BrandToolKit EN September2012 PDF

September 2012
BRAND TOOL KIT
September 2012 BRAND TOOL KIT
CONTENTS
1.0
2.0
3.0
4.0
5.0
6.0
7.0
8.0
9.0
10.0
11.0
12.0
13.0
14.0
15.0
Mission Statement
Tag line
BRAND STYLE
LOGO
TYPOGRAPHY
Writing style
COLOUR
PHOTOGRAPHY
VISIBILITY
Print
PARTNERSHIPS
PRESENTATIONS
VIDEO
WEBSITE
RESOURCES
STATEMENT OF PURPOSE
This document provides guidelines to ensure the correct use of the
UNICEF brand identity. Our brand is key to ensuring that our outreach
presents the organization consistently throughout the world. A strong
brand aids recognition of UNICEF by our audiences, conveys what
we stand for and helps to build a reputation for excellence.
By applying these guidelines to your communications, campaigns and
materials you will strengthen the UNICEF brand image and enhance
the visibility of the organization.
1.01
Mission statement
1.0 mission statement
1.0 Mission Statement
UNICEF is mandated by the United Nations General Assembly to advocate for

the protection of childrens rights, to help meet their basic needs and to expand
their opportunities to reach their full potential.
UNICEF is guided by the Convention on the Rights of the Child and strives
to establish childrens rights as enduring ethical principles and international
standards of behaviour towards children.
UNICEF insists that the survival, protection and development of children are
universal development imperatives that are integral to human progress.
UNICEF mobilizes political will and material resources to help countries,
particularly developing countries, ensure a first call for children and to build
their capacity to form appropriate policies and deliver services for children and
their families.
UNICEF is committed to ensuring special protection for the most
disadvantaged children victims of war, disasters, extreme poverty, all forms
of violence and exploitation and those with disabilities.
UNICEF responds in emergencies to protect the rights of children.
In coordination with United Nations partners and humanitarian agencies,
UNICEF makes its unique facilities for rapid response available to its partners
to relieve the suffering of children and those who provide their care.
UNICEF is non-partisan and its cooperation is free of discrimination.
In everything it does, the most disadvantaged children and the countries
in greatest need have priority.
UNICEF aims, through its country programmes, to promote the equal rights of
women and girls and to support their full participation in the political, social,
and economic development of their communities.
UNICEF works with all its partners towards the attainment of the sustainable
human development goals adopted by the world community and the
realization of the vision of peace and social progress enshrined in the Charter
of the United Nations.
1.01
Mission Statement
The mission statement, adopted by the Executive
Board in 1996, was intended to guide Unicefs work
into the 21st century.[1]
It is an expression of consensus on the organizations
purpose, the actions the organization undertakes to
achieve its purpose, and the principles and values that
guide its actions.
It captures the essence of Unicefs work for all
stakeholders associated with the organization,
including the Executive Board, staff at all levels,
partners, allies and donors.
The identity of an institution is expressed through its
values, goals, actions, achievements and brand. The
mission statement was the foundation for Unicefs
brand identity, since it describes the organizations
reason for being and what sets it apart from other
organizations.
[1]
E/1996/32 (Part I), E/ICEF/1996/12 (Part I), 26 March 1996, Report of the
Executive Board of the United Nations Childrens Fund on the Work of its First
Regular Session of 1996 (22-25 January), Page. 7.
2.0 TAG LINE
2.01
TAG LINE
2.0 TAG LINE
2.01
TAG LINE
From its inception, UNICEF has operated as a
collaborative organization, working closely with others
to forge a world fit for children. The organizations tag
line, Unite for Children, encompasses this unique legacy,
and communicates the essence of our mission.
Unite for Children positions UNICEF as a leader,
convener and facilitator of effective partnerships and
programs for and with children. It underscores the
power of the organizations brand to bring together
diverse stakeholders in the drive to realize childrens
rights and achieve the Millennium Development Goals
with equity.
Unite for Children explains how results for
children are best achieved. UNICEF collaborates with
governments, donors, international agencies, civil
society organizations, the private sector, communities,
families and individuals to meet their obligations to
children under international conventions and national
legislation and programmes.
Unite for Children calls for collaboration when
emergencies devastate the lives of children. UNICEF
works with agencies and governments to ensure that
essential services and protection are swiftly restored for
children and women, and engages National Committees
and donors to form alliances in fundraising for
immediate and post-crisis humanitarian response.
Unite for Children is a rallying call to action for
donors and volunteer activists as well as UNICEF staff
to join forces and contribute to our overarching goal:
A world fit for children.
Unite for Children is the central advocacy and
communications message for the organization, and
should be displayed prominently in all external
communication and advocacy materials and products.
3.0 BRAND STYLE
3.01
Brand Style
3.0 BRAND STYLE
SIMPLE
3.01
BRAND STYLE
Brand style serves to differentiate UNICEFs materials
from those of other organizations.
Our Brand style is based upon these characteristics:
Simple, Optimistic, Bold and Contemporary. By
applying these characteristics of our Brand style in the
development of content and presentation, you will
ensure our unique style and enhance recognition of
UNICEF by our audiences.
So that we are easily understood.

