Philippine Literature
Philippine Literature
Philippine Literature
Sabrie and Huey Pagaling with most of the prehistory, and the colonial legacy of the Philippines. Pre-Hispanic
Philippine literature were actually epics passed on from generation to generation originally through oral
tradition. However, wealthy families, especially in Mindanao were able to keep transcribed copies of these
epics as family heirloom. One such epic was the Darangen, epic of the Maranaos.
Contents
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5See also
6References
7See also
8External links
Nicanor Abelardo
Estrella Alfon
Francisco Arcellana
Liwayway A. Arceo
Francisco Balagtas
Lualhati Bautista
Carlos Bulosan
Linda Ty Casper
Gilda Cordero-Fernando
Genoveva Edroza-Matute
Zoilo Galang
N. V. M. Gonzalez
Nick Joaquin
F. Sionil Jos
Ambeth R. Ocampo
Jos Rizal
Alejandro R. Roces
Bienvenido Santos
Edilberto K. Tiempo
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Philippine literature in English has its roots in the efforts of the United States, then engaged in
a war with Filipino nationalist forces at the end of the 19th century. By 1901, public education was
institutionalized in the Philippines, with English serving as the medium of instruction. That year,
around 600 educators in the S.S. Thomas (the "Thomasites") were tasked to replace the soldiers
who had been serving as the first teachers. Outside the academe, the wide availability of reading
materials, such as books and newspapers in English, helped Filipinos assimilate the language
quickly. Today, 78.53% of the population can understand or speak English (see List of countries by
English-speaking population).
Contents
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4Contemporary Writers
5See also
6References
7External links
Jose Garcia Villa's Many Voices (1939) and Poems of Doveglion (1941);
Zoilo Galang's A Child of Sorrow (1921), the first Filipino novel in English, and Box of Ashes
and Other Stories (1925), the first collection of stories in book form;
"The Wound and the Scar" (1937) by Arturo Rotor, a collection of stories;
Manuel Arguilla's "How My Brother Leon Brought Home a Wife and Other Stories" (1941);
Galang's "Life and Success" (1921), the first volume of essays in English; and
Dramatic writing took a backseat due to the popularity of Filipino vaudeville (bodabil) and Tagalog
movies, although it was kept alive by the playwright Wilfredo Ma. Guerrero.
Carlos Bulosan
Linda Ty Casper
Gilda Cordero-Fernando
Amador Daguio
Ricaredo Serrano
N. V. M. Gonzalez
Sinai C. Hamada
Alejandrino Hufana
Dominador Ilio
Nick Joaquin
F. Sionil Jos
Virginia Moreno
Alejandro R. Roces
Bienvenido Santos
Edilberto K. Tiempo
Manuel A. Viray
Oscar de Zuiga
Fresh from studies in American universities, usually as Fulbright or Rockefeller scholars, a number
of these writers introduced New Criticism to the country and applied its tenets in literature classes
and writing workshops. In this way were born the Silliman National Writers Workshop.
A select group of local writers have also received the international Magsaysay Award, namely, F.
Sionil Jos, Nick Joaquin and Bienvenido Lumbera.