Book Reviews: Tian Cosmetic Palettes in The Manchester University Mu-Seum Collection (Manchester, UK: Golden House Pub
Book Reviews: Tian Cosmetic Palettes in The Manchester University Mu-Seum Collection (Manchester, UK: Golden House Pub
Book Reviews: Tian Cosmetic Palettes in The Manchester University Mu-Seum Collection (Manchester, UK: Golden House Pub
Julie Patenaude and Garry J. Shaw, A Catalogue of Egyptian Cosmetic Palettes in the Manchester University Museum Collection (Manchester, UK: Golden House Publications, 2011). ISBN 9781906137205. Pp. 119, b/w
illustrations.
The important work of fully documenting the Predynastic material in museum collections is a vital and
often neglected aspect to studies of Egypts prehistory.
Publications often focus on individual pieces possessing unusual iconography whereas the vast majority of
this material is deemed typical of its artifact class.
Any specificity of context that might aid in the construction of more nuanced or detailed interpretation
of past cultural differences is lost in vague generalizations about the description and function of an entire
class of artifacts, with slight attention being paid to cultural significance or geographic variation.
Part of this difficulty stems from the sheer numbers
of prehistoric artifacts that inhabit museums with ancient Egyptian collections. Paradoxically, in the early
twentieth century when many of these Predynastic
Egyptian cemeteries were being explored, artifacts discovered in these graves were not as highly valued as
those bearing inscriptional evidence, while the sheer
number of graves containing cultural material far
outstripped that of historic period cemeteries. The
result was that institutional subscribers to or sponsors
of these excavations were inundated with large numbers of artifacts from a variety of sites that to the average Egyptologist carried comparatively little inherent
meaning beyond where the artifact placed within the
developmental phases of prehistoric Egypt.
Another aspect of this difficulty lies in the original
cemetery publications themselves. Faced in some cases
with hundreds of graves to choose from, excavators often chose to publish a representative sample of grave
groups, while the vast majority of material went unpublished. Where the field notes of the excavator are still
extant, this problem can be remedied with some deep
research. But in cases where the original excavation
data is unavailable, primary contextual information is
lost to us.
The result was that the specific context for many of
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Franck Monnier, Les forteresses gyptiennes. Du Prdynastique au Nouvel Empire, Connaissance de lgypte
Ancienne, n 11 (Brussels: ditions Safran, 2010).
ISBN 978-2-87457-033-9. Pp. 208, 16 plates.
Les forteresses gyptiennes: Du Prdynastique au Nouvel
Empire provides an overview of the fortress system and
fortified towns of the Eastern Delta and desert, Sinai,
Syria-Palestine, Western Desert, and Nubia from the
Predynastic through the New Kingdom, and touches
upon fortified towns and sites within the Nile Valley
proper, usually to demonstrate architectural techniques. The topics are outlined in seven chapters, with
subsections, followed by three appendices, and several
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there is significantly more information about the Nubian fortresses, starting off the set of chapters with the
Nubian sites, rather than the Eastern Delta fortresses,
might have also allowed for a better organization of the
material.
Chapter 7: Three Fortresses, which is the last chapter,
focuses on three additional fortresses: Tell Ras Budran,
Ayn Asil, and Wadi el Hudi. These three sites are at
the very edges of the empire and are either located in
oases or associated with mines. It is a good basic introduction to the sites. Fortunately, Monnier also includes
bibliography at the end of each site discussion.
Appendices: Monnier includes three appendices:
The Walled Cities, White Wall, and The Walls of
the Palermo Stone: funerary palaces or divine fortresses. Unlike the previous chapters, he does not include
site-specific bibliography, which is a disappointment,
although the author does include extensive footnotes.
The appendices offer the same amount of information
as the main chapters. Appendix 1 would have better
served the reader as a main chapter, while appendices
2 and 3 could have been easily folded into chapter 2.
After the appendices, there are eight additional sections, or annexes. These include a general map of
Egypt (which might better serve at the beginning of
the book), a chronological table (also probably better
situated at the front of the book), a glossary of architectural terms, a list of Egyptian terms (hieroglyphs, transliteration, and modern [French] equivalent terms), a
list of Egyptian fortresses and fortified sites by their
Egyptian names (hieroglyphs, transliterations, and
modern [French] names), foundation dates, locations,
the general bibliography, and the credits for photos
and illustrations. The final entry of the book is a set of
seventeen colored plates.