So that we communicate our ideas directly and effectively.
So that we inspire others to act.
OPTIMISTIC
We believe that we can triumph over the dangers threatening children.
We believe that others who share our vision will work with us.
We believe that together we can achieve the seemingly impossible.
BOLD
To get noticed in a cluttered world.
To make children the centre of the worlds consciousness.
To be distinctive and confident in our communications.
CONTEMPORARY
To keep pace with global changes which affect children.
To appeal to new and younger audiences.
To be understood and unmistakable.
4.0 LOGO
4.01
4.02
4.03
4.04
4.05
4.06
4.07
4.08
4.09
LOGO OVERVIEW
CLEAR SPACE AND MINIMUM SIZE
EXAMPLES OF CORRECT USE OF LOGO
USING THE CORRECT LOGO
UNACCEPTABLE USE
APPROVED LANGUAGE VERSIONS
LOGO AND TAG LINE
TAG LINE POSITION
LANGUAGE VERSIONS OF LOGO AND TAG LINE
4.0 LOGO
4.01
LOGO OVERVIEW
The UNICEF logo is the one element that unifies and
represents our organization. It has been specially
designed to symbolize not only our name, but also what
we stand for children. The lower case letters used in
the logo are friendly and approachable. The parent and
child symbol shows the child as our central purpose
while the laurel leaves provide a link to our history with
the United Nations.
The UNICEF logo should be used as an indivisible
unit and its integrity should be respected at all times.
Placing the UNICEF logo on any materials (including
partnerships) represents UNICEFs endorsement of
its contents. For more information on the use of the
UNICEF logo in partnerships, please refer to section
11.0 Partnerships.
The UNICEF Logo should be displayed only in its
approved colours. The examples shown here illustrate
the correct use of the logo in positive and reverse
formats. The preferred ways to display the logo are
reversed (white) out of a 100% cyan background, or cyan
against a white background. For more information on
color please refer to page 7.01 Primary Colour Palette.
Preferred ways to use the logo:
Reversed, from 100% cyan
100% cyan
Reversed, from black
100% black
100% cyan over colour
Reversed over image
All logo files (including approved language versions)

are available for download from the UNICEF Intranet
site www.intranet.unicef.org under Communication/
Brand/Logos.
4.0 LOGO
4.02
CLEAR SPACE AND MINIMUM SIZE

To protect the strength and integrity of the logo, a clear
space area, free of competing visual elements, should
be maintained around the logo.
In the example at left below, X, represents the clear
space around the logo. X is equal to half the height of
the letter u in the UNICEF logo.
The minimum size of the logo should measure no less
than 19mm in width. For website applications, the logo
should be no smaller than 100 pixels wide.
4.0 LOGO
4.03
EXAMPLES OF CORRECT USE OF LOGO

This page illustrates examples of the correct use of
the logo.
4.0 LOGO
4.04
For the purposes of comparison, the correct logo is

shown next to an incorrect UNICEF logo. Please note
the details highlighted at left. The differences, which
may not be apparent at first sight, are magnified when
the incorrect logo (black) is superimposed on the
correct logo (cyan).
TYPOGRAPHY
ALIGNMENT
CORRECT LOGO
LINE
THICKNESS
SHAPE
OF LEAVES
FACE CONTOURS
NO SPACING
EMBLEM SIZE
AND PROPORTION
INCORRECT LOGO
USING THE CORRECT LOGO

UNICEF is represented by its logo. The correct version
of the UNICEF logo should always be used.
Outdated or unauthorized versions of the UNICEF

logo should not be used. When working with external
graphic artists, provide them with the correct logo and
brand guidelines and instruct them to refrain from any
customization or distortion of the logo, including its
color or typography.
The UNICEF logo is available for download from the
UNICEF Intranet site www.intranet.unicef.org under
Communication/Brand/Logos.
To report the unauthorized or inappropriate use of the
logo, send an email to [email protected]
4.0 LOGO
4.05
Unacceptable use
Examples of unacceptable modifications and incorrect
uses of the logo are shown to the left.
The logo is an indivisible unit. Do not alter the
composition of the logo, or change its components.
The correct UNICEF logo is available for download from
the UNICEF Intranet site www.intranet.unicef.org under
Communication/Brand/Logos. For more information
contact [email protected]
Do not place the logo on

backgrounds that provide little
contrast or legibility.
Do not superimpose the logo on

any image or decorative pattern
that obscures its readability.
Do not place a cyan logo over

a photo that interferes with
its legibility.
Do not retype the text

component of the logo
Do not recreate, distort, add, or

change any elements of the logo.
Do not alter the proportions of
the logo.
Do not use the logo, or any of its

elements as a tinted background
or decorative element.
Do not add special effects to the

logo (drop-shadows, outlines).
Builds
Do not use clipart or logos
found in the internet. Do not
use scanned art.
Do not use outdated versions

of the logo.
Do not combine or make the logo

(and tagline) appear to form part
of any other text or graphic.
Do not print the logo in metallic

inks (gold, silver bronze).
Od magnam quident volor aperchitiae.

Nam quatur? Omnihicidio volorrovit ped
Elecestiunto eatus et eum alitae nosam sit,
occus quidus audaeperumet et autestiur
reperfe rrovidendit, corepro quiaecuptat
Never use the logo as an

decorative element behind
typography.
Do not use the logos typography

or the parent and child symbol as
a separate visual element.
Never separate the visual components of the logo. It is designed to

be a single and cohesive single signature. Do not display the logo
truncated or incomplete.
4.0 LOGO
4.06
APPROVED LANGUAGE VERSIONS

Use only officially approved language versions of
the UNICEF logo. The latin script version of the logo
should be used at all times (English/French/Spanish).
Use the non-latin script versions of the logo (Arabic/
Chinese/Russian) only when problems of readability
arise for the local population.
Language versions of the logo are available for
download on the UNICEF Intranet site
www.intranet.unicef.org under Communication/
Brand/Logos. For more information write to
[email protected]
English, French, Spanish version

and all other Latin-script based languages
Arabic version
Chinese version
Russian version
4.0 LOGO
4.07
LOGO AND TAG LINE

Whenever possible, the tag line should appear along
with the UNICEF logo. The tag line has been designed
with two graphic variations suitable for display on a
variety of media: two-line and stacked format.
For more information on the significance of the tag line,
refer to Section 2.01 of this Tool Kit.
When working with partnerships it is not necessary
to use the UNICEF tag line, or apply the UNICEF Brand
visual identity on communication materials.
E-MAIL SIGNATURE
To setup your UNICEF logo and tag line E-mail
signature, in Lotus Notes and Microsoft Outlook, follow
the guidelines available on the UNICEF Intranet site
www.intranet.unicef.org under Communication/Brand/
E-mail signature.
Two-line format, with a 1:1 height relationship with logo
Stacked format
4.0 LOGO
4.08
TAG LINE POSITION

Shown below are three examples of how
to use the logo and tag line combination in
graphic materials.
4.0 LOGO
4.09
LANGUAGE VERSIONS OF LOGO AND TAG LINE

