A Unique Drawing Experience
A Unique Drawing Experience
A Unique Drawing Experience
Summary:
Students (and teacher) will see how with just one set of directions, everyone in the
classroom will come up with very unique works of abstract art.
This lesson is based loosely on an exercise found in Drawing With Children, a
fabulous book written by Mona Brookes. If you don't already own this book,
consider buying it... it is truly fantastic.
Vocabulary:
draw, shapes, images, design, listen, understand, unique, identify, imagine,
arrange, line, straight, curve, circle, square, triangle, color, similar, different,
aware, hand, eye, sound, new
markers- fine and thick tip (or you can substitute crayons, pencil crayons or
pastels)
Teacher or parent will call out directions for their students and children.
Students should not look at one-another's work while doing this exercise.
Teacher can use the following directions or they can make up their own:
Once the drawings are complete, students should sign their work.
The work should be put on display in the classroom and a discussion should
take place.
Do the drawings look the same? Different? How are they similar? How are
they different? Why?
Come up with as many different sets of directions as you can. You will be
amazed at the unique qualities of all of the drawings.
Summary:
This lesson requires planning and problem solving, much like a math problem
or science experiment. Students will see that scribbles can become much
more.
Objectives:
This lesson requires planning and problem solving, much like a math problem
or science experiment. Students will see how a simple scribble can become
much more complicated.
What You Need:
Paper
Crayons or Markers
What You Do:
2.Tell the students that they will be making scribble pictures today, but these
scribble pictures have rules.
3.The first rule is: you can only use three colors. The second rule is: the same
color cannot share a "wall".
5.When it becomes obvious that the students understand the rules, allow them
to make their own scribble pictures. Emphasize that they should fill the paper
and make large enough spaces to color. No teeny, tiny scribbles.
NOTE: If the students don't adequately plan, they'll color themselves into a
corner where they can't use any of the three colors to fill a space. This is when
they'll have to learn how to "cheat" by adding a new line. I explain that
cheating in class or when playing a game is bad news but cheating in art is
called "creative problem solving" and once they learn how to do it, they should
teach a friend.
Extensions
Here are some ways to add even more interest to the lesson once the students
understand the technique. 1.Ask the students to only use primary, secondary
or monochromatic color schemes.
2.Have the students make scribbles using straight lines and angles.
3.Have groups of children cooperatively create a scribble picture mural.
4.Have students use the same rules to color "overlap" pictures.
5.Have students scribble using crayon, and then paint the spaces using
tempera or watercolors. Discuss why the paint doesn't bleed over the crayon
lines.
CREATIVE PRINCIPLES
Summary:
This is a series of simple design exercises to further understanding of the Principles
of Design and how each can be developed within a structured composition.
Time Frame:: Two to three weeks depending on age level, how often class meets,
length of class period, number of designs assigned, etc.
Objectives:
Students will:
8 1/2" x 11" white typing paper (cut into 4 1/4" x 5 1/2" rectangles)
dots, then lines, and finally, a combination of both. Each design should
illustrate at least three or more of the principles they have discussed. Stress
that, while designs need not necessarily fill the entire paper, they must be
complete and well developed as space is an important consideration. Also,
all designs must be totally abstract; no recognizable objects, shapes,
letters, numbers, symbols, etc. are allowed.
4. Discuss and establish some basic criteria for each group of designs. The
following work well for DOT DESIGNS (define a dot as the beginning of a
line, regardless of its size):
o
dots within each design should vary in size (change can be sudden or
gradual but is important for providing contrast, thereby avoiding
"chicken tracking").
dots may "follow the leader," touch, overlap, stack on top of each
other, run off the edge of the paper, etc.
lines should begin thin, grow in thickness and return to a thin line
again...or run off the paper (so they remain lines instead of
becoming shapes).
lines may be straight, curved, zigzag, twist; cross over, build on top
of or weave under and through each other, etc.
11.Allow students to select their best designs for putting up in a large display
area. Ask for volunteers or choose students to plan the arrangement and
put it all together.
Follow up Activity:
Introduce students to the abstract styles of several different artists including
Margo Hoff (Marathon, Street Music ), Piet Mondrian (Composition with Red,
Yellow and Blue), Jackson Pollock (Full Fathom Five, Autumn Rhythm), Mark
Tobey (Universal Field), and Henri Matisse (L'escargot, Beasts of the Sea, The
Wine Press, Sorrows of the King). After viewing and discussing examples of each,
have them create their own more complicated abstract design composition using
geometric as well as organic lines and shapes and unlimited color choices. Provide
a variety of medium, such as charcoal, India ink, colored pencil, oil pastels,
tempera paint, and an assortment of different kinds of paper. Encourage students
to use a combination of several of these. Have students write an evaluation of their
completed work using what they learned from studying the Principles of Design.
DOODLES
Summary:
This is a free-form drawing project that deals with the elements of design - colour,
line, shape, form and texture. Very wonderful detailed works of art can be
achieved by simply doodling. Have a look at the works of many great artists like
Joan Miro, Wassily Kandinsky and Paul Klee for inspiration.
Level: Junior
Grades: 3 -5 | Age: 8 - 11 yrs | Written by: Andrea Mulder-Slater
[Andrea is one of the creators of KinderArt.com.]
Summary:
Using paper, pencils, markers and some objects from around the home and
classroom, you and your students can create some fantastic patterns that will
astound and amaze. Note: Although this project is best suited for children ages 7
or 8 and up, you can also try it with the young ones, just keep in mind that you
will have to adapt the ideas accordingly.
Pencils
Magic markers
Round lids from various sized containers (margarine, yogurt, milk caps,
etc.) Be sure to have a nice variety available - ask the kids to bring round
items in from home. (Optional: compasses used for drawing circles can be
used instead of the container lids, making for a good tie-in to math).
Summary:
This is a terrific drawing lesson that gets the creative juices flowing. It is great as a
15 minute filler.
Pencils
Water paint
Paint brushes
2. Using your imagination, draw something you might see when you look
through outside, through the window. This could be anything from a tree to
a scary monster to a drag car to your best friend. Anything goes.
3. Using the crayons or oil pastels, trace over your pencil lines making sure to
press hard.
4. With a lot of water and a little bit of paint, cover your picture with a "wash"
of color.
5. Sign and display your work.