Monniers first two chapters provide the reader with
a historical and architectural introduction to the subject. While necessary, this did result in repetition in the
following chapters, which also focus on military architecture of specific areas. Although not an easy problem to solve, better organization of these two chapters
and additional references, both external and internal,
would allow the reader to further pursue issues raised
and provide greater cohesion with the remainder of the
book.
Chapters 4 through 6 are the strongest chapters of
the book and provide the reader with a short bibliography of each site, which is excellent, particularly because
some of the sites are not very well known. I would recommend purchasing the book for these chapters alone.
Chapter 7, while a good chapter, could have been expanded. In addition, it is not clear why the specific sites
in the chapter were chosen for review as opposed to
others: a short introduction to this chapter would have
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The present book balances a fascinating variety of perspectives, highlighting new methodologies and avenues
of research, including political and socioeconomic history (Manning, Moyer), administrative papyri (Arlt),
temple graffiti (Di Cerbo and Jasnow), statuary (Albersmeier), religious texts (McClain), and detailed analysis
of royal titularies (Ritner). A relatively quick read, this
volume provides an excellent companion to general
histories of the period (e.g., Bevan, Hlbl), which rely
heavily on classical historical narratives, Greek papyri,
and Egyptian royal decrees.
In the preface, the editors emphasize the separateness of Thebes during the Ptolemaic period, a region
that seemingly resisted Hellenizing cultural and political influences more than other multicultural regions
such as Memphis or the Fayyum, most notably because
of its major political revolts. Unlike temples at Edfu
and Philae, which were built entirely anew under the
Ptolemies, Thebes witnessed remarkably few additions
to its New Kingdom shrines. Scholars have often suggested this resulted from a grand political strategy of
the Hellenistic rulers, privileging neighboring cities
(e.g., Ptolemais, Coptos, Edfu) while neglecting the
historically significant Theban monuments, ushering
in the eventual decline of this city.
Nonetheless, it is important to remember that decoration and restoration took place almost continually in
Karnak during this time (see C. Thiers, Membra disiecta ptolemaica III, Cahiers de Karnak 13, 2010, 37399;
14, 2013, 46791), while numerous subsidiary temples
were constructed as well, such as Opet, Mut, Montu
(North Karnak), Medamud, Deir el-Bahari (Ptolemaic
Shrine), Deir el-Medina, Qasr el-Agouz, Armant (Montu temple and Mammisi), and Tod. Thus, while the results are not as visually striking as at Edfu or Dendera,
significantly greater resources were provided to the
Theban region than scholars generally admit.
Furthermore, Ptolemaic kings and priests appear
not to have been interested in radically overhauling
the temples in Thebes, but intentionally preserved the
Pharaonic buildings and decoration, maintaining the
antiquarian prestige of this world-renowned city. Following the lead of Alexander the Great, who restored
the inner sanctuaries at Karnak and Luxor, thereby
adding archaizing reliefs of himself alongside Thutmosis III and Amenhotep III, subsequent kings sponsored the renewal of New Kingdom texts, including at
Medinet Habu and Karnak (cf. McClain and Ritners
essays). As Albersmeier discusses in this volume, local
Theban priestesses specifically revived New Kingdom
garments and poses for their private statuary, emphasizing their appreciation of the glory days of Karnak.
The authors are all leading experts in their respective areas of specialization, and each essay deserves
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Greek as a Second Language, 2012), and argues that traditional positions of Royal Scribe and Scribe of Amun
appear to die out by 220 BCE.
However, Arlt notes that new sources might change
this picture. In fact, a block from Karnak currently in
the Brooklyn Museum of Art (16.580.214), preserves
extended titles of a Theban priest named Horemhab,
who was active under Ptolemy VIII Euergetes II (c.
145116; C. Traunecker, Les graffites des frres Horsaisis et Horemheb. Une famille des prtres sous les derniers Ptolmes, in Gs. Jan Quaegebeur, 1995, II, 1192,
1204). Among various duties, he was also accounting
scribe of Amun of the five phyles in Thebes (sS Imn iw=f
(Hr) ip(.t) pA zA 5-nw n Niw.t), and his prominent family had close relations to the Ptolemaic dynasty, holding titles such as Priest of Royal Crowns and Statues.
While administrative reforms certainly took place over
time, particularly regarding the language of the papyri,
at least some Theban temple scribes remained in office. Ongoing research on Ptolemaic statues from the
Karnak Cachette may further nuance the chronology
of these administrative changes
Christina Di Cerbo and Richard Jasnow (3551)
offer preliminary remarks on their comprehensive
documentation of devotional graffiti at Medinet Habu.