Language versions of the logo and tag line, including
the six official languages shown here, are available for
download from the UNICEF Intranet site: www.intranet.
unicef.org under Communication/Brand/Logos.
For more information about the logo write to
[email protected]
French version
Chinese version
Arabic version
Spanish version
Russian version
English version
5.0 Typography
5.01
Typography
5.0 TYPOGRAPHY
5.01
TYPOGRAPHY
Careful selection and arrangement of typography
provides legibility and readability to any
communication material. The UNICEF Brand uses a
distinctive typographic treatment that, when used
consistently, reinforces recognition of the Brand. The
use of typography alone, without photographs or
graphics, can communicate simplicity and order.
UNIVERS
Univers is the official typeface of the UNICEF Brand.
Univers is a sans-serif typeface recognized for
its design simplicity, clarity and legibility. Those
characteristics, represent the Brands design style.
Univers works well when combined with other
typefaces, and it may be used in upper and lower case
as body text, or all upper case as a display typeface.
The recommended type alignment for all print
communication is flush left or justified. For optimum
readability, the recommended typographic treatment
for body text is black against a white background.
Univers is not a standard computer font, and it may
be purchased separately and installed by your offices
IT department. The following sans-serif typefaces may
be used when Univers is not available. For printed
materials use Arial for body text and headlines, or
Times Roman for body text only. For web-based
applications, use Verdana for all HTML text, including
body text, headers, captions, and links. Whenever
possible, use Univers in graphics create for the web.
For more information on the use of typography for the
web, refer to Section 14.0 of the Tool Kit.
AaBbCc
6.01
6.02
6.03
6.0 WRITING STYLE
information architecture
EXAMPLE OF USE: ADVERTISEMENT
EXAMPLE OF USE: QUOTATION
ISSUE
Define the problem
ACTION
What needs to be done?

What has been done?
IMPACT
Why does it matter?

What are the results?
How will it change the world?
6.0 WRITING STYLE
6.01
INFORMATION Architecture
Information should be structured in the same format
for everything we write, from speeches to advertisement
copy to meeting agendas. Our writing should state the
issue, discuss the action that UNICEF is taking and
identify the impact of the action.
Issue, Action and Impact can be reordered to best
construct your piece. All text should be brief and to the
point. Writing in this basic format will ensure that our
written communications are Simple, Optimistic, Bold
and Contemporary.
6.0 WRITING STYLE
6.02
EXAMPLE OF USE:ADVERTISEMENT
Here is an example of our writing style. The headline
states the issue in a clear and simple way and shows the
impact (a reduction in measles deaths). The body text
reiterates the issue, and explains the action taken and its
related impact. It is important to remember that issue,
action and impact can be reordered to best construct
your piece.
Issue
Impact
Action
6.0 WRITING STYLE
6.03
EXAMPLE OF USE: QUOTATION

The example provided on this page illustrates our
writing style for quotations. The quotation states the
issue, action and impact in a clear and simple way.
This clean design can only be achieved by writing with
an economical style that is direct and to the point.
For more information on writing style, refer to the
UNICEF Style Book, available for download from the
UNICEF intranet site www.intranet.unicef.org under
Communication/Publications/Editorial.
Issue and action

Impact
7.0 COLOUR
7.01
7.02
7.03
7.04
Primary Colour PALETTE

EXAMPLES OF Primary COLOuR PALETTE
Secondary COLOUR PALETTE
EXAMPLES of Secondary COLOUR PALETTE
7.0 COLOUR
CYAN
Print
PANTONE
Process Cyan
Print
CMYK
C 100
M0
Y 0
K 0
SCREEN
RGB
R 0
G 153
B 255
WEB
HEX Websafe
0099FF
7.01
VIDEO
DIRECT RGB
R 4
G 132
B 169
PLASTIC
Pantone
Plastic chip
Q32031
FABRIC
Pantone
Fabric swatch
174540-TC
Magenta
PRINT
PANTONE
Process Magenta
PRINT
CMYK
C 0
M 100
Y 0
K 0
SCREEN
RGB
R 255
G 0
B 153
WEB
HEX Websafe
FF0099
VIDEO
DIRECT RGB
R 214
G 0
B 107
Yellow
PRINT
PANTONE
Process Yellow
PRINT
CMYK
C 0
M0
Y 100
K 0
SCREEN
RGB
R 255
G 255
B 0
WEB
HEX Websafe
FFFF00
VIDEO
DIRECT RGB
R 221
G 193
B 18
Black
PRINT
PANTONE
Process
Black
PRINT
CMYK
C 0
M0
Y 0
K 100
SCREEN
RGB
R 0
G 0
B 0
WEB
HEX Websafe
000000
Video
RGB
R 0
G 0
B 0
Dark blue
PRINT
PANTONE
274
PRINT
CMYK
SCREEN
RGB
R 51
G 51
B 153
WEB
HEX WEBSAFE
333399
VIDEO
DIRECT RGB
R 51
G 71
B 105
C
M
Y
K
100
100
0
0
PRIMARY COLOUR PALETTE

The primary colour for UNICEFs logo is cyan: a bold,
colour that is immediately recognizable and highly
visible. Cyan is also a visual link to the UN. This colour
should be featured in all our communication.
The colours in our primary colour palette are pure, bold
and optimistic, and they complement cyan. This palette
should be used in all corporate communication.
The acceptable range of colour shift in cyan, is no more
than 10%. Please refer to the UNICEF cyan colour chart,
available for download from the UNICEF Intranet site
www.intranet.unicef.org under Supply Templates, to
evaluate colour accuracy when no reliable mechanical or
digital colour measure systems are available.
For more information on Pantone colours, go to
www.pantone.com
7.0 COLOUR
7.02
Examples OF Primary COLOUR PALETTE
7.03
7.0 COLOUR
RED
PRINT
PANTONE
PMS 032 Red
PRINT
CMYK
C 0
M 100
Y 100
K 0
SCREEN
RGB
R 222
G 36
B 20
WEB
HEX Websafe
CC0000
VIDEO
DIRECT RGB
R 236
G 42
B 52
ORANGE
PRINT
PANTONE
PMS 1505
PRINT
CMYK
C 0
M 50
Y 100
K 0
SCREEN
RGB
R 247
G 148
B 29
WEB
HEX Websafe
FF9900
VIDEO
DIRECT RGB
R 243
G 106
B 0
Green
PRINT
PANTONE
PMS 348
PRINT
CMYK
C 100
M0
Y 100
K 0
SCREEN
RGB
R 0
G 151
B 64
WEB
HEX Websafe
009900
VIDEO
DIRECT RGB
R 0
G 113
B 47
Light Green
PRINT
PANTONE
PMS 376
PRINT
CMYK
C 50
M0
Y 100
K 0
SCREEN
RGB
R 141
G 198
B 63
WEB
HEX Websafe
8DC63F
VIDEO
DIRECT RGB
R 107
G 171
B 0
Grey
PRINT
PANTONE
PMS Cool Grey 9
PRINT
CMYK
C 0
M0
Y 0
K 50
SCREEN
RGB
R 128
G 128
B 128
WEB
HEX Websafe
999999
Video
RGB
R 128
G 128
B 128
Secondary COLOUR palette

