Truong Do Nhuc Excerpts
Truong Do Nhuc Excerpts
Truong Do Nhuc Excerpts
SYNOPSIS
[Introduction] Trng the Zen Master passes away suddenly during
his meditation. He was captured by the Earth God and Marshall the
Devil to be taken to Hell for trial.
[Scene 1] The Zen Master was brought in front of the King of Hell.
The Underworld Clerk revealed that there are two persons with the
same last name Trng, and the warrant was intended for Trng the
Butcher. They captured the Butcher, and the Zen Master was
exonerated. Since his body was already cremated, the King of Hell
orders the Zen Master's soul to be placed in the Butchers body.
[Scene 2] Tuyt Nng finds her husband, Trng the Butcher, dead.
She asks her neighbor, elder Trng Lo, to help with the funeral,
and the shaman to perform the cleansing. The Butcher wakes up and
speaks like a monk. He tries to explain to Tuyt Nng but to no
avail. He then runs back to the pagoda.
[Scene 3] The Zen Master knocks on the temple gate. His two
disciples see the Butcher's face with their Master's voice. The Master
explains. The two skeptical disciples test him with secrets that only
the three of them know. The Zen Master passes the tests. Tuyt
Nng arrives and demands her husband back but they shut the gate
on her.
[Scene 4] Tuyt Nng sues the disciples. The District Governor Trn
Thng subpoenas the Zen Master and his disciples to court. Tuyt
Nng confirms that her husband is illiterate. The disciples confirm
that their Master is the only one who writes pagoda sacred texts. The
Governor orders the monk to compose a poem with the rhyme oan
[being falsely accused].
The Tale of Trng the Butcher ends here, perhaps to allow different
conclusions.
A pre-AAS workshop
Vietnamese Identities
sponsored by The Vietnam Studies Group
9:00 AM 5:30 PM March 26, 2014
Weigley Room, Gladfelter Hall, Temple University
A pre-AAS workshop
Vietnamese Identities
sponsored by The Vietnam Studies Group
PROGRAM
Welcoming remarks
from the Center for Vietnamese Philosophy, Culture and Society and the
Vietnam Studies Group.
Panel 1: History and National Identity
Indigenous Democracy in Vietnamese Ancient Culture, Hi Hng Nguyn,
Ph.D. Candidate, School of Political Science and International Studies,
University of Queensland, Australia.
The historiography about Nguyn Hu and the Ty Sn period and the
condition of "disrupted modernity" of the modern Vietnamese nation, Nguyn
Quc Vinh, Harvard University, East Asian Languages and Civilizations.
The Past Doesn't Pass: Memory and Identity in Commemorating the War
Dead, Hoa T. Nguyn, Trent University.
"Because we are all compatriots": People's Diplomacy and the Vietnamese
in France during the Vietnam War, Nguyn Nguyt, American University.
Panel 2: Social and Cultural Identities
American Consumer Culture and its Impact on Identity in the Republic of
Vietnam in 1965, Helen Ph, University of Texas at Austin.
The Mixture of Film Styles and Questions of Identity in Contemporary
Vietnamese Cinema, Qu-H Hong Nguyn, School of Cinematic Arts,
University of Southern California.
Religious Place and Threads of Memory Through Time: The Dialogic
Construction(s) of Chm Identity at Po Klaung Garai, Dave Paulson, Ph.D.
candidate in Anthropology, Temple University.
Engaging with Vietnam: Meditations on Chm-Vietnamese historical
relations and developing the Intellectual Middle Ground, William Noseworthy,
Ph.D. candidate in History, University of Wisconsin, Madison.
Musical Interlude: Creativity and Traditional Music in Post-socialist
Vietnam, Alexander M. Cannon, Assistant Professor of Music
History/Ethnomusicology, Western Michigan University.
Panel 3: Nm Identities
Collective Visualization of the Three Kingdoms in Vietnam, Nam
Nguyn, Vietnam National University.
Reading of an excerpt from the Nm tung Trng nhc
truyn "The tale of Trng the Butcher," by Nguyn T Lan (Harvard Yenching
Institute) & Ng Thanh Nhn (Nm Studies, Temple University).
Trng the Butcher play: a preliminary research in comparative
literature perspective, by Nguyn T Lan (Institute of Hn Nm Studies &
Harvard Yenching Institute).
A revisit to Tam Thin T Gii m 1831: The first popular
Nm literacy textbook, L Mai Phng (independent, Nm Studies) & Ng
Thanh Nhn (Nm Studies, Temple University).
Sophia W Quinn-Judge
Associate Director
Email: [email protected]
Trng Nhc
Tuyt Nng /
M Trng
o Xoa
o Nguyn
Disciple Nguyn
Dim vng
Qu tt
Th a
T To quan
Trng Lo / Gi
Thy php
Shaman
District Governor Trn Thng
Governor's Palace Officer
References
Nguyn Vn Sm, transliteration, commentaries, manuscript, 2007.
Nguyn Hin Tm, translation. Trng nhc truyn, Th vin
Khoa hc Tng hp Tp. HCM xut bn, Tp. HCM 2013 (for internal
circulation).