Although many were published already by William
Edgerton, and some translated by Heinz-Josef Thissen,
a considerable number remain unedited, including
many hieratic texts. Furthermore, rediscovered photographic negatives from the 1920s permit significant
revisions to Edgertons facsimile copies, particularly
for damaged graffiti that can no longer be collated in
person.
As the authors observe, a large percentage of the
graffiti belongs to priests of Montu from Armant to
the south of the temple. These dedications were likely
inscribed during the Khoiak festival, when Montu and
his clergy visited Amuns temple (Klotz, Caesar in the
City of Amun, 39297, especially 393, n. 70). Accordingly, the date on the new graffito from roofblock no.
99 (41, 43) can probably be restored to Khoiak ([IV]
Akhet), day 26, just like graffito no. 129.
Sabine Albersmeier (5367) describes a group of
Ptolemaic statuettes belonging to queens and priestesses from Thebes, which revive poses and attributes from
the New Kingdom. Since most of these objects come
from the Karnak Cachette, additional photographs
and updated bibliography can now be found online
(http://www.ifao.egnet.net/bases/cachette/). In particular, note that the translation of Doc. 8 (63) should
be modified slightly (L. Coulon, in Et maintenant ce ne
sont plus que des villages, 3032; D. Klotz, The Theban
Cult of Chonsu the Child in the Ptolemaic Period, in
Documents de Thologies Thbaines Tardives I, 127). As
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P. Vernus, Affairs and Scandals in Ancient Egypt, Translated from the French by David Lorton, (IthacaLondon: Cornell University Press, 2003). ISBN
0801440785. Pp. xi+211, 46 illustrations.
Pascal Vernuss book represents not only a thoughtful and detailed study of social, political, and moral
scandals occurring during the Late New Kingdom in
Egypt, but also a critical interpretation of the moral
transformations affecting the fading power of the late
Ramesside kings and the society and culture of this
period. In its foreword, Christiane Desroches Noblecourt already reveals to the reader that the target of
this work is not the brilliant and harmonious Egyptian
civilization, but rather the atmosphere propitious
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Textiles, including basketry, are the subject of another four essays. Weaving and dying in the Roman
period are discussed in separate essays by Cardon
and Mossakowska-Gaubert, the former with special
attention to archaeological and analytic data from
rigorously controlled excavations in the Eastern Desert, and the latter focused on terminology, especially
Hellenistic, related to tunics and tunic production.
Mathieu addresses issues of work, coexisting systems
of measurement, social status, and other factors affecting the laundrymen who served the community at Deir
el-Medina. Wendrich uses her ethnographic studies of
basketry to address questions of knowledge acquisition and transmission of craft skills, emphasizing the
importance of repeated motor activity in learning a
manual (vs. intellectual) craft.
Glass and Egyptian faience are the subjects of two
essays. Nicholson reports again on the glass furnace
experiments at Amarna and gives his evaluation of
Petries knowledge and background in technology and
the physical sciences as a step toward understanding
his (Petries) reconstruction of the two-phase process
in glassmaking. Nenna discusses the history of glass
working and glass manufacture in Egypt from the New
Kingdom through Roman periods, as well as the last
great burst of faience production in the Ptolemaic period and its sudden disappearance by the third century
CE. She also briefly discusses the two-phase issue in
glass manufacture.
Intellectual property and ritual knowledge related
to boats and shipbuilding are explored by two authors.
Mathieu, in the first section of the article mentioned
above, uses Old Kingdom archaeological, representational and textual sources to suggest that ancient Egyptian mortuary examples of boats and boat building
could be seen as un substitut iconographique et condens d'une formule funraire for funerary spells related to boats. Based primarily on a piece of diplomatic
correspondence between Ramses II and Hattushili III,
Pomey addresses the question of how the design of
seagoing ships may have been planned; political and
historical implications of Ramses offer to share such
information with this former rival are discussed.
Two articles address topics related to the production of works of art. Following the theme of transmission of technology, technological processes, and/
or products, Jockey discusses the question of ancient
Egypts influence (or not) on Archaic Greek sculpture
and the results and significance of chemical analyses
documenting the presence of the manmade pigment
known as Egyptian blue on works of art from Delos
(Greece). Based on art-historical and chemical analyses of a painted relief in the church at Deir el-Surian,
Inneme proposes that encaustic painting did not die
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