Some campaigns or documents may require the use
of additional colours. Use the secondary colour palette
when a seasonal colour is needed for a marketing
campaign, or for a specific issue like HIV/AIDS.
Sometimes a wider range of color is needed when
presenting data.
7.0 COLOUR
7.04
EXAMPLES OF Secondary COLOUR palette

Examples on this page illustrate the various applications
of additional colours.
8.0 PHOTOGRAPHY
8.01
8.02
8.03
8.04
8.05
8.06
8.07
PHOTOGRAPHY OVERVIEW
SIMPLICITY
OPTIMISm
BOLD
CONTEMPORARY
PROTECTING AT-RISK CHILDREN
COPYRIGHTS and CREDITS
8.0 PHOTOGRAPHY
8.01
PHOTOGRAPHY OVERVIEW
Photography can help to project the UNICEF brand
attributes that characterize the organization: Simple,
Optimistic, Bold and Contemporary.
Photographs should present the dignity of the people
portrayed. Images are most compelling when they tell
stories representing children in ways that reflect the
reality of their worlds.
Follow these six keys to appropriate use of photography:
1. U
se photo captions to present the context in which
the photo has been taken.
2. D
o not manipulate photo images, remove, add or
alter objects.
3. D
o not display faces of children who may be
vulnerable to exploitation, abuse, discrimination,
violence or trauma if they are identified in
photographs. (For more information see page 8.06)
4. U
NICEF photographs are reserved for the exclusive
use of UNICEF staff or partners. They are not to be
used for commercial purposes.
5. F
or internal or external image distribution, use the
release form and include copyright, photo credit and
information on restrictions of use.
6. All UNICEF photographs should be credited.
8.0 PHOTOGRAPHY
8.02
SIMPLICITY
UNICEFs brand attributes simple, optimistic, bold,
contemporary should be evident in every piece of
UNICEF communication.
Simple images affirm all that is best in children:
illustrating both who they are and what they can be.
Using one colour

theme, a centred
composition
and clean, sharp
lines keep this
image simple and
powerful.
A natural balance
is struck between
an engaging
foreground and a
simple background.
Simple images often focus on a detail that

hints at a much larger subjects.
Images should be uncluttered, with a minimum of

distracting elements.
The camera presents this child as safe, happy and comfortable in

her own world.
8.0 PHOTOGRAPHY
8.03
Optimism
Optimistic images convey all the hope that a childs life
represents, and the confidence that UNICEF brings to its
own endeavours.
Optimistic images
present engaging
people involved
in concrete action
that is clear and
evident.
Strong colours, active children and an intimate camera angle

combine to draw the viewer in.
8.0 PHOTOGRAPHY
8.04
BOLD
Bold images communicate clearly and immediately
what is essential in a situation, stirring deep emotions
in the viewer.
Intense colours and close framing create a strong image.
Bold can mean

dramatic in the
narrative sense
confronting the
audience with a
difficult issue.
Bold can also be shown in the frank, confident gaze that the
subject directs at the viewer.
8.0 PHOTOGRAPHY
8.05
Contemporary
imagery presents
children as unique
individuals in
diverse social and
cultural situations.
Capturing children at the centre of the

action, from a different angel and in
vivid colour, creates an up-to-the minute
impression.
Looking at a familiar scene from a different perspective also

makes a photograph feel contemporary.
CONTEMPORARY
Contemporary images are recognizably current, and show
the active participation of children. Unique camera angles,
good cropping, interesting colours and strong crisp lines
all let us feel as if we were right there with them.
8.0 PHOTOGRAPHY
8.06
PROTECTING AT-RISK CHILDREN

The Convention on the Rights of the Child mandates
every childs right to privacy and protection in all media.
This fact should always be borne in mind when creating
imagery. There are many ways to photograph creatively
while still protecting identities when necessary.
The following groups of at-risk children should never
be identified visually: victims of sexual exploitation;
HIV-positive children; children charged with or convicted
of a crime. We also recommend that child soldiers
carrying guns, or at risk of being abused if identified,
not be visually identifiable.
Please, never use black bands or pixelation of faces to
protect identities because these styles ruin the image
quality and impact, and can connote criminality.
This image
protects the boys
identity, and
yet still situates
him in his own
environment.
Focusing on
relevant details can
protect identities
while underscoring
the logic of
protection.
Children who wish to be identified because they want

their stories known, are clear exceptions, and should
sign releases affirming this.
For more information on child protection go to
www.unicef.org/protection/index.html
8.0 PHOTOGRAPHY
8.07
COPYRIGHTS and CREDITS

