The Collective Unconscious and The Leontocephalus
The Collective Unconscious and The Leontocephalus
The Collective Unconscious and The Leontocephalus
A Rejoinder to Noll
Greg Mogenson
Letter to the Editor: Spring 56: A Journal of Archetype and Culture, Fall 1994, pp.
132-137. Slightly revised, 2002. All rights reserved
In
that prevented him from literally identifying himself with the Lion-headed
God of the Mithraic mysteries who he became in active imagination. Jung's
interest was in the experience, its form and transformative significance, not
in its Mithraic content per se.
5) It is unfortunate that Jung cited the spectacular example of the
Solar Phallus Man so frequently, for in doing so he may have unwittingly
seemed to set a precedent of evidence which was too stringent and too
literal to reflect the finer points of archetypal theory. To my mind, Jung's
amplification of the young man's dreams and visions in "Individual Dream
Symbolism in Relation to Alchemy" provides stronger evidence of the
archetypes of the collective unconscious because Jung is here more subtlety
focused on form, rather than content. The young man's dreams and visions
do not literally correspond to alchemy in the manner in which Jung's
fantasies corresponded to his Mithraic studies. The juxtaposition of the two
merely throws the common pattern playing through both into relief. In
reading this work we realize that although alchemy provides a particularly
rich source of amplifications, other amplificatory material could also have
been used. Surely "Individual Dream Symbolism in Relation to Alchemy" as
well as other works such as "The Visions Seminars," "A Study in the Process
of Individuation" etc., lighten the burden which Noll and Shamadansi would
have Solar Phallus Man bear.
6) Noll describes his paper as partaking of a new current in Jungian
scholarship, a current that moves from "idealization to humanization or
from hagiography to critical history." While such an effort can only be
welcomed as long overdue, I believe Noll oversteps his mandate when
applying his very interesting findings to Jung's theories. Just as the poet as
poet cannot be reduced to the banalities of the man as a man, so too for a
psychological theorist. The validity of a theory is not a function of its
author's history, but of its applicability to the phenomena that it seeks to
explain. This applicability, especially with regard to a hypothesis such as the
collective unconscious, can never be evaluated by personalistic historical
analysis, Jung's statement that all psychological theories, his own included,
have the character of a subjective confession notwithstanding. On this last
point, let us recall that Jung defined his psychology as a subjective
confession long before his confessional memoirs were conceived. Just as he
argued that it was not Goethe who created Faust, but Faust who created
Goethe, so we may argue that Jung was created by the ideas and theories
which we attribute to him and that if this is not appreciated both the man
and the work with be misperceived.
7) Noll makes much of the fact that Jung "followed the standard
position of his day and interpreted Mithra as a "solar deity," while recent
scholarship "suggests and even greater role for Mithras: that of
kosmokrater, ruler of the entire cosmos (p. 28). While Noll is doubtless
correct in his analysis of the influence of Jung's reading on his fantasies, I
think that Jung's Mithras was also something more than a solar deity. As an
archetypal image, the figure of Jung's imaginings pointed beyond itself to a
conceptual kosmokrater, the concept of the collective unconscious. This
concept, not the Mithra Leontocephalus, was Jung's God-term. This, I
believe, is an important point. The concept of the collective unconscious,
trans.
Walter