Page 26 Vietnamese tung The Tale of Trng the Butcher
Trng Nhc
Tuyt Nng /
M Trng
o Xoa
o Nguyn
Disciple Nguyn
Dim vng
Qu tt
Th a
T To quan
Page 1a
Nm transcription
Page 6a
Nm transcription
Page 1b
Nm transcription
Page 5b
Nm transcription
Page 2a
Nm transcription
Page 5a
Nm transcription
Page 2b
Nm transcription
Page 4b
Nm transcription
Page 3a
Nm transcription
Page 4a
Nm transcription
Page 3b
Nm transcription
Page 3b
Nm transcription
Page 4a
Nm transcription
Page 3a
Nm transcription
Page 4b
Nm transcription
Page 2b
Nm transcription
Page 5a
Nm transcription
Page 2a
Nm transcription
Page 5b
Nm transcription
Page 1b
Nm transcription
Page 6a
Nm transcription
Page 1a
Nm transcription
Trng Nhc
Tuyt Nng /
M Trng
o Xoa
o Nguyn
Disciple Nguyn
Dim vng
Qu tt
Th a
T To quan
Trng Lo / Gi
Thy php
Shaman
District Governor Trn Thng
Governor's Palace Officer
References
Nguyn Vn Sm, transliteration, commentaries, manuscript, 2007.
Nguyn Hin Tm, translation. Trng nhc truyn, Th vin
Khoa hc Tng hp Tp. HCM xut bn, Tp. HCM 2013 (for internal
circulation).
Page 26 Vietnamese tung The Tale of Trng the Butcher
Trng Nhc
Tuyt Nng /
M Trng
o Xoa
o Nguyn
Disciple Nguyn
Dim vng
Qu tt
Th a
T To quan
A pre-AAS workshop
Vietnamese Identities
sponsored by The Vietnam Studies Group
PROGRAM
Welcoming remarks
from the Center for Vietnamese Philosophy, Culture and Society and the
Vietnam Studies Group.
Panel 1: History and National Identity
Indigenous Democracy in Vietnamese Ancient Culture, Hi Hng Nguyn,
Ph.D. Candidate, School of Political Science and International Studies,
University of Queensland, Australia.
The historiography about Nguyn Hu and the Ty Sn period and the
condition of "disrupted modernity" of the modern Vietnamese nation, Nguyn
Quc Vinh, Harvard University, East Asian Languages and Civilizations.
The Past Doesn't Pass: Memory and Identity in Commemorating the War
Dead, Hoa T. Nguyn, Trent University.
"Because we are all compatriots": People's Diplomacy and the Vietnamese
in France during the Vietnam War, Nguyn Nguyt, American University.
Panel 2: Social and Cultural Identities
American Consumer Culture and its Impact on Identity in the Republic of
Vietnam in 1965, Helen Ph, University of Texas at Austin.
The Mixture of Film Styles and Questions of Identity in Contemporary
Vietnamese Cinema, Qu-H Hong Nguyn, School of Cinematic Arts,
University of Southern California.
Religious Place and Threads of Memory Through Time: The Dialogic
Construction(s) of Chm Identity at Po Klaung Garai, Dave Paulson, Ph.D.
candidate in Anthropology, Temple University.
Engaging with Vietnam: Meditations on Chm-Vietnamese historical
relations and developing the Intellectual Middle Ground, William Noseworthy,
Ph.D. candidate in History, University of Wisconsin, Madison.
Musical Interlude: Creativity and Traditional Music in Post-socialist
Vietnam, Alexander M. Cannon, Assistant Professor of Music
History/Ethnomusicology, Western Michigan University.
Panel 3: Nm Identities
Collective Visualization of the Three Kingdoms in Vietnam, Nam
Nguyn, Vietnam National University.
Reading of an excerpt from the Nm tung Trng nhc
truyn "The tale of Trng the Butcher," by Nguyn T Lan (Harvard Yenching
Institute) & Ng Thanh Nhn (Nm Studies, Temple University).
Trng the Butcher play: a preliminary research in comparative
literature perspective, by Nguyn T Lan (Institute of Hn Nm Studies &
Harvard Yenching Institute).
A revisit to Tam Thin T Gii m 1831: The first popular
Nm literacy textbook, L Mai Phng (independent, Nm Studies) & Ng
Thanh Nhn (Nm Studies, Temple University).
Sophia W Quinn-Judge
Associate Director
Email: [email protected]
SYNOPSIS
[Introduction] Trng the Zen Master passes away suddenly during
his meditation. He was captured by the Earth God and Marshall the
Devil to be taken to Hell for trial.
[Scene 1] The Zen Master was brought in front of the King of Hell.
The Underworld Clerk revealed that there are two persons with the
same last name Trng, and the warrant was intended for Trng the
Butcher. They captured the Butcher, and the Zen Master was
exonerated. Since his body was already cremated, the King of Hell
orders the Zen Master's soul to be placed in the Butchers body.
[Scene 2] Tuyt Nng finds her husband, Trng the Butcher, dead.
She asks her neighbor, elder Trng Lo, to help with the funeral,
and the shaman to perform the cleansing. The Butcher wakes up and
speaks like a monk. He tries to explain to Tuyt Nng but to no
avail. He then runs back to the pagoda.
[Scene 3] The Zen Master knocks on the temple gate. His two
disciples see the Butcher's face with their Master's voice. The Master
explains. The two skeptical disciples test him with secrets that only
the three of them know. The Zen Master passes the tests. Tuyt
Nng arrives and demands her husband back but they shut the gate
on her.
[Scene 4] Tuyt Nng sues the disciples. The District Governor Trn
Thng subpoenas the Zen Master and his disciples to court. Tuyt
Nng confirms that her husband is illiterate. The disciples confirm
that their Master is the only one who writes pagoda sacred texts. The
Governor orders the monk to compose a poem with the rhyme oan
[being falsely accused].
The Tale of Trng the Butcher ends here, perhaps to allow different
conclusions.
A pre-AAS workshop
Vietnamese Identities
sponsored by The Vietnam Studies Group
9:00 AM 5:30 PM March 26, 2014
Weigley Room, Gladfelter Hall, Temple University