UNICEF images should be credited in all publications.
Crediting should be in one of the following formats:
For HQ images:
UNICEF/HQ01-2007/Pirozzi
(photographers first name is optional)
For images from field offices:
UNICEF Iran/reference number/Smith
or (if no reference number):
UNICEF Iran/2008/Smith
or (if neither reference number nor photographer
is known):
UNICEF Iran/2008
For print publications (books, brochures, flyers, posters,
banners, etc.), photographs should be credited:
1. beneath the image, flush right; or 2. vertically beside
the image, flush left or right bottom; or 3. on a separate
credits page, to include the page reference and position
on the page where the image appears.
Photo credit outside and below photo, set

horizontally and flush right or left.
Photo credit outside the photo, set

vertically and flush with bottom right or
left corner.
For Web reproduction, photographs should be credited:

beneath the image, flush right, as above.
For PowerPoint presentations, photographs should
be credited: beneath the photographs, flush right or
on the last page of the presentation.
For images not owned by UNICEF: follow the credit
line information recommended by the photographer
or agency.
For more information on photo guidelines visit the
UNICEF Intranet site at www.intranet.unicef.org
Communication/Communication Tools/UNICEF
Photo Library/Guidelines/Use and Credit.
Full page photo with credit in bottom gutter

corner, set vertically.
Photo credits on a separate page in a

publication.
9.0 VISIBILITY
9.01
VISIBILITY OVERVIEW
9.0 VISIBILITY
9.01
VISIBILITY OVERVIEW
UNICEF branded materials such as supplies, signage,
and other products, have been designed to stand out
from their environment and those of other organizations.
Branded materials bring visibility to UNICEF and help
our stakeholders recognize our work.
Brand visibility communicates our accountability to
donor governments, programme beneficiaries and
partners, and highlights our presence during fundraising
and humanitarian activities. The level of visibility given
to the UNICEF Brand should be considered in the social
and political context of the environment where UNICEF
operates, ensuring there is no risk to UNICEF staff
and partners.
UNICEF visibility items are reserved only for the use
of UNICEF staff or other authorized personnel during
official functions or events. Visibility items may be
distributed to external partners, volunteers or children,
upon approval of the head of office. Visibility items are
not to be sold or given away to unauthorized persons.
UNICEF branded visibility items should not be customized
or altered with personalized designs or messages.
10.0 PRINT
10.01
10.02
10.03
10.04
10.05
PUBLICATION OVERVIEW
Stationery overview
BUSINESS CARDS
LETTERHEAD
MEDIA RELEASE
10.0 PRINT
10.01
PUBLICATION overview
The design of UNICEF publications is based upon our
brand principles and writing style. The consistent use of
the brands design elements (photography, typography,
colour, logo) increases recognition of our brand by
our audiences.
Every publication design should feature the process
colour cyan on the cover.
PAPER SELECTION
In general, UNICEF publications should be printed on
an environmentally friendly paper with a smooth finish,
matte-coated surface, with a bright white value, and at
least 30% recycled content or recyclable material.
To save on production costs, UNICEF publications
should be distributed as digital files (PDF, Microsoft
Word, PowerPoint etc.)
COPYRIGHT NOTICE
The correct copyright notice in UNICEF publications
should read: United Nations Childrens Fund (UNICEF).
10.0 PRINT
10.02
Stationery overview
For many people, stationery items such as business
cards, envelopes and letterheads may be the first
point of contact with the organization.
Microsoft Word templates for all UNICEF official
stationery are available for download from the
Communication/Brand/Stationery.
10.03
10.0 PRINT
BUSINESS CARDS
SIZE
3.5 x 2
TYPOGRAPHY
Employee name:
7 point type over 8.5 point leading. Univers 65 Bold,
upper case
Organization name:
7 point type over 8.5 point leading. Univers 65 Bold,
upper and lower case
.25 inch
.25 inch
All other text:

7 point type over 8.5 point leading. Univers 55 Roman,
upper and lower case with 8.5 point line spacing after
end of paragraphs
.25 inch
.25 inch
All letters and numerals should be kerned as necessary.

Letterspacing should be set at zero.
COLOUR
Front: All type prints 100% cyan
Back: The back is to remain blank or can be used for
another language for a bilingual card.
PAPER STOCK
Rolland Enviro100 Print, 100lb Cover or similar
recycled paper
PRINTING METHOD
Offset lithography
A Microsoft Word template is available for download
from the UNICEF Intranet site www.intranet.unicef.org
under Communication/Brand/Stationery. For more
information contact [email protected]
.75 inch
10.0 PRINT
10.04
.75 inch
.5 inch
LETTERHEAD
SIZE
8.5 x 11
TYPOGRAPHY
Organization name:
8 point type over 10 point leading, Arial Bold,
upper and lower case; 100% Pantone Process cyan
Address and contact information:
8 point type over 10 point leading, Arial Regular, upper
and lower case; prints 100% Pantone Process cyan
BODY TEXT
11 point type over 13 point leading, Times Roman.
Leave one line space between paragraphs. Body text
prints solid black.
PAPER STOCK
Rolland Enviro100 Print, 70lb Text or similar
recycled paper
PRINTING METHOD
Offset lithography or digital printing
.5 inch
.75 inch
.75 inch
.75 inch
10.0 PRINT
10.05
.75 inch
MEDIA RELEASE
size
8.5 x 11
TYPOGRAPHY
Media Release heading:
18 point type. Arial Bold, upper case,
100% Pantone Process cyan
Organization name in footer:
8 point type over 10 point leading, Arial Bold, upper
1.25 inches
Address and contact information in footer:

