Laying Claim To Beirut - Urban Narrative and Spatial I.D in The Age of Solidere
Laying Claim To Beirut - Urban Narrative and Spatial I.D in The Age of Solidere
Laying Claim To Beirut - Urban Narrative and Spatial I.D in The Age of Solidere
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, non-commercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
http://www.jstor.org/action/showPublisher?publisherCode=ucpress.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact [email protected].
The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical
Inquiry.
http://www.jstor.org
Laying Clainl to Beirut:UrbanNarrativeand
SpatialIdentity in the Age of Solidere
SareeMakdisi
661
s
. : . .
FIC. l(a). What used to be Martyrs'Square, facing south; the statue has been re-
moved for renovation.The excavationin the foregroundis an archaeologicaldig. The re-
mainingbuildingsin the backroundmarkSolidere'ssouthernperimeter.Photo by author.
FIG. l(b). Postcardof Martyrs'Squarebefore the war,facing north. The street lamp
in the foreground(near the buses)is visiblein its postwarruinationin the photo in fig. 5.
662 SareeMakdisi Laying Claimto Beirut
s w s
I. Wz N
N ! [ i q
WiS1tg
Xters
3. See Kamal Salibi,A House of Many Mansions: The Hzstoryof Lebanon Reconsidered
(Berkeley,1988). "In all but name,"Salibiwrote during the war,"Lebanontoday is a non-
country.Yet,paradoxically,there has not been a time when the Muslimsand Christiansof
Lebanonhave exhibited, on the whole, a keener consciousnessof common identity,albeit
with somewhatdifferentnuances."Thus, he goes on to say,
The people of Lebanonremainas dividedas ever;the differencesamong them have
come to be reflected geographicallyby the effective cantonizationof their country,
and by massive population movementsbetween the Christianand Muslim areas
which have hardenedthe lines of division.In the continuingnationalstruggle,how-
ever,the centralissue is no longer the questionof the Lebanesenationalallegiance,
but the termsof the politicalsettlementwhichall sides to the conflict,certainlyat the
popularlevel, generallydesire.Disgracedand abandonedby the world,it is possible
that the Lebaneseare finallybeginningto discoverthemselves.[Pp. 2-3]
Now that the war has indeed ended, it has been argued that central Beirut should
serve as a site in which the spatializedsectarianismof the war could be deconstructedand
hence as a site in which a new sense of nationalidentitycould be given spatialexpression,
by,among other things,bringingtogether membersof the differentsects in a commonand
collectivelyreinventedarea.
CriticalInquiry Spring1997 667
6. See Beyhum et al., I'amarBeir7ltwa'lfursa al-da'i'a, pp. 15-25, esp. pp. 15-21.
7. See ibid., p. 16.
FIG. 5.- Martyrs'Square after the war but before the Solidere demolitions, facing
south; comparewith fig. l(a), which was taken from the same standpoint,to see the scale
of the demolitions.All the buildingsin the photo have been removed.Photo by author.
FIG. 6. Aerial photographof central Beirut followingthe war.Solidere'sperimeter,
markedby the largeboulevards,is clearlyvisible.Note the Normandielandfillat the north-
ern end of the photo; Placede l'Etoileand Martyrs'Squareare clearlyvisiblein the center.
Source:Solidere.
670 SareeMakdisi LayingClaimtoBeirut
::
*e
> . . .
* t s- P -swe ...,i
v44a
<1gw
Asi*s
FIG. 10. An artist'simpressionof the proposed 1991 plan. Source: Beyhum et al.,
Reconstructionof Beirut and the Lost Opportunity( 1992).
674 SareeMakdisi Laying Claimto Beir7lt
14.Seeibid.,p.l9.
