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180 Degree Rule-2

The document outlines cinematography techniques including the 180 degree rule, match on action cuts, shot reverse shot, and eye line matching. It then provides a scene outline for a short film involving a car salesman trying to sell a stolen car to a customer. The scene consists of 7 shots that will show their interaction and the customer realizing the car is stolen when he gets an alert on his phone.

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55 views2 pages

180 Degree Rule-2

The document outlines cinematography techniques including the 180 degree rule, match on action cuts, shot reverse shot, and eye line matching. It then provides a scene outline for a short film involving a car salesman trying to sell a stolen car to a customer. The scene consists of 7 shots that will show their interaction and the customer realizing the car is stolen when he gets an alert on his phone.

Uploaded by

api-328073749
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as DOCX, PDF, TXT or read online on Scribd
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Max Desiano

Mr. Furman
AICE Media
September 22, 2016
Project 180 Degree Rule
MATCH ON MATCH- A cut from one shot to another where the two shots are matched by the
action or subject and subject matter.

180 DEGREE RULE- The 180 rule is a cinematography guideline that states that two
characters in a scene should maintain the same left/right relationship to one another.

SHOT REVERSE SHOT- is a film technique where one character is shown looking at another
character (often off-screen), and then the other character is shown looking back at the first character.

EYE LINE MATCH- An eye line match is a film editing technique associated with the
continuity editing system. It is based on the premise that an audience will want to see what the
character on-screen is seeing.
Characters-

Franki Gjoza (Car Salesman)


Wilmer Silva (Customer)

Fade In:
Scene 1
A car salesman will be in a parking lot while trying to convince a
customer to buy a brand new car. The customer gets an amber alert on
his phone and realizes that the car is stolen.

SHOT ONE- THE PARKING LOT (WIDE SHOT)


View of the parking lot and the two characters

SHOT TWO FRANK: (OVER THE SHOULDER)


(Looking at the customer) Hey boss, you looking to buy a car.

SHOT THREE WILBUR (OVER THE SHOULDER)


(Looks at the salesman in a surprised matter) What type of car are
you selling, Buddy?

SHOT FOUR FRANK (CLOSE UP)


(Selling the car) I am selling this 2016 Nissan GTR; Shes a beauty

SHOT FIVE WILBUR (MID SHOT)


(Phone buzzes and acts surprised)

SHOT SIX (POINT OF VIEW)


(Looks at alert on phone)

SHOT SEVEN (MID SHOT)


(Runs away) This car is stolen, Buddy!

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