8 point type over 10 point leading, Arial Regular, upper
BODY Text
11 point type over 13 point leading, Times Roman. Leave
one line space between paragraphs. Prints solid black.
COLOUR
All permanent elements print 100% Pantone Process
cyan with logo and tag line reversing to white on a
100% cyan background.
PAPER STOCK
Rolland Enviro100 Print, 70lb Text or similar
recycled paper
PRINTING METHOD
Offset lithography or digital printing
.5 inch
.75 inch
.75 inch
11.0 PARTNERSHIPS
11.01
11.02
11.03
11.04
PARTNERSHIPS OVERVIEW
PARTNERSHIP EXAMPLE
Logo use in MULTIPLE PARTNERSHIPs
PARTNERSHIP SIGNAGE EXAMPLE
11.0 PARTNERSHIPS
11.01
PARTNERSHIPS OVERVIEW
Partnerships and collaborative relationships are an
integral part of UNICEFs work. Partnerships allow
UNICEF to achieve more for children than UNICEF
can on its own.
Bringing partners together in a collaborative effort
lies at the heart of the Unite for Children concept; a
rallying call for action to join forces and contribute to
our overarching goal: A World fit for Children.
Partnerships are dynamic and constantly evolving.
UNICEFs participation in partnerships is diverse, with its
role ranging from convener to supporter. Partnerships
can be made with one or multiple partners.
The UNICEF Brand does not have to be used in
partnership materials. Partners may use the UNICEF
logo by written permission and in connection with
partnership programmes. Use of the UNICEF logo in
any partnership-related material reflects UNICEFs
participation in the partnership and the implicit
endorsement of its messages.
Use of logo by partners should be specified in the
partnerships terms of reference.
For more information on Partnerships visit the Private
Fundraising and Partnerships Intranet site:
http://www.intranet.unicef.org/geneva/pfp.nsf
11.0 PARTNERSHIPS
11.02
PARTNERSHIP EXAMPLE
In a partnership with two partners, it is important to
give both partners logos equal emphasis. Both logos
should be shown at proportionately the same size and
at the same level. As far as possible, the UNICEF logo
should appear on the right hand side. As people read
from left to right, the UNICEF logo may be the last to be
seen, leaving with the reader a lasting and memorable
impression.
Remember to maintain the recommended minimum
clear space around each logo (see Section 4.02).
11.0 PARTNERSHIPS
11.03
LOGO USE IN MULTIPLE PARTNERSHIPS

In multiple partnerships, logos should be shown at
proportionately the same size and at the same level,
with even and clear space around each logo. To give
all partners logos equal emphasis, logos should be
arranged alphabetically from left to right.
The examples shown on this page illustrate how
to position the logos of multiple partners and
co-convenors on the back cover of publications.
Use of logos showing

multiple partnerships
11.0 PARTNERSHIPS
11.04
PARTNERSHIP SIGNAGE EXAMPLE

Public events present unique opportunities for
partnerships to highlight important aspects of their
work. Step and repeat banners, signage and other high
visibility items, often serve as backdrops for photo
opportunities during these events. Partnership signage
should aim to properly display all partners logos from
a variety of angles and distances. When working with
partnership campaign materials, it is not necessary to
apply the UNICEF Brand visual identity.
12.01
12.02
12.0 PRESENTATIONS
PRESENTATIONS OVERVIEW
USE OF POWERPOINT
12.0 PRESENTATIONS
12.01
PRESENTATIONS OVERVIEW
This section explains how to use the elements of the
UNICEF brand to create presentations in Microsoft
PowerPoint.
Use the font Arial in bold and regular weights.
Charts and diagrams should be simple, clear and
uncomplicated. Three-dimensional effects and
animation should be avoided wherever possible.
The complete main colour palette can be used;
however, keep the number of colours appearing
on any one slide to a minimum.
The use of photography to enhance or complement
a message is encouraged. However, photo imagery
should be kept to a minimum and used to communicate,
not decorate.
Remember that key points can be type-only slides
or type and image slides. Pacing is important, so after
a text-heavy section, a slide of colour background with
one sentence or an image slide with one sentence can
be used to create a moment of rest. The text should be
kept simple and to a minimum.
The following page details the type specifications
for each slide.
Templates are available for download from the
UNICEF Intranet site www.intranet.unicef.org
under Communication/Brand/Document Templates/
PowerPoint Templates.
For more information contact [email protected]
12.0 PRESENTATIONS
12.02
use of Powerpoint
The three examples below illustrate the recommended
way to use text simply and cleanly when preparing a
presentation in PowerPoint.
Type sizes and styles are built into the master pages of
each template. Just click to add your text.
These and other templates may be found on the intranet.
Cover
Arial Bold, Title Case, 40pt
Cover option, or section

Arial Bold, Title Case, 40pt
Bulleted text and text

Arial, Sentence case, 28pt
Subtitled bulleted text and text

Arial Bold and Arial, 28pt
Graphs and charts

Arial; 18pt, 16pt, 14pt
13.0 VIDEO
13.01
VIDEO Overview
13.0 VIDEO
13.01
VIDEO OVERVIEW
The UNICEF Video Tool Kit is the source of technical
specifications needed for the production of branded
video. It represents the signature look and packaging of
all video presentations, including animated end-tags,
lower third for captioning, various slates, UNICEF logo,
backgrounds and transitions.
The UNICEF Video Tool Kit is a set of video elements
in both PAL and NTSC standards. These elements
are provided in English, French, Spanish and Arabic
languages and can be applied local video productions.
To download elements of the UNICEF Video Tool Kit,
use our FTP server. You should use and FTP client
application such as FileZilla:
http://filezilla-project.org/download.php
Host: 57.69.14.97
User name:
videotoolkit
Password: videotoolkitvideo
14.0 WEBSITE
14.01
14.02
14.03
14.04
14.05
14.06
WEBSITE OVERVIEW
LOGO AND TAG LINE
COLOUR
TYPOGRAPHY, WRITING STYLE AND IMAGERY
WEB PAGE PRODUCTION
WEB PAGE PRODUCTION (CONTINUED)
14.0 WEBSITE
14.01
WEBSITE OVERVIEW
The UNICEF website www.unicef.org is one of the
platforms used by the organization to communicate
with our various stakeholders, donors, supporters
and friends.
This section explains how to use the elements of
UNICEFs brand identity to build functional, interesting
and engaging web pages.
Correct use of the logo reversed out of cyan

Correct use of colour and typography
Correct use of imagery
Correct use of typography and writing style
Correct content legibility
14.0 WEBSITE
14.02
LOGO AND TAG LINE

