The document summarizes information about two contemporary guitar pieces: Undulations by Yori-aki Matsudaira and Tres Momentos Microtonales by Agustin Castilla-Avila. It provides background on the composers and describes the musical concepts behind the pieces. For Undulations, it explains how the piece has one unified process but also six different processes within that create sounds changing shape like waves. For Tres Momentos Microtonales, it shares that Castilla-Avila created his own microtonal system on standard guitar to explore microtonal music and used influences from Spanish and Arabic folk music.
The document summarizes information about two contemporary guitar pieces: Undulations by Yori-aki Matsudaira and Tres Momentos Microtonales by Agustin Castilla-Avila. It provides background on the composers and describes the musical concepts behind the pieces. For Undulations, it explains how the piece has one unified process but also six different processes within that create sounds changing shape like waves. For Tres Momentos Microtonales, it shares that Castilla-Avila created his own microtonal system on standard guitar to explore microtonal music and used influences from Spanish and Arabic folk music.
The document summarizes information about two contemporary guitar pieces: Undulations by Yori-aki Matsudaira and Tres Momentos Microtonales by Agustin Castilla-Avila. It provides background on the composers and describes the musical concepts behind the pieces. For Undulations, it explains how the piece has one unified process but also six different processes within that create sounds changing shape like waves. For Tres Momentos Microtonales, it shares that Castilla-Avila created his own microtonal system on standard guitar to explore microtonal music and used influences from Spanish and Arabic folk music.
The document summarizes information about two contemporary guitar pieces: Undulations by Yori-aki Matsudaira and Tres Momentos Microtonales by Agustin Castilla-Avila. It provides background on the composers and describes the musical concepts behind the pieces. For Undulations, it explains how the piece has one unified process but also six different processes within that create sounds changing shape like waves. For Tres Momentos Microtonales, it shares that Castilla-Avila created his own microtonal system on standard guitar to explore microtonal music and used influences from Spanish and Arabic folk music.
A Filipino guitarist, received his first training at the University
of Santo Tomas Conservatory of Music under the guidance of Ruben F. Reyes. In 2005, Joseph went to Japan to pursue his post-graduate studies focusing on contemporary guitar music with Norio Sato, a world renowned leader of the contemporary music group Ensemble Nomad, at the Elisabeth University of Music. Currently, he is a professor for guitar performance at the Sichuan Conservatory of Music in China. Joseph has performed in numerous concerts in Japan, Germany, China, Singapore, Thailand, Vietnam, and the Philippines, where he continues to inspire many by teaching in masterclasses and workshops. [email protected] http://www.josephperezmirandilla.tk
About the music
About the music
Undulations (Yori-aki Matsudaira) Waves grow, burst and change shape. Millions of droplets become one with the wave. And then each droplet changes shape again, energizing a new wave. This process is repeated, again and again. We hear something similar in the piece Undulations for solo guitar. As a whole, the piece has one unified process; at the same time, having six different processes, and within those sixty more processes exists; Sounds changing shape, like waves. -Yori-aki Matsudaira Yori-aki Matsudaira was born in Tokyo on March 1931. He studied biology at Tokyo Metropolitan University and was self-taught in both piano and composition. Throughout the span of his musical career he has employed various compositional techniques serialism, indeterminacy, combines and new modal music.
Tres Momentos Microtonales (Agustin Castilla-Avila)
Agustin Castilla-Avila is one of Spains prolific composers of his generation. He first began his career in music as a guitarist while composing on the side and eventually focusing more in composing later on. His works to date comprises of works for orchestra, solo instruments, chamber music and theatre music. Many years ago, during my guitar studies, I fell in love with microtonal music on the guitar. I wanted to play microtones but I could not afford either to get one of the existing microtonal guitars or to learn a special technique to play them. In addition, the repertoire for those instruments was very limited. So, mainly because of practical reasons, I created my own system on the ordinary guitar using six G strings tuned at sixths of a tone. By doing so, I dont only solve the problem of getting a new instrument or learning a special technique for it but also create a beautiful and very particular resonance having the different microtones on open strings. As a composer, I like very much to use this instrument as a bridge between folk and contemporary music. While in Tres Momentos Microtonales, one could hear strong influences between Southern Spain and Arabic Music; Sakura (dedicated to Joseph Mirandilla) is an arrangement of the Japanese Folksong. -Agustin Castilla-Avila