15. Salaam,for one, points out that morebuildingswere destroyedby bulldozersthan
by the war.Accordingto Salaam,"I1y a eu plus d'immeublesdetruitspar les bulldozersque
par la guerre. En 1992, des constructionsbordaientencore la place des Martyrs.Elles ont
ete demoliesen six mois"(LeMonde,3 June 1995). Some cynics,in fact, assertthat much of
the fightingin the downtownarea duringthe warwas paid for in order to achieveas much
destructionas possible;Najah Wakeemhas made this allegationpubliclyon severalocca-
sions. Such viewsare certainlycynical,but given the manytwistsand turns of the war,they
cannotbe entirelyruled out of the question;in any case, manyseeminglyequallyimproba-
ble events have been substantiallydocumented.
16. The papers from this conferenceare collectedin Beyrouth.
CriticalInquiry Spring1997 675
pTg f /
l f H; .
! _
* a,,
;i'
*e
- v ^ . . ....
- m
l
| ! . .
--4 .
l
,
_::. £'.:._.
W S CYP:l
'..
X
_b.,=..._
1
..
.: :
S. :
X <
Q
i =
o Q
t cs .
ct o X
m: r
E r -o
Q < u:
:
h=
X Xt
=
.-.: to
=D =
N = o
X < o-h
'v - <
X 55
55 = mt
o < X
u: X t
= = o
; = Q
o .
wz *
C3 o -
o = oD
X f^=
u Q Q
w r
o Q t
r bl
X Q:
; .n
bt X *-
o f =
o X -
| Q i
- Q =
_V ,=Q F
^ (,
G C3
. , . .,,. . , . _
: - X
k __ ,,,,, S
tK+--iI . 6.
Q
m4 es C;
. z N s
S S,, ,
a
_
_ . 9
, .
C/D
_ .
U
.
_a v
.S
> t
! _, z 0 O s
U < s
* E S
|' | Q
* , o) <
f . - - bt
_ Q
._
$V E't:: 2E
xEE|a; {:f:N
--WS:: reX-isiEa-
FIC. 16. An archaeologicalsite in the oldest part of the city. Note the ancient city
wallsand the ruins of a Crusadercastle. Photo by author.
1..,1, |
1.'''...1..1..1,o,1 | .l g
project, which lies underneath and behind the various faSades and at
the level of infrastructure its greatest concern all along. In a sense, the
infrastructureprojectis at the heart of the matter here; it will be covered
up by faSades that may turn out to have a "Levantine"flavor but that
could just as easily have had no flavor at all (as with the original Dar
al-Handasahplan). Flavorin this context amounts to little more than a
marketing advantage, a way to sell the underlying infrastructure;the
company strategistquoted above goes on to say that the downtown'sar-
chaeological and architecturalpatrimonywill form an essential element
in the competition between the rebuilt center of Beirut and other re-
gional centers, such as Dubai, that offer a similartechnicalinfrastructure
but that lack Beirut'shistoricalrichnessand hence the kind of flavorthat
Solidere can lay claim to. "Wewill play this card,"he promises.
The reclaimed land, for instance, will require an impressiveinfra-
structureto protect it from the sea, consistingof submergedcaissonsand
a lagoon formed by artificial breakwaters.The new road network will
be backed up by a series of tunnels and extensive underground parking
facilities(for 40,000 cars).The centraldistrictwill have its own dedicated
underground power supply system. It will also have the most advanced
telecommunicationsinfrastructurein the world.The telecommunications
serviceswill allowfor high-speed data communications,transactionalda-
tabases, and of course international communicationsvia satellite earth
stationsand internationalsubmarinefiber-opticcable links. Beirut'sbasic
684 SareeMakdisi LayingClaimtoBeirut
2. Beirut?Or,a Cityzuithout
History?
Beforeresumingmyreadingof the overallSoliderescheme,I would
liketo dwellfor a momenton the "reconstruction" of the soukareaand
on whatit mighttell us aboutSolidere'speculiarrelationshipto history.
The soukprojectformspartof the firstphaseof the overallreconstruc-
tion effort.Phaseone is designedto set up two majormagnetsto draw
life backinto the centraldistrict the bankingareaaroundRiadal-Solh
Squareand Placede l'Etoile,and the soukarea.
