishing talent on superstitious grounds.
Sir Robert turns his mind to an old friend, Sir Henry Grassal,
a kindly widower. He owns a manor house in one of Englands
more secluded valleys and has the wealth, learning, time and
inclination to provide the needed refuge and, no less important,
the education.
As befits a veteran soldier, he plots a strategy. Even a sick queen
has many eyes and ears.
April 1558. A wooded country lane.

It is early morning on an obscure tributary of the main highway. A
covered wagon drawn by a single horse of no distinction appears,
and stops. A ladder is lowered. Mud-stained urchins emerge, seven
boys, three girls, and huddle on the roadway for warmth as broken
sunlight knifes through the canopy. Each child clasps a silver penny
in the hand bearing the faces of the queen and her foreign king
and a lordly motto: PZMDG Rosa sine spina Philip and Mary by the
grace of God a rose without a thorn.
A second wagon appears, very different to the first. The slats
on the side are polished to a shine, the wheels fortified with iron
rims, the harnesses of finest leather tether four horses, not one. The
wagon halts on the opposite side of the clearing and once again steps
are lowered to deliver ten children but these are mirror-opposites
with clean complexions and clothes cut to fit. Like two teams from
different worlds, haphazardly drawn together in the same game,
they eye each other across the glade. Sir Robert points at one cart
and then at the other, urging each group to cross. The children
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understand the instruction and its immediate purpose, although
none can fathom the deeper reason for the switch.
This is not a mission for strangers. The carter fought with Sir
Robert Oxenbridge in France and trusts his former captain in all
things, but he has never heard children speak this way, exchanging
complex chains of numbers and shapes with foreign names, even
discussing the arrangement of the heavens. He crosses himself,
uncertain whether his new charges are cursed or blessed.
Sir Robert, riding alongside, notes the gesture and its ambiguity.
He still judges the children virtuous, save for the boy with the
surgical interests, Master Malise such joyless eyes.
They descend from the valley rim and Oxenbridge points far
below. A single plume hangs in the air.
Rich mans smoke, he says, knowing the difference from a
campfire, from the tallest chimney at Rotherweird Manor our
destination.
He smiles at the carter. Had there ever been a gentler act of
treason?
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JANUARY
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1
First Interview The Woman
The usual terms?

Her irregular employer rarely deigned to answer questions
directly. His slender fingers drummed the tabletop. Longer and
more remote than usual.
Time is no problem, replied the actress. They dont write for
women my age any more.
He still repelled her that unnatural white bloom to the skin,
the merciless eyes but there were compensations, and not only
the money. She had stayed on a yacht, better described as a floating
mansion, in the South China Sea, a chalet in the Dolomites and
a palazzo in Florence, all his properties, and she had heard talk of
others. She picked up his second qualification.
You said remote?
Very but in England. She would have registered disappointment, but for the intensity of his reply and the surprising notion
that England could boast anywhere truly remote. Youre discreet.
You impress the locals. That is all.
The actress smiled. Impressing came naturally to her. The same
role, same costumes?
Of course.
Here the interview would normally end, but she could not resist
the burning question. Where in England?
Rotherweird.
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She failed to suppress a look of surprise. But they let nobody
in. Theyre apart, theyre different.
I appear to be an exception.
Your money is the exception.
True period glaziers, wood restorers and plasterers come
expensive. Prepare to be lady of an Elizabethan manor house. He
stood up before continuing; no more questions, the gesture said. One
detail can you play maternal?
Play maternal he had such an unsettling way of putting things.
She nodded, knowing her beauty did not touch him. The dynamic
between them had always been wholly transactional.
His cold left hand clasped hers the wrist birdlike, the grip like
iron. Done then, he said, handing over a cheque by way of advance
a colossal sum for playing in public a wife he had never had.
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Old History

February 1558. St Jamess Palace, London.

9781784297619_Rotherweird - 4th proofs.indd 1

9781784297619_Rotherweird - 4th proofs.indd 2

April 1558. A wooded country lane.

9781784297619_Rotherweird - 4th proofs.indd 3

9781784297619_Rotherweird - 4th proofs.indd 4

9781784297619_Rotherweird - 4th proofs.indd 5

9781784297619_Rotherweird - 4th proofs.indd 6

The usual terms?

9781784297619_Rotherweird - 4th proofs.indd 7

9781784297619_Rotherweird - 4th proofs.indd 8

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