Script 9 Ilan Meyer
Script 9 Ilan Meyer
ILAN MEYER: “EVERYTHING YOU EVER WANTED TO KNOW ABOUT SEX (BUT WERE
AFRAID TO ASK)” (PLAINTIFFS' EXPERT)
Testimony as given in U.S. District Court on January 14, 2010
Speaking:
ILAN H. MEYER
CHRISTOPHER DUSSEAULT
Props needed:
DOCUMENTS BOUND TOGETHER THAT SERVE AS EVIDENCE.
reenactment Instructions
Thank you for downloading a Testimony script and taking your first step toward reen-
acting an excerpt from Perry v. Schwarzenegger, the federal Prop. 8 trial.
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TO BE READ ALOUD:
Hear ye, hear ye! The following scene is a re-enactment of Perry v.
Schwarzenegger, the Prop 8 trial heard in U.S. District Court. Dr. Ilan
Meyer, expert witness for the plaintiffs on the stigma and prejudice gays
and lesbians face in society, is under direct-examination by the
plaintiffs’ lawyer, Christopher Dusseault. The plaintiffs in this case are
two loving same-sex couples who simply want to marry, just as any
heterosexual couple in America has the right to do.
ILAN MEYER, PLAINTIFFS’ EXPERT ON STIGMA AND PREJUDICE GAY AND LESBIAN
INDIVIDUALS FACE IN SOCIETY:
This is a chapter from a book that I've relied on and that I've used in
teaching as an example of -- maybe I should say what the book is.
So, this is a chapter from a book that was published in the 60’s, late
60’s, and was a very popular book.
It was called, "Everything you Ever Wanted to Know About Sex (But Were
Afraid to Ask)."
So in this book there are different chapters that aim to educate the
public about different issues concerning sexuality. And this particular
chapter is concerning male homosexuality.
DUSSEAULT:
And this is a book that had wide distribution?
MEYER:
Absolutely.
DUSSEAULT:
Could we put up demonstrative 2, please.
(Document displayed)
DUSSEAULT:
I'm going to ask you about this, but what I would like to do is just read
the text into the record so it's clear what you're addressing.
MEYER:
May I explain something about this?
DUSSEAULT:
Of course.
MEYER:
I'm sorry. So the book is written in a question-and-answer format.
And, basically, the author goes through explaining sexual issues as if
there is a question that somebody is asking him about his opinion about
various sexual issues, and then he provides the answer. So this is an
excerpt of one of those question and answers.
DUSSEAULT:
Okay.
"What about all the homosexuals who live together happily for years?"
Is this text from this book an example of the stigma that you're talking
about, sir?
MEYER:
Yes, I think this is a very dramatic experience of what I was referring to
where, in this case, an educational book portrays the relationship
between, in this case, gay men
as -- with great disrespect. I would say ridicule and contempt. So that
was the kind of -- and one example of what I was referring to.
DUSSEAULT:
At what stage in life does stigma begin to affect gay men and lesbians?
MEYER:
Stigma really affects all people in society, because it is a social norm,
if you will. It is something that we all in society learn from a very
young age. It affects gay and lesbian -- this particular stigma affects
gay and lesbian -- sorry, gay men and lesbians in a particular way because
it is about something that is very pertinent to how they think about who
they are.
And, of course, the most available reference that they would have is the
kind of things that they have learned over their lifetime, over their
childhood -- socialization that we all have been exposed to.
engagement Instructions
A successful reenactment will have an audience — “witnesses” to the trial reenactment. In or-
der to have a successful reenactment and turn out a large number of witnesses, you need to set
a goal. After the reenactment, make sure to get signatures of the witnesses, this will all become
part of the story of the trial. Also please be sure to complete the enclosed form so we can grow the
movement. Each trial should set a minimum goal of signatures from 50 witnesses.
1. SET GOALS • Pick out key quotes from the Testimony and paint them
on large posters for all to see.
Just because it’s guerrilla theater does not mean that it’s
poorly planned. We are all actors with purpose. To help your • Grab noisemakers, bells, borrow a friend’s old bullhorn –
production team accomplish your mission, set a few com- don’t be afraid to be heard.
munity engagement goals prior to your reenactment:
• Ask your team to set witness signature goals. Commit to 3. THROW A PARTY!
gathering 50 WITNESS SIGNATURES from your com-
munity – signatures of people who watched your reen- Build community through these reenactments by inviting
actment and agree that Equality should never be put on the production team and witnesses to a potluck or house
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follow-up message to the witnesses in your community. that this trial lives on;
• Don’t make this a one-time production. Once you’ve put to- • Find out about the next phase of this historic campaign.
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out. Set a goal for your team, i.e. “we will keep doing reen-
actments until we collect 20 WITNESS SIGNATURES.”