I havealreadymentionedthat,evenfollowingthe releaseof a sketch
of a masterplan,it remainsunclearwhatthe newsoukwilllooklike.The
company'smostrecent(1995)informationbookletsaysthatthe attempt
behindthe "souk"projectis to "recapture a lifestyleformerlyidentified
withthe citycenterand re-createa marketplace wheremerchantspros-
per andallenjoyspendinglonghours"(IB, p. 25).Elsewherein thebook-
let, we are told that "theclearingof the old souks,whichaccompanied
the clearingand demolitionof buildingsand sitesin the BCDmandated
by the MasterPlan,pavedthe wayforreconstruction of thatdistrictover
an areaof 60,000squaremeters." Thisdistrict deliberately heavilydam-
aged,we willrecall,in the demolitionsof 1983and 1986and finallypul-
verizedin the summerof 1994 will, as the bookletgoes on to say,
"incorporate departmentstores,retailoutlets,supermarkets, theaters,of-
fices,exhibitionareas,residencesand parkingfacilities.The totalbuilt-
up surfaceareawillnear 130,000squaremeters"(IB, p. 17).Clearly,the
mostpressingquestionhereis not the one abouthowa collectionof Pizza
-[<% 4\ffi0l
... : ':...!
: .:,
.
,
; ; t00:, t' 9 - 8
Huts,Safeways,Walgreens,McDonald's, BodyShops,BurgerKings,Be-
nettons,Gaps,Blockbuster Videos,andTowerRecordsgatheredtogether
and given the benedictionof the termsouk will recaptureany lifestyle
otherthanthatof the postmodernshoppingmall,whichis clearlywhat
it wouldinevitablylook like,largelybecausethat'swhatit wouldbe. In
fact,all we knowis that,whilecallingitselfa souk,thisareacan amount
to nothingmorethana postmodernpasticheof the conceptof the souk.
Forhow,in anycase,couldone re-createsomethinglikea souk,whichis
not onlythe productof a long historicalprocessbut is alsocharacterized
andevendefinedby spontaneityand aboveall heterogeneity? Indeed,to
speakof planninga soukis somethingof a contradiction in terms.Thus,
thesouksubproject maybe takennotmerelyas symptomatic of thelarger
Solidereprojectbut as a synecdochefor it.
Solidere'spublicationsmakeuse of the languageof memoryand af-
fectto characterize whattheypromisewillbe theflavorof the newcentral
district.Butit seemsclearthatthe simulacral effectof the reconstruction
projectis to be achievedspecificallyand solelyin visual termsor, to be
precise,in termsof appearanceand faSade.Hencethe soukareawillbe
calleda soukbecauseit will(supposedly) somehowlooklikewhata souk
lookslike.Butwhatdoes a souklooklike?In particular, whatdid Beirut's
old souklooklike?
Suddenlya particularly strikingaspectof all this planningbecomes
quiteclear.Assumingall goeswellandthe soukgets"rebuilt," it willonly
be a matterof yearsbeforethe generationof Lebanesethatremembered
the old souk,the old Beirut,willbe gone.The souksand the old down-
townhavebeen gone since 1975,afterall;peopleof my owngeneration
canbarelyrememberwhattheywerelike,andanyonebornafter1970or
so can haveno ideaat all whatthe soukswerelike.(I myselfhaveonlya
fewsketchymemories.)Ofcourseone couldgo offto Tripolior Damascus
or Aleppoto see whatotherArabsouksare like,or to Istanbulor other
citiesin the regionto see whatotherLevantinesoukslook like;but it is
in the "nature" (if I mayuse thatlanguage)of souksthateachone hasits
distinctiveidentityand even that differentsouksin the samecity have
thelrownc.lstlnctlveldentltles.