LOGO
To create web graphics with the logo, use the standard
graphics files available from the UNICEF Intranet site
www.intranet.unicef.org under Communication/Brand/
Logos. Do not alter the colours used in these files.
Remember to maintain the required clear space around
the logo. (See Section 4.02).
The logos are available in white reversed out of cyan,
and in cyan positive on white. We recommend the use of
the white reversed out of cyan version for web page top
banner areas and home pages, accompanied by the tag
line in the same colour.
If you are developing a localized version of the logo
image, please maintain the same minimum clear space
as for print: half the height of the letter u in the logo.
Placement: the logo will be on the top left corner of
every web page. The UNICEF logo should be no smaller
than 100 pixels in width.
TAG LINE
To create web graphics with the tag line, use the
standard graphics files available from the UNICEF
Intranet site www.intranet.unicef.org under
Communication/Brand/Logos. Do not alter the colours
used in these files. The files will be available in reversed
white out of cyan, and in cyan positive on white.
In all page top banner areas and in the majority of other
cases, horizontally align the tag line with the logo.
The www.unicef.org website uses the stacked version
of the tag line. The tag line and logo maintain a 1:1
height relationship. You can modify the lateral distance
between the logo and the tag line if required.
14.0 WEBSITE
14.03
COLOUR
The UNICEF web colour is the web safe version of cyan:
#0099FF.
All main pages (homepage or section landing pages)
should use white as their primary background colour to
maximize legibility of the text and use cyan as an accent
colour. Less text heavy pages can use cyan as their
primary background colour, with white or yellow text.
The following colours can be used for emphasis, variety
and secondary design elements:
magenta #FF0099
yellow #FFFF00
dark blue
#333399
black #000000
and percentages of cyan (5%100%)
In addition, a limited palette of additional accent colours
has been approved for use on www.unicef.org. You
may also use these colours for emphasis, variety and
secondary design elements:
yellow: #FFD76A
orange:
#DF5E32
#FF8448
greys:
#333333
#D0D0D0
and blues:
#9CAABA
#D3E1EB
#047BD2 #0093EF
Body text should be black on a white background.

On content pages, link colours should be the web
default values.
14.0 WEBSITE
14.04
TYPOGRAPHY, WRITING STYLE AND IMAGERY

TYPOGRAPHY
Web fonts: Use Univers in graphics used as titles or
headlines, and in other graphics that incorporate text.
Verdana is the official font for all HTML text (body text,
headers, captions, links, etc.) on www.unicef.org. Arial, a
sans-serif font, can be used as an alternative accent font.
Names of website sections and headers on web pages
may be either in upper and lower case or all upper case.
Headers and body text should be aligned from the left in
languages that read from left to right.
WRITING STYLE
When you write for the web:
be economical and to the point sentences should be a
maximum of about 30-35 words long
use the active voice
avoid starting sentences with subordinate clauses
s tructure your text using the format issue, action, impact
make liberal use of headers, subheads and bulleted and
numbered lists, in order to break up large areas of text,
facilitate scanning and enhance readability.
If the text for a given web page is more than 500 words,
consider splitting it up into two or more pages.
For more specific guidance, refer to the UNICEF Web
Writing Guidelines available for download from the
Communications/Internet Broadcast and Image Section
(IBIS).
IMAGERY
On the web, use the three preferred image styles:
Content relevant photographs in vertical or
horizontal format optimized for the web.
Silhouetted portraits.
Banners/promotional buttons/icons/graphics.
Provide photo credit information for all photographs on
the web pages, as it is done for print publications.
For more information on the use of photography, refer
to Section 8, or to the photo guidelines available from
the UNICEF Intranet site www.intranet.unicef.org under
Communications/Internet Broadcast and Image Section
(IBIS).
14.0 WEBSITE
14.05
WEBPAGEPRODUCTION
As a general rule, Internet content developed by
UNICEF offices (including Headquarters divisions,
Regional Offices and Field Offices) belongs on the
UNICEF website at www.unicef.org, on servers in
New York. Pages on this site typically use pre-defined
templates, which already incorporate the brand
guidance provided in this tool kit.
Pages on the UNICEF website are designed according
to the UNICEF Web guidelines, available for download
under Communications/Internet Broadcast and Image
Section (IBIS).
Websites developed by National Committees, and
exceptional websites that require their own domain,
are not subject to the UNICEF Web guidelines. However,
they must still conform to the general brand guidance
outlined in this Tool Kit. If you have a site that you
believe must have a separate domain, please contact
both ITD/Network Services and DOC (IBIS/Web team).
Requests will be reviewed on a case-by-case basis.
14.0 WEBSITE
14.06
WEB PAGE PRODUCTION (CONTINUED)

Information architecture: Where appropriate, build your
information architecture according to the issue-action
impact model. Sites on www.unicef.org will in many
cases fit into an existing information architecture that is
already structured in this way. In all cases, HTML page
titles should have UNICEF as the first word.
Legibility: you can incorporate design enhancements
to improve legibility where appropriate. Keep these
changes subtle and in harmony with the overall look
of the brand. Examples: striping alternate rows of a
long data table with very light grey; adding background
colours to table header cells to distinguish them from
data cells; colouring headers using colours from the
brand palette, (see Section 7.0 Colour).
Images: prepare web images according to the brand
guidelines under Photography (see Section 8.0) and
according to the general principles governing use of
images on the web. The latter include using appropriate
image formats (jpg or gif), compression and small
file sizes.
Text layout: Body text should in most cases be in a
single column. Adjoining columns can be used for
navigational links or related information.
For more information, refer to the UNICEF Web
guidelines, available on the UNICEF Intranet site
www.intranet.unicef.org under Communications/
Internet Broadcast and Image Section (IBIS).
LINKING EXTERNAL SITES TO THE UNICEF WEBSITE
UNICEF welcomes links from sites that share the
organizations goals of working for childrens rights,
meeting their basic needs and expanding their
opportunities to reach their full potential. To link an
external site to the UNICEF web site, send an email
to [email protected]
15.0 RESOURCES
15.01
15.02
Resources AND CONTACTS

CREDITS
15.0 RESOURCES
15.01
RESOURCES AND CONTACTS
BRAND SITE
The resources below can be
found on the UNICEF Intranet site
www.intranet.unicef.org site under
Communication/Branding.
National Committees can access
these resources through
www4.intranet.unicef.org
Contacts
REFERENCE DOCUMENTS
Brand Tool Kit PDF (Eng, Fr & Sp)
Brand Tool Kit for Partnerships
FREQUENTLY ASKED QUESTIONS
Brand FAQs
Technical FAQs
Typography FAQs
Brand resources &
Digital Assets
Document templates
Stationery templates
Supply templates
Logo files
Other Links
Whats new
Brand Community of Practice
PHOTOGRAPHY
The UNICEF Photo Archive can be
accessed from the UNICEF Intranet
site www.intranet.unicef.org under
Communications/Internet Broadcast
and Image Section/UNICEF
Photography (under image). For
questions on UNICEF photography,
send an e-mail to [email protected]
WESHARE
WeShare is an independent platform
used by UNICEF to distribute digital
resources to Staff in HQ, field
offices, National Committees and
partners.
For more information go to
http://weshare.unicef.org
General Brand Questions