Then whycallthis areaa souk?Whynotjust callit a shoppingdis-
trict,likeBaltimore's InnerHarboror othersuchprojectsin the U.S.and
Europe(of whichDisney'sU.S. historytheme park near Washington,
D.C., wouldhavebeen anothervariant),in whichtime and historyas
muchas more"material" objectsget commodifiedand effectivelyput up
for sale and consumption? Afterall,just as MTVand CNNjockeyfor
positionon Lebaneseairwaves,the streetsof Beirutare alreadywitness
to an astonishingproliferation of Americanglobalconsumer-culture out-
lets. Herethe logicof the simulacrum becomesalmostinescapable.Guy
Debord'sfamoussloganfromThe Societyof the Spectacle,"theimagehas
. ^
_s
sb
c!
&t_,,@.,
_1k!J__L
s _#J ->;i
-jll'ii !o4 !
;J_>_l : --a_' ^--
!!_D _! _ ;_1'-; J _wA,
v_._ .-_[
j>;
;Jt i= %
* !p S 5t| .tS
,sJ Ai.#H
I5J
^>_a
i sa j , 4_e
i Je_'. _Yi
'!,
#uJ _O
.1 sN
5 @
-_ 4_>_ L
=z1
!|S;45 -,. si.-E.
| v.aI
L!z;
) ! ,.,!E
_1-1 _ ; z;S, ^_ 1
,! , O J_ I- la;-.' i _,,J_
C__JLL
--A8 N, 'eu
S;; _^ ;-n
i,_-::SJ
L] 5
s *W i LJ l
#4 ,, S-u
] jzt<,J4u_,
_, ..........
| [S IWU _ fO;g FJ§!4 e
s j-t-i
FX
h>J @ t i S l;. i y 4 J,
j t
. eD',Ji
'*<\S;*S *
S; _t § tJIYSFJS
to p qi:vs
,. > i ewrsr.
iv)
<S;2NtlEW is
@y!g
' K,
e | _e;E _j
.j o2--
e_ _ z_ |
a
_
911 e15 ^z nl Q
eWl;SSg ) CLD,_- 2s Ay
FIG.20.-From one of the Soliderebooklets. Note how the photo has been inserted
into the margin and seems to protrude from underneath the text, an bunderneath"that
does not exist. Source:Solidere.
X :ffff;
tt ,j ; --> n
t, . :..
\..
..
:.. \\
.:}'Sw
.. w j .w)
s 4jssJ > ! t
; <> 694/i g t;>4 1 t>*gqsf
s < > r Ev
::
FIG.21. The cover of Beirut: Do WeKnow itt Note how the charactersare pointing
towardsone of Solideres own sketchesof Beirut as though it were real (see fig. 12). The
wordBeirut as it appearson the cover is the company'slogo. Source:Solidere.
:-t
si t ...
z-se.
* .., -*S
9jJ
_Ij _|:. . -. . * J£
sfts4Xs rJd Lia
... V; ; St z*d i_Si 4Cl_tl >ix
4 .
. .fP - ii
;j4*@s;2 si .,,_
_E z ,.+.'..
. i:".
,Wi fh
e -
waLrr . i -I
t >4gJ
......................... ; "- -
E -i w E F -S
; | gEr
X.. ,
t, ! ._ i 'R £z1 ",
:E @
_iS _ ^.ai W
eLL! . S r N
_ L
S E
r, 9.. X
i _ _
to get accessto the full "image"of the past (foras I say the pastis pre-
sentedonly in visualterms),you realizethatit'sonly a fragmentaryim-
age, a fragmentof a largerwholethathasdisappeared"underneath" the
weightof the "present"text, and that there is no "underneath" from
whichthe printappearsto protrudebecausethe text itselfis literallyas
wellas metaphorically depthless.
But undoubtedlythe most interestingof Solidere'sbookletsis the
one calledBeirut: Do WeKnozlJIt? This colorfullittlebookletseemsto be
aimedat ajuvenileaudience,givennot onlyits cartoonformatbutabove
all its storyline.Its premiseis thata littleboycalledFaridwantsto know
"whatthiscityis."He askshismotherto explain.Hereit is worthquoting
at somelengththe initialdialoguethatsetsup the storyline.
Whatis thiscity?
I wasinvolvedin organizingmythingsandhadnot been paying
attentionto whatFaridwasdoing.I lookedup at him.
Whatcity,Farid?
Thisone!
And he pointedto a photographalbumthathe had takenfrom
my table.I cranedmy neckto see wherehis fingerwaspointing.
That'sBeirut,Farid!
Beirut>!
-le$e *
tfet, k 12 [ii - _t_j
* .s = w .1 ._e -w
= ! L . s
^ . .
;^S_ .. 2SS
FIG. 22. Opening pages of BeiruZ: Do WeKnowIt? Note the postcard of Martyrs'
Squarein the top left; see fig. l(b). Source:Solidere.
690 SareeMakdisi Laying Claimto Beirut
; 0 -t -d j b St R tt - j -,; t V
_ .
FIG.23. Guidebookand map in Beirllt:Do WeKnowItt Note that the area that it
proposes to guide people through no longer exists except in such textual form. Near the
top right of the map, for example, note one of Solidere'sown artist'simpressionsof what
that area will look like a view reproducedin fig. 11. Source:Solidere.
29. Here it becomes importantto bear in mind the distinctionthat Jameson makes
betweenparodyand postmodernpastiche.See Jameson,Postmodernism, or,theCulturalLogXc
ofLateCapitalism,p. 17.
30. The latterquestion,the questionof history,I plan to take up in a differentessay,
"RememberingBeirut:The Space of Memoryand the Time of War."
31. GeorgesCorm,"LaReconstruction:Ideologieset paradoxes,"LesCahiers del'Orient
32-33 (1994):85.
32. Beyhumwrites:
Le role de l'Etatcommearbitreetait decrie par les promoteurssoit par ideologiesoit
pour realiserleur objectifa courtterme. La confusionentre interetspriveset interets
publicsqui etait symboliseepar l'ariveede Haririau pouvoiravec son equipe, sans
qu'ils demissionnentde leurs postes dans leurs firmes privees, risquaitd'aggraver
encore les problemesmeme si elle pouvaitfaciliterles choses. [Beyhum,"Beyrouth
au coeur des debats,"p. 103]
a _ C I |
S..He - .
o
z P. s-., | X8|
.... _ |
11|[i - "" F
i .D@. B w o o i
FIGS. 24-26. The futureas referent:the giant poster put up at the northernend of
Martyrs Squareto projectwhat the view is supposed to be like when the reconstructionis
complete. Photosby author.
FIG.25.
FIG.26.
37. Hardtand Negri argue that "capitalno longer has an outside in the sense that . . .
all productiveprocessesarise within capital itself and thus the productionand the repro-
duction of the entire social world take place within capital"(Hardt and Negri, Labor of
Dionysus,p. 15).
700 SareeMakdisi LayingClaimto Beirut
0::>:
:
FIG.27. Artist'simpressionof pedestrianstreet in new city center.Source:Solidere.
46.
This is becausethe ultimatelogic of restructuringis basedon the avoidanceof histor-
icallyestablishedmechanismsof social,economic,and politicalcontrolby the power-
holding organizations.Since most of these mechanismsof control depend upon
territorially-basedinstitutionsof society,escapingfrom the sociallogic embedded in
any particularlocale becomes the means of achievingfreedom in a space of flows
connected only to other power-holders,who share the social logic, the values, and
the criteria for performanceinstitutionalizedin the programsof the information
systemsthat constitutethe architectureof the space of flows.The emergenceof the
space of flowsactuallyexpressesthe disarticulationof place-basedsocietiesand cul-
tures from the organizationsof power and production that continue to dominate
societywithoutsubmittingto its control.In the end, even democraciesbecome pow-
erless confrontedwith the abilityof capitalto circulateglobally,of informationto be
transferredsecretly,of marketsto be penetratedor neglected,of planetarystrategies
of political-militarypower to be decided without the knowledgeof nations, and of
culturalmessagesto be marketed,packaged,recorded, and beamed in and out of
people'sminds. [IC, p. 349]
CriticalInquiry Spring1997 705