Please e-mail [email protected]
Michelle Siegel
Chief, Brand Management Section
Division of Communication
New York
[email protected]
To report the unauthorized use of
the UNICEF logo or brand send an
email to [email protected]
15.0 RESOURCES
15.02
CREDITS
Photo Credits
SECTION 4 LOGO
4.01 UNICEF/HQ92-0572/Charton
4.08 UNICEF/HQ07-1109/Noorani (Centre)

UNICEF/HQ06-0408/Pirozzi (Right)
SECTION 6 WRITING STYLE
6.03 UNICEF/HQ96-1058/Toutounji

SECTION 7 COLOUR
7.02 UNICEF/HQ06-1823/Estey (Left)

UNICEF/HQ00-0682/Chalasani (Right)
SECTION 8 Photography
8.01 UNICEF/HQ06-0027/Bannon
8.02 Clockwise from top left:

UNICEF/HQ92-0192/Leslie

UNICEF/HQ03-0354/Vitale

UNICEF/HQ97-0308/Noorani

UNICEF/HQ04-0089/Nesbitt

UNICEF/HQ92-0120/Colvey

UNICEF/HQ02-0266/Pirozzi

UNICEF/HQ92-2022/LeMoyne


UNICEF/HQ97-0945/Horner

UNICEF/HQ95-0743/Balaguer

UNICEF/HQ00-0590/Hernandez-Claire

UNICEF/HQ04-0396/Bonn



UNICEF/HQ00-0781/DeCesare

SECTION 9 Visibility
9.01 From left to right, top to bottom


(Digitally altered for illustrative purposes only)

UNICEF/HQ01-0059/Bronstein


UNICEF/2004/Bornholtz



UNICEF/NYHQ2011-1577/Marco Dormino

UNICEF/NYHQ2009-1057/Susan Markisz

UNICEF/NYHQ2011-0364/Marta Ramoneda

UNICEF/NYHQ2011-1811/Prashanth Vishwanathan

UNICEF/NYHQ2011-0496/Richard Grehanz
SECTION 10 PRINT
10.01 From left to right, top to bottom

UNICEF/HQ07-0108/Jean

UNICEF/NYHQ2005-1323/Tkhostova

UNICEF/NYHQ2006-2421/Markisz

UNICEF/NYHQ2005-0221/Pietrasik

UNICEF/NYHQ2007-1344/Pirozzi

UNICEF/NYHQ2011-1795/Giacomo Pirozzi

Jonas Bendiksen/Magnum Photos

UNICEF/NYHQ2010-2828/Sautereau

UNICEF/NYHQ2005-0270/Pirozzi

UNICEF/NYHQ2008-1197/Holt

SECTION 11 PARTNERSHIPS
11.01 UNICEF/NYHQ08-0369/Naing
11.04 UNICEF/NYHQ2007-1923/Markisz (Top)

UNICEF/NYHQ2006-0636/Markisz (Left)

UNICEF/NYHQ2010-1978/Stephanie Berger (Centre)

UNICEF/NYHQ2011-1824/Susan Markisz (Right)
SECTION 12 PRESENTATIONS
12.01 UNICEF/NYHQ2010-1781/Guoegnon
12.02 UNICEF/NYHQ2010-1781/Guoegnon (Top first)

UNICEF/NYHQ2006-2271/Bannon (Top second)

UNICEF/NYHQ2005-242/Pirozzi (Middle first)

UNICEF/NYHQ2009-1511/Holt (Middle second)

UNICEF/INDIA2011-00197/Hallen (Bottom first)

UNICEF/RWAA2011-00242/Noorani (Bottom second)
SECTION 13 VIDEO
13.01 UNICEF/2004/Antonelli

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September 2012

BRAND TOOL KIT

September 2012 BRAND TOOL KIT

September 2012 BRAND TOOL KIT

1.0 mission statement

September 2012 BRAND TOOL KIT

1.0 Mission Statement

UNICEF is mandated by the United Nations General Assembly to advocate for

September 2012 BRAND TOOL KIT

2.0 TAG LINE

September 2012 BRAND TOOL KIT

2.0 TAG LINE

September 2012 BRAND TOOL KIT

3.0 BRAND STYLE

September 2012 BRAND TOOL KIT

3.0 BRAND STYLE

So that we are easily understood.

September 2012 BRAND TOOL KIT

September 2012 BRAND TOOL KIT

Preferred ways to use the logo:

Reversed, from 100% cyan

Reversed, from black

100% cyan over colour

Reversed over image

All logo files (including approved language versions)

September 2012 BRAND TOOL KIT

CLEAR SPACE AND MINIMUM SIZE

September 2012 BRAND TOOL KIT

EXAMPLES OF CORRECT USE OF LOGO

September 2012 BRAND TOOL KIT

For the purposes of comparison, the correct logo is

USING THE CORRECT LOGO

Outdated or unauthorized versions of the UNICEF

September 2012 BRAND TOOL KIT

Do not place the logo on

Do not superimpose the logo on

Do not place a cyan logo over

Do not retype the text

Do not recreate, distort, add, or

Do not use the logo, or any of its

Do not add special effects to the

Do not use outdated versions

Do not combine or make the logo

Do not print the logo in metallic

Od magnam quident volor aperchitiae.

Never use the logo as an

Do not use the logos typography

Never separate the visual components of the logo. It is designed to

September 2012 BRAND TOOL KIT

APPROVED LANGUAGE VERSIONS

English, French, Spanish version

September 2012 BRAND TOOL KIT

LOGO AND TAG LINE

Two-line format, with a 1:1 height relationship with logo

September 2012 BRAND TOOL KIT

TAG LINE POSITION

September 2012 BRAND TOOL KIT

LANGUAGE VERSIONS OF LOGO AND TAG LINE

September 2012 BRAND TOOL KIT